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Recommended Texts
Bordwell, David. Narration in the Fiction Film. University of Wisconsin Press, 1989. ISBN: 0415018773.
Bordwell, David. On the History of Film Style. University of Wisconsin Press, 1992. ISBN: 0674634292.
Katz, Steven. Film Directing Shot by Shot Michael Weise Productions, 1992. ISBN: 0941188108.
Rieser, Martin, ed. New Screen Media: Cinema / Art / Narrative British Film Institute, 1999. ISBN: 0851708641.
Rush, Michael. New Media in Late 20th Century Art. Thames and Hudson, 2001. ISBN: 0500203296.
Van Abbemuseum, Stedelijk. Cinema Cinema: Contemporary Art and the Cinematic Experience. NAi Pubilshers, 1999. ISBN: 9070149710.
| 1 |
The Roots of Narrative: Lumiere vs. Melies |
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| 2 |
Video Narrative vs. Film Narrative |
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| 3 |
Documentary vs. Narrative |
Rush, Michael. Introduction in New Media in Late 20th Century Art. Thames and Hudson, 2001. ISBN: 0500203296.
Cooper, Pat, and Ken Dancyger. "The Experimental Drama." In Writing the Short Film. Focal Press, 1999. ISBN: 0240803698. |
| 4 |
Diaristic Narrative |
Russell, Catherine. "Autoethnography from Journeys of the Self." Chapter 10 in Experimental Ethnography . Duke University Press, 1999. ISBN: 0822323192.
Rabiger. "Developing Story Ideas." In Directing – Film Techniques and Aesthetics. Focal Press, 2003. ISBN: 0240805178. |
| 5 |
Presentations: Assignment #1: Variations on a Scene |
Bordwell, David. "Art-Cinema Narration." In Narration in the Fiction Film. University of Wisconsin Press, 1989. ISBN: 0415018773. |
| 6 |
Production In-class / Lighting and Re-staging |
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| 7 |
Oneiric Video (Dream Narrative)
Presentations: Assignment #1a: Re-staging |
Bordwell, David. "Parametric Narration." In Narration in the Fiction Film. University of Wisconsin Press, 1989. ISBN: 0415018773. |
| 8 |
Minimal Narrative
Presentations: Assignment #2: Dream Sequence Assignment Rough Cut |
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| 9 |
Beyond the Rules |
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| 10 |
Alternative Scriptwriting |
Dancyger, Ken and Jeff Rush. "Beyond the Rules." In Alternative Scriptwriting. Focal Press, 2001. ISBN: 0240804775. |
| 11 |
Editing
In-class Production: The Kuleshov Effect
Presentations: Assignment #2a: Re-editing of Dream Sequence |
Murch, Walter. In the Blink of an Eye. Silman-James Press, 2001. ISBN: 1879505622. |
| 12 |
Mise en Scene (Production In-class)
Presentations of Assignment #3: Slice of Life Mini-Narrative (Fictionalizing Reality) |
Bazin, Andre. What is Cinema? University of California Press, 1967. ISBN: 0520000927. |
| 13 |
Introduction to Assignment #4: Deconstructing Narrative
In-class Production |
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| 14 |
Individual Meetings |
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| 16 |
Introduction to Assignment #5: Final Project
Narrative Critique |
Mulvey, Laura. "Visual Pleasure and the Narrative Cinema." In Issues in Feminist Film Criticism. Edited by Patricia Erens. Indiana University Press, 1991. ISBN: 0253206103.
Wees, William. "Carrying On: Leslie Thornton, Su Friedrich, Abigail Child and American Avant-Garde Film in the Eighties." Canadian Journal of Film Studies , Volume 10, no. 1 (2002). |
| 17 |
In-class Production |
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| 18 |
Presentations: Rough Cuts and Assemblies, Dailies, for Final Project |
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| 19 |
Voice-over Narration and Audio Recording
Demo: FCP Voice-over, Miking Techniques
Presentations: Deconstructing Narrative Exercise or Works-in-Progress for Final Project |
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| 20 |
Presentations |
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| 21 |
Narrative Critique |
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| 22 |
The Game of Form
Presentations of Final Project Works-in-Progress |
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| 23 |
Voice-over Narration |
Kar-Wai, Wong. Excerpt from Chunking Express, DVD. Miramax Home Entertainment, 1994. |
| 24-26 |
Presentations: Assignment #5: Final Project Presentations |
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