This section contains documents that could not be made accessible to screen reader software. A "#" symbol is used to denote such documents.
The listening assignments for this class are presented on the listening and scores page. This page contains information about other types of coursework – notation, composition, transcription, and papers.
Student work is presented courtesy of the students, and used with permission.
Assignments files and student work.
| ASSIGNMENTS |
DESCRIPTIONS |
STUDENT WORK |
| Assignment 1 (PDF) |
Notation for three versions of Viderunt Omnes in chant |
|
| Assignment 2 |
A composition of Perotin style organum, or a motet |
"Motet of Joy and Fortune," by Hong Pruttivarasin (PDF)
|
| Assignment 3 (PDF) |
Transcription of Se per dureça |
|
| First paper (PDF) |
|
"The influence of Greek musical thought on early Western musical theory," by Charles Amick (PDF)
"Musical Variety of the Five Ars Antiqua Motets," by Hong Pruttivarasin (PDF)
|
| Assignment 4 |
Transcribe Missus ab arce |
|
| Assignment 5 (PDF) |
Questions about Morley’s Plaine and Easie Introduction |
|
| Assignment 6 |
Maids in Constrite worksheet |
|
| Second paper (PDF) |
Write a set of program notes of no less than ten pages length on a concert of early music works |
"Amore: Medieval and Renaissance Songs of Love" by Peter Lamb (PDF)#
"All Italian Early Music" by Hong Pruttivarasin (PDF)
|