<?xml version="1.0" encoding="utf-8"?><?xml-stylesheet title="XSL_formatting" type="text/xsl" href="../../style/rss10.xsl"?><rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns="http://purl.org/rss/1.0/" xmlns:dc="http://purl.org/dc/elements/1.1/"><channel rdf:about="http://ocw.mit.edu/OcwWeb/Media-Arts-and-Sciences/index.htm"><title>MIT OpenCourseWare: New Courses in Media Arts and Sciences</title><description>New courses in Media Arts and Sciences</description><link>http://ocw.mit.edu/OcwWeb/Media-Arts-and-Sciences/index.htm</link><dc:date>2009-07-02</dc:date><dc:publisher>MIT OpenCourseWare http://ocw.mit.edu</dc:publisher><dc:language>en-US</dc:language><dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/OcwWeb/web/terms/terms/index.htm</dc:rights><items><rdf:Seq><rdf:li rdf:resource="http://ocw.mit.edu/OcwWeb/Media-Arts-and-Sciences/MAS-110Fall-2008/CourseHome/index.htm" /><rdf:li rdf:resource="http://ocw.mit.edu/OcwWeb/Media-Arts-and-Sciences/MAS-632Fall-2008/CourseHome/index.htm" /><rdf:li rdf:resource="http://ocw.mit.edu/OcwWeb/Media-Arts-and-Sciences/MAS-963Fall-2008/CourseHome/index.htm" /><rdf:li rdf:resource="http://ocw.mit.edu/OcwWeb/Media-Arts-and-Sciences/MAS-160Fall-2007/CourseHome/index.htm" /><rdf:li rdf:resource="MAS-511Fall2007" /><rdf:li rdf:resource="MAS-511Fall2007" /></rdf:Seq></items></channel><item rdf:about="http://ocw.mit.edu/OcwWeb/Media-Arts-and-Sciences/MAS-110Fall-2008/CourseHome/index.htm"><title>MAS.110 Fundamentals of Computational Media Design (MIT)</title><description>Introduces principles of analysis and synthesis in the computational medium. Expressive examples that illustrate the intersection of computation with the traditional arts are developed on a weekly basis. Hands-on design exercises are continually framed and examined in the larger context of contemporary digital art. Limited enrollment.</description><link>http://ocw.mit.edu/OcwWeb/Media-Arts-and-Sciences/MAS-110Fall-2008/CourseHome/index.htm</link><dc:creator>Bove, V Michael</dc:creator><dc:creator>Vercoe, Barry</dc:creator><dc:creator>Small, David</dc:creator><dc:creator>Holtzman, Henry</dc:creator><dc:date>2009-06-25T04:43:04-04:00</dc:date><dc:relation>MAS.110</dc:relation><dc:language>en-US</dc:language><dc:subject>Media Arts and Sciences</dc:subject><dc:subject>Computer Programming, Specific Applications</dc:subject><dc:subject>Web Page, Digital/Multimedia and Information Resources Design</dc:subject><dc:subject>OLPC</dc:subject><dc:subject>XO laptop</dc:subject><dc:subject>web 2.0</dc:subject><dc:subject>internet design</dc:subject><dc:subject>modern art</dc:subject><dc:subject>storytelling</dc:subject><dc:subject>photography</dc:subject><dc:subject>web design</dc:subject><dc:subject>graphic design</dc:subject><dc:subject>analog vs digital art</dc:subject><dc:subject>media design</dc:subject><dc:subject>machine age</dc:subject><dc:subject>contemporary digital art</dc:subject><dc:subject>javascript</dc:subject><dc:subject>programming</dc:subject><dc:subject>design</dc:subject><dc:subject>typography</dc:subject><dc:subject>computational and traditional arts</dc:subject><dc:subject>computational media</dc:subject><dc:subject>synthesis</dc:subject><dc:subject>analysis</dc:subject><dc:publisher>MIT OpenCourseWare http://ocw.mit.edu</dc:publisher><dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/OcwWeb/web/terms/terms/index.htm</dc:rights></item><item rdf:about="http://ocw.mit.edu/OcwWeb/Media-Arts-and-Sciences/MAS-632Fall-2008/CourseHome/index.htm"><title>MAS.632 Conversational Computer Systems (MIT)</title><description>Interaction with computer systems by voice, including speech synthesis, recognition, and digital recording techniques. Emphasis on human interface design issues and interaction techniques to successfully exploit the speech medium for computer applications, including extensive reading from current research literature. Topics include human speech production and perception, isolated and connected speech recognition, text-to-speech synthesis algorithms, telephone technologies, parsers, and dialogue generation.</description><link>http://ocw.mit.edu/OcwWeb/Media-Arts-and-Sciences/MAS-632Fall-2008/CourseHome/index.htm</link><dc:creator>Schmandt, Christopher</dc:creator><dc:date>2009-06-23T03:03:46-04:00</dc:date><dc:relation>MAS.632</dc:relation><dc:language>en-US</dc:language><dc:subject>Media Arts and Sciences</dc:subject><dc:subject>voicemail</dc:subject><dc:subject>mobile applications</dc:subject><dc:subject>telephony</dc:subject><dc:subject>computer speech</dc:subject><dc:subject>computer voice</dc:subject><dc:subject>voice response</dc:subject><dc:subject>call center</dc:subject><dc:subject>voice recognition</dc:subject><dc:subject>voice messaging</dc:subject><dc:subject>audio browsing</dc:subject><dc:subject>comprehension</dc:subject><dc:subject>noise</dc:subject><dc:subject>coding</dc:subject><dc:subject>audio</dc:subject><dc:subject>digital speech</dc:subject><dc:subject>speech synthesis</dc:subject><dc:subject>voice synthesis</dc:subject><dc:subject>digital voice</dc:subject><dc:publisher>MIT OpenCourseWare http://ocw.mit.edu</dc:publisher><dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/OcwWeb/web/terms/terms/index.htm</dc:rights></item><item rdf:about="http://ocw.mit.edu/OcwWeb/Media-Arts-and-Sciences/MAS-963Fall-2008/CourseHome/index.htm"><title>MAS.963 Special Topics: Computational Camera and Photography (MIT)</title><description>A computational camera attempts to digitally capture the essence of visual information by exploiting the synergistic combination of task-specific optics, illumination, sensors and processing. In this couse we will study this emerging multi-disciplinary field at the intersection of signal processing, applied optics, computer graphics and vision, electronics, art, and online sharing through social networks. If novel cameras can be designed to sample light in radically new ways, then rich and useful forms of visual information may be recorded — beyond those present in traditional protographs. Furthermore, if computational process can be made aware of these novel imaging models, them the scene can be analyzed in higher dimensions and novel aesthetic renderings of the visual information can be synthesized.  We will discuss and play with thermal cameras, multi-spectral cameras, high-speed, and 3D range-sensing cameras and camera arrays. We will learn about opportunities in scientific and medical imaging, mobile-phone based photography, camera for HCI and sensors mimicking animal eyes. We will learn about the complete camera pipeline. In several hands-on projects we will build physical imaging prototypes and understand how each stage of the imaging process can be manipulated.  </description><link>http://ocw.mit.edu/OcwWeb/Media-Arts-and-Sciences/MAS-963Fall-2008/CourseHome/index.htm</link><dc:creator>Raskar, Ramesh </dc:creator><dc:date>2009-06-23T03:03:07-04:00</dc:date><dc:relation>MAS.963</dc:relation><dc:language>en-US</dc:language><dc:subject>Media Arts and Sciences</dc:subject><dc:subject>Computer Graphics</dc:subject><dc:subject>polarization</dc:subject><dc:subject>high-speed imaging</dc:subject><dc:subject>thermal imaging</dc:subject><dc:subject>3D imaging</dc:subject><dc:subject>multi-spectral</dc:subject><dc:subject>spectrum</dc:subject><dc:subject>lens</dc:subject><dc:subject>biomimetics</dc:subject><dc:subject>mblog</dc:subject><dc:subject>medical imaging</dc:subject><dc:subject>image reconstruction</dc:subject><dc:subject>image sensor</dc:subject><dc:subject>visual art image processing</dc:subject><dc:subject>digital imaging</dc:subject><dc:subject>digital photography</dc:subject><dc:subject>online photo</dc:subject><dc:subject>computer vision</dc:subject><dc:subject>Computer graphics</dc:subject><dc:subject>applied optics</dc:subject><dc:subject>signal processing</dc:subject><dc:publisher>MIT OpenCourseWare http://ocw.mit.edu</dc:publisher><dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/OcwWeb/web/terms/terms/index.htm</dc:rights></item><item rdf:about="http://ocw.mit.edu/OcwWeb/Media-Arts-and-Sciences/MAS-160Fall-2007/CourseHome/index.htm"><title>MAS.160 Signals, Systems and Information for Media Technology (MIT)</title><description>Fundamentals of signals, systems, and information theory with emphasis on modeling both the audio/visual message and the human recipient. Linear systems, difference equations, Z-transforms, sampling and sampling rate conversion, convolution, filtering, modulation, Fourier analysis, entropy, noise, Shannon's fundamental theorems. Additional topics may include data compression, filter design, and feature detection. Meets with graduate subject MAS.510, but assignments differ.</description><link>http://ocw.mit.edu/OcwWeb/Media-Arts-and-Sciences/MAS-160Fall-2007/CourseHome/index.htm</link><dc:creator>Bove, V Michael</dc:creator><dc:creator>Picard, Rosalind</dc:creator><dc:date>2009-06-23T02:57:03-04:00</dc:date><dc:relation>MAS.160</dc:relation><dc:relation>MAS.511</dc:relation><dc:relation>MAS.510</dc:relation><dc:language>en-US</dc:language><dc:subject>Media Arts and Sciences</dc:subject><dc:subject>Audiovisual Communications Technologies/Technicians, Other</dc:subject><dc:subject>digital signal processing</dc:subject><dc:subject>signal processing</dc:subject><dc:subject>DSP</dc:subject><dc:subject>error correction</dc:subject><dc:subject>coding</dc:subject><dc:subject>communication channel</dc:subject><dc:subject>information theory</dc:subject><dc:subject>communications theory</dc:subject><dc:subject>communications system</dc:subject><dc:subject>noise</dc:subject><dc:subject>impulse response</dc:subject><dc:subject>filter response</dc:subject><dc:subject>filter</dc:subject><dc:subject>frequency response</dc:subject><dc:subject>IIR</dc:subject><dc:subject>z-transform</dc:subject><dc:subject>DTFT</dc:subject><dc:subject>DFT</dc:subject><dc:subject>FFT</dc:subject><dc:subject>reconstruction</dc:subject><dc:subject>aliasing</dc:subject><dc:subject>basis sets. Sampling theorem</dc:subject><dc:subject>Walsh functions</dc:subject><dc:subject>orthogonality</dc:subject><dc:subject>FM</dc:subject><dc:subject>frequency modulation</dc:subject><dc:subject>Fourier series</dc:subject><dc:subject>AM</dc:subject><dc:subject>amplitude modulation</dc:subject><dc:subject>Spectrum plot</dc:subject><dc:subject>spectrum</dc:subject><dc:subject>digitial photography</dc:subject><dc:subject>photography</dc:subject><dc:subject>digital video</dc:subject><dc:subject>digital audio</dc:subject><dc:subject>digital media</dc:subject><dc:subject>A/V</dc:subject><dc:subject>video</dc:subject><dc:subject>visual</dc:subject><dc:subject>audio</dc:subject><dc:publisher>MIT OpenCourseWare http://ocw.mit.edu</dc:publisher><dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/OcwWeb/web/terms/terms/index.htm</dc:rights></item><item rdf:about="MAS-511Fall2007"><title>MAS.511 Signals, Systems and Information for Media Technology (MIT)</title><description>Fundamentals of signals, systems, and information theory with emphasis on modeling both the audio/visual message and the human recipient. Linear systems, difference equations, Z-transforms, sampling and sampling rate conversion, convolution, filtering, modulation, Fourier analysis, entropy, noise, Shannon's fundamental theorems. Additional topics may include data compression, filter design, and feature detection. Meets with graduate subject MAS.510, but assignments differ.</description><link>http://ocw.mit.edu/OcwWeb/Media-Arts-and-Sciences/MAS-160Fall-2007/CourseHome/index.htm</link><dc:creator>Bove, V Michael</dc:creator><dc:creator>Picard, Rosalind</dc:creator><dc:date>2009-06-23T02:57:03-04:00</dc:date><dc:relation>MAS.160</dc:relation><dc:relation>MAS.511</dc:relation><dc:relation>MAS.510</dc:relation><dc:language>en-US</dc:language><dc:subject>Media Arts and Sciences</dc:subject><dc:subject>Audiovisual Communications Technologies/Technicians, Other</dc:subject><dc:subject>digital signal processing</dc:subject><dc:subject>signal processing</dc:subject><dc:subject>DSP</dc:subject><dc:subject>error correction</dc:subject><dc:subject>coding</dc:subject><dc:subject>communication channel</dc:subject><dc:subject>information theory</dc:subject><dc:subject>communications theory</dc:subject><dc:subject>communications system</dc:subject><dc:subject>noise</dc:subject><dc:subject>impulse response</dc:subject><dc:subject>filter response</dc:subject><dc:subject>filter</dc:subject><dc:subject>frequency response</dc:subject><dc:subject>IIR</dc:subject><dc:subject>z-transform</dc:subject><dc:subject>DTFT</dc:subject><dc:subject>DFT</dc:subject><dc:subject>FFT</dc:subject><dc:subject>reconstruction</dc:subject><dc:subject>aliasing</dc:subject><dc:subject>basis sets. Sampling theorem</dc:subject><dc:subject>Walsh functions</dc:subject><dc:subject>orthogonality</dc:subject><dc:subject>FM</dc:subject><dc:subject>frequency modulation</dc:subject><dc:subject>Fourier series</dc:subject><dc:subject>AM</dc:subject><dc:subject>amplitude modulation</dc:subject><dc:subject>Spectrum plot</dc:subject><dc:subject>spectrum</dc:subject><dc:subject>digitial photography</dc:subject><dc:subject>photography</dc:subject><dc:subject>digital video</dc:subject><dc:subject>digital audio</dc:subject><dc:subject>digital media</dc:subject><dc:subject>A/V</dc:subject><dc:subject>video</dc:subject><dc:subject>visual</dc:subject><dc:subject>audio</dc:subject><dc:publisher>MIT OpenCourseWare http://ocw.mit.edu</dc:publisher><dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/OcwWeb/web/terms/terms/index.htm</dc:rights></item><item rdf:about="MAS-511Fall2007"><title>MAS.511 Signals, Systems and Information for Media Technology (MIT)</title><description>Fundamentals of signals, systems, and information theory with emphasis on modeling both the audio/visual message and the human recipient. Linear systems, difference equations, Z-transforms, sampling and sampling rate conversion, convolution, filtering, modulation, Fourier analysis, entropy, noise, Shannon's fundamental theorems. Additional topics may include data compression, filter design, and feature detection. Meets with graduate subject MAS.510, but assignments differ.</description><link>http://ocw.mit.edu/OcwWeb/Media-Arts-and-Sciences/MAS-160Fall-2007/CourseHome/index.htm</link><dc:creator>Bove, V Michael</dc:creator><dc:creator>Picard, Rosalind</dc:creator><dc:date>2009-06-23T02:57:03-04:00</dc:date><dc:relation>MAS.160</dc:relation><dc:relation>MAS.511</dc:relation><dc:relation>MAS.510</dc:relation><dc:language>en-US</dc:language><dc:subject>Media Arts and Sciences</dc:subject><dc:subject>Audiovisual Communications Technologies/Technicians, Other</dc:subject><dc:subject>digital signal processing</dc:subject><dc:subject>signal processing</dc:subject><dc:subject>DSP</dc:subject><dc:subject>error correction</dc:subject><dc:subject>coding</dc:subject><dc:subject>communication channel</dc:subject><dc:subject>information theory</dc:subject><dc:subject>communications theory</dc:subject><dc:subject>communications system</dc:subject><dc:subject>noise</dc:subject><dc:subject>impulse response</dc:subject><dc:subject>filter response</dc:subject><dc:subject>filter</dc:subject><dc:subject>frequency response</dc:subject><dc:subject>IIR</dc:subject><dc:subject>z-transform</dc:subject><dc:subject>DTFT</dc:subject><dc:subject>DFT</dc:subject><dc:subject>FFT</dc:subject><dc:subject>reconstruction</dc:subject><dc:subject>aliasing</dc:subject><dc:subject>basis sets. Sampling theorem</dc:subject><dc:subject>Walsh functions</dc:subject><dc:subject>orthogonality</dc:subject><dc:subject>FM</dc:subject><dc:subject>frequency modulation</dc:subject><dc:subject>Fourier series</dc:subject><dc:subject>AM</dc:subject><dc:subject>amplitude modulation</dc:subject><dc:subject>Spectrum plot</dc:subject><dc:subject>spectrum</dc:subject><dc:subject>digitial photography</dc:subject><dc:subject>photography</dc:subject><dc:subject>digital video</dc:subject><dc:subject>digital audio</dc:subject><dc:subject>digital media</dc:subject><dc:subject>A/V</dc:subject><dc:subject>video</dc:subject><dc:subject>visual</dc:subject><dc:subject>audio</dc:subject><dc:publisher>MIT OpenCourseWare http://ocw.mit.edu</dc:publisher><dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/OcwWeb/web/terms/terms/index.htm</dc:rights></item></rdf:RDF>