|Part I: Book History|
|1||Introduction–Posing Questions|| |
[B&B] pp. 1–12.
McLuhan, Marshall. "The Medium is the Message." In Understanding Media: The Extensions of Man. MIT Press, 1994, pp. 7–21. ISBN: 9780262631594.
Heilbroner, Robert L. "Do Machines Make History?," and "Technological Determinism Revisited." In Does Technology Drive History? The Dilemma of Technological Determinism. Edited by Merritt Roe Smith and Leo Marx. MIT Press, 1994, pp. 53–78. ISBN: 9780262691673. [Preview with Google Books]
Browse "Book History Timeline Outline" on From Cave Paintings to the Internet.
|2||Rethinking the "Gutenberg Revolution" I: The European Context|| |
Duffy, Eamon. "Early Christian Impresarios." New York Review of Books, March 2007.
Saenger, Paul. "Silent Reading: Its Impact on Late Medieval Script and Society." Viator 13 (1982): 367–414.
Clanchy, Michael T. "Looking Back from the Invention of Printing." In Literacy in Historical Perspective. Edited by Daniel P. Resnick. For sale by the Supt. of Docs., 1983, pp. 7–22. ISBN: 9780844404103.
Grafton, Anthony, Elizabeth Eisenstein, et al. "Forum: How Revolutionary Was the Print Revolution?" The American Historical Review 107, no. 1 (2002): 84–6.
[B&B] "Printing in its Contexts," and "The Media and the Public Sphere in Early Modern Europe," pp. 13–90.
Browse 1086 Domesday Book. The National Archives.
McKie, Robin and Vanessa Thrope. "Digital Domesday Book Lasts 15 Years Not 1000." The Observer, March 2, 2002.
Video (in-class): The Making of the Renaissance Book.
|3||Rethinking the "Gutenberg Revolution" II: Examples from China and Japan|| |
Browse the overviews of Chinese and Japanese history on the Asia for Educators.
McDermott, Joseph P. "The Making of an Imprint in China, 1000–1800." In A Social History of the Chinese Book: Books and Literati Culture in Late Imperial China. Hong Kong University Press, 2006, pp. 9–42. (notes 196–211). ISBN: 9789622097827.
———. "Book History in Pre-Modern China: The State of the Discipline I." Book History 10 (2007): 253–90.
Reed, Christopher A. "Gutenberg and Modern Print Culture: The State of the Discipline II." Book History 10 (2007): 291–315.
Kamei-Dyche, Andrew T. "The History of Books and Print Culture in Japan: The State of the Discipline." Book History 14 (2011): 270–304.
Chartier, Roger. "Gutenberg Revisited from the East." Late Imperial China 17, no. 1 (1996): 1–9.
Wing-Chow, Kai. "Reinventing Gutenberg: Woodblock and Movable-Type Printing in Europe and China." In Agent of Change: Print Culture Studies After Elizabeth L. Eisenstein. Edited by Sabrina Alcorn Baron, Eric N. Lindquist, and Eleanor F. Shevlin. University of Massachusetts Press, 2007, pp. 169–92. ISBN: 9781558495937. [Preview with Google Books]
|4||Menocchio and Qian Jinren Compared|| |
McDermott, Joseph P. "Literati Writings and the Case of Qian Jinren." In A Social History of the Chinese Book: Books and Literati Culture in Late Imperial China. Hong Kong University Press, 2006, pp. 1–7 (notes: 195) and pp. 171–94 (notes 253–61). ISBN: 978-9622097827. [Preview with Google Books]
|Part II: Visuality and Media|
|5||A Visit to the MFA Department of Prints, Drawings and Photographs|| |
[B&B] pp. 91–178.
|6||Page and Stage to the Late Nineteenth Century||Peters, Julie Stone. The Theater of the Book 1480-1880: Print, Text, and Performance in Europe. Oxford University Press, 2001, pp. 1–90, 147–200 and 257–312. ISBN: 9780198187141.|
|7||Conceptualizing Change in Visual Media|| |
Technology and Enlightenment: The Mechanical Arts in Diderot's Encyclopédie. Browse web site, including videos by Smentek and Ravel.
|8||Early Film|| |
Schwartz, Vanessa. "Cinematic Spectatorship Before the Apparatus: The Public Taste for Reality in Fin-de-siècle Paris." In Cinema and the Invention of Modern Life. Edited by Leo Charney, and Vanessa Schwartz. University of California Press, 1996, pp. 297–319. ISBN: 9780520201125.
Musser, Charles. "At the Beginning: Motion Picture Production, Representation and Ideology at the Edison and Lumière Companies." pp. 15-30. [Preview with Google Books]
Gunning, Tom. "Now You See it, Now You Don't: The Temporality of the Cinema of Attractions." pp. 41–50. [Preview with Google Books]
Abel, Richard. "The Cinema of Attractions in France." pp. 63–75. [Preview with Google Books]
Musser, Charles. "Moving Towards Fictional Narratives: Story Films Become the Dominant Product, 1903–1904." pp. 87–102. [Preview with Google Books]
Singer, Ben. "Manhattan Nickleodeons: New Data on Audiences." pp. 119–34. [Preview with Google Books]
Pearson, Roberta E., and William Uricchio. "How Many Times Shall Caesar Bleed in Sport: Shakespeare and the Cultural Debate About Moving Pictures." pp. 155–68. [Preview with Google Books]
[B&B] pp. 179–236.
|Part III: The "Digital Revolution" in Historical Perspective|
|9||Histories of Information Management|| |
Browse "Destruction of Information," "Indexing and Searching Information," and "Survival of Information" on From French Cave Paintings to the Internet.
Blair, Ann, and Peter Stallybrass. "Mediating Information, 1450–1800." In This is Enlightenment. Edited by Clifford Siskin, and William Warner. University Of Chicago Press, 2010, pp. 139–63. ISBN: 9780226761480.
Krajewski, Markus. "Part II: Around 1900." In Paper Machines: About Cards and Catalogues, 1548-1929. MIT Press, 2011, pp. 87–142. (notes on 165-78). ISBN: 9780262015899. [Preview with Google Books]
[R&G] pp. 96–247. Browse earlier chapters.
[B&B] pp. 237–74.
|10||Historicizing the Internet|| |
[B&B] pp. 275–302.
In-class video: A Bridge of Books: The Story of the National Yiddish Book Center