There are three paper assignments for this course:
Describe and analyze the many different "ways of the warriors" that emerge in the assigned readings for the course (Tales of Heike, Suzuki, and other readings of this unit), as well as in Seven Samurai and Forty-Seven Rônin. In what ways did the warrior ideal change over time - beginning with the 12th century war in which the Heike clan was destroyed, evolving through literary romantizations and Zen ideals and practices, and culminating in 17th century pronouncements of proper behavior by warriors who no longer had any wars to fight? How did the "47 Rônin" incident reveal contradictory aspects of samurai ideals and behavior? And in what ways do the films, as well as the historical record, reveal that warrior behavior as a whole was riddled with contradictions?
Drawing particularly on your readings in McCullough, Suzuki (chapters 1-2 and 8-10), and the other readings for this unit, as well as the films (Ugetsu, Onibaba, and Sen no Rikyû) and presentations in class, what generalizations can be made about the nature of "spiritual and supernatural worlds" as seen in everyday life and expression at all levels of society? You should take care to make distinctions among
Discuss the theme of "worlds of pleasure, worlds of pain" as seen in the tensions and contradictions that existed between ideals (and realities) of harmony and pleasure on the one hand and, on the other hand, the institutionalized values and practices that often caused hardship and suffering in interpersonal relations. Your analysis should give particular attention to the importance of class, status - and, particularly, gender - as illuminated in the assigned writings (especially Chikamatsu's love-suicide puppet play, Saikaku's stories, McCullough's selection from Lady Nijô, and the texts on women read for class) and related films (Utamaro and His Five Women, Double Suicide, Life of Oharu, and Samurai Rebellion). You may wish to note discrepancies between original texts and films ostensibly based on these texts where such differences are present in a significant way (notably, in the film treatments of Chikamatsu and Saikaku). This should be done, however, only in ways pertinent to your basic themes.