Prof. Irving Singer
This course is a seminar on the philosophical analysis of film art, with an emphasis on the ways in which it creates meaning through techniques that define a formal structure. There is a particular focus on aesthetic problems about appearance and reality, literary and visual effects, communication and alienation through film technology.
Singer, Irving. 24.213 Philosophy of Film, Fall 2004. (MIT OpenCourseWare: Massachusetts Institute of Technology), http://ocw.mit.edu/courses/linguistics-and-philosophy/24-213-philosophy-of-film-fall-2004 (Accessed). License: Creative Commons BY-NC-SA