| ACTIVITIES | PERCENTAGES |
|---|---|
| Attendance and class participation | 30% |
| One close reading of a passage from Medea, 5 pages. This will be revised. | 15% |
| One 5 page paper | 20% |
| An essay review | 15% |
| Group presentation | 20% |
Lectures: 2 sessions / week, 1.5 hours / session
Drama might be described as a game played with something sacred. It tells stories that go right to the heart of what people believe about themselves. And it is enacted in the moment, which means it has an added layer of interpretive mystery and playfulness, or "theatricality." This course will explore theater and theatricality across periods and cultures, through intensive engagement with texts and with our own readings.
At the end of the course, the student will have a general overview of dramatic movements and ideas across countries and historical periods, a sense of how to write about these ideas in relation to specific texts, and a sense of why drama matters to them.
Worthen, W. B. The Wadsworth Anthology of Drama. Brief 5th ed. Florence, KY: Thompson Wadsworth, 2007. ISBN: 9781413029192.
Elam, Keir. The Semiotics of Theatre and Drama. London, UK and New York, NY: Methuen young books, 1980. ISBN: 9780416720501. [Preview a version of this book in Google Books.]
Concise Oxford English Dictionary. 11th revised ed. New York, NY: Oxford University Press, 2008 (Hardcover). ISBN: 9780199548415.
Over the course of the semester, you will asked to do the following:
| ACTIVITIES | PERCENTAGES |
|---|---|
| Attendance and class participation | 30% |
| One close reading of a passage from Medea, 5 pages. This will be revised. | 15% |
| One 5 page paper | 20% |
| An essay review | 15% |
| Group presentation | 20% |
Plagiarism—use of another's intellectual work without acknowledgement—is a serious offense. It is the policy of the Literature Faculty that students who plagiarize will receive an F in the subject, and that the instructor will forward the case to the Committee on Discipline. Full acknowledgement for all information obtained from sources outside the classroom must be clearly stated in all written work submitted. All ideas, arguments, and direct phrasings taken from someone else's work must be identified and properly footnoted. Quotations from other sources must be clearly marked as distinct from the student's own work. For further guidance on the proper forms of attribution, consult the style guides available at the Writing and Communication Center and the MIT Web site on Plagiarism.
| WEEK # | TOPICS | KEY DATES |
|---|---|---|
| 1 | Overview; questions, introductions, close reading | |
| 2 |
Euripides, "Medea" (431 BCE) Aristotle, "Poetics" Elam, "Semiotics of Theatre and Drama" |
|
| 3 |
Kan'ami, "Matsukaze" (14 c.) Zeami, "A Mirror Held to the Flower" (1424) |
Medea close reading due, 5 pages |
| 4 | Chushingura, "The Forty-Seven Samurai" (18c.) | |
| 5 |
Everyman (1495) bring a theatre review to discuss in class Everyman workshop Medea paper in class |
|
| 6 |
Calderón, "Life is a Dream" (1636) Sor Juana Inés de la Cruz, "Loa to the Divine Narcissus" (1687) |
Medea revision due |
| 7 | Wilde, "The Importance of Being Earnest" (1895) | |
| 8 | Chekhov, "The Cherry Orchard" (1904) | 5-pp paper based on weekly comment/question due |
| 9 | Shaw, "Major Barbara" (1905) | |
| 10 |
Brecht, "Theatre for Pleasure or Theatre for Instruction" Artaud, "The Theater and Its Double" Amiri Baraka, "The Revolutionary Theatre" (p. 824) |
Presentation proposals due |
| 11 | Glaspell, "Trifles" (1916) | |
| 12 | Chuchill, "Cloud Nine" (1980) | Play review due |
| 13 |
Kane, "Blasted" (1995) Presentations |
|
| 14 |
Last class Papers returned Evaluations Ideas for the future |