Introduction to Musical Composition

Words like thermovoltaic cell set to a rhythm pattern.

Some examples of using speech patterns to generate additive rhythms and mixed meters, from Assignment 5. (Examples by Prof. Brian Robison.)

Instructor(s)

MIT Course Number

21M.065

As Taught In

Fall 2005

Level

Undergraduate

Cite This Course

Course Features

Course Description

Through a progressive series of composition projects, this course investigates the sonic organization of musical works and performances, focusing on fundamental questions of unity and variety. Aesthetic issues are considered in the pragmatic context of the instructions that composers provide to achieve a desired musical result, whether these instructions are notated in prose, as graphic images, or in symbolic notation. No formal training is required. Weekly listening, reading, and composition assignments draw on a broad range of musical styles and intellectual traditions, from various cultures and historical periods.

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Robison, Brian. 21M.065 Introduction to Musical Composition, Fall 2005. (MIT OpenCourseWare: Massachusetts Institute of Technology), http://ocw.mit.edu/courses/music-and-theater-arts/21m-065-introduction-to-musical-composition-fall-2005 (Accessed). License: Creative Commons BY-NC-SA


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