Traditions in American Concert Dance: Gender and Autobiography

Portrait of Martha Graham and Bertram Ross, faces touching, in 'Visionary recital', June 27, 1961.

Martha Graham had a strong influence on modern dance through her choreography. Here, she performs in "Visionary." (Image courtesy of Library of Congress, Prints and Photographs Division, Van Vechten Collection, reproduction number LC-USZ62-106859.)

Instructor(s)

MIT Course Number

21M.670 / SP.591J

As Taught In

Spring 2008

Level

Undergraduate

Cite This Course

Course Description

This course explores the forms, contents, and context of world traditions in dance that played a crucial role in shaping American concert dance. For example, we will identify dances from an African American vernacular tradition that were transferred from the social space to the concert stage. We will explore the artistic lives of such American dance artists as Katherine Dunham, Pearl Primus, and Alvin Ailey along with Isadora Duncan, Martha Graham, George Balanchine, and Merce Cunningham as American dance innovators. Of particular importance to our investigation will be the construction of gender and autobiography that lie at the heart of concert dance practice, and the ways in which these qualities have been choreographed by American artists.

Archived Versions

Blanco, Melissa. 21M.670 Traditions in American Concert Dance: Gender and Autobiography, Spring 2008. (MIT OpenCourseWare: Massachusetts Institute of Technology), http://ocw.mit.edu/courses/music-and-theater-arts/21m-670-traditions-in-american-concert-dance-gender-and-autobiography-spring-2008 (Accessed). License: Creative Commons BY-NC-SA


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