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Topics in the Avant-Garde in Literature and Cinema
OCW Master Course Number
21G.031J
OCW Linked Course Number
4.608J
Spring 2003
OCW_LOMv1.0
Author
Scribner, Charity
2020-12-28
OCW Course Topics
Fine Arts
Visual Arts
Film and Video
OCW Course Topics
Fine Arts
Art History
OCW Course Topics
Humanities
Literature
Comparative Literature
OCW Course Topics
Social Science
Anthropology
Cultural Anthropology
contents/index.htm.xml
Topics in the Avant-Garde in Literature and Cinema
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Topics in the Avant-Garde in Literature and Cinema
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Syllabus
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Readings
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Lecture Notes
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Document9
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Document2
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Document5
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Document11
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Document6
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Document1
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Document7
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Document3
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Assignments
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04 Paul Wood
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02 Futurists
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03 Eisenstein
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The Story of The Eyeball
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08 Kitcsch
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Avant Garde vs. Moderism
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01 Modernity and Modernization
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06 Manifestos
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Legal Notices
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Privacy Statement
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Trademark Notices
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contents/index.htm.xml
contents/lecture-notes/MIT21G_031JS03_lecture5.pdf.xml
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contents/21g-031js03-th.jpg.xml
contents/assignments/MIT21G_031JS03_4paulwood.pdf.xml
contents/lecture-notes/MIT21G_031JS03_lecture2.pdf.xml
contents/readings/index.htm.xml
contents/assignments/MIT21G_031JS03_2futurists.pdf.xml
contents/syllabus/index.htm.xml
contents/lecture-notes/MIT21G_031JS03_lecture7.pdf.xml
contents/lecture-notes/index.htm.xml
contents/assignments/MIT21G_031JS03_1modernity.pdf.xml
contents/lecture-notes/MIT21G_031JS03_lecture10.pdf.xml
contents/assignments/MIT21G_031JS03_avantvsmod.pdf.xml
contents/assignments/MIT21G_031JS03_thestoryey.pdf.xml
contents/21g-031js03.jpg.xml
contents/lecture-notes/MIT21G_031JS03_lecture6.pdf.xml
PK A$Q~3! 21g-031j-spring-2003/ReadMe.txtThis zip package contains the HTML pages and files associated with the course.
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PK Q4}SQB QB 4 21g-031j-spring-2003/contents/21g-031js03-th.jpg.xml
21g-031js03-th.jpg
Digital recreation of Kasimir Malevich's Black Square and Red Square. (Image courtesy of Daniel Bersak. Used with permission.)
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OCW_LOMv1.0
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2020-12-28
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This site (c) Massachusetts Institute of Technology 2020. Content within individual courses is (c) by the individual authors unless otherwise noted. The Massachusetts Institute of Technology is providing this Work (as defined below) under the terms of this Creative Commons public license ("CCPL" or "license") unless otherwise noted. The Work is protected by copyright and/or other applicable law. Any use of the work other than as authorized under this license is prohibited. By exercising any of the rights to the Work provided here, You (as defined below) accept and agree to be bound by the terms of this license. The Licensor, the Massachusetts Institute of Technology, grants You the rights contained here in consideration of Your acceptance of such terms and conditions.
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OCW Master Course Number
21G.031J Topics in the Avant-Garde in Literature and Cinema Spring 2003
21G.031 examines the terms "avant garde" and "Kulturindustrie" in French and German culture of the early twentieth century. Considering the origins of these concepts in surrealist and dadaist literature, art, and cinema, the course then expands to engage parallel formations across Europe, particularly in the former Soviet Union. Emphasis on the specific historical conditions that enabled these interventions. Guiding questions are these: What was original about the historical avant-garde? What connections between art and revolution did avant-garde writers and artists imagine? What strategies did they deploy to meet their modernist imperatives? To what extent did their projects maintain a critical stance towards the culture industry? Surveying key interventions in the fields of poetry, painting, sculpture, photography, film, and music, the readings also include signal moments in critical thought of the last century. Figures to be considered are: Adorno, Aragon, Bataille, Beckett, Brecht, Breton, Bürger, Duchamp, Eisenstein, Ernst, Jünger, Greenberg, Kandinsky, Malevich, Mayakovsky, and Tzara. Taught in English, but students are encouraged to consult original sources when possible.
CIP
160101
Foreign Languages and Literatures, General
LCSH
Avant-garde (Aesthetics)
LCSH
Experimental films
21G.031J
21G.031
4.608J
4.608
avante garde
kulturindustrie
germany
asia
latin america
africa
europe
culture
consumer
history
politics
Adorno
Aragon
Bataille
Beckett
Brecht
Breton
B?rger
Duchamp
Eisenstein
Ernst
J?nger
Greenberg
Kandinsky
Malevich
Mayakovsky
Tzara
cinema
movies
film
music
literature
French culture
German culture
20th century
twentieth century
surrealism
dadaism
art history
France
art movements
futurism
21F.031J
4.608J
21F.031
4.608
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