1 00:00:00,499 --> 00:00:01,900 PROFESSOR: Think. 2 00:00:01,900 --> 00:00:04,720 How does one understand the passage of time? 3 00:00:04,720 --> 00:00:07,490 How do we understand the evolution of humanity's most 4 00:00:07,490 --> 00:00:10,160 dynamic invention, the city? 5 00:00:10,160 --> 00:00:12,120 Look closely and carefully. 6 00:00:12,120 --> 00:00:15,310 Try to see how the layers of history have accumulated. 7 00:00:15,310 --> 00:00:17,290 Cities are the products of the actions 8 00:00:17,290 --> 00:00:20,180 of millions of people and countless decisions, 9 00:00:20,180 --> 00:00:22,700 public and private. 10 00:00:22,700 --> 00:00:26,870 How do all the pieces, styles, and times fit together? 11 00:00:26,870 --> 00:00:28,320 How does one understand processes 12 00:00:28,320 --> 00:00:34,040 as trends, at once part of the past and of the future? 13 00:00:34,040 --> 00:00:36,600 And how will the new fit into the fabric 14 00:00:36,600 --> 00:00:39,390 when it loses that newness? 15 00:00:39,390 --> 00:00:43,300 In a place as old as Cambridge, what's a dormitory today 16 00:00:43,300 --> 00:00:47,260 might easily have played host to critical junctures in history. 17 00:00:47,260 --> 00:00:49,690 Without understanding our surroundings, 18 00:00:49,690 --> 00:00:52,570 we can only inhabit the present. 19 00:00:52,570 --> 00:00:56,107 Signs may reveal that which is all but forgotten 20 00:00:56,107 --> 00:00:56,690 and invisible. 21 00:00:59,230 --> 00:01:02,310 That which may seem eternal like a river 22 00:01:02,310 --> 00:01:05,390 may be subject to great change. 23 00:01:05,390 --> 00:01:07,830 On our own campus, the Great Dome's date stone 24 00:01:07,830 --> 00:01:11,070 recalls its own construction, while the columns that support 25 00:01:11,070 --> 00:01:14,420 it allude to things far older. 26 00:01:14,420 --> 00:01:17,030 Preserving the past is often impossible. 27 00:01:17,030 --> 00:01:20,920 All around MIT and the region as a whole, construction sites 28 00:01:20,920 --> 00:01:24,230 testify to the constant destruction and remaking 29 00:01:24,230 --> 00:01:26,150 of the city. 30 00:01:26,150 --> 00:01:28,850 Even when structures stand the test of time, 31 00:01:28,850 --> 00:01:31,190 the ways of life that they represent 32 00:01:31,190 --> 00:01:34,375 and that they once enabled are often irrevocably lost. 33 00:01:37,770 --> 00:01:42,640 In Fort Point, fading signs for leather and metal manufacturing 34 00:01:42,640 --> 00:01:47,200 advertise services that have long since departed. 35 00:01:47,200 --> 00:01:50,650 Across the channel in the city's financial district, 36 00:01:50,650 --> 00:01:53,760 economic trends such as the need for office space 37 00:01:53,760 --> 00:01:56,010 may be too great to save more than the facade 38 00:01:56,010 --> 00:01:58,070 of an old warehouse. 39 00:01:58,070 --> 00:02:01,620 At street level, the walking city is preserved, 40 00:02:01,620 --> 00:02:05,820 but tall buildings now rise above the old mansard roofs. 41 00:02:05,820 --> 00:02:09,014 Why do office towers sprout in the center of the hub? 42 00:02:09,014 --> 00:02:13,170 Will spaces of work always dominate downtowns? 43 00:02:13,170 --> 00:02:16,430 What processes might disrupt the practice? 44 00:02:16,430 --> 00:02:18,620 And how will the city adapt? 45 00:02:18,620 --> 00:02:20,760 Adaptation is after all everywhere. 46 00:02:20,760 --> 00:02:23,210 This street in Beacon Hill, for example, 47 00:02:23,210 --> 00:02:25,900 was laid out more than a century before the invention 48 00:02:25,900 --> 00:02:27,470 of the car. 49 00:02:27,470 --> 00:02:30,910 What could have preceded the proliferation of parking here 50 00:02:30,910 --> 00:02:33,310 along the waterfront? 51 00:02:33,310 --> 00:02:36,120 In the Back Bay, signs and symbols 52 00:02:36,120 --> 00:02:38,630 share space on a single structure, 53 00:02:38,630 --> 00:02:41,920 institutions giving way to the pervasive social process 54 00:02:41,920 --> 00:02:43,820 of shopping. 55 00:02:43,820 --> 00:02:47,210 How can you read the past and the present 56 00:02:47,210 --> 00:02:50,060 here on Newbury Street? 57 00:02:50,060 --> 00:02:53,600 Signs of the past, signs of the future, 58 00:02:53,600 --> 00:02:57,000 are visible in all parts of the city. 59 00:02:57,000 --> 00:02:59,600 With old maps in hand and a keen eye, 60 00:02:59,600 --> 00:03:03,440 one can sense the trends that propel the city's development 61 00:03:03,440 --> 00:03:07,710 and reason out whether they'll continue to stretch and flex 62 00:03:07,710 --> 00:03:12,410 or with the right force applied snap completely. 63 00:03:12,410 --> 00:03:15,400 You can read the traces of the past, a history 64 00:03:15,400 --> 00:03:18,910 of the city that is visible, and can be communicated, 65 00:03:18,910 --> 00:03:22,810 photographed, and assembled into a meaningful form. 66 00:03:22,810 --> 00:03:25,300 As you walk the streets and alleys, 67 00:03:25,300 --> 00:03:28,780 it should become clear history is not only 68 00:03:28,780 --> 00:03:30,050 to be found in books. 69 00:03:30,050 --> 00:03:32,800 [MUSIC PLAYING]