WEBVTT 00:00:00.040 --> 00:00:02.410 The following content is provided under a Creative 00:00:02.410 --> 00:00:03.790 Commons license. 00:00:03.790 --> 00:00:06.030 Your support will help MIT OpenCourseWare 00:00:06.030 --> 00:00:10.100 continue to offer high quality educational resources for free. 00:00:10.100 --> 00:00:12.680 To make a donation, or to view additional materials 00:00:12.680 --> 00:00:16.426 from hundreds of MIT courses, visit MIT OpenCourseWare 00:00:16.426 --> 00:00:17.050 at ocw.mit.edu. 00:00:20.474 --> 00:00:22.390 PROFESSOR: This is going to be really informal 00:00:22.390 --> 00:00:25.630 and you can try and follow along if you want. 00:00:25.630 --> 00:00:29.350 I'm just going to show you my basic workflow from Illustrator 00:00:29.350 --> 00:00:33.650 to After Effects to Premiere and some important, 00:00:33.650 --> 00:00:35.358 I guess basic tools that you might use. 00:00:38.090 --> 00:00:38.840 This is Elizabeth. 00:00:38.840 --> 00:00:40.430 OK. 00:00:40.430 --> 00:00:41.110 I just started. 00:00:41.110 --> 00:00:44.600 We finally got everything set up. 00:00:44.600 --> 00:00:50.702 I don't know how to make it any better. 00:00:53.395 --> 00:00:53.895 OK. 00:00:58.170 --> 00:01:00.430 So first thing is creating your new canvas. 00:01:00.430 --> 00:01:05.370 So if you open up Illustrator, it's just File New. 00:01:05.370 --> 00:01:08.520 You can name it whatever you want. 00:01:08.520 --> 00:01:11.970 And then the profile is going to be automatically set 00:01:11.970 --> 00:01:16.440 to one of the options, but I adjust the width and the height 00:01:16.440 --> 00:01:21.220 to match the screen size of the video that we capture. 00:01:21.220 --> 00:01:24.219 Which is usually 1920 by 1080 pixels. 00:01:24.219 --> 00:01:26.010 So you want to make sure the width is 1920, 00:01:26.010 --> 00:01:30.350 the height is 1080, and the units are pixels. 00:01:30.350 --> 00:01:35.571 And you can keep the color mode and the pixel grid the same. 00:01:35.571 --> 00:01:37.030 And you press OK. 00:01:37.030 --> 00:01:42.490 And your screen should look something like this. 00:01:42.490 --> 00:01:45.110 And this is just the drawing surface 00:01:45.110 --> 00:01:46.360 on which you're going to work. 00:01:52.617 --> 00:01:54.450 Do you guys want to follow along or should I 00:01:54.450 --> 00:01:59.110 just keep going from here? 00:01:59.110 --> 00:01:59.610 Nod. 00:02:02.580 --> 00:02:05.340 AUDIENCE: How about-- sorry, can you go through just 00:02:05.340 --> 00:02:07.060 like drawing a single shape. 00:02:07.060 --> 00:02:11.054 And then maybe draw a person's face 00:02:11.054 --> 00:02:13.524 and then export it out of Illustrator 00:02:13.524 --> 00:02:17.760 and then animate it in After Effects and save the movie? 00:02:17.760 --> 00:02:19.176 PROFESSOR: That's what-- yeah, OK. 00:02:19.176 --> 00:02:19.530 Yeah. 00:02:19.530 --> 00:02:20.180 AUDIENCE: Oh, is that what you're going to do? 00:02:20.180 --> 00:02:21.079 PROFESSOR: Yeah. 00:02:21.079 --> 00:02:21.620 AUDIENCE: OK. 00:02:21.620 --> 00:02:21.780 Sorry. 00:02:21.780 --> 00:02:22.280 Go ahead. 00:02:22.280 --> 00:02:23.014 PROFESSOR: Yeah. 00:02:23.014 --> 00:02:24.480 No worries. 00:02:24.480 --> 00:02:27.060 So this is just going over some basic tools. 00:02:27.060 --> 00:02:30.210 I like expanding the right tool panel 00:02:30.210 --> 00:02:33.300 just so I can see everything, especially the layers. 00:02:33.300 --> 00:02:36.550 That's a tool I use a lot. 00:02:36.550 --> 00:02:39.310 Basic tools that you're going to use are the paint brush. 00:02:39.310 --> 00:02:42.400 This is how you mimic writing on your tablet 00:02:42.400 --> 00:02:46.840 so you can mimic your handwriting. 00:02:46.840 --> 00:02:54.850 You can draw basic shapes with this, but they appear as lines. 00:02:54.850 --> 00:02:56.960 So everything in Illustrator is a vector. 00:02:56.960 --> 00:02:58.080 So this is a solid object. 00:03:02.640 --> 00:03:07.280 And then if you want to make shapes, 00:03:07.280 --> 00:03:09.100 there's a rectangle tool over here 00:03:09.100 --> 00:03:14.060 and you can hold down on it and find other shapes. 00:03:14.060 --> 00:03:17.210 And then you can just drag to place it. 00:03:17.210 --> 00:03:19.200 If you want to change the border color, 00:03:19.200 --> 00:03:23.490 or the color of an individual line, you can click on this. 00:03:23.490 --> 00:03:25.720 This is stroke color. 00:03:25.720 --> 00:03:30.190 Double click and it'll just give you a full-color spectrum. 00:03:30.190 --> 00:03:31.490 You can select anything. 00:03:31.490 --> 00:03:33.570 And if you want to change the fill-- right now, 00:03:33.570 --> 00:03:36.150 the fill, the white box with the red line through it 00:03:36.150 --> 00:03:39.520 means that it's transparent. 00:03:39.520 --> 00:03:44.645 But you can choose any color you want and change the shape. 00:03:47.160 --> 00:03:48.890 If you want to draw a free-form shape, 00:03:48.890 --> 00:03:53.830 the pencil tool will connect lines to make 00:03:53.830 --> 00:03:55.630 a potentially solid object. 00:03:55.630 --> 00:03:57.630 So if you want to make an irregular 00:03:57.630 --> 00:04:02.840 polygon or some other shape, the pencil tool automatically 00:04:02.840 --> 00:04:05.550 connects them even if you don't completely draw them together. 00:04:05.550 --> 00:04:09.107 You can also redraw lines sometimes 00:04:09.107 --> 00:04:10.690 if you draw them in the same direction 00:04:10.690 --> 00:04:12.340 that you originally did. 00:04:12.340 --> 00:04:16.648 So you can adjust the border of a shape slightly. 00:04:20.870 --> 00:04:21.709 What else? 00:04:21.709 --> 00:04:28.060 The black selection tool can help you select entire objects. 00:04:28.060 --> 00:04:30.127 You highlight-- 00:04:30.127 --> 00:04:30.960 AUDIENCE: I'm sorry. 00:04:30.960 --> 00:04:31.543 PROFESSOR: No. 00:04:31.543 --> 00:04:33.454 No worries. 00:04:33.454 --> 00:04:34.620 Is it not recording? 00:04:34.620 --> 00:04:35.661 AUDIENCE: No, it was not. 00:04:38.694 --> 00:04:41.110 PROFESSOR: Do you want me to do a Quicktime recording just 00:04:41.110 --> 00:04:41.609 as backup? 00:04:41.609 --> 00:04:43.168 AUDIENCE: Yes, as a backup. 00:04:53.130 --> 00:04:56.090 PROFESSOR: OK. 00:04:56.090 --> 00:05:02.440 So the black selection arrow can help you select entire objects 00:05:02.440 --> 00:05:05.470 or you can drag to select groups of objects. 00:05:05.470 --> 00:05:08.450 The white selection arrow, you can select individual points 00:05:08.450 --> 00:05:09.060 on objects. 00:05:09.060 --> 00:05:14.740 So you can select a point on the path and then move it around. 00:05:14.740 --> 00:05:18.930 So you can warp a line that already exists. 00:05:18.930 --> 00:05:21.345 And change its direction and things like that. 00:05:24.830 --> 00:05:30.260 The eyedropper tool is useful if you-- 00:05:30.260 --> 00:05:36.581 let's say I took a paint brush and I had a specific stroke 00:05:36.581 --> 00:05:37.080 weight. 00:05:37.080 --> 00:05:43.260 I had a specific color that I was using 00:05:43.260 --> 00:05:48.420 to draw a circle or a spiral. 00:05:48.420 --> 00:05:57.920 And then I reverted back to black at one point, 00:05:57.920 --> 00:06:02.790 but I want to go back to that size and color. 00:06:02.790 --> 00:06:05.870 The eyedropper tool will hold both those informations. 00:06:05.870 --> 00:06:07.730 So if I just eyedropper that, then it 00:06:07.730 --> 00:06:10.750 will turn blue and in 8-point brush. 00:06:10.750 --> 00:06:13.270 But if I eye-drop the block, then it'll go back to 1-point 00:06:13.270 --> 00:06:14.450 in black. 00:06:14.450 --> 00:06:16.330 So it just saves you some time if you 00:06:16.330 --> 00:06:18.490 want to completely recreate something. 00:06:18.490 --> 00:06:22.630 The last thing that's important in Illustrator is layers. 00:06:22.630 --> 00:06:28.930 I usually divide up my project based on types of objects. 00:06:28.930 --> 00:06:30.840 So if I was doing this from scratch, 00:06:30.840 --> 00:06:32.320 I would probably put all the stuff 00:06:32.320 --> 00:06:35.590 I drew with a paint brush on one layer and all the shapes 00:06:35.590 --> 00:06:38.180 on a separate layer. 00:06:38.180 --> 00:06:40.720 You create a new layer just by clicking this new little page 00:06:40.720 --> 00:06:41.820 here. 00:06:41.820 --> 00:06:44.130 And it's basically just a way to group objects 00:06:44.130 --> 00:06:48.960 and manipulate them independently from each other. 00:06:48.960 --> 00:06:56.296 So, for example, I will move this square into layer one. 00:06:56.296 --> 00:06:57.920 And I'll those animate using layer two. 00:07:03.010 --> 00:07:08.760 And you can toggle a lock on each layer. 00:07:08.760 --> 00:07:10.800 So if I put a lock on layer one, that 00:07:10.800 --> 00:07:13.600 means I can't do anything to these objects, 00:07:13.600 --> 00:07:15.530 like I can't manipulate them accidentally. 00:07:15.530 --> 00:07:19.540 And the eyeball triggers whether you can see it or not. 00:07:19.540 --> 00:07:23.550 So sometimes you want to draw something in one layer 00:07:23.550 --> 00:07:26.030 and then you create a couple more on top of it, 00:07:26.030 --> 00:07:28.470 and you don't want to see the original one. 00:07:28.470 --> 00:07:30.220 And I usually name my layers something 00:07:30.220 --> 00:07:33.790 to remind me what they are for the purposes of After Effects. 00:07:33.790 --> 00:07:37.720 Just so it's less confusing when I get there. 00:07:37.720 --> 00:07:39.840 So this would be text. 00:07:39.840 --> 00:07:42.086 And layer two will be rectangle. 00:07:48.054 --> 00:07:50.470 That's pretty much all there is to know about Illustrator. 00:07:50.470 --> 00:07:54.400 You can save the files. 00:07:54.400 --> 00:07:58.760 It'll save as a .ai, which is important when you animate 00:07:58.760 --> 00:08:00.500 something. 00:08:00.500 --> 00:08:06.170 Save it somewhere where you're going to remember where it is. 00:08:06.170 --> 00:08:09.514 And you can just keep the default settings. 00:08:09.514 --> 00:08:11.180 So here's where it's going to branch off 00:08:11.180 --> 00:08:15.050 if you want a still transparent image over your video 00:08:15.050 --> 00:08:16.990 or an animation. 00:08:16.990 --> 00:08:19.070 If you just want a still transparent image, 00:08:19.070 --> 00:08:22.120 you can draw it in Illustrator like this. 00:08:22.120 --> 00:08:25.670 Just click File, Export. 00:08:25.670 --> 00:08:28.780 And it'll automatically go to PNG. 00:08:28.780 --> 00:08:33.549 Click Use Artboards because that preserves the screen dimensions 00:08:33.549 --> 00:08:36.390 that you specified in the beginning. 00:08:36.390 --> 00:08:37.740 And you click Export. 00:08:37.740 --> 00:08:39.590 And it'll give you this pop up window 00:08:39.590 --> 00:08:42.490 and here is where you can choose whether you 00:08:42.490 --> 00:08:48.880 want a white background, a black background, or a transparent. 00:08:48.880 --> 00:08:51.670 Which is really nice if you just want a text overlay 00:08:51.670 --> 00:08:53.350 on your video because you automatically 00:08:53.350 --> 00:08:57.930 have an image with vector art in it, or vector words, 00:08:57.930 --> 00:09:00.580 and a transparent background. 00:09:00.580 --> 00:09:03.490 And you can just click OK, and then your image 00:09:03.490 --> 00:09:04.420 will be exported. 00:09:04.420 --> 00:09:06.140 I think mine's in my downloads folder. 00:09:06.140 --> 00:09:06.700 Yeah. 00:09:06.700 --> 00:09:10.100 Just as a PNG file, which you can import into iMovie 00:09:10.100 --> 00:09:13.840 or Premiere or Final Cut Pro. 00:09:13.840 --> 00:09:16.640 And overlay it just like another video track or an image. 00:09:19.930 --> 00:09:23.180 That is everything for Illustrator. 00:09:23.180 --> 00:09:25.062 So I will close that. 00:09:28.850 --> 00:09:33.125 Now, if you want to animate, animate 00:09:33.125 --> 00:09:37.190 in After Effects most likely. 00:09:37.190 --> 00:09:38.880 You can also learn Flash animation, 00:09:38.880 --> 00:09:42.680 but that's a different concept behind it. 00:09:46.500 --> 00:09:51.780 So the way to start a composition in After Effects 00:09:51.780 --> 00:09:56.570 and import your images that you started in Illustrator. 00:09:56.570 --> 00:09:58.160 You exit out of the initial window 00:09:58.160 --> 00:10:01.630 when it asks you to create a new composition because we're 00:10:01.630 --> 00:10:05.090 going to just import our files from Illustrator 00:10:05.090 --> 00:10:06.930 as a new composition. 00:10:06.930 --> 00:10:11.040 So you just double click in the project window 00:10:11.040 --> 00:10:13.664 and it'll give you a pop-up window that says Import File. 00:10:13.664 --> 00:10:15.330 I'm sure there's another way to do this, 00:10:15.330 --> 00:10:18.830 but this is just how I was taught. 00:10:18.830 --> 00:10:22.640 You can probably go File Open or something like that. 00:10:22.640 --> 00:10:27.430 Go to wherever you saved your Illustrator file, 00:10:27.430 --> 00:10:30.490 enable all acceptable files, and then import it 00:10:30.490 --> 00:10:33.460 as a composition. 00:10:33.460 --> 00:10:38.620 That just means it will process each layer in your Illustrator 00:10:38.620 --> 00:10:41.505 file as a different layer in your composition, which 00:10:41.505 --> 00:10:43.380 will be important when it comes to animating. 00:10:46.280 --> 00:10:50.230 And then from here, you can alter your Composition 00:10:50.230 --> 00:10:50.730 Settings. 00:10:59.180 --> 00:11:01.651 And you can name your composition. 00:11:01.651 --> 00:11:03.150 It will automatically adopt the name 00:11:03.150 --> 00:11:05.600 that you named your Illustrator file. 00:11:05.600 --> 00:11:07.440 You can customize the width and the height, 00:11:07.440 --> 00:11:09.690 which should be the same dimensions that you specified 00:11:09.690 --> 00:11:11.200 before. 00:11:11.200 --> 00:11:13.320 You want it to be in square pixels. 00:11:13.320 --> 00:11:17.760 Sometimes it defaults to a different size, 00:11:17.760 --> 00:11:19.846 and I think rectangular pixels are silly 00:11:19.846 --> 00:11:21.470 and they mess up how your video's going 00:11:21.470 --> 00:11:23.440 to look eventually. 00:11:23.440 --> 00:11:25.680 Or how your animations relate to your video. 00:11:25.680 --> 00:11:27.810 The frame rate is important because it 00:11:27.810 --> 00:11:30.120 allows you to match up your animation exactly 00:11:30.120 --> 00:11:31.530 to your video. 00:11:31.530 --> 00:11:33.860 In Adobe Premiere the frame rate is 30. 00:11:33.860 --> 00:11:36.242 The default for After Effects is 25. 00:11:36.242 --> 00:11:37.950 And that messed me up on my first project 00:11:37.950 --> 00:11:40.140 because I was trying to time everything 00:11:40.140 --> 00:11:45.820 and then it was off by five frames per second, 00:11:45.820 --> 00:11:47.825 which is really frustrating. 00:11:47.825 --> 00:11:49.950 I don't know what they are for iMovie or Final Cut, 00:11:49.950 --> 00:11:54.642 but I would check when you go in before you start your project. 00:11:54.642 --> 00:11:56.777 AUDIENCE: [INAUDIBLE] 00:11:56.777 --> 00:11:57.360 PROFESSOR: OK. 00:12:01.010 --> 00:12:03.420 I set the background color to white 00:12:03.420 --> 00:12:07.330 just so I can see everything because I usually 00:12:07.330 --> 00:12:11.000 draw with a white background in Illustrator. 00:12:11.000 --> 00:12:13.400 If you want to set the default background in Illustrator 00:12:13.400 --> 00:12:16.090 to black and do white text, and set 00:12:16.090 --> 00:12:18.510 that as transparent in front of your video, 00:12:18.510 --> 00:12:20.740 then a black background would make more sense. 00:12:20.740 --> 00:12:23.780 This background color does not export with the video, 00:12:23.780 --> 00:12:26.000 though, so your animations are still transparent. 00:12:26.000 --> 00:12:29.980 It's just so you can see things in After Effects. 00:12:29.980 --> 00:12:32.660 And usually what I do before I start an After Effects project 00:12:32.660 --> 00:12:35.720 is I look at how long the audio is for the portion 00:12:35.720 --> 00:12:36.750 that I want to animate. 00:12:36.750 --> 00:12:39.580 So for example, I was working with Andrea yesterday 00:12:39.580 --> 00:12:43.050 and she wanted a goat during one of her lines when she says, 00:12:43.050 --> 00:12:45.750 and the force of a mountain goat jumping on your teeth 00:12:45.750 --> 00:12:48.370 is some amount of newtons. 00:12:48.370 --> 00:12:50.580 Or whatever a line is. 00:12:50.580 --> 00:12:52.880 And you look at the duration of how long 00:12:52.880 --> 00:12:55.810 it takes you to say that line in your editing software. 00:12:55.810 --> 00:12:59.099 And that's how long I set my duration of my animation to be. 00:12:59.099 --> 00:13:00.140 Just so it's really easy. 00:13:00.140 --> 00:13:01.460 It's really modular. 00:13:01.460 --> 00:13:03.580 I'm animating for this part of the video 00:13:03.580 --> 00:13:06.547 and I have this much space to do it in. 00:13:06.547 --> 00:13:08.630 And because I don't have an audio track right now, 00:13:08.630 --> 00:13:12.350 I'm just going to set it to 15 seconds. 00:13:12.350 --> 00:13:14.126 So that's good. 00:13:14.126 --> 00:13:16.500 Then you can double click on your composition to open it. 00:13:16.500 --> 00:13:18.760 And this is going to be your display window. 00:13:18.760 --> 00:13:20.320 This is your timeline. 00:13:20.320 --> 00:13:24.600 It's where I guess the animation is taking place 00:13:24.600 --> 00:13:27.650 and you can see different things. 00:13:27.650 --> 00:13:29.930 And here is where you're going to be doing 00:13:29.930 --> 00:13:31.340 a lot of the animation stuff. 00:13:31.340 --> 00:13:35.470 This little Options window, I guess. 00:13:35.470 --> 00:13:37.120 You can still toggle the visibility 00:13:37.120 --> 00:13:39.830 just like you did in Illustrator. 00:13:39.830 --> 00:13:43.920 And so let's say-- I'm going to show you how to animate 00:13:43.920 --> 00:13:46.850 this rectangle, for example. 00:13:46.850 --> 00:13:49.310 So the first thing you want to do is right click on it 00:13:49.310 --> 00:13:51.640 and Create Shapes from the vector layer. 00:13:51.640 --> 00:13:55.540 Basically this just allows After Effects 00:13:55.540 --> 00:14:00.220 to take the vector shapes, or objects that you created 00:14:00.220 --> 00:14:06.800 in Illustrator, and translate it into a manipulable format 00:14:06.800 --> 00:14:10.180 for After Effects. 00:14:10.180 --> 00:14:15.130 So then you have this new item-- object-- I don't know, 00:14:15.130 --> 00:14:16.990 called Rectangle Outlines. 00:14:16.990 --> 00:14:19.860 And you can look inside in their contents. 00:14:19.860 --> 00:14:21.930 If you had multiple objects in the same layer, 00:14:21.930 --> 00:14:23.590 you'd have multiple groups, but I just 00:14:23.590 --> 00:14:27.990 have the one rectangle so I only have group one. 00:14:27.990 --> 00:14:32.320 And so in order to move this, what I'm going to do 00:14:32.320 --> 00:14:33.770 is open up group one. 00:14:33.770 --> 00:14:38.780 And I have different options. 00:14:38.780 --> 00:14:40.380 And you guys are going to be doing 00:14:40.380 --> 00:14:42.789 a lot of Transform animations. 00:14:42.789 --> 00:14:45.330 So these are things like if you want something to move around 00:14:45.330 --> 00:14:47.750 on the screen, if you want something to change in size 00:14:47.750 --> 00:14:51.770 or rotate, or things like that. 00:14:51.770 --> 00:14:53.960 So what you're going to do for if you wanted-- 00:14:53.960 --> 00:14:55.560 let's say I wanted this rectangle 00:14:55.560 --> 00:15:00.760 to move across the screen and grow bigger. 00:15:00.760 --> 00:15:04.260 The things that I will-- and in After Effects you 00:15:04.260 --> 00:15:05.810 want to think in key frames. 00:15:05.810 --> 00:15:09.130 So what does it look like at one point in the animation, 00:15:09.130 --> 00:15:13.420 and then what do you want it to look like in two seconds? 00:15:13.420 --> 00:15:16.080 So right now this is where I want it to start. 00:15:16.080 --> 00:15:20.710 So I'll click a little stopwatch on position and scale, 00:15:20.710 --> 00:15:23.770 and these will set key frames for both position and scale. 00:15:23.770 --> 00:15:26.050 So now After Effects remembers where the rectangle 00:15:26.050 --> 00:15:28.140 is at this point in time. 00:15:28.140 --> 00:15:32.820 Then I'll set it forward to let's say two seconds. 00:15:32.820 --> 00:15:35.540 In two seconds I want my rectangle to move. 00:15:35.540 --> 00:15:38.600 And then it's as easy as dragging the rectangle 00:15:38.600 --> 00:15:43.030 to where you want it to be and then changing its size. 00:15:43.030 --> 00:15:46.180 So let's say I want it to be really big like that. 00:15:46.180 --> 00:15:49.370 And then once you make those changes, After Effects 00:15:49.370 --> 00:15:53.470 automatically sets another key frame for you in your timeline. 00:15:53.470 --> 00:15:56.490 And then you can review what you want the animation to do 00:15:56.490 --> 00:16:00.460 by dragging this back and pushing Space, which 00:16:00.460 --> 00:16:02.940 is the same thing as Play. 00:16:02.940 --> 00:16:05.280 And then you can watch how over the two seconds, 00:16:05.280 --> 00:16:09.150 it transitions from one point in space to another point in space 00:16:09.150 --> 00:16:12.890 and one size to another size. 00:16:12.890 --> 00:16:14.900 You can edit and delete key frames. 00:16:14.900 --> 00:16:16.730 You can add more in the middle. 00:16:16.730 --> 00:16:19.160 Let's say I wanted it to go up and left before I 00:16:19.160 --> 00:16:21.750 wanted it to go up and right. 00:16:21.750 --> 00:16:24.330 You can just set it to the middle of this animation 00:16:24.330 --> 00:16:29.010 and drag it up and left to where you would want it to be. 00:16:29.010 --> 00:16:34.080 And then it'll keep scaling the size at the same time, 00:16:34.080 --> 00:16:37.075 but then it will just adjust its position path 00:16:37.075 --> 00:16:37.950 in the new animation. 00:16:42.990 --> 00:16:50.490 And that's the bare bones of animation. 00:16:50.490 --> 00:16:55.180 The one other thing you guys might use is-- let's see. 00:16:58.400 --> 00:17:01.330 If you want to group multiple items 00:17:01.330 --> 00:17:03.930 and have them move at the same time, 00:17:03.930 --> 00:17:12.230 for example-- I'm going to take my text layer, 00:17:12.230 --> 00:17:13.980 Create Shapes from Vector Layer, and now I 00:17:13.980 --> 00:17:18.470 have another layer of objects. 00:17:18.470 --> 00:17:21.329 Except this one has many contents. 00:17:21.329 --> 00:17:24.210 Many groups of things that I can manipulate. 00:17:24.210 --> 00:17:27.540 So let's say I want both these spirals to move 00:17:27.540 --> 00:17:29.324 at the same time. 00:17:29.324 --> 00:17:30.990 I haven't found a better way to do this, 00:17:30.990 --> 00:17:34.820 but-- so I learned that the spirals are groups 00:17:34.820 --> 00:17:37.060 two and three. 00:17:37.060 --> 00:17:40.110 I can click on Contents just to highlight everything, 00:17:40.110 --> 00:17:42.660 Add a New Empty Group, and it's just 00:17:42.660 --> 00:17:46.090 labeled whatever the highest number-- one after the highest 00:17:46.090 --> 00:17:47.060 number. 00:17:47.060 --> 00:17:50.990 You can rename it to something like Spirals 00:17:50.990 --> 00:17:53.370 so you remember it. 00:17:53.370 --> 00:17:57.480 You can highlight both of these and just 00:17:57.480 --> 00:17:59.820 drag it into the new group. 00:17:59.820 --> 00:18:05.381 And that way you can transform spirals as a unit. 00:18:05.381 --> 00:18:07.110 Let's say I wanted them to rotate. 00:18:10.920 --> 00:18:14.330 And so then-- OK. 00:18:14.330 --> 00:18:15.330 That's kind of rotating. 00:18:19.620 --> 00:18:21.720 And so it set the key frames for rotations, 00:18:21.720 --> 00:18:24.130 but instead of just manipulating one spiral 00:18:24.130 --> 00:18:26.580 I have two grouped together. 00:18:26.580 --> 00:18:32.300 And then the rectangle animation is still going from before. 00:18:32.300 --> 00:18:34.004 AUDIENCE: Can you [INAUDIBLE]? 00:18:34.004 --> 00:18:35.170 PROFESSOR: What do you mean? 00:18:35.170 --> 00:18:37.210 AUDIENCE: With the point they pivot on? 00:18:37.210 --> 00:18:38.170 PROFESSOR: Pivot point? 00:18:38.170 --> 00:18:39.410 I think so. 00:18:39.410 --> 00:18:43.580 I don't usually rotate things in my animations. 00:18:43.580 --> 00:18:45.300 I think it's probably the anchor point. 00:18:52.592 --> 00:18:53.800 AUDIENCE: See the cross-hair? 00:18:53.800 --> 00:18:55.740 PROFESSOR: Yeah. 00:18:55.740 --> 00:18:57.740 So that's the pivot point. 00:18:57.740 --> 00:19:01.631 I don't know how to change that necessarily. 00:19:01.631 --> 00:19:02.130 OK. 00:19:02.130 --> 00:19:02.671 There you go. 00:19:02.671 --> 00:19:06.130 You can just adjust it in relation to the anchor point. 00:19:06.130 --> 00:19:07.595 So you can change this value. 00:19:10.651 --> 00:19:11.150 Yeah. 00:19:11.150 --> 00:19:12.990 A lot of this is just playing around 00:19:12.990 --> 00:19:14.644 and seeing what you want to do. 00:19:14.644 --> 00:19:16.060 You can ask me questions afterward 00:19:16.060 --> 00:19:18.667 and I'd be happy to troubleshoot it with you. 00:19:22.300 --> 00:19:22.800 Yeah. 00:19:22.800 --> 00:19:25.130 So I guess that's how you pivot. 00:19:25.130 --> 00:19:27.180 And so it'll maintain the rotation just 00:19:27.180 --> 00:19:29.898 around the smaller anchor point now. 00:19:33.980 --> 00:19:34.753 Let's see. 00:19:42.690 --> 00:19:45.310 This is might be useful. 00:19:45.310 --> 00:19:49.660 So if you go in and you have a lot of work-- so for example, 00:19:49.660 --> 00:19:52.840 in a different project what happened was 00:19:52.840 --> 00:19:55.440 I had the outline of a cell and I was showing 00:19:55.440 --> 00:19:57.070 contents of the nucleus. 00:19:57.070 --> 00:20:00.560 And when I screened it to my project advisor, 00:20:00.560 --> 00:20:04.250 she said it's great but we're not focusing 00:20:04.250 --> 00:20:05.380 on the nucleus of the cell. 00:20:05.380 --> 00:20:08.010 And so I can't really see what's going on. 00:20:08.010 --> 00:20:09.890 So I had already done all this animation 00:20:09.890 --> 00:20:12.060 with individual squiggles of DNA and proteins 00:20:12.060 --> 00:20:13.800 moving around in the nucleus, and I 00:20:13.800 --> 00:20:15.970 wanted to preserve that animation, 00:20:15.970 --> 00:20:20.270 but I needed to just zoom in on everything. 00:20:20.270 --> 00:20:22.920 And you can do this with a thing called Null Object. 00:20:26.166 --> 00:20:27.790 Let's see if I remember how to do this. 00:20:27.790 --> 00:20:28.289 OK. 00:20:28.289 --> 00:20:31.600 Layer New and then a Null Object. 00:20:31.600 --> 00:20:35.320 And so it'll appear in here as just Null One. 00:20:35.320 --> 00:20:37.930 And basically it's a way to group multiple animations 00:20:37.930 --> 00:20:38.777 at the same time. 00:20:41.400 --> 00:20:44.940 You can just leave that named Null One I guess. 00:20:44.940 --> 00:20:48.920 So let's say I want the spiral and the rectangle 00:20:48.920 --> 00:20:53.250 to both be smaller because they're both way too big. 00:20:53.250 --> 00:20:59.680 So then you can you can set the Null Object 00:20:59.680 --> 00:21:02.070 as the parent of these layers. 00:21:02.070 --> 00:21:05.210 It says Parent and you can have a drop-down menu. 00:21:05.210 --> 00:21:09.410 And so you can set both these layers to have their parent 00:21:09.410 --> 00:21:13.700 as Null One, and then you can animate Null one as though it 00:21:13.700 --> 00:21:15.970 were an independent object. 00:21:15.970 --> 00:21:22.940 So let's say I just want the scale of everything to go down. 00:21:22.940 --> 00:21:27.100 So because those are both groups that are under the Null Layer, 00:21:27.100 --> 00:21:28.450 then the scale goes down. 00:21:28.450 --> 00:21:30.290 Or you can animate it independently. 00:21:30.290 --> 00:21:33.050 So let's say I want the scale at 100%, 00:21:33.050 --> 00:21:36.860 but as the rectangle grows I want everything to shrink 00:21:36.860 --> 00:21:38.270 because it got too big. 00:21:38.270 --> 00:21:41.494 So then you can turn the scale down of everything. 00:21:41.494 --> 00:21:44.160 And so when I run the animation, the rectangle is going to grow, 00:21:44.160 --> 00:21:46.690 the spirals are going to rotate, but then everything, 00:21:46.690 --> 00:21:48.260 because it's all grouped under the Null Layer, 00:21:48.260 --> 00:21:49.051 is going to shrink. 00:21:54.980 --> 00:21:57.960 And so I guess those are the basics of it. 00:21:57.960 --> 00:22:02.530 Once you have your After Effects file, 00:22:02.530 --> 00:22:04.695 I would save it as something just 00:22:04.695 --> 00:22:05.820 so you don't lose anything. 00:22:13.300 --> 00:22:17.530 And then you can do one of two things. 00:22:17.530 --> 00:22:24.230 So if you want to edit in Premiere, 00:22:24.230 --> 00:22:29.350 you can start-- Adobe products are really nice where 00:22:29.350 --> 00:22:31.520 they auto-update to each other. 00:22:31.520 --> 00:22:36.200 So if you change the Illustrator files that make up 00:22:36.200 --> 00:22:38.100 the composition in After Effects, 00:22:38.100 --> 00:22:41.290 then your After Effects will change 00:22:41.290 --> 00:22:42.940 to reflect those changes. 00:22:42.940 --> 00:22:45.000 So if you messed up drawing something, 00:22:45.000 --> 00:22:48.580 or you want a shape to look a little bit different, 00:22:48.580 --> 00:22:51.130 if you update the Illustrator file your After Effects project 00:22:51.130 --> 00:22:52.470 will also update. 00:22:52.470 --> 00:22:57.305 Same thing with your After Effects Project and Premiere. 00:22:59.980 --> 00:23:08.230 So if I have a Premiere project, you 00:23:08.230 --> 00:23:12.200 can drag your After Effects composition into Premiere 00:23:12.200 --> 00:23:14.000 just to import media. 00:23:14.000 --> 00:23:15.840 And then I have my test animation 00:23:15.840 --> 00:23:19.590 and I can drop it here to create a sequence. 00:23:19.590 --> 00:23:23.430 And so right now, because it's transparent, 00:23:23.430 --> 00:23:24.940 I can't see anything. 00:23:24.940 --> 00:23:35.830 But if I were to add a color match in light blue-- 00:23:35.830 --> 00:23:38.610 this is going to be really garish-- 00:23:38.610 --> 00:23:42.620 and add it on the video layer below the animation, 00:23:42.620 --> 00:23:43.520 then it will appear. 00:23:43.520 --> 00:23:45.503 So the animation itself is transparent. 00:23:49.320 --> 00:23:51.320 And so now if I make changes in After Effects, 00:23:51.320 --> 00:23:53.160 it'll automatically update those changes 00:23:53.160 --> 00:23:55.480 in Premiere, which I find really handy as I'm 00:23:55.480 --> 00:23:57.830 video editing and switching back and forth. 00:23:57.830 --> 00:24:02.530 If you don't want to edit in Premiere, that is totally fine, 00:24:02.530 --> 00:24:07.397 and you just need to export your composition. 00:24:07.397 --> 00:24:09.230 I was just playing around with this earlier. 00:24:09.230 --> 00:24:11.880 Usually I don't export, so I don't necessarily 00:24:11.880 --> 00:24:16.550 have the ideal settings for it, but we can 00:24:16.550 --> 00:24:18.580 play around and see what works. 00:24:18.580 --> 00:24:21.584 So File Export to Adobe Media Encoder. 00:24:25.860 --> 00:24:28.920 And then it adds it automatically to the queue. 00:24:28.920 --> 00:24:35.780 And you can choose preset export settings over here. 00:24:35.780 --> 00:24:39.800 I created a preset for the videos that I'm working on 00:24:39.800 --> 00:24:42.770 and so I usually just select that. 00:24:42.770 --> 00:24:50.470 And then once you do all that, then you can just push play. 00:24:50.470 --> 00:24:53.034 And then the media encoder does its thing. 00:24:53.034 --> 00:24:54.450 I don't know exactly what it does. 00:24:54.450 --> 00:24:56.890 I think it's a combination of rendering and just making 00:24:56.890 --> 00:25:04.580 sure-- changing the file format from the After Effects Project 00:25:04.580 --> 00:25:08.347 to, in this case, an MP4 file. 00:25:08.347 --> 00:25:10.573 AUDIENCE: So, for a lot of yours, 00:25:10.573 --> 00:25:13.744 I'm imagining you want to do Animation Overlay, right? 00:25:13.744 --> 00:25:16.860 So you can't do that in stuff like iMovie, 00:25:16.860 --> 00:25:18.610 so what you will have to do, which 00:25:18.610 --> 00:25:22.347 is a super techy workaround, is you create the animation 00:25:22.347 --> 00:25:24.782 in After Effects, you go in Premier 00:25:24.782 --> 00:25:28.191 and that's where you overlay it on top of your live action 00:25:28.191 --> 00:25:31.600 footage, and then you export that little chunk into your Add 00:25:31.600 --> 00:25:32.574 Movie Project. 00:25:32.574 --> 00:25:34.522 Does that make sense to you guys? 00:25:34.522 --> 00:25:37.236 So would you mind showing real quick how to do it in Premiere 00:25:37.236 --> 00:25:40.920 where you overlay an animation on top of your live action 00:25:40.920 --> 00:25:41.420 footage? 00:25:41.420 --> 00:25:42.086 PROFESSOR: Sure. 00:25:47.846 --> 00:25:49.220 So it's basically just doing what 00:25:49.220 --> 00:25:53.680 I was doing and just using something besides the color 00:25:53.680 --> 00:25:54.650 mat. 00:25:54.650 --> 00:25:57.240 I will see if I have any movies on my computer. 00:25:57.240 --> 00:25:59.290 I don't know if I do. 00:25:59.290 --> 00:26:03.290 AUDIENCE: So if you are holding your hands out like this, 00:26:03.290 --> 00:26:07.440 what's the best way to time and place the animations? 00:26:07.440 --> 00:26:08.364 PROFESSOR: Oh, OK. 00:26:08.364 --> 00:26:09.403 AUDIENCE: Because you basically have 00:26:09.403 --> 00:26:11.069 to draw them without seeing a background 00:26:11.069 --> 00:26:12.344 in After Effects, right? 00:26:12.344 --> 00:26:13.010 PROFESSOR: Yeah. 00:26:19.040 --> 00:26:19.540 OK. 00:26:19.540 --> 00:26:20.237 I have a video. 00:26:27.290 --> 00:26:33.790 So the way I would animate in After Effects 00:26:33.790 --> 00:26:36.470 is to use the time codes. 00:26:36.470 --> 00:26:38.720 So Premiere has a time code, and it's right here, 00:26:38.720 --> 00:26:46.510 and it matches up with where the movie is. 00:26:54.250 --> 00:26:57.200 So right now the animation is overlaid for my movie, 00:26:57.200 --> 00:26:58.899 and the formatting is weird because I 00:26:58.899 --> 00:26:59.982 didn't do the movie first. 00:27:09.160 --> 00:27:12.970 What I would do is, let's say for example 00:27:12.970 --> 00:27:17.320 I wanted at five seconds something 00:27:17.320 --> 00:27:20.170 to happen, like something to pop up above my hand, 00:27:20.170 --> 00:27:22.980 then I would take note of the time code 00:27:22.980 --> 00:27:25.120 or whenever you raise your hand in the video. 00:27:25.120 --> 00:27:30.332 So let's say it was at 11 seconds and 24 frames. 00:27:33.570 --> 00:27:42.530 Then you go back into Adobe After Effects 00:27:42.530 --> 00:27:47.060 and you can scroll over to 11 frames 00:27:47.060 --> 00:27:50.420 and make sure the time code here is listed here. 00:27:50.420 --> 00:27:52.680 And so you just switch back and forth 00:27:52.680 --> 00:27:57.362 and adjust the time code of your animations to the time code 00:27:57.362 --> 00:27:59.070 where you want it to appear in the video. 00:28:03.060 --> 00:28:06.270 And you can drag key frames to adjust that. 00:28:06.270 --> 00:28:12.810 So if I say, well the rectangle moved too fast in this video, 00:28:12.810 --> 00:28:14.840 I actually want the animation to end 00:28:14.840 --> 00:28:26.720 at 3:29 instead of two seconds, I can drag my cursor to 3:29, 00:28:26.720 --> 00:28:29.267 and then just drag the key frame to match it. 00:28:29.267 --> 00:28:31.100 That's usually how I do it just because it's 00:28:31.100 --> 00:28:33.710 a lot easier to visualize. 00:28:33.710 --> 00:28:36.820 And then it will automatically update in here 00:28:36.820 --> 00:28:39.920 and the animation just got a lot longer. 00:28:39.920 --> 00:28:43.590 And so now when I push play, instead of taking two seconds 00:28:43.590 --> 00:28:45.747 it's still going until 3:29. 00:28:50.100 --> 00:28:51.430 It's a lot of playing around. 00:28:51.430 --> 00:28:57.320 I don't have a really, really concrete method of doing it. 00:28:57.320 --> 00:28:59.500 And I'm still learning animation too, 00:28:59.500 --> 00:29:04.454 so I don't have the perfect answer, 00:29:04.454 --> 00:29:06.620 but usually it's a lot of switching between windows, 00:29:06.620 --> 00:29:09.248 which is why when you have two monitors it's really nice. 00:29:11.890 --> 00:29:15.200 But a lot of just checking the time code exactly and making 00:29:15.200 --> 00:29:16.936 little adjustments at a time. 00:29:16.936 --> 00:29:18.560 It's kind of like how you edit a movie. 00:29:18.560 --> 00:29:19.640 You start with a rough cut. 00:29:19.640 --> 00:29:21.723 You start with a rough animation of what you want, 00:29:21.723 --> 00:29:25.150 and then you can adjust the key frames to time it to the video 00:29:25.150 --> 00:29:27.479 that you're working with. 00:29:27.479 --> 00:29:30.272 AUDIENCE: So I think what will be most productive for you 00:29:30.272 --> 00:29:32.902 guys is if you attempt to do your own animation 00:29:32.902 --> 00:29:36.353 and then if you run into any problems, email [INAUDIBLE], 00:29:36.353 --> 00:29:37.832 or you can email me. 00:29:37.832 --> 00:29:40.297 We'll be around tomorrow if people are working, 00:29:40.297 --> 00:29:44.241 and I'll be on campus tomorrow actually if you need help. 00:29:44.241 --> 00:29:46.706 But I think the most efficient route 00:29:46.706 --> 00:29:49.171 is if you try a little bit on your own first 00:29:49.171 --> 00:29:54.434 and then when specific questions pop up you can come ask us. 00:29:54.434 --> 00:29:55.100 PROFESSOR: Yeah. 00:29:55.100 --> 00:29:58.510 And if you have anything specific in mind 00:29:58.510 --> 00:30:02.030 that you don't think you can accomplish with what I've 00:30:02.030 --> 00:30:05.070 taught you so far, then you can definitely come talk to me 00:30:05.070 --> 00:30:06.710 or I can come over and talk to you. 00:30:06.710 --> 00:30:10.680 And we can talk through what your picture was 00:30:10.680 --> 00:30:13.480 for animating something and how you can best 00:30:13.480 --> 00:30:15.830 do that either using the tools that I just taught you 00:30:15.830 --> 00:30:17.070 or using other things. 00:30:17.070 --> 00:30:19.910 Like I know how to mimic handwriting 00:30:19.910 --> 00:30:20.810 to write out a word. 00:30:20.810 --> 00:30:22.976 And I don't know if that's necessary for any of you, 00:30:22.976 --> 00:30:25.240 but that's a thing that you can do in After Effects. 00:30:25.240 --> 00:30:26.760 It's just a little more complicated 00:30:26.760 --> 00:30:29.679 than what I've shown you so far. 00:30:29.679 --> 00:30:30.970 AUDIENCE: I have two questions. 00:30:30.970 --> 00:30:34.900 One of them is I have used Adobe Premiere before, 00:30:34.900 --> 00:30:38.596 but in the sizing, of course I'm not sure 00:30:38.596 --> 00:30:40.400 when I'm doing [INAUDIBLE] it looks 00:30:40.400 --> 00:30:41.750 like the sizing is correct. 00:30:41.750 --> 00:30:44.485 However, when I export it into external video, 00:30:44.485 --> 00:30:46.000 the sizing was wrong. 00:30:46.000 --> 00:30:47.960 So is this a thing? 00:30:47.960 --> 00:30:51.100 PROFESSOR: For exporting from Premiere? 00:30:51.100 --> 00:30:54.025 AUDIENCE: I mean like, if I see the screen like this, 00:30:54.025 --> 00:30:56.066 is this everything that's on the screen that will 00:30:56.066 --> 00:30:58.015 be shown in the actually video? 00:30:58.015 --> 00:30:58.640 PROFESSOR: Yes. 00:31:01.580 --> 00:31:06.470 So what this is-- I recorded this movie on my camera 00:31:06.470 --> 00:31:08.350 on my computer, which is lower quality 00:31:08.350 --> 00:31:16.260 than your camcorders, which should record in 1920 by 1080. 00:31:16.260 --> 00:31:21.700 So right now, this in the upper right hand corner 00:31:21.700 --> 00:31:23.270 is what's going to be exported. 00:31:23.270 --> 00:31:25.270 So if I exported it right now, it 00:31:25.270 --> 00:31:28.510 would export with this weird black border 00:31:28.510 --> 00:31:32.580 because my video is smaller than this composition. 00:31:32.580 --> 00:31:34.910 AUDIENCE: So it's preferable to expand the screen? 00:31:34.910 --> 00:31:36.370 Can we expand the video? 00:31:36.370 --> 00:31:40.770 PROFESSOR: Yeah, you can individually-- 00:31:40.770 --> 00:31:44.050 you can double click, and this is how you digitally zoom. 00:31:44.050 --> 00:31:44.550 Basically. 00:31:44.550 --> 00:31:46.960 You can manipulate it just like any other object 00:31:46.960 --> 00:31:50.759 and make it bigger so it fills the screen. 00:31:50.759 --> 00:31:51.634 AUDIENCE: [INAUDIBLE] 00:31:54.342 --> 00:31:55.508 PROFESSOR: What do you mean? 00:31:55.508 --> 00:31:58.044 AUDIENCE: So this [INAUDIBLE] would be the one that-- 00:31:58.044 --> 00:31:58.710 PROFESSOR: Yeah. 00:31:58.710 --> 00:32:01.160 So whatever you see in this preview screen 00:32:01.160 --> 00:32:04.470 is what's going to come out when you export it. 00:32:04.470 --> 00:32:06.560 And then you can change export settings. 00:32:06.560 --> 00:32:09.400 File Export Media. 00:32:09.400 --> 00:32:12.740 And you can change the file type that you want it to be 00:32:12.740 --> 00:32:16.320 and the video format. 00:32:16.320 --> 00:32:20.360 I use the settings that MITx needs to upload usually 00:32:20.360 --> 00:32:24.940 just because it works and it produces a high enough quality 00:32:24.940 --> 00:32:26.930 video. 00:32:26.930 --> 00:32:30.630 But if you know things about audio and video 00:32:30.630 --> 00:32:33.240 and things like that, you can add 00:32:33.240 --> 00:32:36.580 a copyright encoded into the video itself 00:32:36.580 --> 00:32:38.890 if you really want to protect it and things like that. 00:32:38.890 --> 00:32:40.270 But less necessary. 00:32:40.270 --> 00:32:42.686 AUDIENCE: If you're going to check the camera we're given, 00:32:42.686 --> 00:32:45.131 it's how many frames per second? 00:32:45.131 --> 00:32:47.087 AUDIENCE: I think it's 30. 00:32:47.087 --> 00:32:48.554 I'll double-check it. 00:32:51.274 --> 00:32:53.690 AUDIENCE: And if I want to get a-- let's say I have video. 00:32:53.690 --> 00:32:55.210 I took a video. 00:32:55.210 --> 00:32:57.818 But at the moment I want to cut that frame 00:32:57.818 --> 00:33:00.696 and extend that frame to make it like a picture. 00:33:00.696 --> 00:33:02.660 [INAUDIBLE] explain the concept. 00:33:02.660 --> 00:33:04.780 So how do I do that? 00:33:04.780 --> 00:33:07.045 PROFESSOR: So this is something-- 00:33:07.045 --> 00:33:08.670 I don't know how to do it in Final Cut. 00:33:08.670 --> 00:33:10.110 I know how to do it in Premiere. 00:33:10.110 --> 00:33:14.770 So hypothetically in Premiere-- that's a bad frame pause. 00:33:14.770 --> 00:33:19.230 Let's say I want to pause this frame, 00:33:19.230 --> 00:33:22.490 there's a button here that just says Export Frame. 00:33:22.490 --> 00:33:27.820 I click it and then what do I want it to be? 00:33:27.820 --> 00:33:30.010 Still Face. 00:33:30.010 --> 00:33:32.280 I just wanted a JPEG, I guess. 00:33:32.280 --> 00:33:35.500 And then this box just means that you import it 00:33:35.500 --> 00:33:36.820 into the project automatically. 00:33:36.820 --> 00:33:38.695 So no matter where it saves it-- in this case 00:33:38.695 --> 00:33:44.150 it's saving it in my Premiere folder-- you click OK 00:33:44.150 --> 00:33:47.930 and then it automatically appears as an image 00:33:47.930 --> 00:33:51.586 in your media browser area. 00:33:51.586 --> 00:33:52.960 And so then if you want to extend 00:33:52.960 --> 00:33:55.320 this frame, what I would personally do 00:33:55.320 --> 00:33:58.430 is use the Razor tool. 00:33:58.430 --> 00:34:01.120 Cut the clip into two. 00:34:01.120 --> 00:34:03.910 Use the Selection tool and drag this over so I have some space 00:34:03.910 --> 00:34:05.480 to include it. 00:34:05.480 --> 00:34:08.810 And then include the still image. 00:34:08.810 --> 00:34:12.010 And then just seal that gap back up. 00:34:12.010 --> 00:34:18.980 So now, instead of just seeing me talk, I'll talk, I'll talk, 00:34:18.980 --> 00:34:22.635 I'll talk, and then the still frame will happen for however 00:34:22.635 --> 00:34:25.260 many seconds you set it, and you can adjust the size and timing 00:34:25.260 --> 00:34:27.409 of that, and then the video will resume when 00:34:27.409 --> 00:34:29.290 you're ready for it to do that. 00:34:29.290 --> 00:34:30.915 AUDIENCE: I don't exactly know what 00:34:30.915 --> 00:34:32.290 the frame rate of the [INAUDIBLE] 00:34:32.290 --> 00:34:34.227 is because it records both in 24 and 30, 00:34:34.227 --> 00:34:36.143 but if you open the video up in Quicktime 00:34:36.143 --> 00:34:41.308 and you do Command I, which is what it was recorded in. 00:34:41.308 --> 00:34:43.116 And I just found that out by Googling it, 00:34:43.116 --> 00:34:45.551 so don't underestimate the power of Google. 00:34:50.659 --> 00:34:52.770 PROFESSOR: Are there any other questions 00:34:52.770 --> 00:34:55.977 about animating or editing or Adobe? 00:34:55.977 --> 00:34:57.435 PROFESSOR: I mean, we're just going 00:34:57.435 --> 00:34:59.216 to stick around for the rest of today 00:34:59.216 --> 00:35:02.170 so if you just want to hang out here and work or you want 00:35:02.170 --> 00:35:04.600 to go back to the classroom and work, 00:35:04.600 --> 00:35:07.950 we'll be around to answer your questions.