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NORVIN RICHARDS: All right.

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So I think this is our
last day for semantics.

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So we're going to do a grab bag
of semantics-y topics today,

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and then we will pass on
in to other topics starting

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next week.

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Last time, we ended
on a cliffhanger.

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So let me remind
you where we were.

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We said-- here we are with
guards and buildings again.

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And we said that this
sentence was ambiguous.

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So "Two guards seemed
to me to be standing

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in front of every building"
has the two familiar readings,

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the one where looks to me like
every building has two guards,

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and the wacky reading
where I believe

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there are two very
large guards who

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are guarding all the
buildings at once.

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You could have both
of those readings.

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And then we had also
convinced ourselves

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that that ambiguity goes
away in this second sentence.

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So "Two guards
seemed to themselves

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to be standing in front of
every building" can only mean--

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this belongs to somebody--

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can only mean that
there are two guards who

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have a hallucination in
which they are very large.

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Or there's something else
you could imagine it meaning.

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It could mean for
each building, there

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are two guards who
think that they

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are standing in front of it.

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That would, in a way,
be more alarming.

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There would be more
guards who had some kind

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of psychological problem.

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But they at least
wouldn't be believing

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that they are impossibly
large guards, just that they

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believe they're on duty.

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[INAUDIBLE]

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AUDIENCE: If we arrange the
second sentence and say,

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"In front of every
building, two guards

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seem themselves to be standing,"
is that the same thing?

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NORVIN RICHARDS:
What do people think?

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If I say, "In front
of every building,

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two guards seem to
themselves to be

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standing," to the extent
that you can say that,

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does it mean--

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can it mean there are two--

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for each building, there
are twice as many guards

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as there are buildings?

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Twice as many people who
believe themselves to be

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guards as there are buildings?

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Yes?

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AUDIENCE: I think that does
stay closer to the two--

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there are two guards
for every building.

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But I could still
interpret it as there

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are two very large guards
or that the buildings all

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face each other.

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NORVIN RICHARDS: Yeah.

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I agree with you,
actually, that it's--

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I think it becomes ambiguous,
I think, is what you're saying.

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So it gets the meaning
that this doesn't have,

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but it still has this meaning.

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I think you're right about that.

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Yeah?

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AUDIENCE: I don't know.

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Somehow, it does feel to
lean towards the other--

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NORVIN RICHARDS:
The other meaning.

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AUDIENCE: More so than
the top one for me.

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NORVIN RICHARDS: Oh,
I see what you mean.

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Yeah, the top one,
it's easier to say,

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yeah, this is ambiguous.

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Yes.

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This is kind of reminiscent of
when I was first showing you

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quantifier scope.

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We were talking about sentences
like "Everyone in this room

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speaks two languages"
and "Two languages

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are spoken by everyone
in this room."

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And I think convincing
ourselves that whether you have

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the active or the passive has
some kind of effect on which

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reading is easiest to get, and
there's something similar going

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on here, I think, that
there's certainly more

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to say than some sentences are
ambiguous and others are not.

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So some sentences
lean in the direction

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of one reading or another.

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There's a lot of work to do
here, which we won't try to do.

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This is almost the end of our
acquaintance with quantifiers.

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But yes, there's lots
of interesting topics

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to work on here.

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Did you have a question?

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AUDIENCE: Well, I was
just going to say,

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rearranging that sentence
seems to add extra ambiguity

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because now it now
gives a sense of whether

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or not the guards are
standing themselves.

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They could be sitting.

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They seem to themselves
to be standing.

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NORVIN RICHARDS: Oh.

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Oh.

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Oh.

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I didn't even think about that.

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Right.

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Right.

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Right.

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I was-- yes.

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Oh, gosh.

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I was thinking about
the "seeming"--

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"stand" as just a--

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meaning be, basically.

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But you're right.

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There's another way that things
could seem and not be true.

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They could think
that they're standing

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in front of the buildings, but
actually they're lying down.

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These are guards with a
different kind of problem.

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Yeah, good point.

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Yeah?

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So far so good?

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All right.

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So ambiguity in
the first example,

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and ambiguity going away
in the second example.

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And Raquel thinks, and I think
we decided to agree with her,

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that you can get
the ambiguity back

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in that second kind of example
by moving "every building."

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Let's put Raquel's
point aside and just

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concentrate on these for a sec.

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Remember way back
when, we had the idea

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that a sentence like
"Two guards seemed

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to be standing in front of
every building" is ambiguous.

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Remember, we decided this
ambiguity comes from the fact

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that "every building"
can, but doesn't

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have to, undergo
this operation of QR,

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quantifier raising, that
gets it past two guards.

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And we also convinced
ourselves that this operation

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of quantifier raising
has some restrictions

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on how far it can go.

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The evidence for that
had to do with sentences

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like the last one on this slide.

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"Two guards think
that I am standing

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in front of every
building" isn't ambiguous.

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Doesn't mean-- so
it can only mean

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there are two guards, two
particular guards, who

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are having real problems
who seem to see me

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in front of every building.

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It doesn't mean there
are two guards who

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think I'm in front
of building 32,

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and there are two
other guards who

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think I'm in front of
the Student Center,

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and there are two
other guards who

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think that I'm in
front of the library.

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It doesn't mean that.

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So it only has the reading
where "every building" hasn't

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undergone QR past "two guards."

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It only has the
meaning where you

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interpret "two guards" first.

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It's like, there are two
guards who have this property.

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They think that I'm standing
in front of every building.

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It doesn't mean it's
true of every building.

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The set of buildings and the set
of things that two guards think

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that I am standing in front of
has the following intersection.

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Do people see that?

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So there's no ambiguity
in that last example.

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And our story about why
there's no ambiguity

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in that last example, this
description of that fact

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was to say, OK, we're
learning something about QR.

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QR can't-- when you have
two guards that are standing

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in front of every building, "two
guards" and "every building"

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are close enough that
QR can reorder them,

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and you get ambiguity.

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But in this one,
"Two guards think

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that I'm standing in
front of every building,"

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"every building"
can't QR that far.

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And then that gets
us into question.

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So how far can QR go?

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How does it work?

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We got started on that question.

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Do people remember all this?

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This is all review.

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This might make sense.

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Did you have a
question, Katrina?

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AUDIENCE: Yeah.

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What does it mean that "two
guards" can reconstruct back

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into the embedded clause?

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NORVIN RICHARDS: Oh, OK.

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I'm sorry, I'm doing
this slide out of order.

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So I'm talking about
the last sentence.

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In the last sentence,
there's no ambiguity,

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and we convinced ourselves
that's because "every building"

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can't get out of
that embedded clause.

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So question, what
counts as a clause?

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How far can QR go?

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The fact that there's
ambiguity in "Two guards

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seem to be standing in front
of every building," we said,

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we could have handled that
in two different ways.

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Here, let me write
that on the board.

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For some reason, there are--

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here we go.

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There are many erasers on the
board, but there is no chalk.

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I think someone is trying
to send me a message.

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So "Two guards
seem to be standing

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in front of every building."

00:07:45.295 --> 00:07:49.640 align:middle line:90%


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So recall that for
independent reasons,

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we thought that "two guards"--

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in a sentence like
this, "Two guards

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seem to be standing in front of
every building," "two guards"

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is here, but it starts
down here and moves.

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We have this NP movement
that took things

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from embedded clauses
and moved them

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into the subject of
things like "seem"

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in order to satisfy
the EPP was the story.

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So we have this
operation and movement.

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So now there's
this open question.

00:08:18.940 --> 00:08:23.920 align:middle line:84%
We want QR to be able to get
"every building" past "two

00:08:23.920 --> 00:08:25.090 align:middle line:90%
guards."

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But "two guards"
is in two places.

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It's in the lower position.

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It's also in the
higher position.

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So we could say QR can
go from here all the way

00:08:34.240 --> 00:08:35.919 align:middle line:90%
to the beginning.

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That's a way of saying that
embedded clause does not

00:08:38.830 --> 00:08:40.840 align:middle line:90%
count as a clause.

00:08:40.840 --> 00:08:44.230 align:middle line:84%
QR can get out of that kind of
clause, that infinitival kind

00:08:44.230 --> 00:08:45.018 align:middle line:90%
of clause.

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But another kind of
thing that we could say

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would be no, the reason
this is ambiguous

00:08:49.600 --> 00:08:51.970 align:middle line:84%
is that "every building"
can get this far

00:08:51.970 --> 00:08:54.770 align:middle line:84%
to the edge of the
embedded clause.

00:08:54.770 --> 00:08:59.770 align:middle line:84%
And so it can't, in
fact, get this far.

00:08:59.770 --> 00:09:01.570 align:middle line:84%
Can't get out of
that embedded clause.

00:09:01.570 --> 00:09:09.760 align:middle line:84%
Basically, this involves
saying QR can't escape TP.

00:09:09.760 --> 00:09:12.220 align:middle line:84%
So it can't escape
any kind of TP.

00:09:12.220 --> 00:09:15.610 align:middle line:84%
Not a finite clause like
the one in the last example

00:09:15.610 --> 00:09:17.110 align:middle line:84%
here, "Two guards
think I'm standing

00:09:17.110 --> 00:09:21.580 align:middle line:84%
in front of every building," and
also not an infinitival clause.

00:09:21.580 --> 00:09:24.220 align:middle line:84%
And we saw before some reasons
to think that that's right,

00:09:24.220 --> 00:09:26.185 align:middle line:84%
that the only reason
this is ambiguous,

00:09:26.185 --> 00:09:28.060 align:middle line:84%
it's not because "every
building" can get out

00:09:28.060 --> 00:09:28.808 align:middle line:90%
of an infinitive.

00:09:28.808 --> 00:09:30.100 align:middle line:90%
"Every building" is stuck here.

00:09:30.100 --> 00:09:31.480 align:middle line:84%
It can't get any
higher than this.

00:09:31.480 --> 00:09:33.970 align:middle line:84%
And the reason that this is
ambiguous is that "two guards,"

00:09:33.970 --> 00:09:37.180 align:middle line:84%
yes, it's pronounced here,
but it can be interpreted here

00:09:37.180 --> 00:09:39.370 align:middle line:90%
via reconstruction.

00:09:39.370 --> 00:09:41.420 align:middle line:84%
Which is just a name for
this mysterious fact.

00:09:41.420 --> 00:09:43.630 align:middle line:84%
You can interpret
things lower if they

00:09:43.630 --> 00:09:45.100 align:middle line:90%
moved from lower positions.

00:09:45.100 --> 00:09:47.650 align:middle line:84%
We saw some evidence
for that idea before.

00:09:47.650 --> 00:09:50.230 align:middle line:84%
I'm about to show you another
bit of evidence for that idea.

00:09:50.230 --> 00:09:53.260 align:middle line:90%
But is this much clear?

00:09:53.260 --> 00:09:54.850 align:middle line:90%
It's late in the semester.

00:09:54.850 --> 00:09:57.950 align:middle line:84%
Probably almost nothing
is clear anymore.

00:09:57.950 --> 00:09:59.440 align:middle line:90%
It's spring outside.

00:09:59.440 --> 00:10:02.530 align:middle line:84%
Yeah, it's very hard
to make things clear.

00:10:02.530 --> 00:10:04.810 align:middle line:84%
Do people want to ask
questions about this?

00:10:04.810 --> 00:10:06.730 align:middle line:90%
OK, all right.

00:10:06.730 --> 00:10:09.200 align:middle line:84%
So here's a new
bit of ambiguity,

00:10:09.200 --> 00:10:11.190 align:middle line:84%
a new bit of evidence
that this is right,

00:10:11.190 --> 00:10:12.820 align:middle line:84%
that this is the
right way of handling

00:10:12.820 --> 00:10:14.980 align:middle line:84%
the ambiguity for the first
example in this slide,

00:10:14.980 --> 00:10:17.480 align:middle line:84%
"Two guards seem to be standing
in front of every building."

00:10:17.480 --> 00:10:19.810 align:middle line:84%
So we'll say, the
reason that's ambiguous

00:10:19.810 --> 00:10:23.752 align:middle line:84%
is that QR, first of
all, can't get out of TP.

00:10:23.752 --> 00:10:25.960 align:middle line:84%
It can't get out of that
embedded infinitival clause.

00:10:25.960 --> 00:10:28.100 align:middle line:90%
The earliest it can get is here.

00:10:28.100 --> 00:10:30.200 align:middle line:84%
So "to be standing in
front of every building."

00:10:30.200 --> 00:10:31.420 align:middle line:84%
And the reason
you have ambiguity

00:10:31.420 --> 00:10:34.003 align:middle line:84%
there is that "two guards" has
the option of being interpreted

00:10:34.003 --> 00:10:36.978 align:middle line:84%
down here, this mysterious
option that we've been seeing

00:10:36.978 --> 00:10:39.520 align:middle line:84%
for movement, that you have the
option of interpreting things

00:10:39.520 --> 00:10:41.920 align:middle line:84%
as though they were lower
than they actually are,

00:10:41.920 --> 00:10:46.620 align:middle line:84%
as though they are still
where they used to be.

00:10:46.620 --> 00:10:48.910 align:middle line:90%
Here's the bit of evidence.

00:10:48.910 --> 00:10:50.620 align:middle line:84%
"Two guards seem
to themselves to be

00:10:50.620 --> 00:10:52.162 align:middle line:84%
standing in front
of every building,"

00:10:52.162 --> 00:10:55.240 align:middle line:90%
we decided that's not ambiguous.

00:10:55.240 --> 00:10:59.270 align:middle line:84%
"Every building" can't take
scope above "two guards."

00:10:59.270 --> 00:11:04.250 align:middle line:84%
Well, let's think about
what would happen.

00:11:04.250 --> 00:11:06.410 align:middle line:84%
I'm going to add "to
themselves" here.

00:11:06.410 --> 00:11:09.890 align:middle line:90%


00:11:09.890 --> 00:11:11.600 align:middle line:84%
We're fooling around
with the possibility

00:11:11.600 --> 00:11:14.260 align:middle line:84%
that the ambiguity
in "Two guards seemed

00:11:14.260 --> 00:11:16.010 align:middle line:84%
to be standing in front
of every building"

00:11:16.010 --> 00:11:17.450 align:middle line:84%
is there because
"two guards" has

00:11:17.450 --> 00:11:19.592 align:middle line:84%
the option of reconstructing
into the lower clause,

00:11:19.592 --> 00:11:21.050 align:middle line:84%
has the option of
being interpreted

00:11:21.050 --> 00:11:23.270 align:middle line:84%
as though it was
still down here.

00:11:23.270 --> 00:11:26.580 align:middle line:84%
But that's why that
sentence is ambiguous.

00:11:26.580 --> 00:11:29.720 align:middle line:84%
So why isn't this
sentence ambiguous?

00:11:29.720 --> 00:11:32.770 align:middle line:84%
Well, what we want
is for something

00:11:32.770 --> 00:11:35.270 align:middle line:84%
to prevent the "two guards"
from reconstructing down to here

00:11:35.270 --> 00:11:38.390 align:middle line:84%
if the "two guards" had to
be up here, if they couldn't

00:11:38.390 --> 00:11:40.790 align:middle line:84%
be interpreted in
this lower position.

00:11:40.790 --> 00:11:43.130 align:middle line:84%
Well, then QR wouldn't
be able to get past them

00:11:43.130 --> 00:11:47.127 align:middle line:84%
because the hypothesis is
that QR can only get this far.

00:11:47.127 --> 00:11:48.960 align:middle line:84%
Is there something that
will stop the guards

00:11:48.960 --> 00:11:51.290 align:middle line:90%
from reconstructing?

00:11:51.290 --> 00:11:53.090 align:middle line:84%
Why shouldn't "two
guards"-- suppose

00:11:53.090 --> 00:11:54.560 align:middle line:84%
we got rid of "two
guards" up here.

00:11:54.560 --> 00:11:59.150 align:middle line:84%
So we would have "Seemed
to themselves, two guards,

00:11:59.150 --> 00:12:01.872 align:middle line:84%
to be standing in front
of every building."

00:12:01.872 --> 00:12:04.205 align:middle line:84%
Would anything go wrong with
the interpretation of that?

00:12:04.205 --> 00:12:06.900 align:middle line:90%


00:12:06.900 --> 00:12:10.070 align:middle line:84%
Recall that what makes the
sentence unambiguous is

00:12:10.070 --> 00:12:11.510 align:middle line:90%
putting in "to themselves."

00:12:11.510 --> 00:12:14.565 align:middle line:84%
If "to themselves" is not
here, if it's just seem,

00:12:14.565 --> 00:12:16.190 align:middle line:84%
well then "two guards"
can reconstruct.

00:12:16.190 --> 00:12:18.273 align:middle line:84%
But when we add "to
themselves," it can't anymore.

00:12:18.273 --> 00:12:21.630 align:middle line:90%
It has to stay up high.

00:12:21.630 --> 00:12:24.270 align:middle line:90%
What's "themselves"?

00:12:24.270 --> 00:12:25.440 align:middle line:90%
(What are "themselves"?

00:12:25.440 --> 00:12:26.640 align:middle line:90%
What am "themselves"?

00:12:26.640 --> 00:12:27.948 align:middle line:90%
What??)

00:12:27.948 --> 00:12:29.280 align:middle line:90%
AUDIENCE: Anaphore?

00:12:29.280 --> 00:12:31.290 align:middle line:84%
NORVIN RICHARDS: It's
an anaphore, right?

00:12:31.290 --> 00:12:32.670 align:middle line:90%
It's a reflexive.

00:12:32.670 --> 00:12:33.660 align:middle line:90%
AUDIENCE: [INAUDIBLE]

00:12:33.660 --> 00:12:36.035 align:middle line:84%
NORVIN RICHARDS: Yeah, that's
what you were about to say.

00:12:36.035 --> 00:12:37.433 align:middle line:90%
It's a reflexive.

00:12:37.433 --> 00:12:38.725 align:middle line:90%
Somebody just had a great idea.

00:12:38.725 --> 00:12:41.660 align:middle line:90%


00:12:41.660 --> 00:12:42.550 align:middle line:90%
It's a reflexive.

00:12:42.550 --> 00:12:45.550 align:middle line:84%
Reflexives are subject
to condition A, right?

00:12:45.550 --> 00:12:46.720 align:middle line:90%
What does condition A say?

00:12:46.720 --> 00:12:48.175 align:middle line:90%
What do reflexives need in life?

00:12:48.175 --> 00:12:51.729 align:middle line:90%


00:12:51.729 --> 00:12:53.130 align:middle line:90%
AUDIENCE: They have to be bound.

00:12:53.130 --> 00:12:54.570 align:middle line:84%
NORVIN RICHARDS: They
have to be bound, exactly.

00:12:54.570 --> 00:12:55.980 align:middle line:84%
They need something
to bind them.

00:12:55.980 --> 00:12:57.647 align:middle line:84%
They need something
that c-commands them

00:12:57.647 --> 00:12:59.700 align:middle line:90%
and co-refers with them.

00:12:59.700 --> 00:13:03.280 align:middle line:84%
That's why you can say, "The
guards like themselves,"

00:13:03.280 --> 00:13:06.000 align:middle line:84%
but not Themselves
like the guards."

00:13:06.000 --> 00:13:07.500 align:middle line:84%
"Themselves" needs
to be c-commanded

00:13:07.500 --> 00:13:10.430 align:middle line:84%
by "guards," or some other
noun that refers to them.

00:13:10.430 --> 00:13:12.960 align:middle line:90%


00:13:12.960 --> 00:13:15.540 align:middle line:84%
So what would go wrong if you
reconstructed "the guards" down

00:13:15.540 --> 00:13:17.460 align:middle line:84%
here if you have
"themselves" here

00:13:17.460 --> 00:13:20.410 align:middle line:84%
is that, yeah, "guards" would
be able to be scope ambiguous

00:13:20.410 --> 00:13:21.660 align:middle line:90%
with respect to the buildings.

00:13:21.660 --> 00:13:26.830 align:middle line:84%
But "themselves" would
not have a binder anymore.

00:13:26.830 --> 00:13:31.800 align:middle line:84%
What we're learning-- so
when I was first showing you

00:13:31.800 --> 00:13:36.540 align:middle line:84%
some examples of reconstruction,
I think I said something like,

00:13:36.540 --> 00:13:41.170 align:middle line:84%
it's as though anaphores get to
look back on the past and say,

00:13:41.170 --> 00:13:43.952 align:middle line:84%
well, I'm not bound
anymore, but I used to be.

00:13:43.952 --> 00:13:44.910 align:middle line:90%
And that's good enough.

00:13:44.910 --> 00:13:46.393 align:middle line:90%
Something like that.

00:13:46.393 --> 00:13:48.060 align:middle line:84%
This is showing that
that's not actually

00:13:48.060 --> 00:13:50.143 align:middle line:84%
quite the right way to
think about reconstruction.

00:13:50.143 --> 00:13:53.440 align:middle line:84%
It's more like if
you move something,

00:13:53.440 --> 00:13:56.580 align:middle line:84%
it exists in various
positions in the clause.

00:13:56.580 --> 00:14:00.420 align:middle line:84%
But you have to pick
one for interpretation.

00:14:00.420 --> 00:14:03.000 align:middle line:84%
For things like quantifier
scope and binding,

00:14:03.000 --> 00:14:06.990 align:middle line:84%
you've got all of these places
where it is simultaneously.

00:14:06.990 --> 00:14:10.860 align:middle line:84%
But the waveform has
to collapse in order

00:14:10.860 --> 00:14:15.030 align:middle line:84%
to give it a scope and an
interpretation for binding.

00:14:15.030 --> 00:14:19.380 align:middle line:84%
You have to pick one of the
positions for it to be in.

00:14:19.380 --> 00:14:21.510 align:middle line:84%
You run the
experiment, you detect

00:14:21.510 --> 00:14:23.430 align:middle line:84%
the electron or
whatever it is, and then

00:14:23.430 --> 00:14:26.200 align:middle line:90%
you know where the guards are.

00:14:26.200 --> 00:14:27.630 align:middle line:84%
And once where
they are, they have

00:14:27.630 --> 00:14:32.550 align:middle line:84%
to be in a position where
they behave as being just

00:14:32.550 --> 00:14:35.805 align:middle line:84%
in that position both for
anaphore binding and for scope.

00:14:35.805 --> 00:14:37.680 align:middle line:84%
That's what these data
seem to be telling us.

00:14:37.680 --> 00:14:39.243 align:middle line:84%
So "Two guards
seem to be standing

00:14:39.243 --> 00:14:40.410 align:middle line:90%
in front of every building."

00:14:40.410 --> 00:14:42.995 align:middle line:84%
"Two guards" is in two
places simultaneously.

00:14:42.995 --> 00:14:45.120 align:middle line:84%
And you get to choose, is
it in the higher position

00:14:45.120 --> 00:14:46.485 align:middle line:90%
or the lower position?

00:14:46.485 --> 00:14:48.360 align:middle line:84%
"Two guards seem to
themselves to be standing

00:14:48.360 --> 00:14:50.277 align:middle line:84%
in front of every building"
forces you to pick

00:14:50.277 --> 00:14:51.120 align:middle line:90%
a particular choice.

00:14:51.120 --> 00:14:53.670 align:middle line:84%
You have to keep "the guards"
up high so that "themselves"

00:14:53.670 --> 00:14:54.660 align:middle line:90%
will have a binder.

00:14:54.660 --> 00:14:57.810 align:middle line:84%
And by choosing
that, you also make

00:14:57.810 --> 00:15:00.222 align:middle line:84%
a choice about how quantifier
scope is going to work.

00:15:00.222 --> 00:15:01.680 align:middle line:84%
You make it so that
the quantifiers

00:15:01.680 --> 00:15:03.360 align:middle line:84%
can't be ambiguous anymore
because the guards are

00:15:03.360 --> 00:15:03.990 align:middle line:90%
too high.

00:15:03.990 --> 00:15:05.670 align:middle line:84%
The buildings
cannot get to them.

00:15:05.670 --> 00:15:08.220 align:middle line:90%
QR doesn't go that far.

00:15:08.220 --> 00:15:10.970 align:middle line:84%
That's the way quantifier
scope seems to work.

00:15:10.970 --> 00:15:14.740 align:middle line:84%
It's the way reconstruction
seems to work.

00:15:14.740 --> 00:15:17.850 align:middle line:84%
So the moral of all
this is reconstruction

00:15:17.850 --> 00:15:20.100 align:middle line:84%
involves picking a
particular position

00:15:20.100 --> 00:15:22.740 align:middle line:90%
to interpret a moved phrase in.

00:15:22.740 --> 00:15:25.290 align:middle line:84%
I gave you this idea
or this metaphor

00:15:25.290 --> 00:15:27.450 align:middle line:84%
of you've got this
thing, which is moving,

00:15:27.450 --> 00:15:31.182 align:middle line:84%
and you get to rewind
the tape and decide--

00:15:31.182 --> 00:15:32.640 align:middle line:84%
look at it in a
different position,

00:15:32.640 --> 00:15:35.100 align:middle line:84%
not the position where it's
actually being pronounced.

00:15:35.100 --> 00:15:37.780 align:middle line:84%
And you can think about
it that way if you want.

00:15:37.780 --> 00:15:41.340 align:middle line:84%
But the point is you have to
pick one particular position

00:15:41.340 --> 00:15:43.440 align:middle line:90%
as the position where it gets--

00:15:43.440 --> 00:15:47.850 align:middle line:84%
you don't get to say, OK, it'll
be here for anaphore binding,

00:15:47.850 --> 00:15:51.183 align:middle line:84%
but for quantifier
scope, it will be here.

00:15:51.183 --> 00:15:52.350 align:middle line:90%
That's not the way it works.

00:15:52.350 --> 00:15:54.690 align:middle line:84%
You pick one spot
for it to be for all

00:15:54.690 --> 00:15:58.080 align:middle line:90%
of its interpretive properties.

00:15:58.080 --> 00:16:00.630 align:middle line:84%
This way of-- this fact
about reconstruction,

00:16:00.630 --> 00:16:02.730 align:middle line:84%
just the existence
of reconstruction

00:16:02.730 --> 00:16:04.590 align:middle line:84%
and this fact
about how it works,

00:16:04.590 --> 00:16:07.980 align:middle line:84%
is sometimes taken
as a bit of evidence

00:16:07.980 --> 00:16:11.040 align:middle line:84%
for a particular way of talking
about movement, what's called

00:16:11.040 --> 00:16:12.360 align:middle line:90%
the copy theory of movement.

00:16:12.360 --> 00:16:14.040 align:middle line:84%
And so I just want
to show you that

00:16:14.040 --> 00:16:16.680 align:middle line:84%
and then we're going to
leave this whole area behind

00:16:16.680 --> 00:16:18.180 align:middle line:90%
for a little bit.

00:16:18.180 --> 00:16:19.450 align:middle line:90%
The copy theory of movement.

00:16:19.450 --> 00:16:23.610 align:middle line:84%
So when we started
syntax, cast your mind

00:16:23.610 --> 00:16:25.678 align:middle line:84%
back to when we started
syntax, when you

00:16:25.678 --> 00:16:26.970 align:middle line:90%
were younger and more carefree.

00:16:26.970 --> 00:16:29.520 align:middle line:90%


00:16:29.520 --> 00:16:31.440 align:middle line:84%
When we started
syntax, I started

00:16:31.440 --> 00:16:34.800 align:middle line:84%
by saying something
like, syntax is

00:16:34.800 --> 00:16:36.960 align:middle line:84%
going to be a little
bit like morphology.

00:16:36.960 --> 00:16:39.930 align:middle line:84%
So cast your mind
back to morphology.

00:16:39.930 --> 00:16:42.030 align:middle line:84%
We said we're going
to create these tree

00:16:42.030 --> 00:16:45.775 align:middle line:84%
structures via repeated
application of merge.

00:16:45.775 --> 00:16:47.400 align:middle line:84%
So we're going to
take things and we're

00:16:47.400 --> 00:16:50.370 align:middle line:84%
going to put them together
and make larger things.

00:16:50.370 --> 00:16:53.130 align:middle line:84%
And Merge is going to be
recursive in the sense

00:16:53.130 --> 00:16:55.260 align:middle line:84%
that it gets to take
things that it created

00:16:55.260 --> 00:16:57.160 align:middle line:84%
and merge them
with other things.

00:16:57.160 --> 00:16:58.920 align:middle line:84%
So you can merge things
that you take out

00:16:58.920 --> 00:17:01.496 align:middle line:84%
of the lexicon, morphemes,
or words, or whatever,

00:17:01.496 --> 00:17:04.079 align:middle line:84%
and you can merge those things
together to form larger things.

00:17:04.079 --> 00:17:07.950 align:middle line:84%
But you can also merge the
phrases you've created together

00:17:07.950 --> 00:17:08.760 align:middle line:90%
with other phrases.

00:17:08.760 --> 00:17:11.010 align:middle line:84%
So for example, suppose
we want to construct

00:17:11.010 --> 00:17:13.944 align:middle line:84%
the embedded clause of "I
don't know what Mary will eat,"

00:17:13.944 --> 00:17:15.569 align:middle line:84%
where I'm using an
embedded clause just

00:17:15.569 --> 00:17:18.640 align:middle line:84%
so we won't have to think
about what the auxiliary does.

00:17:18.640 --> 00:17:24.000 align:middle line:84%
So the idea was you're going
to do the embedded clause

00:17:24.000 --> 00:17:26.819 align:middle line:90%
by merging "eat" with "what."

00:17:26.819 --> 00:17:29.160 align:middle line:84%
Remember, we have
the idea that forming

00:17:29.160 --> 00:17:33.180 align:middle line:84%
this kind of embedded clause
involves moving "what."

00:17:33.180 --> 00:17:35.790 align:middle line:84%
And so we're going to start
"what" as the object of "eat."

00:17:35.790 --> 00:17:38.070 align:middle line:84%
So we'll take these two
things from the lexicon, "eat"

00:17:38.070 --> 00:17:40.080 align:middle line:84%
and "what," and we'll
merge them together

00:17:40.080 --> 00:17:42.960 align:middle line:84%
to make this bigger
thing, this verb phrase.

00:17:42.960 --> 00:17:45.900 align:middle line:84%
And then we'll take that
thing, that verb phrase that we

00:17:45.900 --> 00:17:48.210 align:middle line:84%
created, and we'll merge that
together with a new thing

00:17:48.210 --> 00:17:49.950 align:middle line:84%
that we'll get from
the lexicon, "will."

00:17:49.950 --> 00:17:51.300 align:middle line:90%
Yeah, so we'll take "will."

00:17:51.300 --> 00:17:53.290 align:middle line:84%
We'll put that together
with the verb phrase.

00:17:53.290 --> 00:17:56.350 align:middle line:84%
Now we have an even larger thing
and we have "will eat what."

00:17:56.350 --> 00:17:58.352 align:middle line:84%
And then we take that
thing that we've made,

00:17:58.352 --> 00:18:00.060 align:middle line:84%
and we merge it together
with a new thing

00:18:00.060 --> 00:18:02.160 align:middle line:84%
that we get out of
the lexicon, "Mary."

00:18:02.160 --> 00:18:05.580 align:middle line:84%
So we take "Mary," and merge
that together with T-bar.

00:18:05.580 --> 00:18:09.640 align:middle line:84%
As a comparatively simple
example, if it were,

00:18:09.640 --> 00:18:12.240 align:middle line:84%
"I don't know what the
students will eat,"

00:18:12.240 --> 00:18:14.160 align:middle line:84%
then I'd have a bit
where it had to create

00:18:14.160 --> 00:18:16.215 align:middle line:84%
"the students" by merging
"the" with "students."

00:18:16.215 --> 00:18:17.730 align:middle line:90%
I have a noun phrase.

00:18:17.730 --> 00:18:22.230 align:middle line:84%
I merge my noun phrase with my
T-bar, and now I've got my TP.

00:18:22.230 --> 00:18:23.100 align:middle line:90%
So far so good?

00:18:23.100 --> 00:18:25.855 align:middle line:84%
This is-- I'm just
building a tree.

00:18:25.855 --> 00:18:28.230 align:middle line:84%
One more step, I'll grab one
more thing from the lexicon.

00:18:28.230 --> 00:18:32.550 align:middle line:84%
We'll merge a C with what we've
created so far, a C and a TP.

00:18:32.550 --> 00:18:34.950 align:middle line:84%
And now it's time
to do wh-movement.

00:18:34.950 --> 00:18:38.880 align:middle line:84%
And the idea behind the copy
theory of movement is look,

00:18:38.880 --> 00:18:41.220 align:middle line:84%
this is just another
case of Merge.

00:18:41.220 --> 00:18:43.650 align:middle line:84%
So all of our cases
of Merge, we've

00:18:43.650 --> 00:18:48.090 align:middle line:84%
always had the option of merging
either something we've created

00:18:48.090 --> 00:18:51.267 align:middle line:84%
via Merge, we've merged
the VP with something,

00:18:51.267 --> 00:18:53.850 align:middle line:84%
merged the T-bar with something,
merged the TP with something,

00:18:53.850 --> 00:18:55.860 align:middle line:84%
or grabbing something
new from the lexicon

00:18:55.860 --> 00:18:57.230 align:middle line:90%
and putting that in.

00:18:57.230 --> 00:18:59.880 align:middle line:84%
We've always had that
option right along.

00:18:59.880 --> 00:19:03.240 align:middle line:84%
And the idea is this thing
that we're calling movement,

00:19:03.240 --> 00:19:05.250 align:middle line:84%
it's just another
example of Merge.

00:19:05.250 --> 00:19:08.040 align:middle line:84%
We'll take this C-bar
that we've created

00:19:08.040 --> 00:19:10.200 align:middle line:84%
and we'll merge it with
something that's already

00:19:10.200 --> 00:19:12.870 align:middle line:90%
in the tree, with "what"?

00:19:12.870 --> 00:19:16.180 align:middle line:84%
So we've got-- now
"what" is in two places.

00:19:16.180 --> 00:19:18.330 align:middle line:84%
So it's in the place
where we merged it first

00:19:18.330 --> 00:19:20.375 align:middle line:84%
and it's in this new place
that's up at the top.

00:19:20.375 --> 00:19:24.630 align:middle line:84%
And so we end up with
"What Mary will eat what,"

00:19:24.630 --> 00:19:27.180 align:middle line:90%
which raises certain questions.

00:19:27.180 --> 00:19:30.870 align:middle line:84%
Like why don't we say,
"What Mary will eat what?"

00:19:30.870 --> 00:19:33.780 align:middle line:84%
So we need a theory of
what happens when you merge

00:19:33.780 --> 00:19:37.050 align:middle line:90%
a single thing in two places.

00:19:37.050 --> 00:19:39.210 align:middle line:84%
But the result is
that "what" is now

00:19:39.210 --> 00:19:43.230 align:middle line:84%
in more than one
place in the tree.

00:19:43.230 --> 00:19:45.420 align:middle line:90%
And that's all that Merge--

00:19:45.420 --> 00:19:47.070 align:middle line:90%
that's all that movement is.

00:19:47.070 --> 00:19:48.570 align:middle line:84%
So I've been showing
you trees where

00:19:48.570 --> 00:19:51.820 align:middle line:84%
we created trees via Merge
and then there were arrows.

00:19:51.820 --> 00:19:53.400 align:middle line:84%
So you took things
out of the places

00:19:53.400 --> 00:19:55.400 align:middle line:84%
where they were, and you
put them in new places,

00:19:55.400 --> 00:19:57.720 align:middle line:84%
and they weren't in
the old places anymore.

00:19:57.720 --> 00:19:59.610 align:middle line:84%
And now all this talk
about reconstruction

00:19:59.610 --> 00:20:01.710 align:middle line:84%
makes it look like
that was misleading.

00:20:01.710 --> 00:20:04.440 align:middle line:84%
There's a sense in which
thing-- when you move things,

00:20:04.440 --> 00:20:09.015 align:middle line:84%
they're in all of the
places where they ever were.

00:20:09.015 --> 00:20:10.890 align:middle line:84%
For interpretation, it
sure looks like that's

00:20:10.890 --> 00:20:12.090 align:middle line:90%
the way to think about it.

00:20:12.090 --> 00:20:15.210 align:middle line:84%
You can interpret them as though
they were in any of the places

00:20:15.210 --> 00:20:17.520 align:middle line:90%
that they've ever been.

00:20:17.520 --> 00:20:19.290 align:middle line:84%
And the copy theory
of movement is meant

00:20:19.290 --> 00:20:21.195 align:middle line:90%
to be a way to handle that.

00:20:21.195 --> 00:20:23.520 align:middle line:84%
It's as though when you
move things, what you do,

00:20:23.520 --> 00:20:25.530 align:middle line:84%
really, is take something
that you've already

00:20:25.530 --> 00:20:27.720 align:middle line:84%
merged in the tree and
you merge it again.

00:20:27.720 --> 00:20:29.220 align:middle line:84%
And then there have
to be principles

00:20:29.220 --> 00:20:33.870 align:middle line:84%
that explain where you
pronounce it when you merge it

00:20:33.870 --> 00:20:34.650 align:middle line:90%
more than once.

00:20:34.650 --> 00:20:37.590 align:middle line:84%
Do you pronounce this
"what Mary will eat?"--

00:20:37.590 --> 00:20:39.060 align:middle line:84%
"I don't know what
Mary will eat."

00:20:39.060 --> 00:20:42.360 align:middle line:84%
Do you pronounce it, "I don't
know, Mary will eat what"?

00:20:42.360 --> 00:20:45.060 align:middle line:84%
We've talked about the fact that
some languages have wh-movement

00:20:45.060 --> 00:20:46.050 align:middle line:90%
and some don't.

00:20:46.050 --> 00:20:47.970 align:middle line:84%
So maybe there
are languages that

00:20:47.970 --> 00:20:50.187 align:middle line:84%
pronounce the higher copy
of "what," that's English,

00:20:50.187 --> 00:20:52.770 align:middle line:84%
and languages that pronounce the
lower copy of "what," that's,

00:20:52.770 --> 00:20:55.680 align:middle line:90%
like, Mandarin, say.

00:20:55.680 --> 00:20:58.302 align:middle line:84%
And similarly for
reconstruction,

00:20:58.302 --> 00:20:59.760 align:middle line:84%
the way to talk
about this is yeah,

00:20:59.760 --> 00:21:01.385 align:middle line:84%
there are two copies
of "what," and you

00:21:01.385 --> 00:21:04.170 align:middle line:84%
have to pick one to be the
one that you'll interpret.

00:21:04.170 --> 00:21:08.140 align:middle line:84%
And the same deal with "two
guards," or whatever all else.

00:21:08.140 --> 00:21:10.080 align:middle line:90%
So "what" is now in two places.

00:21:10.080 --> 00:21:11.340 align:middle line:90%
Yeah?

00:21:11.340 --> 00:21:13.500 align:middle line:84%
AUDIENCE: Do you always
pronounce the higher?

00:21:13.500 --> 00:21:17.160 align:middle line:84%
NORVIN RICHARDS: So one
theory about what's going on

00:21:17.160 --> 00:21:20.040 align:middle line:84%
is in English, you
pronounce the higher

00:21:20.040 --> 00:21:23.010 align:middle line:84%
of two copies when you're
doing wh- movements.

00:21:23.010 --> 00:21:25.890 align:middle line:84%
But maybe the-- so
we've said there

00:21:25.890 --> 00:21:28.800 align:middle line:84%
are languages in which the way
to ask "What did Mary eat?"

00:21:28.800 --> 00:21:31.500 align:middle line:84%
is to say literally,
"Mary ate what."

00:21:31.500 --> 00:21:33.390 align:middle line:84%
So Mandarin is like
that, for example,

00:21:33.390 --> 00:21:35.887 align:middle line:90%
or Japanese is like that.

00:21:35.887 --> 00:21:37.470 align:middle line:84%
There are lots of
languages like that.

00:21:37.470 --> 00:21:39.345 align:middle line:84%
And maybe a way to talk
about those languages

00:21:39.345 --> 00:21:41.070 align:middle line:84%
is as far as movement
goes, they're

00:21:41.070 --> 00:21:42.930 align:middle line:84%
doing all the same
movement that English is.

00:21:42.930 --> 00:21:45.408 align:middle line:84%
They're just pronouncing
the lower copy.

00:21:45.408 --> 00:21:47.200 align:middle line:84%
And English is pronouncing
the higher copy,

00:21:47.200 --> 00:21:49.140 align:middle line:84%
and those are languages that
pronounce the lower copy.

00:21:49.140 --> 00:21:51.015 align:middle line:84%
That's one way to talk
about what's going on.

00:21:51.015 --> 00:21:53.482 align:middle line:90%


00:21:53.482 --> 00:21:54.940 align:middle line:84%
So copy theory of
movement is meant

00:21:54.940 --> 00:21:59.620 align:middle line:84%
to be responsible for these
data about reconstruction, which

00:21:59.620 --> 00:22:03.010 align:middle line:84%
really seem to make it look like
it's misleading to say when you

00:22:03.010 --> 00:22:04.540 align:middle line:90%
move something--

00:22:04.540 --> 00:22:06.730 align:middle line:84%
we talk about it as movement
because, well, we're

00:22:06.730 --> 00:22:09.230 align:middle line:84%
pronouncing it over
here and not over there.

00:22:09.230 --> 00:22:11.830 align:middle line:84%
And that led us to think
of it as now it's here

00:22:11.830 --> 00:22:12.955 align:middle line:90%
and it's not there anymore.

00:22:12.955 --> 00:22:14.830 align:middle line:84%
Reconstruction makes it
look like no, there's

00:22:14.830 --> 00:22:16.480 align:middle line:84%
some sense in which
it's simultaneously

00:22:16.480 --> 00:22:18.070 align:middle line:84%
in all the places
it's ever been,

00:22:18.070 --> 00:22:22.132 align:middle line:84%
and you get to choose which of
the places to interpret it in.

00:22:22.132 --> 00:22:23.590 align:middle line:84%
And maybe there's
something similar

00:22:23.590 --> 00:22:27.280 align:middle line:84%
going on with pronunciation,
as I just said.

00:22:27.280 --> 00:22:29.250 align:middle line:84%
I don't know if anybody
remembers Finnish vowel

00:22:29.250 --> 00:22:30.000 align:middle line:90%
harmony.

00:22:30.000 --> 00:22:32.748 align:middle line:90%
We're doing nostalgia today.

00:22:32.748 --> 00:22:34.290 align:middle line:84%
So I've asked you
to remember syntax,

00:22:34.290 --> 00:22:35.873 align:middle line:84%
I've asked you to
remember morphology.

00:22:35.873 --> 00:22:39.390 align:middle line:84%
Now remember this thing that we
did very fast about phonology.

00:22:39.390 --> 00:22:41.460 align:middle line:84%
So there's this
observation about Finnish

00:22:41.460 --> 00:22:46.290 align:middle line:84%
that properties like front
or back for vowels in Finnish

00:22:46.290 --> 00:22:49.470 align:middle line:84%
are just constant across
the word, more or less.

00:22:49.470 --> 00:22:52.393 align:middle line:90%
So there are words in--

00:22:52.393 --> 00:22:54.060 align:middle line:84%
Finnish has what's
called vowel harmony.

00:22:54.060 --> 00:22:56.550 align:middle line:84%
There are words in which
all the vowels are back

00:22:56.550 --> 00:22:59.202 align:middle line:84%
and words in which all
the vowels are front.

00:22:59.202 --> 00:23:01.410 align:middle line:84%
So there are words like
[SPEAKING FINNISH],, which is

00:23:01.410 --> 00:23:02.850 align:middle line:90%
the Finnish word for "table."

00:23:02.850 --> 00:23:06.090 align:middle line:84%
And if you want to put that
in the case that expresses

00:23:06.090 --> 00:23:08.100 align:middle line:84%
the meaning "on
the table," there's

00:23:08.100 --> 00:23:11.070 align:middle line:84%
a suffix, which, when you
add it to [SPEAKING FINNISH],,

00:23:11.070 --> 00:23:14.040 align:middle line:84%
is pronounced lah, with
an ah with the front vowel

00:23:14.040 --> 00:23:16.470 align:middle line:84%
because [SPEAKING FINNISH]
has front vowels.

00:23:16.470 --> 00:23:18.870 align:middle line:84%
And so when you add
"la" to it, you get lah.

00:23:18.870 --> 00:23:22.410 align:middle line:90%


00:23:22.410 --> 00:23:25.140 align:middle line:84%
If you added la to
the word for "chair,"

00:23:25.140 --> 00:23:28.110 align:middle line:84%
which is [SPEAKING FINNISH],,
you'd get [SPEAKING FINNISH]..

00:23:28.110 --> 00:23:30.420 align:middle line:84%
So the vowel would
be back in the la.

00:23:30.420 --> 00:23:34.410 align:middle line:84%
And the idea that I floated,
is an old idea in phonology,

00:23:34.410 --> 00:23:37.080 align:middle line:84%
is that we should think
of properties like front

00:23:37.080 --> 00:23:41.500 align:middle line:84%
or back in Finnish as being
smeared across the whole word.

00:23:41.500 --> 00:23:43.668 align:middle line:84%
So it's not like for
every Finnish vowel

00:23:43.668 --> 00:23:45.210 align:middle line:84%
in a Finnish word,
you get to specify

00:23:45.210 --> 00:23:46.445 align:middle line:90%
whether it's front or back.

00:23:46.445 --> 00:23:48.570 align:middle line:84%
Front or back is just a
property of the whole word.

00:23:48.570 --> 00:23:50.310 align:middle line:84%
It's in all of these
places at once,

00:23:50.310 --> 00:23:53.130 align:middle line:84%
this property of
being front or back,

00:23:53.130 --> 00:23:57.120 align:middle line:84%
and it appears in more
than one place at once.

00:23:57.120 --> 00:23:59.940 align:middle line:84%
What I'm talking about now,
copy theory of movement,

00:23:59.940 --> 00:24:02.190 align:middle line:90%
is like that for syntax.

00:24:02.190 --> 00:24:04.650 align:middle line:84%
There are things that are
in more than one place

00:24:04.650 --> 00:24:08.670 align:middle line:84%
at the same time because
you merged them to the tree

00:24:08.670 --> 00:24:10.680 align:middle line:90%
over and over again.

00:24:10.680 --> 00:24:13.740 align:middle line:84%
And then it is the job of the
phonology and the semantics

00:24:13.740 --> 00:24:17.580 align:middle line:84%
to take that property of these
syntactic representations

00:24:17.580 --> 00:24:20.130 align:middle line:84%
and figure out what the
heck to do with them.

00:24:20.130 --> 00:24:25.890 align:middle line:84%
So syntax is handing phonology
structures that literally look

00:24:25.890 --> 00:24:27.442 align:middle line:90%
like "What Mary will eat what?"

00:24:27.442 --> 00:24:29.400 align:middle line:84%
And phonology has to look
at that and go, what?

00:24:29.400 --> 00:24:30.328 align:middle line:90%
Wait, which of these?

00:24:30.328 --> 00:24:31.620 align:middle line:90%
Where am I going to pronounce--

00:24:31.620 --> 00:24:33.642 align:middle line:84%
I have to pronounce
"what" once, and I

00:24:33.642 --> 00:24:35.850 align:middle line:84%
have to choose which of
these places to pronounce it.

00:24:35.850 --> 00:24:37.808 align:middle line:84%
And maybe semantics is
doing something similar.

00:24:37.808 --> 00:24:40.590 align:middle line:84%
Maybe that's what all this talk
about reconstruction is doing.

00:24:40.590 --> 00:24:42.613 align:middle line:84%
Semantics similarly looks
at that representation

00:24:42.613 --> 00:24:44.280 align:middle line:84%
and says, oh, I've
got this thing that's

00:24:44.280 --> 00:24:45.238 align:middle line:90%
in more than one place.

00:24:45.238 --> 00:24:48.810 align:middle line:84%
I can only interpret it in
one place, and I'll pick one.

00:24:48.810 --> 00:24:52.230 align:middle line:84%
And then big literature
figuring out how do we pick?

00:24:52.230 --> 00:24:54.450 align:middle line:84%
What are the rules
about where we pick?

00:24:54.450 --> 00:24:56.880 align:middle line:90%
Lots of work on this.

00:24:56.880 --> 00:24:57.970 align:middle line:90%
Copy theory of movement.

00:24:57.970 --> 00:25:02.060 align:middle line:90%


00:25:02.060 --> 00:25:05.090 align:middle line:84%
So yeah, reconstruction involves
picking a particular position

00:25:05.090 --> 00:25:07.550 align:middle line:84%
to interpret a move phrasing,
both for binding theory

00:25:07.550 --> 00:25:11.070 align:middle line:90%
and for quantifiers.

00:25:11.070 --> 00:25:12.510 align:middle line:90%
Topic shift.

00:25:12.510 --> 00:25:16.410 align:middle line:84%
I think I can promise that
I will never again talk

00:25:16.410 --> 00:25:18.692 align:middle line:90%
about guards and buildings.

00:25:18.692 --> 00:25:21.150 align:middle line:84%
So if anybody has any questions
about guards and buildings,

00:25:21.150 --> 00:25:21.650 align:middle line:90%
go ahead.

00:25:21.650 --> 00:25:23.290 align:middle line:90%
Get them out of your system.

00:25:23.290 --> 00:25:24.960 align:middle line:84%
And we're going to
leave them behind.

00:25:24.960 --> 00:25:28.030 align:middle line:84%
No more guards,
no more buildings.

00:25:28.030 --> 00:25:30.360 align:middle line:90%
Let's talk about ellipsis again.

00:25:30.360 --> 00:25:33.000 align:middle line:90%
We talked about ellipses before.

00:25:33.000 --> 00:25:39.360 align:middle line:84%
So this is a property of
sentences where you can leave

00:25:39.360 --> 00:25:41.180 align:middle line:90%
out parts of the sentence.

00:25:41.180 --> 00:25:43.680 align:middle line:84%
Language is varied with respect
to how much of this they do.

00:25:43.680 --> 00:25:47.940 align:middle line:84%
English has VP-ellipsis,
which is comparatively exotic.

00:25:47.940 --> 00:25:50.070 align:middle line:84%
There are other languages
that has VP-ellipsis,

00:25:50.070 --> 00:25:52.210 align:middle line:84%
but it's certainly
not every language.

00:25:52.210 --> 00:25:54.510 align:middle line:84%
So VP-ellipsis is this
option that English

00:25:54.510 --> 00:25:56.730 align:middle line:84%
and some other
languages have where

00:25:56.730 --> 00:25:58.608 align:middle line:84%
if you're about to
repeat a verb phrase,

00:25:58.608 --> 00:26:00.900 align:middle line:84%
you have the option of just
leaving out the second verb

00:26:00.900 --> 00:26:01.400 align:middle line:90%
phrase.

00:26:01.400 --> 00:26:03.930 align:middle line:84%
So you can say things like,
"Adam ate an apple and Eve did,

00:26:03.930 --> 00:26:07.245 align:middle line:84%
too," where the missing verb
phrase is "ate an apple."

00:26:07.245 --> 00:26:11.050 align:middle line:90%


00:26:11.050 --> 00:26:13.153 align:middle line:84%
There's another phenomenon
which is a lot more

00:26:13.153 --> 00:26:14.320 align:middle line:90%
cross-linguistically common.

00:26:14.320 --> 00:26:19.270 align:middle line:84%
It's called sluicing,
where you get to leave out

00:26:19.270 --> 00:26:22.280 align:middle line:90%
most of a question.

00:26:22.280 --> 00:26:25.220 align:middle line:84%
So you can say things
like, "Adam ate something,

00:26:25.220 --> 00:26:27.670 align:middle line:84%
but I don't know
what" where this means

00:26:27.670 --> 00:26:30.160 align:middle line:90%
"I don't know what Adam ate."

00:26:30.160 --> 00:26:33.002 align:middle line:84%
So what's been left out is
the rest of the question,

00:26:33.002 --> 00:26:34.210 align:middle line:90%
"I don't know what Adam ate."

00:26:34.210 --> 00:26:37.540 align:middle line:84%
All you pronounce
is the "what" part.

00:26:37.540 --> 00:26:39.550 align:middle line:90%
This is called sluicing.

00:26:39.550 --> 00:26:40.900 align:middle line:90%
There's an old name for it.

00:26:40.900 --> 00:26:43.973 align:middle line:90%
It's called that because--

00:26:43.973 --> 00:26:45.640 align:middle line:84%
I think I've made
this mistake sometimes

00:26:45.640 --> 00:26:50.710 align:middle line:84%
on slides where
something that's called--

00:26:50.710 --> 00:26:53.470 align:middle line:84%
we've been calling TP, which
people these days usually

00:26:53.470 --> 00:26:54.820 align:middle line:90%
do call TP.

00:26:54.820 --> 00:26:57.305 align:middle line:90%
It used to be called IP.

00:26:57.305 --> 00:26:58.430 align:middle line:90%
It's just a different name.

00:26:58.430 --> 00:26:59.440 align:middle line:84%
So now we call it
a tense phrase.

00:26:59.440 --> 00:27:01.240 align:middle line:84%
It used to be called
an inflection phrase.

00:27:01.240 --> 00:27:03.910 align:middle line:84%
And we've had some slides where
I accidentally left in an IP

00:27:03.910 --> 00:27:06.490 align:middle line:84%
and I apologized, and
had to go in and fix it

00:27:06.490 --> 00:27:07.667 align:middle line:90%
before I posted the slides.

00:27:07.667 --> 00:27:10.000 align:middle line:84%
I hope I managed to do that
for all the slides I posted.

00:27:10.000 --> 00:27:16.690 align:middle line:84%
Before it was called an IP, it
was called an S. So if you--

00:27:16.690 --> 00:27:18.355 align:middle line:90%
S stood for sentence.

00:27:18.355 --> 00:27:21.040 align:middle line:90%


00:27:21.040 --> 00:27:24.340 align:middle line:84%
So it was before our
terminology got as sophisticated

00:27:24.340 --> 00:27:25.400 align:middle line:90%
as it is today.

00:27:25.400 --> 00:27:27.250 align:middle line:90%
So S stood for sentence.

00:27:27.250 --> 00:27:30.370 align:middle line:84%
And sluicing was a
cute name for this.

00:27:30.370 --> 00:27:36.940 align:middle line:84%
The idea was when you say "I
don't know what Adam ate,"

00:27:36.940 --> 00:27:38.920 align:middle line:84%
you're getting
rid of "Adam ate."

00:27:38.920 --> 00:27:44.050 align:middle line:84%
This is the S. So
you are "S-loosing."

00:27:44.050 --> 00:27:45.520 align:middle line:84%
You're getting rid
of the S. Yeah,

00:27:45.520 --> 00:27:47.410 align:middle line:84%
so that's how it got
the name "sluicing."

00:27:47.410 --> 00:27:48.730 align:middle line:90%
Yeah, it's a cute name.

00:27:48.730 --> 00:27:51.160 align:middle line:84%
I'm sorry, that's the only
excuse I have for telling you

00:27:51.160 --> 00:27:53.380 align:middle line:84%
that this thing used
to be called S. That,

00:27:53.380 --> 00:27:56.830 align:middle line:84%
and that if you ever read
ancient literature in syntax,

00:27:56.830 --> 00:27:59.590 align:middle line:84%
you'll sometimes
see it called S.

00:27:59.590 --> 00:28:01.150 align:middle line:90%
So VP-ellipsis.

00:28:01.150 --> 00:28:02.230 align:middle line:90%
Fairly common phenomenon.

00:28:02.230 --> 00:28:04.510 align:middle line:84%
Sluicing, possibly a
universal phenomenon.

00:28:04.510 --> 00:28:06.940 align:middle line:84%
There's a lot of work
on whether things

00:28:06.940 --> 00:28:08.440 align:middle line:84%
that look like
sluicing really are

00:28:08.440 --> 00:28:12.280 align:middle line:90%
sluicing in various languages.

00:28:12.280 --> 00:28:15.190 align:middle line:84%
And at least one way of
understanding what's going on

00:28:15.190 --> 00:28:16.453 align:middle line:90%
here is that these are--

00:28:16.453 --> 00:28:18.370 align:middle line:84%
so there are a couple
of ways of understanding

00:28:18.370 --> 00:28:20.453 align:middle line:84%
what's going on here, and
we will talk about them.

00:28:20.453 --> 00:28:21.910 align:middle line:84%
But here's one
way you could say,

00:28:21.910 --> 00:28:26.080 align:middle line:84%
yeah, it's possible sometimes
to just refrain from pronouncing

00:28:26.080 --> 00:28:27.560 align:middle line:90%
parts of a sentence.

00:28:27.560 --> 00:28:33.640 align:middle line:84%
So if you have built a sentence
with the structure "Adam

00:28:33.640 --> 00:28:36.340 align:middle line:84%
ate something, but I don't
know what Adam ate," well,

00:28:36.340 --> 00:28:37.610 align:middle line:90%
you can say that.

00:28:37.610 --> 00:28:39.820 align:middle line:84%
But you also have the
option of refraining

00:28:39.820 --> 00:28:43.342 align:middle line:84%
from repeating the "Adam
ate" at the end there.

00:28:43.342 --> 00:28:44.425 align:middle line:90%
You can just leave it out.

00:28:44.425 --> 00:28:48.000 align:middle line:90%


00:28:48.000 --> 00:28:49.440 align:middle line:90%
That's one way to talk about it.

00:28:49.440 --> 00:28:51.690 align:middle line:84%
There's another way to talk
about it, of course, which

00:28:51.690 --> 00:28:54.930 align:middle line:84%
is to say, no, look, if you
say "Adam ate something,

00:28:54.930 --> 00:28:58.110 align:middle line:84%
but I don't know what,"
well, you have said,

00:28:58.110 --> 00:29:00.990 align:middle line:84%
"Adam ate something
but I don't know what."

00:29:00.990 --> 00:29:03.270 align:middle line:84%
We need a structure
for that where

00:29:03.270 --> 00:29:05.130 align:middle line:90%
there's no sentence after what.

00:29:05.130 --> 00:29:06.570 align:middle line:90%
There's just nothing there.

00:29:06.570 --> 00:29:09.690 align:middle line:84%
And yeah, it's the
job of the semantics

00:29:09.690 --> 00:29:12.690 align:middle line:84%
to interpret that as "I
don't know what Adam ate."

00:29:12.690 --> 00:29:16.480 align:middle line:84%
But the syntax is not
building a structure,

00:29:16.480 --> 00:29:19.053 align:middle line:84%
"I don't know what Adam
ate," and then refraining

00:29:19.053 --> 00:29:20.220 align:middle line:90%
from pronouncing part of it.

00:29:20.220 --> 00:29:22.380 align:middle line:84%
There's none of
this ellipsis stuff.

00:29:22.380 --> 00:29:25.170 align:middle line:84%
You're just-- we have a
pretty sophisticated way

00:29:25.170 --> 00:29:28.823 align:middle line:84%
of interpreting things
like "I don't know what."

00:29:28.823 --> 00:29:30.990 align:middle line:84%
Do people see the difference
between these theories?

00:29:30.990 --> 00:29:32.940 align:middle line:84%
And one of them says
the syntax always

00:29:32.940 --> 00:29:35.430 align:middle line:84%
creates complete sentences,
and then the phonology

00:29:35.430 --> 00:29:38.430 align:middle line:84%
has the option of refraining
from pronouncing parts of them.

00:29:38.430 --> 00:29:39.330 align:middle line:90%
Yeah.

00:29:39.330 --> 00:29:41.250 align:middle line:84%
The other says, no, the
syntax has the option

00:29:41.250 --> 00:29:43.380 align:middle line:84%
of creating things that
are not complete sentences,

00:29:43.380 --> 00:29:47.070 align:middle line:84%
and then the semantics just
has to deal, figure out

00:29:47.070 --> 00:29:49.950 align:middle line:90%
how to interpret those things.

00:29:49.950 --> 00:29:51.540 align:middle line:84%
Those are two takes
that people have

00:29:51.540 --> 00:29:54.210 align:middle line:90%
had on this kind of phenomena.

00:29:54.210 --> 00:29:55.440 align:middle line:90%
Yeah?

00:29:55.440 --> 00:29:57.690 align:middle line:84%
Now let me give you one
reason to take one of these

00:29:57.690 --> 00:30:00.063 align:middle line:84%
takes seriously, more
seriously than the other one.

00:30:00.063 --> 00:30:01.980 align:middle line:84%
Though, they are both
live options, and people

00:30:01.980 --> 00:30:03.810 align:middle line:90%
argue for both of them.

00:30:03.810 --> 00:30:04.600 align:middle line:90%
Different people.

00:30:04.600 --> 00:30:06.975 align:middle line:84%
Some people argue for one,
other people argue for others.

00:30:06.975 --> 00:30:09.330 align:middle line:84%
Most people do not
argue for both.

00:30:09.330 --> 00:30:12.010 align:middle line:90%
Here's one.

00:30:12.010 --> 00:30:14.320 align:middle line:84%
We've talked about
preposition stranding.

00:30:14.320 --> 00:30:17.650 align:middle line:84%
So preposition
stranding is this fact

00:30:17.650 --> 00:30:21.010 align:middle line:84%
that in certain strange and
exotic languages like the one

00:30:21.010 --> 00:30:24.400 align:middle line:84%
I'm speaking, you
have the option

00:30:24.400 --> 00:30:27.040 align:middle line:84%
of asking two kinds
of questions if you

00:30:27.040 --> 00:30:30.280 align:middle line:84%
want to ask a question about
the object of a preposition.

00:30:30.280 --> 00:30:33.550 align:middle line:84%
You can ask questions like
"Who was he talking with?"

00:30:33.550 --> 00:30:37.750 align:middle line:84%
Or you can ask questions like
"With whom was he talking?"

00:30:37.750 --> 00:30:40.450 align:middle line:84%
That is, if you want to ask
a question about the object

00:30:40.450 --> 00:30:43.960 align:middle line:84%
of "with," you can just
wh-move the object of "with,"

00:30:43.960 --> 00:30:46.810 align:middle line:84%
and leave the "with" behind:
"Who was he talking with?"

00:30:46.810 --> 00:30:49.510 align:middle line:84%
Or you can move the entire
prepositional phrase:

00:30:49.510 --> 00:30:51.250 align:middle line:90%
"With whom was he talking?"

00:30:51.250 --> 00:30:55.430 align:middle line:84%
I, at least, would much
rather say the first of those.

00:30:55.430 --> 00:30:58.600 align:middle line:84%
But some people are able
to say the second one.

00:30:58.600 --> 00:31:00.340 align:middle line:84%
It depends on how
savagely you were

00:31:00.340 --> 00:31:02.620 align:middle line:84%
beaten by English
teachers in high school.

00:31:02.620 --> 00:31:05.665 align:middle line:84%
So your English
teachers in high school

00:31:05.665 --> 00:31:08.290 align:middle line:84%
maybe tried to convince you that
the right way to speak English

00:31:08.290 --> 00:31:10.480 align:middle line:84%
involves the sentence
on the right.

00:31:10.480 --> 00:31:13.030 align:middle line:84%
They did that-- I mean, they
had the best of intentions.

00:31:13.030 --> 00:31:15.730 align:middle line:84%
They did that because
most languages only

00:31:15.730 --> 00:31:17.510 align:middle line:90%
have that second option.

00:31:17.510 --> 00:31:20.260 align:middle line:84%
So English is quite unusual
in having that first option,

00:31:20.260 --> 00:31:25.540 align:middle line:84%
and scholars of the English
language sometime in the 1700s

00:31:25.540 --> 00:31:27.820 align:middle line:84%
decided that English
would be much cooler if it

00:31:27.820 --> 00:31:29.320 align:middle line:90%
were like every other language.

00:31:29.320 --> 00:31:31.790 align:middle line:84%
It's basically
grammatical peer pressure.

00:31:31.790 --> 00:31:33.490 align:middle line:84%
So they were like,
wouldn't it be nice

00:31:33.490 --> 00:31:36.340 align:middle line:84%
if English were more
like Latin, and French,

00:31:36.340 --> 00:31:38.320 align:middle line:84%
and other civilized
languages where you can't

00:31:38.320 --> 00:31:40.752 align:middle line:90%
leave prepositions behind?

00:31:40.752 --> 00:31:43.210 align:middle line:84%
So there are some languages
that have this option of what's

00:31:43.210 --> 00:31:45.190 align:middle line:84%
called preposition
stranding, leaving "with"

00:31:45.190 --> 00:31:50.680 align:middle line:84%
behind and wh-moving the object
of the preposition out, as

00:31:50.680 --> 00:31:52.060 align:middle line:90%
in "Who is he talking with?"

00:31:52.060 --> 00:31:53.870 align:middle line:84%
Most languages don't
have that option.

00:31:53.870 --> 00:31:55.480 align:middle line:84%
You only have the
option on the right.

00:31:55.480 --> 00:31:57.830 align:middle line:84%
This is all-- we've
said all of this.

00:31:57.830 --> 00:31:59.650 align:middle line:84%
So I say we should
be proud of the fact

00:31:59.650 --> 00:32:02.050 align:middle line:84%
that we can say, "Who
was he talking with?"

00:32:02.050 --> 00:32:03.520 align:middle line:90%
It should be on our currency.

00:32:03.520 --> 00:32:06.130 align:middle line:84%
It should be part of the
official motto of the US.

00:32:06.130 --> 00:32:07.210 align:middle line:90%
"Who are you talking to?"

00:32:07.210 --> 00:32:08.920 align:middle line:90%
That should be our motto.

00:32:08.920 --> 00:32:11.260 align:middle line:90%
No?

00:32:11.260 --> 00:32:15.140 align:middle line:84%
Now as I said, most
languages are not like this.

00:32:15.140 --> 00:32:17.110 align:middle line:84%
So here are some
Russian examples.

00:32:17.110 --> 00:32:19.540 align:middle line:84%
In Russian, this is
Russian for "Peter

00:32:19.540 --> 00:32:24.040 align:middle line:84%
was talking with somebody
but I don't know whom."

00:32:24.040 --> 00:32:26.200 align:middle line:84%
And similarly, let's
concentrate first

00:32:26.200 --> 00:32:27.430 align:middle line:90%
on the sentences at the end.

00:32:27.430 --> 00:32:30.340 align:middle line:84%
In Russian, Russian is like most
civilized languages in which

00:32:30.340 --> 00:32:32.350 align:middle line:84%
you cannot say, "Who
is he talking with?"

00:32:32.350 --> 00:32:35.080 align:middle line:84%
You can't say,
[SPEAKING RUSSIAN]..

00:32:35.080 --> 00:32:37.120 align:middle line:84%
You have to say
[SPEAKING RUSSIAN]..

00:32:37.120 --> 00:32:39.130 align:middle line:90%
So "With whom was he talking?"

00:32:39.130 --> 00:32:40.750 align:middle line:84%
So that the preposition
"with," which

00:32:40.750 --> 00:32:42.370 align:middle line:84%
is [SPEAKING RUSSIAN]
in Russian.

00:32:42.370 --> 00:32:44.290 align:middle line:84%
Russian has longer
prepositions than that,

00:32:44.290 --> 00:32:46.420 align:middle line:84%
but that's one of
them, prepositions

00:32:46.420 --> 00:32:48.605 align:middle line:90%
that are just a consonant.

00:32:48.605 --> 00:32:50.230 align:middle line:84%
You have to take that
preposition along

00:32:50.230 --> 00:32:53.260 align:middle line:90%
with the wh- word.

00:32:53.260 --> 00:32:58.650 align:middle line:84%
And relatedly, possibly,
Russian has sluicing.

00:32:58.650 --> 00:33:01.170 align:middle line:84%
But in Russian-- so
let's go back to English.

00:33:01.170 --> 00:33:03.760 align:middle line:84%
In English, if you do
sluicing, you have two options.

00:33:03.760 --> 00:33:05.968 align:middle line:84%
You can either say, "Peter
was talking with somebody,

00:33:05.968 --> 00:33:09.760 align:middle line:84%
but I don't know who,"
leaving the preposition out.

00:33:09.760 --> 00:33:11.760 align:middle line:84%
Or you can say, "Peter
was talking with someone,

00:33:11.760 --> 00:33:13.270 align:middle line:90%
but I don't know with whom."

00:33:13.270 --> 00:33:16.430 align:middle line:90%
Yeah, you can say that, too.

00:33:16.430 --> 00:33:17.930 align:middle line:84%
Russian only has
the second option.

00:33:17.930 --> 00:33:19.190 align:middle line:84%
You can only say
the Russian version

00:33:19.190 --> 00:33:20.648 align:middle line:84%
of "Peter was
talking with someone,

00:33:20.648 --> 00:33:23.310 align:middle line:90%
but I don't with whom."

00:33:23.310 --> 00:33:26.188 align:middle line:84%
You can't say in Russian, "Peter
was talking with somebody,

00:33:26.188 --> 00:33:27.105 align:middle line:90%
but I don't know who."

00:33:27.105 --> 00:33:29.690 align:middle line:90%


00:33:29.690 --> 00:33:32.810 align:middle line:84%
And this is English and Russian,
but this is quite widespread.

00:33:32.810 --> 00:33:34.460 align:middle line:90%
It's generally true.

00:33:34.460 --> 00:33:36.260 align:middle line:84%
There are some interesting
counterexamples,

00:33:36.260 --> 00:33:37.930 align:middle line:84%
which people get
interested in and try

00:33:37.930 --> 00:33:39.180 align:middle line:90%
to figure out what's going on.

00:33:39.180 --> 00:33:42.200 align:middle line:84%
But it's generally true
that if you are like English

00:33:42.200 --> 00:33:44.450 align:middle line:84%
in allowing prepositions
to be left behind,

00:33:44.450 --> 00:33:47.360 align:middle line:84%
you can leave prepositions
out in sluicing.

00:33:47.360 --> 00:33:50.270 align:middle line:84%
And if you are like Russian in
which your prepositions have

00:33:50.270 --> 00:33:52.220 align:middle line:84%
to move along with
your wh- phrase,

00:33:52.220 --> 00:33:56.030 align:middle line:84%
then your prepositions have
to be kept under sluicing.

00:33:56.030 --> 00:33:57.590 align:middle line:84%
So let's think about
what that means

00:33:57.590 --> 00:33:58.882 align:middle line:90%
for these theories of sluicing.

00:33:58.882 --> 00:34:01.750 align:middle line:90%


00:34:01.750 --> 00:34:03.830 align:middle line:84%
The two theories of sluicing
again, one of them--

00:34:03.830 --> 00:34:05.230 align:middle line:90%
let's take the first one first.

00:34:05.230 --> 00:34:07.570 align:middle line:84%
One of them said, when you
say "Peter was talking with

00:34:07.570 --> 00:34:09.790 align:middle line:84%
somebody, but I don't
know who," well,

00:34:09.790 --> 00:34:11.074 align:middle line:90%
what you're doing is you're--

00:34:11.074 --> 00:34:13.449 align:middle line:84%
the syntax is generating "Peter
was talking with someone,

00:34:13.449 --> 00:34:15.520 align:middle line:84%
but I don't know who
he was talking with."

00:34:15.520 --> 00:34:19.510 align:middle line:84%
And then you leave
out everything

00:34:19.510 --> 00:34:23.870 align:middle line:84%
in the lowest sentence except
for the wh- word itself.

00:34:23.870 --> 00:34:26.280 align:middle line:84%
So you start off with "Peter
was talking with somebody,

00:34:26.280 --> 00:34:28.030 align:middle line:84%
but I don't know who
he was talking with,"

00:34:28.030 --> 00:34:29.590 align:middle line:84%
and then you leave out
"he was talking with."

00:34:29.590 --> 00:34:31.350 align:middle line:84%
So you end up with
"I don't know who."

00:34:31.350 --> 00:34:33.100 align:middle line:84%
Now that's a story
where sluicing involves

00:34:33.100 --> 00:34:35.560 align:middle line:84%
creating a complete
sentence and then electing

00:34:35.560 --> 00:34:38.380 align:middle line:90%
to not pronounce part of it.

00:34:38.380 --> 00:34:41.170 align:middle line:84%
If we have that kind
of theory of sluicing,

00:34:41.170 --> 00:34:45.730 align:middle line:84%
then the facts in
English and Russian

00:34:45.730 --> 00:34:49.670 align:middle line:84%
boil down to a single difference
between the languages.

00:34:49.670 --> 00:34:52.480 align:middle line:84%
So the single difference
between the languages

00:34:52.480 --> 00:34:55.179 align:middle line:84%
has to do with whether you
have to take prepositions along

00:34:55.179 --> 00:34:59.458 align:middle line:84%
with you when you wh-move
the object of a preposition,

00:34:59.458 --> 00:35:01.000 align:middle line:84%
whether you have
the option of saying

00:35:01.000 --> 00:35:02.330 align:middle line:90%
"Who is he talking with?"

00:35:02.330 --> 00:35:04.960 align:middle line:84%
So there's a relation between
the fact that in English

00:35:04.960 --> 00:35:07.450 align:middle line:84%
but not in Russian, you can
say, "Who was he talking with?"

00:35:07.450 --> 00:35:09.400 align:middle line:84%
And the fact that in
English, but not in Russian,

00:35:09.400 --> 00:35:11.233 align:middle line:84%
you can say, "Peter was
talking to somebody,

00:35:11.233 --> 00:35:13.990 align:middle line:90%
but I don't know who."

00:35:13.990 --> 00:35:15.410 align:middle line:90%
Those are both the same fact.

00:35:15.410 --> 00:35:18.370 align:middle line:84%
The fact is when the
syntax is constructing

00:35:18.370 --> 00:35:21.245 align:middle line:84%
the sluiced example, in English,
you have the option of saying,

00:35:21.245 --> 00:35:22.870 align:middle line:84%
"I don't know who he
was talking with,"

00:35:22.870 --> 00:35:24.880 align:middle line:84%
and then leaving out
"he was talking with."

00:35:24.880 --> 00:35:26.740 align:middle line:84%
In Russian, you don't
have that option.

00:35:26.740 --> 00:35:28.870 align:middle line:84%
You have to say, "I don't know
with whom he was talking."

00:35:28.870 --> 00:35:30.820 align:middle line:84%
And that's why when you do
sluicing, you have to say,

00:35:30.820 --> 00:35:32.820 align:middle line:84%
"but I don't know with
whom," and you can't say,

00:35:32.820 --> 00:35:33.820 align:middle line:90%
"I don't know who."

00:35:33.820 --> 00:35:35.770 align:middle line:84%
So these facts are
related to each other.

00:35:35.770 --> 00:35:37.930 align:middle line:84%
If you can strand
prepositions, then you

00:35:37.930 --> 00:35:39.340 align:middle line:90%
can leave them out in sluicing.

00:35:39.340 --> 00:35:42.910 align:middle line:84%
And those facts are connected
if sluicing involves, well,

00:35:42.910 --> 00:35:45.550 align:middle line:84%
actual wh-movement,
together with a decision

00:35:45.550 --> 00:35:47.225 align:middle line:84%
to fail to pronounce
part of a sentence.

00:35:47.225 --> 00:35:49.840 align:middle line:90%


00:35:49.840 --> 00:35:51.803 align:middle line:84%
Yep, that's one argument
for that approach.

00:35:51.803 --> 00:35:54.220 align:middle line:84%
On the other hand, if you have
the kind of approach that's

00:35:54.220 --> 00:35:59.080 align:middle line:84%
like, no, look, there's
no-- you don't always

00:35:59.080 --> 00:36:00.280 align:middle line:90%
create complete sentences.

00:36:00.280 --> 00:36:02.697 align:middle line:84%
The syntax when you say, "Peter
was talking with somebody,

00:36:02.697 --> 00:36:05.860 align:middle line:84%
but I don't know who," the
syntax is just creating

00:36:05.860 --> 00:36:07.090 align:middle line:90%
"I don't know who."

00:36:07.090 --> 00:36:09.130 align:middle line:84%
And then it is the
job of the semantics

00:36:09.130 --> 00:36:11.500 align:middle line:84%
to figure out what the heck
you mean when you say that,

00:36:11.500 --> 00:36:14.380 align:middle line:84%
and to supply the rest of
the sentence from context.

00:36:14.380 --> 00:36:18.910 align:middle line:84%
Well then, it's less
clear why these facts

00:36:18.910 --> 00:36:21.070 align:middle line:84%
should track each other,
the fact about whether you

00:36:21.070 --> 00:36:22.778 align:middle line:84%
constrain prepositions
and the fact about

00:36:22.778 --> 00:36:24.487 align:middle line:84%
whether you can leave
it out in a sluice,

00:36:24.487 --> 00:36:27.100 align:middle line:84%
because the sluice doesn't, on
that kind of theory, literally

00:36:27.100 --> 00:36:30.740 align:middle line:90%
involve any wh-movement.

00:36:30.740 --> 00:36:33.900 align:middle line:90%
Another similar kind of fact.

00:36:33.900 --> 00:36:40.650 align:middle line:84%
German has verbs that
assign entertaining cases

00:36:40.650 --> 00:36:42.650 align:middle line:90%
to their objects.

00:36:42.650 --> 00:36:44.240 align:middle line:84%
So English does not
have a whole lot

00:36:44.240 --> 00:36:47.690 align:middle line:84%
of case morphology, but way back
when, we talked a little bit

00:36:47.690 --> 00:36:50.360 align:middle line:84%
back in syntax about case
morphology, this idea

00:36:50.360 --> 00:36:54.740 align:middle line:84%
that nouns have morphology on
them telling you roughly what

00:36:54.740 --> 00:36:56.700 align:middle line:90%
they're doing in the sentence.

00:36:56.700 --> 00:36:58.283 align:middle line:84%
So we talked about
the fact that there

00:36:58.283 --> 00:37:00.140 align:middle line:84%
are languages that
have a marker that

00:37:00.140 --> 00:37:02.837 align:middle line:84%
says, hey, I'm the subject,
or hey, I'm the object.

00:37:02.837 --> 00:37:04.670 align:middle line:84%
There are languages
that have other markers,

00:37:04.670 --> 00:37:07.400 align:middle line:84%
these case markers,
we called them.

00:37:07.400 --> 00:37:11.180 align:middle line:84%
German has more of this
stuff than English does.

00:37:11.180 --> 00:37:14.240 align:middle line:84%
And in particular, German
has this phenomenon sometimes

00:37:14.240 --> 00:37:16.728 align:middle line:84%
called quirky case,
where there are verbs.

00:37:16.728 --> 00:37:18.770 align:middle line:84%
One of the fun things
about-- one of the many fun

00:37:18.770 --> 00:37:21.590 align:middle line:84%
things about learning
German is that if you

00:37:21.590 --> 00:37:24.140 align:middle line:84%
want to learn a verb
like "schmeicheln," which

00:37:24.140 --> 00:37:26.760 align:middle line:84%
is the German verb to
flatter, first of all,

00:37:26.760 --> 00:37:29.340 align:middle line:84%
you must learn to pronounce
it possibly better than I just

00:37:29.340 --> 00:37:29.840 align:middle line:90%
did.

00:37:29.840 --> 00:37:33.260 align:middle line:84%
And second, you must learn
that its object is dative.

00:37:33.260 --> 00:37:33.920 align:middle line:90%
Why?

00:37:33.920 --> 00:37:36.080 align:middle line:90%
Well, it just is.

00:37:36.080 --> 00:37:38.690 align:middle line:84%
So part of learning
German is learning

00:37:38.690 --> 00:37:42.290 align:middle line:84%
that if you flatter someone,
you flatter them datively.

00:37:42.290 --> 00:37:45.350 align:middle line:84%
To say that the object of
"schmeicheln" is dative

00:37:45.350 --> 00:37:46.880 align:middle line:84%
is to say that when
you want to say

00:37:46.880 --> 00:37:49.430 align:middle line:84%
he wants to flatter someone,
the word for someone

00:37:49.430 --> 00:37:53.090 align:middle line:84%
is "jemandem" and ends in
an M, which is the mark

00:37:53.090 --> 00:37:55.700 align:middle line:90%
that it's dative.

00:37:55.700 --> 00:37:58.760 align:middle line:84%
If you wanted to say, for
example, he wants to praise

00:37:58.760 --> 00:38:01.430 align:middle line:84%
someone, well,
praise, "loben," is

00:38:01.430 --> 00:38:04.550 align:middle line:84%
like most transitive verbs in
that its object is accusative.

00:38:04.550 --> 00:38:09.020 align:middle line:84%
So now someone isn't
"jemandem," it's "jemanden."

00:38:09.020 --> 00:38:10.580 align:middle line:90%
A fun, quirky fact about German.

00:38:10.580 --> 00:38:12.260 align:middle line:84%
If any of you were
considering learning German,

00:38:12.260 --> 00:38:14.468 align:middle line:84%
this is one of the many
things you will get to learn.

00:38:14.468 --> 00:38:15.380 align:middle line:90%
Yeah?

00:38:15.380 --> 00:38:16.120 align:middle line:90%
Yeah.

00:38:16.120 --> 00:38:20.360 align:middle line:84%
Now cool fact, if you
sluice in German--

00:38:20.360 --> 00:38:23.360 align:middle line:84%
German's like English,
it has sluicing.

00:38:23.360 --> 00:38:25.700 align:middle line:84%
If you sluice in German,
if you want to say,

00:38:25.700 --> 00:38:28.700 align:middle line:84%
"He wants to flatter somebody,
but they don't know who,"

00:38:28.700 --> 00:38:30.918 align:middle line:90%
you can say that in German.

00:38:30.918 --> 00:38:32.960 align:middle line:84%
If you want to say, "He
wants to praise somebody,

00:38:32.960 --> 00:38:36.780 align:middle line:84%
but they don't know who," you
can say that in German, too.

00:38:36.780 --> 00:38:39.630 align:middle line:84%
But if you say, "He wants
to flatter somebody,

00:38:39.630 --> 00:38:42.065 align:middle line:84%
but they don't know who,"
well, the word for "who,"

00:38:42.065 --> 00:38:43.440 align:middle line:84%
it's like the word
for "someone."

00:38:43.440 --> 00:38:46.020 align:middle line:84%
It has different dative
and accusative forms.

00:38:46.020 --> 00:38:48.930 align:middle line:84%
So as you can see in the slide,
"He wants to flatter someone,

00:38:48.930 --> 00:38:51.900 align:middle line:84%
but they don't know who," the
word for "who" has to be "wem".

00:38:51.900 --> 00:38:53.970 align:middle line:90%
Has to be dative.

00:38:53.970 --> 00:38:55.680 align:middle line:84%
Whereas "He wants
to praise somebody,

00:38:55.680 --> 00:38:58.440 align:middle line:84%
but they don't know who," the
word for "who" has to be "wen,"

00:38:58.440 --> 00:39:01.003 align:middle line:90%
has to be accusative.

00:39:01.003 --> 00:39:03.420 align:middle line:84%
So let's think about what that
means on the two approaches

00:39:03.420 --> 00:39:04.415 align:middle line:90%
to sluicing.

00:39:04.415 --> 00:39:06.540 align:middle line:84%
On the approach to sluicing
where sluicing involves

00:39:06.540 --> 00:39:08.760 align:middle line:84%
creating a complete
sentence and then

00:39:08.760 --> 00:39:11.370 align:middle line:84%
forgetting to say
part of it, just one

00:39:11.370 --> 00:39:14.730 align:middle line:84%
theory of sluicing we talked
about, well, this makes sense.

00:39:14.730 --> 00:39:17.940 align:middle line:84%
Because that first
sluicing example,

00:39:17.940 --> 00:39:20.970 align:middle line:84%
you're saying, in German, "He
wants to flatter somebody,

00:39:20.970 --> 00:39:23.640 align:middle line:84%
but they don't know who
he wants to flatter."

00:39:23.640 --> 00:39:26.153 align:middle line:84%
And "who" starts off as the
object of "schmeicheln,"

00:39:26.153 --> 00:39:28.320 align:middle line:84%
a version of "schmeicheln,"
that you're not actually

00:39:28.320 --> 00:39:29.880 align:middle line:90%
going to say.

00:39:29.880 --> 00:39:33.330 align:middle line:84%
And because it's the object of
"schmeicheln," it is dative,

00:39:33.330 --> 00:39:36.513 align:middle line:84%
and so it gets
pronounced with dative.

00:39:36.513 --> 00:39:38.930 align:middle line:84%
And then if you want to say,
"He wants to praise somebody,

00:39:38.930 --> 00:39:41.513 align:middle line:84%
but they don't know who," well,
you start off by constructing,

00:39:41.513 --> 00:39:43.347 align:middle line:84%
"He wants to praise
somebody, but they don't

00:39:43.347 --> 00:39:44.968 align:middle line:90%
know who he wants to praise."

00:39:44.968 --> 00:39:46.760 align:middle line:84%
"Who" starts off as
the object of "praise,"

00:39:46.760 --> 00:39:49.160 align:middle line:90%
and so it's accusative.

00:39:49.160 --> 00:39:51.440 align:middle line:84%
And so we have an account
of why these words for "who"

00:39:51.440 --> 00:39:54.110 align:middle line:84%
are dative or accusative,
depending on the properties

00:39:54.110 --> 00:39:57.080 align:middle line:90%
of a verb which you cannot hear.

00:39:57.080 --> 00:40:01.850 align:middle line:84%
The idea is yeah, you can't
hear it, but it's there.

00:40:01.850 --> 00:40:03.440 align:middle line:90%
And it does its thing.

00:40:03.440 --> 00:40:05.468 align:middle line:84%
It makes "who" either
dative or accusative,

00:40:05.468 --> 00:40:07.010 align:middle line:84%
and then you move
"who" out of there,

00:40:07.010 --> 00:40:09.510 align:middle line:84%
and then you forget
to pronounce the verb.

00:40:09.510 --> 00:40:12.147 align:middle line:90%
Yeah, that's how sluicing works.

00:40:12.147 --> 00:40:14.230 align:middle line:84%
On the alternative approach
to sluicing that says,

00:40:14.230 --> 00:40:16.480 align:middle line:84%
no, it's just
semanticists are smarter

00:40:16.480 --> 00:40:19.348 align:middle line:84%
than you think they
are, you can give them,

00:40:19.348 --> 00:40:21.640 align:middle line:84%
"He wants to flatter someone,
but they don't know who,"

00:40:21.640 --> 00:40:23.260 align:middle line:90%
and it will be their job--

00:40:23.260 --> 00:40:25.703 align:middle line:84%
that will just have all the
structure that you can hear.

00:40:25.703 --> 00:40:27.370 align:middle line:84%
There's no complete
sentence down there.

00:40:27.370 --> 00:40:31.750 align:middle line:84%
The end of the
sentence is just "who."

00:40:31.750 --> 00:40:34.480 align:middle line:84%
Well, the semanticists will
have to be so smart that they

00:40:34.480 --> 00:40:38.410 align:middle line:84%
can know that the verb
"to flatter" in German

00:40:38.410 --> 00:40:40.030 align:middle line:84%
assigns dative
case to its object,

00:40:40.030 --> 00:40:41.530 align:middle line:84%
even though "who"
is, in some sense,

00:40:41.530 --> 00:40:43.630 align:middle line:84%
not the object of
"flatter" on that story.

00:40:43.630 --> 00:40:46.540 align:middle line:84%
It's never been anywhere
near the verb "flatter."

00:40:46.540 --> 00:40:49.570 align:middle line:84%
So there are some
complications for that approach

00:40:49.570 --> 00:40:50.710 align:middle line:90%
in these kinds of facts.

00:40:50.710 --> 00:40:53.240 align:middle line:90%


00:40:53.240 --> 00:40:57.380 align:middle line:84%
So those are two reasons
to take seriously the idea

00:40:57.380 --> 00:41:02.650 align:middle line:84%
that ellipsis, this has been
concentrating on sluicing,

00:41:02.650 --> 00:41:07.870 align:middle line:84%
is a process in which you
create a complete sentence,

00:41:07.870 --> 00:41:09.670 align:middle line:84%
a syntactically
present structure.

00:41:09.670 --> 00:41:13.360 align:middle line:84%
When you say "John
is eating something,

00:41:13.360 --> 00:41:15.235 align:middle line:84%
but I don't know what,"
you really are saying

00:41:15.235 --> 00:41:16.818 align:middle line:84%
"John is eating
something, but I don't

00:41:16.818 --> 00:41:18.040 align:middle line:90%
know what John is eating."

00:41:18.040 --> 00:41:21.520 align:middle line:84%
And then you are leaving
out "John is eating"

00:41:21.520 --> 00:41:23.410 align:middle line:90%
from the end of the sentence.

00:41:23.410 --> 00:41:25.090 align:middle line:84%
So there's this
process of ellipsis

00:41:25.090 --> 00:41:28.660 align:middle line:84%
that gets rid of stuff that's
syntactically present so

00:41:28.660 --> 00:41:30.070 align:middle line:90%
that it's not pronounced.

00:41:30.070 --> 00:41:32.110 align:middle line:90%
But it is interpreted.

00:41:32.110 --> 00:41:33.490 align:middle line:84%
And it can have
effects on things

00:41:33.490 --> 00:41:35.380 align:middle line:90%
like case, as we saw in German.

00:41:35.380 --> 00:41:37.960 align:middle line:84%
Now let me show you
one bit of evidence

00:41:37.960 --> 00:41:41.380 align:middle line:84%
for the alternative
approach, actually,

00:41:41.380 --> 00:41:43.300 align:middle line:84%
just so that you can
see why people take

00:41:43.300 --> 00:41:45.420 align:middle line:90%
the other theory seriously.

00:41:45.420 --> 00:41:47.660 align:middle line:84%
Here are some more
sluicing examples.

00:41:47.660 --> 00:41:49.410 align:middle line:84%
The classic example's
from the literature.

00:41:49.410 --> 00:41:52.280 align:middle line:84%
"She bought a big car,
but I don't know how big."

00:41:52.280 --> 00:41:54.740 align:middle line:90%
Fine.

00:41:54.740 --> 00:41:56.420 align:middle line:84%
"A biography of one
of the Marx brothers

00:41:56.420 --> 00:41:57.878 align:middle line:84%
is going to be
published this year.

00:41:57.878 --> 00:42:00.260 align:middle line:90%
Guess which?"

00:42:00.260 --> 00:42:01.900 align:middle line:90%
Also fine.

00:42:01.900 --> 00:42:05.670 align:middle line:84%
Do people agree
that these are fine?

00:42:05.670 --> 00:42:07.085 align:middle line:90%
I think they're fine.

00:42:07.085 --> 00:42:08.460 align:middle line:84%
All right, let's
think about what

00:42:08.460 --> 00:42:13.170 align:middle line:84%
would be in the part
that's not pronounced.

00:42:13.170 --> 00:42:16.010 align:middle line:84%
The way we've been
talking, these

00:42:16.010 --> 00:42:17.600 align:middle line:84%
should mean, "She
bought a big car,

00:42:17.600 --> 00:42:20.250 align:middle line:84%
but I don't know how
big she bought a car,"

00:42:20.250 --> 00:42:22.132 align:middle line:84%
or "A biography of one
of the Marx brothers

00:42:22.132 --> 00:42:23.590 align:middle line:84%
is going to be
published this year.

00:42:23.590 --> 00:42:28.080 align:middle line:84%
Guess which a biography of
is going to be published."

00:42:28.080 --> 00:42:30.780 align:middle line:84%
And the problem with that
is that these are not

00:42:30.780 --> 00:42:32.850 align:middle line:90%
grammatical sentences.

00:42:32.850 --> 00:42:33.960 align:middle line:90%
Do people agree with that?

00:42:33.960 --> 00:42:38.520 align:middle line:84%
If you were to pronounce the
whole thing, you would die.

00:42:38.520 --> 00:42:41.920 align:middle line:90%
Well, maybe not die.

00:42:41.920 --> 00:42:45.580 align:middle line:84%
It would depend on your
previous medical condition.

00:42:45.580 --> 00:42:46.080 align:middle line:90%
Yeah?

00:42:46.080 --> 00:42:49.200 align:middle line:90%
AUDIENCE: [INAUDIBLE] published.

00:42:49.200 --> 00:42:51.080 align:middle line:84%
NORVIN RICHARDS: I'm
sorry, say it again.

00:42:51.080 --> 00:42:52.110 align:middle line:90%
AUDIENCE: I meant--

00:42:52.110 --> 00:42:53.360 align:middle line:90%
NORVIN RICHARDS: You're just--

00:42:53.360 --> 00:42:55.398 align:middle line:84%
AUDIENCE: You said
you would what?

00:42:55.398 --> 00:42:57.440 align:middle line:84%
NORVIN RICHARDS: Oh, you're
just testing my claim

00:42:57.440 --> 00:42:58.850 align:middle line:84%
that if you said this
aloud, you would die?

00:42:58.850 --> 00:42:59.690 align:middle line:90%
Oh, gosh.

00:42:59.690 --> 00:43:00.230 align:middle line:90%
So--

00:43:00.230 --> 00:43:02.180 align:middle line:84%
AUDIENCE: "A biography of
one of the Marx brothers

00:43:02.180 --> 00:43:03.597 align:middle line:84%
is going to be
published this year

00:43:03.597 --> 00:43:05.390 align:middle line:84%
and guess what the
biography of (blank)."

00:43:05.390 --> 00:43:09.120 align:middle line:84%
Whatever goes in the blank
is going to be published.

00:43:09.120 --> 00:43:09.990 align:middle line:90%
OK.

00:43:09.990 --> 00:43:12.530 align:middle line:84%
NORVIN RICHARDS: How do
people feel about this?

00:43:12.530 --> 00:43:14.530 align:middle line:84%
I didn't say that people
were going to kill you.

00:43:14.530 --> 00:43:15.760 align:middle line:90%
I said you were going to die.

00:43:15.760 --> 00:43:19.020 align:middle line:84%
So you shouldn't feel like you
have to harm him in any way.

00:43:19.020 --> 00:43:20.752 align:middle line:90%
Raquel, did--

00:43:20.752 --> 00:43:24.310 align:middle line:84%
AUDIENCE: I think the way that
I think of filling it is--

00:43:24.310 --> 00:43:27.940 align:middle line:84%
"I don't know how big the car
is," or "I don't know which

00:43:27.940 --> 00:43:32.500 align:middle line:84%
biography is in which--"
thinking [INAUDIBLE]

00:43:32.500 --> 00:43:33.640 align:middle line:90%
it feels kind of weird.

00:43:33.640 --> 00:43:35.910 align:middle line:84%
It feels it's weird
movement going on there.

00:43:35.910 --> 00:43:36.220 align:middle line:90%
NORVIN RICHARDS: Yeah.

00:43:36.220 --> 00:43:36.928 align:middle line:90%
Yeah, yeah, yeah.

00:43:36.928 --> 00:43:40.460 align:middle line:90%
So you seized on the move.

00:43:40.460 --> 00:43:43.340 align:middle line:84%
So I said, here's a bit of
evidence for the opposing camp.

00:43:43.340 --> 00:43:46.670 align:middle line:84%
So the opposing camp, the people
who think, no, in a sluice,

00:43:46.670 --> 00:43:48.700 align:middle line:90%
there's no wh-movement going on.

00:43:48.700 --> 00:43:53.190 align:middle line:84%
When you say, "I'm reading a
book--" "I'm reading a book,

00:43:53.190 --> 00:43:55.040 align:middle line:90%
but I can't remember what."

00:43:55.040 --> 00:43:57.385 align:middle line:84%
"John is reading a book,
but I don't know what."

00:43:57.385 --> 00:43:59.510 align:middle line:84%
"John is reading something,
but I don't know what."

00:43:59.510 --> 00:44:01.430 align:middle line:84%
That sentence just
ends with "what."

00:44:01.430 --> 00:44:06.003 align:middle line:84%
It isn't "but I don't
know what he's reading."

00:44:06.003 --> 00:44:07.670 align:middle line:84%
So you don't have the
complete sentence,

00:44:07.670 --> 00:44:08.960 align:middle line:84%
and you're leaving
part of it out.

00:44:08.960 --> 00:44:10.502 align:middle line:84%
These people want
to say, no, there's

00:44:10.502 --> 00:44:11.812 align:middle line:90%
no wh-movement going on at all.

00:44:11.812 --> 00:44:13.520 align:middle line:84%
And these kinds of
examples are the kinds

00:44:13.520 --> 00:44:14.603 align:middle line:90%
of examples they point at.

00:44:14.603 --> 00:44:16.992 align:middle line:84%
They say, look, we know
how wh-movement works.

00:44:16.992 --> 00:44:18.950 align:middle line:84%
You can't do it out of
certain kinds of things.

00:44:18.950 --> 00:44:20.720 align:middle line:84%
We talked about in
this class, that there

00:44:20.720 --> 00:44:22.580 align:middle line:84%
are what are called
islands, domains

00:44:22.580 --> 00:44:23.720 align:middle line:90%
that you can't move out of.

00:44:23.720 --> 00:44:26.480 align:middle line:84%
These are not among the
islands that we talked about.

00:44:26.480 --> 00:44:28.760 align:middle line:84%
I think I warned you when
I showed you some islands.

00:44:28.760 --> 00:44:30.350 align:middle line:84%
There are so many
islands out there.

00:44:30.350 --> 00:44:31.982 align:middle line:90%
It's like the Pacific out there.

00:44:31.982 --> 00:44:33.440 align:middle line:84%
There are lots and
lots of islands.

00:44:33.440 --> 00:44:35.390 align:middle line:84%
Lots of work on charting
them and figuring out

00:44:35.390 --> 00:44:38.130 align:middle line:84%
how deep the water is
in different places.

00:44:38.130 --> 00:44:40.558 align:middle line:84%
And so here are
some more islands.

00:44:40.558 --> 00:44:42.350 align:middle line:84%
We don't have to worry
about what they are,

00:44:42.350 --> 00:44:43.190 align:middle line:90%
or why they're islands.

00:44:43.190 --> 00:44:45.482 align:middle line:84%
It's clear that if you were
to say this whole sentence,

00:44:45.482 --> 00:44:46.310 align:middle line:90%
it would be bad.

00:44:46.310 --> 00:44:49.035 align:middle line:90%
Bad things would happen to you.

00:44:49.035 --> 00:44:50.660 align:middle line:84%
And the people who
want to say, there's

00:44:50.660 --> 00:44:53.600 align:middle line:84%
no wh-movement in a sluice,
they point at stuff like this.

00:44:53.600 --> 00:44:55.940 align:middle line:84%
The people who say,
yes there is, too,

00:44:55.940 --> 00:44:58.468 align:middle line:84%
wh-movement in a
sluice, what they say

00:44:58.468 --> 00:44:59.510 align:middle line:90%
is what Raquel just said.

00:44:59.510 --> 00:45:00.290 align:middle line:90%
They said, no, but look.

00:45:00.290 --> 00:45:02.832 align:middle line:84%
How do you know that you're not
saying "She bought a big car,

00:45:02.832 --> 00:45:05.240 align:middle line:84%
but I don't know
how big it was."

00:45:05.240 --> 00:45:07.280 align:middle line:84%
Or "A biography of one
of the Marx brothers

00:45:07.280 --> 00:45:08.738 align:middle line:84%
is going to be
published this year.

00:45:08.738 --> 00:45:10.250 align:middle line:90%
Guess which one it is"--

00:45:10.250 --> 00:45:12.210 align:middle line:84%
"...Guess which Marx
brother it will be."

00:45:12.210 --> 00:45:15.060 align:middle line:90%
Yeah, another possibility.

00:45:15.060 --> 00:45:18.630 align:middle line:84%
Kateryna, did you have
a question before?

00:45:18.630 --> 00:45:22.110 align:middle line:84%
Or I'm sorry, I didn't
mean to put you on track--

00:45:22.110 --> 00:45:22.800 align:middle line:90%
spot.

00:45:22.800 --> 00:45:24.990 align:middle line:84%
So that's an argument that
goes on between these two

00:45:24.990 --> 00:45:25.823 align:middle line:90%
halves of the field.

00:45:25.823 --> 00:45:26.380 align:middle line:90%
Yeah?

00:45:26.380 --> 00:45:28.122 align:middle line:84%
AUDIENCE: Isn't this
the essence of one

00:45:28.122 --> 00:45:29.580 align:middle line:84%
of the questions
that [INAUDIBLE],,

00:45:29.580 --> 00:45:37.080 align:middle line:84%
and also that there might be wh-
movement or there might not be,

00:45:37.080 --> 00:45:39.091 align:middle line:84%
and that there are
certain things that you

00:45:39.091 --> 00:45:40.433 align:middle line:90%
can't move things out of?

00:45:40.433 --> 00:45:41.350 align:middle line:90%
NORVIN RICHARDS: Yeah.

00:45:41.350 --> 00:45:42.040 align:middle line:90%
Yeah, yeah, yeah.

00:45:42.040 --> 00:45:42.540 align:middle line:90%
Yeah, no.

00:45:42.540 --> 00:45:43.210 align:middle line:90%
Absolutely.

00:45:43.210 --> 00:45:47.260 align:middle line:84%
So this is-- one of the things
I love about linguistics is that

00:45:47.260 --> 00:45:49.970 align:middle line:84%
it's very-- here we are in
24.900 and it's not all that

00:45:49.970 --> 00:45:50.470 align:middle line:90%
hard.

00:45:50.470 --> 00:45:51.970 align:middle line:84%
I mean, we're late
in the semester.

00:45:51.970 --> 00:45:53.200 align:middle line:84%
I've had to teach
you a bunch of things

00:45:53.200 --> 00:45:54.350 align:middle line:90%
in order to get you here.

00:45:54.350 --> 00:45:57.400 align:middle line:84%
But where I've got
now is standing

00:45:57.400 --> 00:46:00.130 align:middle line:84%
right on the edge of
the abyss looking out.

00:46:00.130 --> 00:46:03.010 align:middle line:84%
So it's not clear
where the bridge

00:46:03.010 --> 00:46:05.260 align:middle line:84%
is, that will get
us across the abyss.

00:46:05.260 --> 00:46:09.520 align:middle line:84%
These are two ways that
people deal with this problem.

00:46:09.520 --> 00:46:13.480 align:middle line:84%
One is to say, no, there's
always wh-movement.

00:46:13.480 --> 00:46:15.912 align:middle line:84%
And what's going
on here is that you

00:46:15.912 --> 00:46:17.120 align:middle line:90%
get to rephrase these things.

00:46:17.120 --> 00:46:18.537 align:middle line:84%
Notice that you
have to be careful

00:46:18.537 --> 00:46:20.740 align:middle line:84%
about this to avoid
losing the results

00:46:20.740 --> 00:46:22.480 align:middle line:84%
that we got from
the previous slides.

00:46:22.480 --> 00:46:28.300 align:middle line:84%
So why can't a Russian say, "He
wants to talk with somebody,

00:46:28.300 --> 00:46:33.310 align:middle line:84%
but I don't know who it
is," leaving out the "with,"

00:46:33.310 --> 00:46:34.708 align:middle line:90%
which they can't do?

00:46:34.708 --> 00:46:36.250 align:middle line:84%
So we have to
understand what's going

00:46:36.250 --> 00:46:38.083 align:middle line:90%
on in those kinds of examples.

00:46:38.083 --> 00:46:39.500 align:middle line:84%
There are other
things people say,

00:46:39.500 --> 00:46:42.280 align:middle line:84%
but this is the place where
the field currently is,

00:46:42.280 --> 00:46:44.800 align:middle line:84%
trying to figure out what to
do about this kind of clash

00:46:44.800 --> 00:46:46.195 align:middle line:90%
between data.

00:46:46.195 --> 00:46:50.000 align:middle line:90%


00:46:50.000 --> 00:46:50.540 align:middle line:90%
Cool.

00:46:50.540 --> 00:46:51.707 align:middle line:90%
Questions about any of that?

00:46:51.707 --> 00:46:54.768 align:middle line:90%


00:46:54.768 --> 00:46:56.130 align:middle line:90%
OK.

00:46:56.130 --> 00:47:01.900 align:middle line:84%
So moral of all this, and then
we will switch topics again,

00:47:01.900 --> 00:47:05.020 align:middle line:84%
what we're seeing, maybe
we knew this before,

00:47:05.020 --> 00:47:11.800 align:middle line:84%
is that our best take on
how-- so here we are, almost

00:47:11.800 --> 00:47:13.120 align:middle line:90%
at the end of semantics.

00:47:13.120 --> 00:47:16.780 align:middle line:84%
And what we're
learning is if you

00:47:16.780 --> 00:47:19.720 align:middle line:84%
are trying to interpret
a sentence, what

00:47:19.720 --> 00:47:22.150 align:middle line:84%
you are interpreting
is not necessarily

00:47:22.150 --> 00:47:24.370 align:middle line:90%
exactly what you hear.

00:47:24.370 --> 00:47:26.890 align:middle line:84%
So there are phenomena
like reconstruction

00:47:26.890 --> 00:47:30.460 align:middle line:84%
where it sure looks like you
get to take something that

00:47:30.460 --> 00:47:33.670 align:middle line:84%
used to be in one place
and is now in another place

00:47:33.670 --> 00:47:37.610 align:middle line:84%
and interpret it as though it
was still where it used to be.

00:47:37.610 --> 00:47:39.460 align:middle line:84%
So "Which picture of
himself did he buy?"

00:47:39.460 --> 00:47:43.253 align:middle line:84%
is grammatical, because you have
the option of reconstructing

00:47:43.253 --> 00:47:44.920 align:middle line:84%
"Which picture of
himself" to a position

00:47:44.920 --> 00:47:47.590 align:middle line:84%
where he "himself" is
still bound by "he."

00:47:47.590 --> 00:47:50.170 align:middle line:84%
so we know that "himself" needs
to be c-commanded by "he,"

00:47:50.170 --> 00:47:52.570 align:middle line:84%
and it isn't in the
move to position.

00:47:52.570 --> 00:47:56.020 align:middle line:84%
Or we think that there is
such a thing as QR, quantifier

00:47:56.020 --> 00:47:58.000 align:middle line:84%
raising, which
creates ambiguities

00:47:58.000 --> 00:48:00.100 align:middle line:84%
like the one in "Someone
loves everyone."

00:48:00.100 --> 00:48:01.990 align:middle line:84%
By taking "everyone"
and moving it

00:48:01.990 --> 00:48:04.140 align:middle line:90%
to a position above "someone."

00:48:04.140 --> 00:48:06.610 align:middle line:84%
Yeah, we saw some
evidence for that.

00:48:06.610 --> 00:48:08.890 align:middle line:84%
In English, you can't
see that, at least you

00:48:08.890 --> 00:48:11.290 align:middle line:84%
don't have to say
"Everyone someone

00:48:11.290 --> 00:48:13.858 align:middle line:84%
loves" in order for the
sentence to be ambiguous.

00:48:13.858 --> 00:48:15.400 align:middle line:84%
You can say, "Someone
loves everyone"

00:48:15.400 --> 00:48:16.510 align:middle line:90%
and get an ambiguous sentence.

00:48:16.510 --> 00:48:18.430 align:middle line:84%
We saw that there are
languages, like Hungarian, where

00:48:18.430 --> 00:48:20.138 align:middle line:84%
you do get to see the
movement, but there

00:48:20.138 --> 00:48:23.620 align:middle line:84%
are plenty of languages where
you don't, like English.

00:48:23.620 --> 00:48:26.530 align:middle line:84%
Or ellipsis, where we've seen
some arguments, some of them

00:48:26.530 --> 00:48:28.988 align:middle line:84%
pretty compelling, that when
you say "She bought something,

00:48:28.988 --> 00:48:31.330 align:middle line:84%
but I don't know what,"
that it's really "She bought

00:48:31.330 --> 00:48:33.310 align:middle line:84%
something, but I don't
know what she bought,"

00:48:33.310 --> 00:48:35.590 align:middle line:84%
and you are interpreting
something that's

00:48:35.590 --> 00:48:37.210 align:middle line:90%
larger than what you can hear.

00:48:37.210 --> 00:48:38.800 align:middle line:84%
There's this option
of leaving out

00:48:38.800 --> 00:48:42.760 align:middle line:84%
some of the stuff that's
syntactically there.

00:48:42.760 --> 00:48:46.985 align:middle line:84%
So interpretation is complicated
for all kinds of reasons.

00:48:46.985 --> 00:48:49.610 align:middle line:84%
There's all kinds of interesting
stuff semanticists talk about.

00:48:49.610 --> 00:48:51.370 align:middle line:84%
But one of the things
that they have to do

00:48:51.370 --> 00:48:54.910 align:middle line:84%
is figure out what exactly
is being interpreted.

00:48:54.910 --> 00:48:58.270 align:middle line:84%
And it's not just a matter of
figuring out what you heard.

00:48:58.270 --> 00:49:02.562 align:middle line:84%
There's stuff that you
didn't hear that's going on.

00:49:02.562 --> 00:49:04.645 align:middle line:84%
Part of what makes semantics
an interesting field.

00:49:04.645 --> 00:49:07.920 align:middle line:90%


00:49:07.920 --> 00:49:10.020 align:middle line:90%
Complete shift in topic.

00:49:10.020 --> 00:49:12.930 align:middle line:84%
No more talk about
reconstruction, very little

00:49:12.930 --> 00:49:14.910 align:middle line:90%
talk about syntax.

00:49:14.910 --> 00:49:16.780 align:middle line:84%
Talk about something
completely different.

00:49:16.780 --> 00:49:18.420 align:middle line:84%
So if anybody would
like to continue

00:49:18.420 --> 00:49:24.750 align:middle line:84%
to discuss sluicing, or guards,
or buildings, or ellipses,

00:49:24.750 --> 00:49:28.500 align:middle line:84%
or any of this stuff,
this is the time.

00:49:28.500 --> 00:49:31.142 align:middle line:84%
So other kinds of things
semanticists talk about.

00:49:31.142 --> 00:49:32.850 align:middle line:84%
We'll see how much of
this we get through

00:49:32.850 --> 00:49:34.635 align:middle line:90%
before we have to stop.

00:49:34.635 --> 00:49:37.260 align:middle line:84%
Consider a sentence like "I will
only give Mary three cookies."

00:49:37.260 --> 00:49:40.810 align:middle line:90%


00:49:40.810 --> 00:49:44.680 align:middle line:84%
That's a very
ambiguous sentence.

00:49:44.680 --> 00:49:47.200 align:middle line:84%
It can mean-- here's
one thing it can mean.

00:49:47.200 --> 00:49:49.405 align:middle line:84%
No, actually, let me
say it a different way.

00:49:49.405 --> 00:49:51.530 align:middle line:84%
You can say, "I will only
give Mary three cookies."

00:49:51.530 --> 00:49:55.570 align:middle line:84%
You can say, "I will only give
Mary three cookies," which

00:49:55.570 --> 00:49:58.000 align:middle line:84%
means something different
from "I will only give Mary

00:49:58.000 --> 00:50:04.370 align:middle line:84%
three cookies," which means
something different from "I

00:50:04.370 --> 00:50:06.370 align:middle line:84%
will only give Mary
three cookies."

00:50:06.370 --> 00:50:09.120 align:middle line:90%
Yeah.

00:50:09.120 --> 00:50:11.250 align:middle line:84%
I think you can also
say, "I will only

00:50:11.250 --> 00:50:13.120 align:middle line:90%
give Mary three cookies."

00:50:13.120 --> 00:50:13.740 align:middle line:90%
Yeah.

00:50:13.740 --> 00:50:15.810 align:middle line:90%
I will not-- yeah.

00:50:15.810 --> 00:50:16.560 align:middle line:90%
Yes?

00:50:16.560 --> 00:50:18.352 align:middle line:84%
AUDIENCE: Another
example I've seen of this

00:50:18.352 --> 00:50:20.117 align:middle line:84%
is "Congratulations
on your baby!"

00:50:20.117 --> 00:50:20.992 align:middle line:90%
NORVIN RICHARDS: Yes?

00:50:20.992 --> 00:50:22.230 align:middle line:90%
AUDIENCE: Or if you--

00:50:22.230 --> 00:50:23.355 align:middle line:90%
NORVIN RICHARDS: Thank you.

00:50:23.355 --> 00:50:25.520 align:middle line:90%


00:50:25.520 --> 00:50:27.480 align:middle line:90%
AUDIENCE: If you put a focus--

00:50:27.480 --> 00:50:30.810 align:middle line:84%
every single word in the
sentence except for "on,"

00:50:30.810 --> 00:50:32.730 align:middle line:84%
if you put your
focus on that word,

00:50:32.730 --> 00:50:34.530 align:middle line:84%
it means something
completely different.

00:50:34.530 --> 00:50:35.655 align:middle line:90%
NORVIN RICHARDS: Oh, I see.

00:50:35.655 --> 00:50:36.870 align:middle line:90%
Yes.

00:50:36.870 --> 00:50:38.280 align:middle line:90%
AUDIENCE: You can't say that.

00:50:38.280 --> 00:50:39.570 align:middle line:84%
NORVIN RICHARDS:
"Congratulations on your baby,

00:50:39.570 --> 00:50:40.500 align:middle line:90%
not under your baby."

00:50:40.500 --> 00:50:41.000 align:middle line:90%
Yes.

00:50:41.000 --> 00:50:43.200 align:middle line:90%
Yeah, yeah, yeah.

00:50:43.200 --> 00:50:44.500 align:middle line:90%
AUDIENCE: [INAUDIBLE]

00:50:44.500 --> 00:50:46.500 align:middle line:84%
NORVIN RICHARDS:
"Congratulations on your baby,"

00:50:46.500 --> 00:50:47.640 align:middle line:90%
yeah.

00:50:47.640 --> 00:50:52.200 align:middle line:84%
So let's go back to
the cookies, though.

00:50:52.200 --> 00:50:55.390 align:middle line:84%
The phenomenon is called
association with focus.

00:50:55.390 --> 00:50:57.510 align:middle line:84%
And the idea is
if I say something

00:50:57.510 --> 00:51:02.950 align:middle line:84%
like "I will only give
Mary three cookies,"

00:51:02.950 --> 00:51:06.850 align:middle line:84%
what I'm doing is
inviting you to consider

00:51:06.850 --> 00:51:09.160 align:middle line:84%
all of the sentences
of the form,

00:51:09.160 --> 00:51:12.810 align:middle line:90%
"I will give x three cookies."

00:51:12.810 --> 00:51:15.890 align:middle line:84%
And I'm asserting all
of these are false,

00:51:15.890 --> 00:51:18.980 align:middle line:84%
except for the one
where x is Mary.

00:51:18.980 --> 00:51:20.010 align:middle line:90%
That's what that means.

00:51:20.010 --> 00:51:22.160 align:middle line:84%
So "I will only give
Mary three cookies"

00:51:22.160 --> 00:51:24.200 align:middle line:84%
means I will give
Mary three cookies,

00:51:24.200 --> 00:51:27.590 align:middle line:84%
and I will not give three
cookies to Bill, or John,

00:51:27.590 --> 00:51:31.410 align:middle line:84%
or Susan, or Fred, or
anybody else that's relevant.

00:51:31.410 --> 00:51:36.590 align:middle line:84%
Similarly, if I say "I will
only give Mary three cookies,"

00:51:36.590 --> 00:51:38.870 align:middle line:84%
it means I will give
her three cookies,

00:51:38.870 --> 00:51:42.380 align:middle line:84%
but I will not give her three
hamburgers, or three hot dogs,

00:51:42.380 --> 00:51:43.670 align:middle line:90%
or three cakes.

00:51:43.670 --> 00:51:45.740 align:middle line:90%
Only three cookies.

00:51:45.740 --> 00:51:50.330 align:middle line:84%
So association with focus, it's
this interesting phenomenon

00:51:50.330 --> 00:51:53.450 align:middle line:84%
that shows up where, depending
on which of these words

00:51:53.450 --> 00:51:57.950 align:middle line:84%
I'm saying loudest, what
I'm inviting you to do

00:51:57.950 --> 00:52:01.700 align:middle line:84%
is consider other sentences
where that word has been

00:52:01.700 --> 00:52:03.155 align:middle line:90%
substituted for something else.

00:52:03.155 --> 00:52:07.430 align:middle line:90%


00:52:07.430 --> 00:52:09.290 align:middle line:84%
And in this
particular case, what

00:52:09.290 --> 00:52:11.790 align:middle line:84%
I'm asserting is that all the
other sentences are false,

00:52:11.790 --> 00:52:15.920 align:middle line:84%
all the ones except
the one that I've said.

00:52:15.920 --> 00:52:19.500 align:middle line:84%
People generally decompose
this into two parts.

00:52:19.500 --> 00:52:23.750 align:middle line:84%
There's focus, which is the
putting special emphasis

00:52:23.750 --> 00:52:26.210 align:middle line:84%
on a particular
word thing, which

00:52:26.210 --> 00:52:29.373 align:middle line:84%
invites you to consider all of
the alternatives to that word.

00:52:29.373 --> 00:52:31.790 align:middle line:84%
And what you're supposed to
do with the other alternatives

00:52:31.790 --> 00:52:33.350 align:middle line:84%
to that word depends
on what goes on

00:52:33.350 --> 00:52:34.880 align:middle line:90%
in the rest of the sentence.

00:52:34.880 --> 00:52:38.940 align:middle line:84%
So "only" associates
with focus to say,

00:52:38.940 --> 00:52:40.970 align:middle line:84%
all the other
alternatives are false,

00:52:40.970 --> 00:52:42.330 align:middle line:90%
give you false sentences.

00:52:42.330 --> 00:52:44.270 align:middle line:84%
So "I will only give
Mary three cookies"

00:52:44.270 --> 00:52:46.130 align:middle line:84%
means I will give
Mary three cookies,

00:52:46.130 --> 00:52:48.470 align:middle line:84%
but I won't give three
cookies to anyone else.

00:52:48.470 --> 00:52:53.930 align:middle line:84%
If I say, "I will even give
Mary three cookies," that

00:52:53.930 --> 00:52:57.140 align:middle line:84%
means something like I will
give Mary three cookies,

00:52:57.140 --> 00:52:59.360 align:middle line:84%
and she is the least
likely person for me

00:52:59.360 --> 00:53:01.190 align:middle line:90%
to give three cookies.

00:53:01.190 --> 00:53:03.590 align:middle line:90%
We all know that I hate Mary.

00:53:03.590 --> 00:53:05.900 align:middle line:84%
But I'm going to give
three cookies to everybody,

00:53:05.900 --> 00:53:09.380 align:middle line:84%
even Mary, who I hate,
and also she's diabetic.

00:53:09.380 --> 00:53:11.660 align:middle line:84%
But I'm going to give
her three cookies anyway.

00:53:11.660 --> 00:53:14.213 align:middle line:90%
Yeah?

00:53:14.213 --> 00:53:15.880 align:middle line:84%
Or "I will even give
Mary three cookies"

00:53:15.880 --> 00:53:20.530 align:middle line:84%
means I will give her
three cookies, not just

00:53:20.530 --> 00:53:23.200 align:middle line:90%
other numbers, like two or one.

00:53:23.200 --> 00:53:25.450 align:middle line:90%
That's what that means.

00:53:25.450 --> 00:53:28.030 align:middle line:84%
"I will give Mary
three cookies, too,"

00:53:28.030 --> 00:53:30.520 align:middle line:84%
actually says, I will
give Mary three cookies,

00:53:30.520 --> 00:53:32.830 align:middle line:84%
and there's at least
one alternative, which

00:53:32.830 --> 00:53:34.338 align:middle line:90%
is also true, I guess.

00:53:34.338 --> 00:53:36.130 align:middle line:84%
So "I will give Mary
three cookies" means--

00:53:36.130 --> 00:53:37.450 align:middle line:84%
"I will give Mary
three cookies, too,"

00:53:37.450 --> 00:53:39.430 align:middle line:84%
means I'll give Mary
three cookies in addition

00:53:39.430 --> 00:53:41.260 align:middle line:84%
to the other person that I'm
going to give three cookies to,

00:53:41.260 --> 00:53:42.790 align:middle line:84%
which maybe you
already know about.

00:53:42.790 --> 00:53:43.397 align:middle line:90%
Yeah?

00:53:43.397 --> 00:53:45.730 align:middle line:84%
AUDIENCE: In the middle one,
if you emphasize "cookies,"

00:53:45.730 --> 00:53:47.860 align:middle line:84%
it would be like giving
her three of other things,

00:53:47.860 --> 00:53:49.780 align:middle line:84%
but you're also throwing
in three cookies.

00:53:49.780 --> 00:53:50.697 align:middle line:90%
NORVIN RICHARDS: Yeah.

00:53:50.697 --> 00:53:53.560 align:middle line:84%
So "I will give Mary
three cookies, too."

00:53:53.560 --> 00:53:55.660 align:middle line:84%
So this is another
interesting aspect

00:53:55.660 --> 00:53:56.950 align:middle line:90%
of association with focus.

00:53:56.950 --> 00:54:01.130 align:middle line:90%


00:54:01.130 --> 00:54:04.242 align:middle line:84%
Yes, so it can mean
what you just said.

00:54:04.242 --> 00:54:05.450 align:middle line:90%
I'm going to write that down.

00:54:05.450 --> 00:54:08.312 align:middle line:90%


00:54:08.312 --> 00:54:18.500 align:middle line:84%
"I will give Mary
three cookies, too."

00:54:18.500 --> 00:54:20.780 align:middle line:84%
It can mean, I will
give her three cookies

00:54:20.780 --> 00:54:23.360 align:middle line:84%
and I will also give her
three of something else.

00:54:23.360 --> 00:54:25.543 align:middle line:90%
You're absolutely right.

00:54:25.543 --> 00:54:27.710 align:middle line:84%
I feel as though it can
mean something else as well.

00:54:27.710 --> 00:54:31.190 align:middle line:84%
"I will give Mary
three cookies, too."

00:54:31.190 --> 00:54:34.120 align:middle line:84%
Can people get that to
mean something else?

00:54:34.120 --> 00:54:35.650 align:middle line:84%
I feel as though
it can also mean,

00:54:35.650 --> 00:54:37.570 align:middle line:84%
not only will I give
her three cookies,

00:54:37.570 --> 00:54:40.373 align:middle line:90%
but I will give her a bicycle.

00:54:40.373 --> 00:54:42.290 align:middle line:84%
That is, the other thing
that I will give her,

00:54:42.290 --> 00:54:44.170 align:middle line:90%
it doesn't have to be three.

00:54:44.170 --> 00:54:49.150 align:middle line:84%
So I will give Mary a cake,
I will give Mary a pie,

00:54:49.150 --> 00:54:52.520 align:middle line:84%
and I will give her
three cookies, too.

00:54:52.520 --> 00:54:53.520 align:middle line:90%
Yeah.

00:54:53.520 --> 00:54:57.200 align:middle line:84%
So this is an interesting
aspect of all this

00:54:57.200 --> 00:54:58.580 align:middle line:90%
that people work on a lot.

00:54:58.580 --> 00:55:02.570 align:middle line:84%
So I've just been talking about
putting stress on the word

00:55:02.570 --> 00:55:04.110 align:middle line:84%
and saying you get
to consider all

00:55:04.110 --> 00:55:05.360 align:middle line:90%
the alternatives to that word.

00:55:05.360 --> 00:55:07.730 align:middle line:84%
And that is true, that if
you put stress on a word,

00:55:07.730 --> 00:55:09.980 align:middle line:84%
you get to consider all the
alternatives to this word.

00:55:09.980 --> 00:55:12.140 align:middle line:84%
There's this
phenomenon is sometimes

00:55:12.140 --> 00:55:13.700 align:middle line:90%
called focus projection.

00:55:13.700 --> 00:55:15.810 align:middle line:84%
And one way to
think about it is,

00:55:15.810 --> 00:55:18.650 align:middle line:84%
we know how to focus a word,
you say the word louder.

00:55:18.650 --> 00:55:21.260 align:middle line:90%
How do you focus a phrase?

00:55:21.260 --> 00:55:24.440 align:middle line:84%
And maybe what we're
learning is a way

00:55:24.440 --> 00:55:27.490 align:middle line:84%
to focus the whole
phrase, "three cookies,"

00:55:27.490 --> 00:55:30.010 align:middle line:84%
is the same way you
would focus "cookies."

00:55:30.010 --> 00:55:31.870 align:middle line:84%
That is, you put
stress on "cookies."

00:55:31.870 --> 00:55:34.078 align:middle line:84%
You might have thought that
the way to focus a phrase

00:55:34.078 --> 00:55:35.950 align:middle line:84%
would be to say the
whole phrase louder.

00:55:35.950 --> 00:55:39.250 align:middle line:84%
So "I will give Mary a
cake, I will give her a pie,

00:55:39.250 --> 00:55:41.950 align:middle line:84%
and I will give her
three cookies, too."

00:55:41.950 --> 00:55:44.830 align:middle line:84%
You might have thought that
you would have to do that.

00:55:44.830 --> 00:55:45.460 align:middle line:90%
You don't.

00:55:45.460 --> 00:55:50.380 align:middle line:84%
You can, maybe, but you
don't have to do that.

00:55:50.380 --> 00:55:54.610 align:middle line:84%
One of your options
is to just emphasize

00:55:54.610 --> 00:55:57.580 align:middle line:84%
part of the phrase,
and now the theory,

00:55:57.580 --> 00:56:00.020 align:middle line:84%
or the literature
is off and running:

00:56:00.020 --> 00:56:03.070 align:middle line:84%
which part of the phrase do
you get to emphasize in order

00:56:03.070 --> 00:56:04.630 align:middle line:90%
to focus the whole phrase?

00:56:04.630 --> 00:56:07.150 align:middle line:84%
Because notice there
are constraints.

00:56:07.150 --> 00:56:14.410 align:middle line:84%
If I say, "I will give Mary
three cookies, too," well.

00:56:14.410 --> 00:56:19.640 align:middle line:84%
That's grammatical, but the only
alternatives are other numbers.

00:56:19.640 --> 00:56:21.353 align:middle line:84%
So "I will give Mary
three cookies, too,"

00:56:21.353 --> 00:56:23.770 align:middle line:84%
means not only will I give her
one cookie and two cookies,

00:56:23.770 --> 00:56:25.420 align:middle line:84%
but I will also give
her three cookies.

00:56:25.420 --> 00:56:26.320 align:middle line:90%
It can mean that.

00:56:26.320 --> 00:56:28.930 align:middle line:84%
But "I will give her a cake,
and I will give her a pie,

00:56:28.930 --> 00:56:32.230 align:middle line:84%
and I will also give
her three cookies"--

00:56:32.230 --> 00:56:32.980 align:middle line:90%
that's peculiar.

00:56:32.980 --> 00:56:35.870 align:middle line:90%


00:56:35.870 --> 00:56:38.810 align:middle line:84%
If I want to avoid
being peculiar,

00:56:38.810 --> 00:56:41.720 align:middle line:90%
I have a long way to go.

00:56:41.720 --> 00:56:43.770 align:middle line:90%
But I can start.

00:56:43.770 --> 00:56:46.160 align:middle line:84%
The first step on the
long, long journey

00:56:46.160 --> 00:56:47.960 align:middle line:84%
is to avoid saying
things like that.

00:56:47.960 --> 00:56:50.150 align:middle line:90%
Instead, I need to say--

00:56:50.150 --> 00:56:53.055 align:middle line:90%
sorry, I'm cracking myself up.

00:56:53.055 --> 00:56:54.680 align:middle line:84%
What I need to say
instead is something

00:56:54.680 --> 00:56:57.560 align:middle line:84%
like "I will give her a cake,
and I will give her a pie,

00:56:57.560 --> 00:56:59.320 align:middle line:84%
and I will give her
three cookies, too"--

00:56:59.320 --> 00:57:00.830 align:middle line:90%
to put the stress on "cookies."

00:57:00.830 --> 00:57:02.995 align:middle line:84%
That's the normal way to
focus the whole phrase

00:57:02.995 --> 00:57:05.120 align:middle line:84%
"three cookies," is to put
the stress on "cookies."

00:57:05.120 --> 00:57:08.660 align:middle line:84%
So how come it's on the
"cookies" and not on "three"?

00:57:08.660 --> 00:57:11.750 align:middle line:84%
Maybe because the whole phrase
is a noun phrase and "cookies"

00:57:11.750 --> 00:57:13.982 align:middle line:90%
is the noun.

00:57:13.982 --> 00:57:15.690 align:middle line:84%
Or maybe it's more
complicated than that.

00:57:15.690 --> 00:57:19.348 align:middle line:84%
There's all kinds of work now
to figure out what's going on.

00:57:19.348 --> 00:57:21.140 align:middle line:84%
So there's a phenomenon
in focus projection

00:57:21.140 --> 00:57:23.515 align:middle line:84%
which people get very excited
about trying to figure out.

00:57:23.515 --> 00:57:26.360 align:middle line:84%
What is it that
lets you do this?

00:57:26.360 --> 00:57:28.370 align:middle line:84%
Because it goes
further than this--

00:57:28.370 --> 00:57:33.530 align:middle line:84%
So actually, let me destroy
the theory that I just offered.

00:57:33.530 --> 00:57:48.630 align:middle line:84%
Consider a sentence like "I
will only talk about bats."

00:57:48.630 --> 00:57:52.600 align:middle line:90%


00:57:52.600 --> 00:57:55.360 align:middle line:84%
Now imagine that the main thing
that I emphasize is "bats."

00:57:55.360 --> 00:57:58.010 align:middle line:90%


00:57:58.010 --> 00:58:02.240 align:middle line:84%
So that has one meaning,
that's the easy meaning.

00:58:02.240 --> 00:58:05.360 align:middle line:84%
"I will only talk about
bats" means I will not

00:58:05.360 --> 00:58:07.058 align:middle line:90%
talk about anything else.

00:58:07.058 --> 00:58:08.225 align:middle line:90%
I will only talk about bats.

00:58:08.225 --> 00:58:10.693 align:middle line:90%


00:58:10.693 --> 00:58:12.860 align:middle line:84%
But I think there are some
other things it can mean.

00:58:12.860 --> 00:58:14.990 align:middle line:84%
One of them, for
example, is I can say

00:58:14.990 --> 00:58:16.790 align:middle line:90%
"I will only talk about bats."

00:58:16.790 --> 00:58:20.180 align:middle line:84%
I will not draw any
disturbing drawings,

00:58:20.180 --> 00:58:22.610 align:middle line:90%
or sing any weird songs.

00:58:22.610 --> 00:58:25.220 align:middle line:84%
All I will do is
talk about bats.

00:58:25.220 --> 00:58:27.110 align:middle line:90%
I think it can mean that.

00:58:27.110 --> 00:58:30.470 align:middle line:84%
So I can be contrasting
the bats with other things,

00:58:30.470 --> 00:58:32.930 align:middle line:84%
but I can also be contrasting
the whole verb phrase,

00:58:32.930 --> 00:58:37.490 align:middle line:84%
"talk about bats,"
with other verb phrases

00:58:37.490 --> 00:58:38.450 align:middle line:90%
that I could be doing.

00:58:38.450 --> 00:58:38.950 align:middle line:90%
Yeah?

00:58:38.950 --> 00:58:40.867 align:middle line:84%
AUDIENCE: I feel like
if you get that meaning,

00:58:40.867 --> 00:58:42.410 align:middle line:84%
you would have to
emphasize talk.

00:58:42.410 --> 00:58:44.640 align:middle line:90%
"I will only talk about them.

00:58:44.640 --> 00:58:46.810 align:middle line:84%
I won't sing about them,
I won't draw them."

00:58:46.810 --> 00:58:48.660 align:middle line:84%
NORVIN RICHARDS: Ah,
that's a nice example.

00:58:48.660 --> 00:58:50.352 align:middle line:90%
Let's do that.

00:58:50.352 --> 00:58:51.790 align:middle line:90%
"I will only talk about bats."

00:58:51.790 --> 00:58:58.720 align:middle line:90%


00:58:58.720 --> 00:59:00.160 align:middle line:84%
I think Faith is
absolutely right.

00:59:00.160 --> 00:59:03.942 align:middle line:84%
It's possible to say "I
will only talk about bats."

00:59:03.942 --> 00:59:05.650 align:middle line:84%
And I think the
alternatives are the ones

00:59:05.650 --> 00:59:06.608 align:middle line:90%
that you just outlined.

00:59:06.608 --> 00:59:08.950 align:middle line:84%
It means I won't
sing about bats,

00:59:08.950 --> 00:59:10.777 align:middle line:84%
I won't compose
poetry about bats,

00:59:10.777 --> 00:59:11.860 align:middle line:90%
I won't dress up as a bat.

00:59:11.860 --> 00:59:13.540 align:middle line:84%
All I will do is
talk about bats.

00:59:13.540 --> 00:59:16.440 align:middle line:90%
Yeah, I think that's right.

00:59:16.440 --> 00:59:20.400 align:middle line:90%
But notice-- I think this one--

00:59:20.400 --> 00:59:24.735 align:middle line:84%
imagine that what I want to
say is "I'm obsessed with bats,

00:59:24.735 --> 00:59:25.235 align:middle line:90%
I'm sorry.

00:59:25.235 --> 00:59:28.790 align:middle line:90%


00:59:28.790 --> 00:59:30.950 align:middle line:90%
And in fact, I--

00:59:30.950 --> 00:59:34.440 align:middle line:84%
but I'm going to do my best to
behave normally at the party.

00:59:34.440 --> 00:59:39.200 align:middle line:84%
So I'm not going to try
to swim in the punch bowl,

00:59:39.200 --> 00:59:44.030 align:middle line:84%
and I'm not going to
scare the host's pets,

00:59:44.030 --> 00:59:47.180 align:middle line:84%
and I'm not going
to eat all the food.

00:59:47.180 --> 00:59:49.908 align:middle line:84%
I'm only going to talk about
bats, which is a little weird.

00:59:49.908 --> 00:59:52.450 align:middle line:84%
But it's not as weird as some
of the things that I could do."

00:59:52.450 --> 00:59:55.660 align:middle line:90%


00:59:55.660 --> 00:59:57.730 align:middle line:84%
So if we're considering
a bunch of verb phrases

00:59:57.730 --> 01:00:00.780 align:middle line:84%
that have nothing to
do with each other,

01:00:00.780 --> 01:00:04.700 align:middle line:84%
I think one way to do it is by
putting the emphasis on "bats,"

01:00:04.700 --> 01:00:07.620 align:middle line:84%
to say "I will only
talk about bats."

01:00:07.620 --> 01:00:12.310 align:middle line:84%
("I won't try to
eat the host's dog.

01:00:12.310 --> 01:00:13.420 align:middle line:90%
I'll just talk about bats.

01:00:13.420 --> 01:00:15.160 align:middle line:90%
Is that so bad?

01:00:15.160 --> 01:00:18.640 align:middle line:90%
I like bats.") Yeah?

01:00:18.640 --> 01:00:20.170 align:middle line:90%
I think this is true.

01:00:20.170 --> 01:00:24.600 align:middle line:84%
Has everybody seen the video
about the bats on the swing?

01:00:24.600 --> 01:00:25.203 align:middle line:90%
Oh, OK.

01:00:25.203 --> 01:00:27.120 align:middle line:84%
I'll try to find it and
put it on the website.

01:00:27.120 --> 01:00:28.290 align:middle line:84%
It has nothing to
do with linguistics,

01:00:28.290 --> 01:00:29.373 align:middle line:90%
but it's an awesome video.

01:00:29.373 --> 01:00:32.770 align:middle line:90%


01:00:32.770 --> 01:00:33.910 align:middle line:90%
So it looks as though--

01:00:33.910 --> 01:00:35.710 align:middle line:84%
I think Faith is exactly
right that if you

01:00:35.710 --> 01:00:40.840 align:middle line:84%
put the stress on "talk,"
the alternatives are talk--

01:00:40.840 --> 01:00:42.050 align:middle line:90%
are to the verb.

01:00:42.050 --> 01:00:43.360 align:middle line:90%
So I'll only talk about bats.

01:00:43.360 --> 01:00:45.735 align:middle line:84%
I won't sing about bats, I
won't do an interpretive dance

01:00:45.735 --> 01:00:47.470 align:middle line:90%
about bats.

01:00:47.470 --> 01:00:49.293 align:middle line:84%
But if I put stress
on "bats," then we

01:00:49.293 --> 01:00:50.710 align:middle line:84%
can consider
alternatives to bats,

01:00:50.710 --> 01:00:52.252 align:middle line:84%
but we can also
consider alternatives

01:00:52.252 --> 01:00:53.797 align:middle line:90%
to the whole verb phrase.

01:00:53.797 --> 01:00:55.630 align:middle line:84%
And so this is the kind
of thing, as I said,

01:00:55.630 --> 01:00:56.980 align:middle line:84%
people who work on
focus projection

01:00:56.980 --> 01:00:58.438 align:middle line:84%
try to figure out
what the heck are

01:00:58.438 --> 01:01:02.000 align:middle line:84%
the rules for focus projection,
because they're complicated.

01:01:02.000 --> 01:01:02.500 align:middle line:90%
Yeah?

01:01:02.500 --> 01:01:03.917 align:middle line:84%
AUDIENCE: Oh, it's
just a question

01:01:03.917 --> 01:01:06.130 align:middle line:84%
because I feel like my
ability to interpret meanings

01:01:06.130 --> 01:01:06.760 align:middle line:90%
has gone out the window.

01:01:06.760 --> 01:01:07.195 align:middle line:90%
NORVIN RICHARDS: I understand.

01:01:07.195 --> 01:01:07.961 align:middle line:90%
[LAUGHTER]

01:01:07.961 --> 01:01:11.645 align:middle line:84%
AUDIENCE: What happens if you
put the emphasis on "only?"

01:01:11.645 --> 01:01:12.770 align:middle line:90%
NORVIN RICHARDS: On "only?"

01:01:12.770 --> 01:01:14.150 align:middle line:90%
I will only talk about bats.

01:01:14.150 --> 01:01:16.780 align:middle line:90%


01:01:16.780 --> 01:01:18.197 align:middle line:84%
I don't know, what
does that mean?

01:01:18.197 --> 01:01:19.655 align:middle line:84%
AUDIENCE: I won't
do anything else.

01:01:19.655 --> 01:01:21.490 align:middle line:84%
NORVIN RICHARDS: I
won't do anything else.

01:01:21.490 --> 01:01:23.910 align:middle line:90%
I will only talk about bats.

01:01:23.910 --> 01:01:26.160 align:middle line:84%
AUDIENCE: I feel like it
could call into question

01:01:26.160 --> 01:01:28.650 align:middle line:90%
everything in the little brace.

01:01:28.650 --> 01:01:30.840 align:middle line:84%
So you say "I will
only talk about bats,"

01:01:30.840 --> 01:01:32.910 align:middle line:84%
and that could mean
that you're saying

01:01:32.910 --> 01:01:35.370 align:middle line:84%
as opposed to anything
else about bats, anything

01:01:35.370 --> 01:01:36.090 align:middle line:90%
else about--

01:01:36.090 --> 01:01:37.483 align:middle line:90%
or talk about any other--

01:01:37.483 --> 01:01:38.400 align:middle line:90%
NORVIN RICHARDS: Yeah.

01:01:38.400 --> 01:01:39.210 align:middle line:90%
Yeah.

01:01:39.210 --> 01:01:40.530 align:middle line:90%
Yeah.

01:01:40.530 --> 01:01:42.490 align:middle line:90%
I think that might be true.

01:01:42.490 --> 01:01:44.465 align:middle line:90%
I think that might be right.

01:01:44.465 --> 01:01:44.965 align:middle line:90%
Yeah.

01:01:44.965 --> 01:01:49.190 align:middle line:90%


01:01:49.190 --> 01:01:50.060 align:middle line:90%
More mysteries.

01:01:50.060 --> 01:01:52.970 align:middle line:90%


01:01:52.970 --> 01:01:57.723 align:middle line:84%
Any other questions about bats,
or "only," or focus projection?

01:01:57.723 --> 01:01:59.390 align:middle line:84%
It's just a phenomenon
that's out there.

01:01:59.390 --> 01:01:59.890 align:middle line:90%
Yeah?

01:01:59.890 --> 01:02:03.290 align:middle line:84%
AUDIENCE: Have we gotten
across a sentence where

01:02:03.290 --> 01:02:06.020 align:middle line:84%
stressing a particular
word doesn't actually

01:02:06.020 --> 01:02:07.066 align:middle line:90%
mean anything different?

01:02:07.066 --> 01:02:11.435 align:middle line:84%
Because I feel you could
stress any of the words in "I

01:02:11.435 --> 01:02:12.560 align:middle line:90%
will only talk about bats."

01:02:12.560 --> 01:02:13.962 align:middle line:90%
I will only talk about bats.

01:02:13.962 --> 01:02:15.170 align:middle line:90%
NORVIN RICHARDS: That's true.

01:02:15.170 --> 01:02:16.180 align:middle line:84%
So we've only
talked about things

01:02:16.180 --> 01:02:17.380 align:middle line:90%
that come after the "only."

01:02:17.380 --> 01:02:19.585 align:middle line:90%
So I will only talk about bats.

01:02:19.585 --> 01:02:22.774 align:middle line:90%


01:02:22.774 --> 01:02:24.150 align:middle line:90%
AUDIENCE: And not you or--

01:02:24.150 --> 01:02:26.422 align:middle line:90%


01:02:26.422 --> 01:02:28.630 align:middle line:84%
NORVIN RICHARDS: OK, first,
let's forget about "only"

01:02:28.630 --> 01:02:30.770 align:middle line:90%
for a second.

01:02:30.770 --> 01:02:34.850 align:middle line:84%
If I say, I will talk
about that, remember focus.

01:02:34.850 --> 01:02:37.180 align:middle line:84%
So there's focus, which
says let's consider

01:02:37.180 --> 01:02:39.850 align:middle line:84%
all the alternatives to
the thing that's focused.

01:02:39.850 --> 01:02:42.070 align:middle line:84%
And now since we've talked
about focus projection,

01:02:42.070 --> 01:02:44.710 align:middle line:84%
we're bearing in mind the
fact that what's focused

01:02:44.710 --> 01:02:47.020 align:middle line:90%
is not necessarily what's loud.

01:02:47.020 --> 01:02:51.070 align:middle line:84%
There's what's loud, which is
contained in what's focused,

01:02:51.070 --> 01:02:52.780 align:middle line:84%
and it might just
be what's focused.

01:02:52.780 --> 01:02:54.520 align:middle line:84%
But the thing that's
loud could just

01:02:54.520 --> 01:02:57.040 align:middle line:84%
be one part of the whole
phrase that's focused.

01:02:57.040 --> 01:02:59.730 align:middle line:90%


01:02:59.730 --> 01:03:01.160 align:middle line:84%
So forget about
only for a second.

01:03:01.160 --> 01:03:08.030 align:middle line:84%
If I say "I will talk about
that," there's focus on "I,"

01:03:08.030 --> 01:03:10.208 align:middle line:84%
and I think I'm inviting--
out of the blue,

01:03:10.208 --> 01:03:11.750 align:middle line:84%
I think I'm inviting
you to entertain

01:03:11.750 --> 01:03:14.760 align:middle line:84%
the possibility that all
the alternatives are false.

01:03:14.760 --> 01:03:17.390 align:middle line:84%
So if I say "I will
talk about bats,"

01:03:17.390 --> 01:03:19.518 align:middle line:84%
I mean "I will talk about
bats and for some reason,

01:03:19.518 --> 01:03:21.560 align:middle line:84%
the idea that somebody
else might talk about bats

01:03:21.560 --> 01:03:25.590 align:middle line:84%
is salient and it
will not happen."

01:03:25.590 --> 01:03:32.240 align:middle line:84%
So for example, if
you ask me "Is Faith

01:03:32.240 --> 01:03:34.550 align:middle line:84%
going to talk about
bats at the party?"

01:03:34.550 --> 01:03:37.640 align:middle line:84%
I can say, "No, I
will talk about bats,"

01:03:37.640 --> 01:03:39.230 align:middle line:84%
and that means I
will talk about bats

01:03:39.230 --> 01:03:42.600 align:middle line:84%
and the salient alternative
gives you a false sentence.

01:03:42.600 --> 01:03:45.000 align:middle line:90%
That's what that means.

01:03:45.000 --> 01:03:47.750 align:middle line:84%
So I think when we
say "I will only

01:03:47.750 --> 01:03:55.430 align:middle line:84%
talk about bats," that's
similarly something you can

01:03:55.430 --> 01:03:56.970 align:middle line:90%
use in that kind of situation.

01:03:56.970 --> 01:04:01.760 align:middle line:84%
So if you ask me,
"Will Enrico only

01:04:01.760 --> 01:04:04.400 align:middle line:90%
talk about bats at the party?"

01:04:04.400 --> 01:04:05.570 align:middle line:90%
I say, "No, no.

01:04:05.570 --> 01:04:07.760 align:middle line:90%
I will only talk about bats."

01:04:07.760 --> 01:04:11.348 align:middle line:84%
And that means I am the person
such that the only thing I'll

01:04:11.348 --> 01:04:12.140 align:middle line:90%
talk about is bats.

01:04:12.140 --> 01:04:15.860 align:middle line:84%
Enrico is more normal
than me, like most people.

01:04:15.860 --> 01:04:16.580 align:middle line:90%
Yeah, Kateryna?

01:04:16.580 --> 01:04:18.163 align:middle line:84%
AUDIENCE: What if
the more natural way

01:04:18.163 --> 01:04:20.385 align:middle line:84%
to say that sentence
is "only I?"

01:04:20.385 --> 01:04:22.010 align:middle line:84%
NORVIN RICHARDS: So
what's complicating

01:04:22.010 --> 01:04:23.385 align:middle line:84%
this is that it's
possible to get

01:04:23.385 --> 01:04:26.230 align:middle line:84%
a meaning that's sort of like
"only," without an "only."

01:04:26.230 --> 01:04:29.000 align:middle line:84%
that's why I started with
"I will talk about bats,"

01:04:29.000 --> 01:04:32.420 align:middle line:84%
which means I will talk about
bats and the alternatives to me

01:04:32.420 --> 01:04:34.220 align:middle line:90%
won't.

01:04:34.220 --> 01:04:36.210 align:middle line:84%
Maybe if we do one
of these other ones.

01:04:36.210 --> 01:04:41.640 align:middle line:84%
So "I will even talk about
bats" means several things.

01:04:41.640 --> 01:04:43.670 align:middle line:84%
It can mean "I will talk
about bats in addition

01:04:43.670 --> 01:04:47.180 align:middle line:84%
to the many other things
I will talk about."

01:04:47.180 --> 01:04:52.670 align:middle line:84%
It can also mean "You wanted
somebody to entertain everybody

01:04:52.670 --> 01:04:53.610 align:middle line:90%
at the party.

01:04:53.610 --> 01:04:57.440 align:middle line:84%
I will juggle, I will dance,
I will even talk about bats.

01:04:57.440 --> 01:04:59.480 align:middle line:84%
So I will do all the
many talented things

01:04:59.480 --> 01:05:01.220 align:middle line:90%
that I'm capable of doing.

01:05:01.220 --> 01:05:02.450 align:middle line:90%
People will be agog.

01:05:02.450 --> 01:05:04.530 align:middle line:90%
You'll be glad you invited me."

01:05:04.530 --> 01:05:06.240 align:middle line:90%
It can mean that.

01:05:06.240 --> 01:05:08.720 align:middle line:84%
So putting emphasis
on "bats" like that

01:05:08.720 --> 01:05:11.840 align:middle line:84%
can either invite you to
consider the alternatives

01:05:11.840 --> 01:05:15.170 align:middle line:84%
to bats, or the alternatives
to talk about bats.

01:05:15.170 --> 01:05:16.610 align:middle line:90%
Yeah.

01:05:16.610 --> 01:05:21.640 align:middle line:84%
"I will even talk
about bats," I think,

01:05:21.640 --> 01:05:23.338 align:middle line:90%
can also mean that, right?

01:05:23.338 --> 01:05:24.130 align:middle line:90%
That kind of thing.

01:05:24.130 --> 01:05:26.380 align:middle line:84%
"I will even talk
about bats" can

01:05:26.380 --> 01:05:31.440 align:middle line:84%
mean "I will talk
about bats, and so will

01:05:31.440 --> 01:05:34.560 align:middle line:90%
all of the linguistics TAs.

01:05:34.560 --> 01:05:37.500 align:middle line:84%
Various people will talk
about bats, and I'm one."

01:05:37.500 --> 01:05:38.820 align:middle line:90%
I will even talk about bats.

01:05:38.820 --> 01:05:40.690 align:middle line:84%
John will talk about bats,
Mary will talk about bats,

01:05:40.690 --> 01:05:41.857 align:middle line:90%
I will even talk about bats.

01:05:41.857 --> 01:05:43.780 align:middle line:90%
I think it can mean that.

01:05:43.780 --> 01:05:44.280 align:middle line:90%
Faith?

01:05:44.280 --> 01:05:46.590 align:middle line:84%
AUDIENCE: Aren't there
even further divisions

01:05:46.590 --> 01:05:49.980 align:middle line:84%
of variations of tone where,
like, if you were to say

01:05:49.980 --> 01:05:53.610 align:middle line:90%
"I will talk about bats."

01:05:53.610 --> 01:05:56.910 align:middle line:84%
You can't say that if
someone were like, oh yeah,

01:05:56.910 --> 01:05:58.990 align:middle line:84%
you're going to talk
about bats at this party.

01:05:58.990 --> 01:06:01.300 align:middle line:84%
It just doesn't sound like
an appropriate [INAUDIBLE]..

01:06:01.300 --> 01:06:03.050 align:middle line:84%
NORVIN RICHARDS: "I
will talk about bats."

01:06:03.050 --> 01:06:05.230 align:middle line:90%


01:06:05.230 --> 01:06:07.650 align:middle line:90%
Yeah, so we actually--

01:06:07.650 --> 01:06:09.400 align:middle line:84%
did we touch on something
related to this?

01:06:09.400 --> 01:06:11.560 align:middle line:90%
I think we did.

01:06:11.560 --> 01:06:13.810 align:middle line:84%
Yes, we did, because we were
talking about pragmatics,

01:06:13.810 --> 01:06:15.370 align:middle line:84%
and I was trying
to get you to stop.

01:06:15.370 --> 01:06:19.420 align:middle line:84%
Not you specifically, but
the whole class en masse.

01:06:19.420 --> 01:06:21.850 align:middle line:84%
You were all trying to force
me to talk about pragmatics,

01:06:21.850 --> 01:06:22.900 align:middle line:84%
and I was trying
to stop you, and I

01:06:22.900 --> 01:06:25.108 align:middle line:84%
don't know why I'm bringing
this up now because we're

01:06:25.108 --> 01:06:27.170 align:middle line:90%
about to do it again.

01:06:27.170 --> 01:06:31.960 align:middle line:84%
And I was giving examples like
if you ask me "How did people

01:06:31.960 --> 01:06:33.010 align:middle line:90%
do on the test?"

01:06:33.010 --> 01:06:37.000 align:middle line:90%
I can say, "Well, Mary passed."

01:06:37.000 --> 01:06:39.220 align:middle line:90%
And then you get--

01:06:39.220 --> 01:06:43.330 align:middle line:84%
that means-- all I've told
you is that Mary passed.

01:06:43.330 --> 01:06:46.240 align:middle line:84%
And if we were all
robots, you might

01:06:46.240 --> 01:06:48.340 align:middle line:84%
have expected that
all you would conclude

01:06:48.340 --> 01:06:50.230 align:middle line:90%
from that is that Mary passed.

01:06:50.230 --> 01:06:52.180 align:middle line:84%
So you start that
conversation not knowing

01:06:52.180 --> 01:06:53.480 align:middle line:90%
how people did on the test.

01:06:53.480 --> 01:06:55.210 align:middle line:84%
That's why you asked me, "How
did people do on the test?"

01:06:55.210 --> 01:06:56.818 align:middle line:84%
I told you Mary
passed, and now you

01:06:56.818 --> 01:06:59.110 align:middle line:84%
know that Mary passed and
you don't know anything else.

01:06:59.110 --> 01:07:01.277 align:middle line:84%
You might have imagined
that it would work that way,

01:07:01.277 --> 01:07:02.350 align:middle line:90%
but it doesn't.

01:07:02.350 --> 01:07:04.940 align:middle line:84%
So if you ask me "How did people
do on the test? and I say,

01:07:04.940 --> 01:07:07.785 align:middle line:84%
"Well, Mary passed,"
there are lots

01:07:07.785 --> 01:07:09.910 align:middle line:84%
of possible interpretations,
but one is Mary passed

01:07:09.910 --> 01:07:12.250 align:middle line:90%
and no one else did.

01:07:12.250 --> 01:07:14.380 align:middle line:84%
So you do draw conclusions
about everybody

01:07:14.380 --> 01:07:18.970 align:middle line:84%
else partly from the fact that I
failed to answer your question.

01:07:18.970 --> 01:07:21.760 align:middle line:84%
That's one of the kinds of
things pragmatists talk about.

01:07:21.760 --> 01:07:23.860 align:middle line:84%
But it's possible that
the particular tune

01:07:23.860 --> 01:07:26.800 align:middle line:84%
that I sing as I
say "Mary passed,"

01:07:26.800 --> 01:07:31.030 align:middle line:84%
invites you to
contrastively focus Mary.

01:07:31.030 --> 01:07:33.190 align:middle line:84%
That you're saying-- I'm
saying to you, in a sense,

01:07:33.190 --> 01:07:35.830 align:middle line:84%
Mary passed, and all the
alternatives to Mary,

01:07:35.830 --> 01:07:38.080 align:middle line:84%
notice that I haven't told
you anything about them,

01:07:38.080 --> 01:07:39.520 align:middle line:90%
draw your own conclusions.

01:07:39.520 --> 01:07:41.080 align:middle line:90%
That's what I'm doing.

01:07:41.080 --> 01:07:43.810 align:middle line:84%
Sometimes called a
contrastive topic.

01:07:43.810 --> 01:07:46.240 align:middle line:84%
And I think that's connected
with your example as well,

01:07:46.240 --> 01:07:49.610 align:middle line:84%
maybe, or something
similar going on.

01:07:49.610 --> 01:07:51.053 align:middle line:90%
No?

01:07:51.053 --> 01:07:52.970 align:middle line:84%
As you might tell, there's
a huge can of worms

01:07:52.970 --> 01:07:55.475 align:middle line:90%
right here, this work on--

01:07:55.475 --> 01:07:56.743 align:middle line:90%
a really fascinating can.

01:07:56.743 --> 01:07:58.160 align:middle line:84%
I shouldn't call
it a can of worms

01:07:58.160 --> 01:07:59.360 align:middle line:84%
because that makes
it sound disgusting.

01:07:59.360 --> 01:08:01.250 align:middle line:84%
It's fascinating, really,
really interesting.

01:08:01.250 --> 01:08:02.625 align:middle line:84%
There's all this
interesting work

01:08:02.625 --> 01:08:05.720 align:middle line:84%
on intonation, the kind of
thing Faith is asking about,

01:08:05.720 --> 01:08:09.270 align:middle line:84%
and the semantics of these
kinds of expressions.

01:08:09.270 --> 01:08:11.373 align:middle line:84%
So how do you
connect the games you

01:08:11.373 --> 01:08:13.040 align:middle line:84%
get to play with the
pitch of your voice

01:08:13.040 --> 01:08:16.319 align:middle line:84%
and your loudness
with other sentences

01:08:16.319 --> 01:08:17.819 align:middle line:84%
that I want you to
think about that.

01:08:17.819 --> 01:08:20.689 align:middle line:84%
I am not, in fact, saying but
I'm communicating something

01:08:20.689 --> 01:08:22.729 align:middle line:90%
to you about them.

01:08:22.729 --> 01:08:25.130 align:middle line:84%
This is all fascinating,
difficult stuff

01:08:25.130 --> 01:08:27.410 align:middle line:90%
that people work on.

01:08:27.410 --> 01:08:27.910 align:middle line:90%
Cool.

01:08:27.910 --> 01:08:32.458 align:middle line:90%


01:08:32.458 --> 01:08:34.250 align:middle line:84%
All right, we're back
from bats to cookies.

01:08:34.250 --> 01:08:35.810 align:middle line:90%
Any questions about cookies?

01:08:35.810 --> 01:08:37.050 align:middle line:90%
Bats?

01:08:37.050 --> 01:08:37.830 align:middle line:90%
Only even?

01:08:37.830 --> 01:08:39.899 align:middle line:90%
OK.

01:08:39.899 --> 01:08:43.410 align:middle line:90%
Yes, association with focus.

01:08:43.410 --> 01:08:45.458 align:middle line:84%
And then this is
reminding ourselves

01:08:45.458 --> 01:08:48.000 align:middle line:84%
that there are also sentences
where you just focus something.

01:08:48.000 --> 01:08:52.817 align:middle line:84%
"I will give Mary three cookies"
used when alternatives to Mary

01:08:52.817 --> 01:08:55.109 align:middle line:84%
are salient, like "Who will
you give three cookies to?"

01:08:55.109 --> 01:08:57.180 align:middle line:90%
I'll give Mary three cookies.

01:08:57.180 --> 01:08:59.183 align:middle line:84%
Or some of you
just said, "Are you

01:08:59.183 --> 01:09:00.600 align:middle line:84%
going to give John
three cookies?"

01:09:00.600 --> 01:09:02.700 align:middle line:84%
And I say, "No, I will
give Mary three cookies."

01:09:02.700 --> 01:09:04.977 align:middle line:84%
Or when you're making
lists, like "I'll give Susan

01:09:04.977 --> 01:09:06.810 align:middle line:84%
three cookies, I'll
give John three cookies,

01:09:06.810 --> 01:09:08.227 align:middle line:84%
and I'll give Mary
three cookies."

01:09:08.227 --> 01:09:12.180 align:middle line:84%
So I'm inviting you to consider
various alternatives to Mary.

01:09:12.180 --> 01:09:17.750 align:middle line:84%
That's the point of putting
this extra focus on these words.

01:09:17.750 --> 01:09:19.910 align:middle line:84%
And then languages
vary a lot, actually,

01:09:19.910 --> 01:09:22.082 align:middle line:84%
with respect to how
they realize focus.

01:09:22.082 --> 01:09:23.540 align:middle line:84%
So there are
languages like English

01:09:23.540 --> 01:09:28.010 align:middle line:84%
that do it with gymnastics
of the vocal tract.

01:09:28.010 --> 01:09:30.920 align:middle line:84%
Your voice gets louder and
softer, and higher and lower

01:09:30.920 --> 01:09:31.520 align:middle line:90%
in pitch.

01:09:31.520 --> 01:09:35.120 align:middle line:84%
There are other languages that
tend to move the words around.

01:09:35.120 --> 01:09:37.700 align:middle line:84%
So apparently, at least in
some dialects of Spanish,

01:09:37.700 --> 01:09:39.470 align:middle line:84%
a standard response
to "Who bought

01:09:39.470 --> 01:09:40.819 align:middle line:90%
the newspaper yesterday?"

01:09:40.819 --> 01:09:43.609 align:middle line:84%
is literally "Yesterday
bought the newspaper Juan."

01:09:43.609 --> 01:09:47.729 align:middle line:84%
That is, you put the answer
to the wh-question at the end.

01:09:47.729 --> 01:09:50.930 align:middle line:84%
That's a normal way to answer
these kinds of questions,

01:09:50.930 --> 01:09:55.430 align:middle line:84%
although that's not the
default Spanish word order.

01:09:55.430 --> 01:09:58.160 align:middle line:84%
Or similarly, in Tagalog,
if I want to say,

01:09:58.160 --> 01:10:01.880 align:middle line:84%
"I'll only eat balut," you
can't literally say that.

01:10:01.880 --> 01:10:05.750 align:middle line:84%
So the last sentence on
the slide is the attempt

01:10:05.750 --> 01:10:07.910 align:middle line:84%
to translate word-for-word
I will only eat balut,

01:10:07.910 --> 01:10:11.248 align:middle line:90%
[NON-ENGLISH]

01:10:11.248 --> 01:10:13.040 align:middle line:84%
I was doing some work
with Tagalog speakers

01:10:13.040 --> 01:10:14.498 align:middle line:84%
not too long ago
trying to get them

01:10:14.498 --> 01:10:16.540 align:middle line:84%
to accept this last
sentence, and they were like,

01:10:16.540 --> 01:10:17.900 align:middle line:90%
no, no, you can't say that.

01:10:17.900 --> 01:10:19.250 align:middle line:84%
You have to say the
first sentence, which

01:10:19.250 --> 01:10:20.708 align:middle line:84%
is something
literally like, "Balut

01:10:20.708 --> 01:10:22.260 align:middle line:90%
is the only thing I will eat."

01:10:22.260 --> 01:10:26.450 align:middle line:84%
So Tagalog speakers can't
just say balut really loud

01:10:26.450 --> 01:10:28.700 align:middle line:84%
and have that be the thing
that associates with focus.

01:10:28.700 --> 01:10:30.740 align:middle line:84%
They have to put
it somewhere else

01:10:30.740 --> 01:10:32.900 align:middle line:84%
at the beginning of
the sentence in order

01:10:32.900 --> 01:10:33.960 align:middle line:90%
to get it to mean things.

01:10:33.960 --> 01:10:36.620 align:middle line:84%
Balut, if you remember,
is this Filipino delicacy

01:10:36.620 --> 01:10:39.020 align:middle line:84%
that involves a fertilized
duck's egg, which is

01:10:39.020 --> 01:10:40.670 align:middle line:90%
hard boiled before it hatches.

01:10:40.670 --> 01:10:42.467 align:middle line:84%
Good source of
protein, I'm told,

01:10:42.467 --> 01:10:43.550 align:middle line:90%
though I've never had one.

01:10:43.550 --> 01:10:46.042 align:middle line:90%


01:10:46.042 --> 01:10:47.500 align:middle line:84%
And then there are
also languages--

01:10:47.500 --> 01:10:51.850 align:middle line:84%
this is Chickasaw, which is
a Muskogean language spoken

01:10:51.850 --> 01:10:54.630 align:middle line:90%
in Oklahoma, I think.

01:10:54.630 --> 01:10:57.520 align:middle line:84%
It used to be spoken
around Alabama,

01:10:57.520 --> 01:11:02.380 align:middle line:84%
but I think they
were moved, in which

01:11:02.380 --> 01:11:04.540 align:middle line:84%
there are morphemes
that you put on nouns

01:11:04.540 --> 01:11:06.220 align:middle line:90%
that say this is the focus.

01:11:06.220 --> 01:11:09.530 align:middle line:90%


01:11:09.530 --> 01:11:11.960 align:middle line:90%
We are just about out of time.

01:11:11.960 --> 01:11:14.133 align:middle line:84%
There's one other
topic on here, and I

01:11:14.133 --> 01:11:16.050 align:middle line:84%
think we don't have time
for the other topics.

01:11:16.050 --> 01:11:17.100 align:middle line:90%
So I think we should stop here.

01:11:17.100 --> 01:11:18.620 align:middle line:84%
Are there any questions
about any of this,

01:11:18.620 --> 01:11:19.770 align:middle line:90%
association with focus?

01:11:19.770 --> 01:11:23.180 align:middle line:84%
So please ask me any questions
you have left about semantics

01:11:23.180 --> 01:11:24.980 align:middle line:84%
because I refuse to
teach you anything

01:11:24.980 --> 01:11:26.430 align:middle line:90%
about semantics from now on.

01:11:26.430 --> 01:11:28.580 align:middle line:84%
We will never talk
about it again.

01:11:28.580 --> 01:11:29.570 align:middle line:90%
That's probably a lie.

01:11:29.570 --> 01:11:31.910 align:middle line:84%
I mean, I was telling you
about syntax, and phonology,

01:11:31.910 --> 01:11:33.550 align:middle line:84%
and morphology
today, and those are

01:11:33.550 --> 01:11:35.300 align:middle line:84%
things we thought we
had left behind, too.

01:11:35.300 --> 01:11:37.085 align:middle line:90%
It all kind of blends together.

01:11:37.085 --> 01:11:40.550 align:middle line:84%
Any last-minute questions
about semantics?

01:11:40.550 --> 01:11:42.350 align:middle line:84%
All right, go out
and enjoy the day,

01:11:42.350 --> 01:11:46.450 align:middle line:84%
and we'll see you
guys on Tuesday.

01:11:46.450 --> 01:11:51.000 align:middle line:90%