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[CREAK]

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[WHOOSH]

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[TAPPING]

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FILIP BABA: All right,
so welcome, everyone,

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to our Bose AR Unity workshop.

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My name is Filip Baba.

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I'm a senior developer
advocate at Bose.

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So what that means basically
is I work with developers,

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enabling them to build
experiences for our platform.

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I host workshops.

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We do game jams,
hackathons, also public

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speaking on behalf
of the platform.

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And if you do end up
building something with Base

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AR Unity SDK specifically--

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I'm on the Unity side--

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you'll most likely
be talking to me,

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and I'll be helping you get your
idea and your product out there

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and trying to
bring Bose on board

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to help you out with
that as much as possible.

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So I am your voice when
it comes to these things.

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So I'm just going
to talk a little bit

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briefly about what is Bose AR.

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Some of you may
already know or not,

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but I'm just going
to get into it.

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So we have a new concept
called audio augmented reality.

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Now, many of you
probably already heard

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about augmented reality.

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First thing you
probably think about

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is hololens or ARKit ARCore,
Magic Leap, stuff like that.

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So we are actually audio
first augmented reality.

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Now, what that means
is, think spatial audio,

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for example, where
you have sounds

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placed in space around you,
and you're kind of virtually

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hearing it spatially.

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So what enables us to do
audio augmented reality

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are the sensors that are
located in each of these Bose AR

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wearables.

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You'll have a pair
of frames, but then

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we also have our
headphones as well,

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which have the same
sets of sensors in them.

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And those sensors are
an accelerometer, which

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allows you to get impulse
and sudden movements;

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a gyroscope, which tracks
rotation, so typically what

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we use the gyro for is to track
the user's head orientation;

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and magnetometer, which
is basically a compass,

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and we use that for
our navigation apps.

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So if you know the GPS position
of a user based on their phone,

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and if you use the
magnetic heading

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from where their head is
actually like pointing at,

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you can know what they're
looking at on a map

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pretty accurately, actually.

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So we have gestures as
well on our devices.

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So the frames specifically
have an input gesture here

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on the right side.

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It's a double tap, so
it's not a specific, touch

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sensitive sensor.

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It's actually based
on the accelometer,

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so it's the little impulse tap.

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And the tap actually
works from any side,

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but it's recommended to
do it from the right side

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because that's where
the sensor kit is.

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We also have custom
gestures that we actually

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encourage our
developers to explore,

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and it's a mixture
of the other sensors.

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So a custom gesture
would be something

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like, you're creating
an experience,

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and it tells you, look
up, and you look up,

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and then you track
that rotation change.

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That would be a custom gesture.

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I know some of the games
that have been built,

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sometimes, it tells you
to duck, and there's

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a bullet flying over you
or something like that.

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So that would be
a custom gesture.

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So Heads Up Hands Free is one
of the models that we have.

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So the idea behind it
Heads Up Hands Free

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is, a lot of the applications
today, whether they're

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AR or just standard
mobile applications,

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you're always staring
at your phone.

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You're always walking around.

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Your neck as a little
craned because you're always

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looking down at your phone.

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The whole idea behind
Heads Up Hands Free

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is that we want to create
applications that you don't

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have to stare at your phone.

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The input is the wearable,
and the output also

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goes through the wearable.

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So you don't actually have
to look at a screen for most

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of these activities.

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So I'll give you an example.

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Let's say NaviGuide,
for example.

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What it does is it knows
your GPS location based

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on a mobile device,
and it knows you're

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heading based on where you're
looking with the magnetometer.

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So what it can do
is then it can tell

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you're looking at this
restaurant, for example,

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or this cafe.

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You double tap
the input gesture,

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and it'll actually
pull a Yelp review.

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Now, think about the non
Heads Up Hands Free way

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of pulling up a Yelp review.

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What are you doing?

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You're most likely
googling the name,

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or you're typing in
the street address.

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But it requires you to pull
out your phone, launch the app,

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find a name, type it in or the
address or the pin on the map,

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and then you get to
that Yelp review.

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It takes you out of
what you're doing.

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So if you want to look up five
or six restaurants walking down

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the street, you're basically
probably staring at your phone

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for like 15 minutes.

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The idea behind
Heads Up Hands Free

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is you just walk by a place,
tap, you get the information,

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you move on--

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no phone required, at
least not looking at it.

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Now, it's a really
cool concept I think,

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and a bunch of our apps use
that as its guiding principle.

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It's not a must, but
it's a design philosophy,

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and some of the developers
have been really

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clever about implementing it.

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So the way that it
works is the sensors--

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actually, the data gets
sent to the mobile app,

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so the wearable has to work with
a mobile phone, iOS or Android,

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and that goes for the frames
and the headphones as well.

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So some of the products
that work with it

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are the frames, for example,
which you all have here.

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I'm going to show just a
little brief intro in frames.

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[VIDEO PLAYBACK]

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[MUSIC PLAYING]

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(SINGING) I look good.

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Good, good.

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Say, I look good.

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Good, good.

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This is sunshine
dripping down my face.

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[END VIDEO PLAYBACK]

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So the frames were
actually a concept

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that came out of our
San Francisco office,

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so it's a very different
kind of idea behind it.

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I, personally, think
it's a super cool idea.

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I think frames are a really
great outdoor wearable.

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It's great while you're
biking, for example, when you

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don't want to be interrupted.

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If you don't want to--

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let's say you get a call.

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You could just pick up
straight through the frames.

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You don't have to
pull out your phone.

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Or you could do
turn-by-turn navigation.

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Again, you don't have to
be mounting your phone,

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putting a waterproof
case or whatever.

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You just have your frames on.

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Also, it doesn't
plug up your ears.

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It's open ear audio,
so you can still

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hear the sounds of
the street around you.

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And it's not on the
safe in that way,

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like wearing like noise
canceling headphones

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while biking, for example.

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I just realized I got to
do this QuickTime thing.

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Maybe click there.

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There we go.

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Next up-- oh, skip that--

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QC35 II's.

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Now, this product you might
be more familiar with.

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You've probably seen people
wearing these, usually

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maybe on an airplane.

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So this is the classic noise
canceling headphone which

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also has Bose AR sensors in it.

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And a lot of people
actually don't know that,

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so I believe it's all the
models after October of 2018

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were manufactured with
the Bose AR sensors in it.

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And then the NC700's,
which are these--

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so these are the brand
new noise canceling

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headphones that just came out.

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I get asked what's
the difference

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between the QCs and the NCs.

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There's a few.

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Obviously, there's a redesign.

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It looks a lot more modern.

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It has a little bit more
of a sleek aesthetic.

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I think that the QC35
have a very dad road trip

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look to them, especially
the gray ones.

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But yeah, it's a
brand new redesign,

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and one of the main upgrades,
I'd say, is the microphone.

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So for conference
calling, it actually

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has a noise canceling
microphone because it

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has eight beamforming mics.

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So it can actually pick
up your voice as opposed

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to the environment,
so I found it really

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good in loud environments.

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They've actually done comparison
tests in a loud environment,

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and you can barely hear
anything in the background

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while you're talking with them.

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So I personally really
like that because I

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do a lot of conference calls in
sometimes noisy environments.

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There's a little promo video
associated with that, too,

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if you want to see.

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[VIDEO PLAYBACK]

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And these are the first
product that was--

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the first Bose product that has
been marketed with the Bose AR

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features in it.

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So the whole idea
behind the NCs is,

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again, the Heads Up Hands Free.

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[MUSIC PLAYING]

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FILIP BABA: So I
don't know if you

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saw near the end of the video,
but there's a little capacitive

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touch screen here on the side.

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So it's not touch
screen, it's a touch--

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AUDIENCE: Surface.

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FILIP BABA: Surface, yeah.

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And it's, yeah, you can
do volume up and down,

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skip track, or go back.

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And then there's
also touch and hold,

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which you can actually get
as a gesture inside Bose AR

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when you're building your app.

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So again, the whole
idea is, you're not

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00:10:07,240 --> 00:10:08,560
pulling out your phone.

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00:10:08,560 --> 00:10:11,103
You have your wearable,
your AR-enabled wearable,

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00:10:11,103 --> 00:10:13,520
which is your headphones, which
you carry around with you.

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00:10:13,520 --> 00:10:15,160
If you're like me, I
carry around my headphones

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00:10:15,160 --> 00:10:15,700
everywhere.

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00:10:15,700 --> 00:10:19,510
So you can talk to your
Google Assistant or to Siri

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00:10:19,510 --> 00:10:21,307
through it, receive messages.

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00:10:21,307 --> 00:10:23,140
It'll actually read out
the messages to you.

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00:10:23,140 --> 00:10:26,770
So again, the whole idea is to
have this wearable be pretty

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00:10:26,770 --> 00:10:29,320
much your main input
and output device

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00:10:29,320 --> 00:10:32,800
for your daily mobile uses.

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00:10:32,800 --> 00:10:34,750
So one of our
projections is that we're

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going to have one million
AR devices in 2019

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across all three of the
products that I just showed you.

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Now, that's actually
really huge,

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because most AR is
single purpose AR.

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00:10:49,780 --> 00:10:52,670
If you get a hololens,
it's more enterprise.

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00:10:52,670 --> 00:10:55,580
You're not really going to
be wearing it out on the bus,

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00:10:55,580 --> 00:10:56,080
you know.

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00:10:56,080 --> 00:10:58,660
Or a Magic Leap,
same thing, they only

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00:10:58,660 --> 00:11:00,130
work in certain environments.

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00:11:00,130 --> 00:11:01,690
It can't be in bright sunlight.

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00:11:01,690 --> 00:11:05,500
And AR, typically,
is a very niche thing

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00:11:05,500 --> 00:11:08,900
that's found in specific
places for specific use cases.

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00:11:08,900 --> 00:11:11,710
But the idea behind Bose
AR is that these wearables

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00:11:11,710 --> 00:11:13,780
are actually being worn
by people every day,

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00:11:13,780 --> 00:11:16,180
already, just for
their regular life,

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00:11:16,180 --> 00:11:19,240
to listen to music, to do
their conference calls.

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But now we have this AR
platform built into it as well.

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00:11:22,750 --> 00:11:24,970
And developers can
actually leverage

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00:11:24,970 --> 00:11:27,040
a very big install base.

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Because there's a lot of
these devices out there.

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00:11:29,260 --> 00:11:31,030
And they're
constantly being sold

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00:11:31,030 --> 00:11:33,460
and the user base is growing.

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And they're going to be looking
for Bose AR enabled apps.

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00:11:36,457 --> 00:11:38,290
Well, what can I run
on these new headphones

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00:11:38,290 --> 00:11:40,570
that I just bought?

251
00:11:40,570 --> 00:11:43,720
So we have an iOS and
Android native SDK.

252
00:11:43,720 --> 00:11:45,917
And then we also
have a Unity plug-in,

253
00:11:45,917 --> 00:11:47,750
which is what we're
going to be using today,

254
00:11:47,750 --> 00:11:51,730
which actually works with
both iOS and Android.

255
00:11:51,730 --> 00:11:54,190
So I'm just going to go
into a few of the use

256
00:11:54,190 --> 00:11:56,328
cases, a few of the
apps that are here,

257
00:11:56,328 --> 00:11:58,120
that might be a little
bit inspiring so you

258
00:11:58,120 --> 00:12:00,970
can kind of get an idea
of what people are doing.

259
00:12:00,970 --> 00:12:04,720
So Otocast is a really
cool concept behind, like,

260
00:12:04,720 --> 00:12:05,770
how you can--

261
00:12:05,770 --> 00:12:08,590
let's say you're at
a music festival.

262
00:12:08,590 --> 00:12:11,140
They could set up a
tour where you actually

263
00:12:11,140 --> 00:12:13,330
hear these audio pings.

264
00:12:13,330 --> 00:12:16,150
So if there's a point of
interest as you're walking by,

265
00:12:16,150 --> 00:12:18,228
you'll just hear, like,
a spatial audio pinging.

266
00:12:18,228 --> 00:12:20,770
And it's very unobtrusive, it's
not like it's yelling at you.

267
00:12:20,770 --> 00:12:21,937
Hey, there's the thing here.

268
00:12:21,937 --> 00:12:23,800
It's just kind of
like, it's a ping.

269
00:12:23,800 --> 00:12:25,360
And then if you
look at that ping,

270
00:12:25,360 --> 00:12:27,027
you can actually
double tap to enter it.

271
00:12:27,027 --> 00:12:30,280
And it'll tell you,
oh, this is this stage.

272
00:12:30,280 --> 00:12:32,680
Or maybe if you're doing
like a historical tour,

273
00:12:32,680 --> 00:12:34,750
it'll tell you this
is this landmark,

274
00:12:34,750 --> 00:12:36,260
would you like to
enter this tour?

275
00:12:36,260 --> 00:12:37,580
And then you enter it.

276
00:12:37,580 --> 00:12:39,460
And then you can go
and actually explore

277
00:12:39,460 --> 00:12:43,960
and it'll kind of tell you
what these environments are.

278
00:12:43,960 --> 00:12:45,970
Walc is kind of a
similar concept,

279
00:12:45,970 --> 00:12:47,980
also to Otocast and Naviguide.

280
00:12:47,980 --> 00:12:49,540
And Naviguide, I
explained earlier.

281
00:12:49,540 --> 00:12:52,150
It's kind of like you're using
a gesture to Yelp things,

282
00:12:52,150 --> 00:12:53,120
basically.

283
00:12:53,120 --> 00:12:56,527
So it's really cool to kind
of, like, not bring you out

284
00:12:56,527 --> 00:12:57,610
of your travel experience.

285
00:12:57,610 --> 00:12:59,920
You're just kind of
walking, and exploring,

286
00:12:59,920 --> 00:13:02,020
and getting information
you need without, again,

287
00:13:02,020 --> 00:13:03,610
staring at your phone.

288
00:13:03,610 --> 00:13:06,860
So all of these kind of use
initially in the sensors

289
00:13:06,860 --> 00:13:07,360
what I said.

290
00:13:07,360 --> 00:13:10,030
So you the GPS from
the mobile device.

291
00:13:10,030 --> 00:13:12,850
And then you use the magnetic
heading from the wearable.

292
00:13:12,850 --> 00:13:15,550
And what's really cool
about using magnetic heading

293
00:13:15,550 --> 00:13:19,000
from the frames, people
always wear their sunglasses

294
00:13:19,000 --> 00:13:20,950
perpendicular.

295
00:13:20,950 --> 00:13:24,040
It's not like your phone, where
the magnetometer sometimes--

296
00:13:24,040 --> 00:13:25,840
you ever use the map
and you're trying

297
00:13:25,840 --> 00:13:29,020
to look at the compass on
the map, and it's opposite,

298
00:13:29,020 --> 00:13:30,970
or it's not very accurate?

299
00:13:30,970 --> 00:13:32,530
And you got to,
like, do this and you

300
00:13:32,530 --> 00:13:33,820
got to recalibrate your phone.

301
00:13:33,820 --> 00:13:35,410
So with the frames,
it's actually

302
00:13:35,410 --> 00:13:37,930
a lot better because
you're never really putting

303
00:13:37,930 --> 00:13:40,060
that in a wrong direction.

304
00:13:40,060 --> 00:13:42,670
It's always kind of
facing perpendicular.

305
00:13:42,670 --> 00:13:47,080
So it's really good
to get a heading.

306
00:13:47,080 --> 00:13:49,600
Sport and wellness,
so another use case

307
00:13:49,600 --> 00:13:50,780
is some of these sport apps.

308
00:13:50,780 --> 00:13:54,010
So Golfshot's actually
a really great example.

309
00:13:54,010 --> 00:13:58,210
People wear frames when
they're out on the golf course.

310
00:13:58,210 --> 00:14:01,060
It's sunglasses, they might
be listening to music as well,

311
00:14:01,060 --> 00:14:02,390
so it's a perfect fit.

312
00:14:02,390 --> 00:14:05,380
So Golfshot's an
already established app

313
00:14:05,380 --> 00:14:07,540
that golfers use
to get information

314
00:14:07,540 --> 00:14:10,050
about but their shot, and
their stored game details.

315
00:14:10,050 --> 00:14:11,800
I'm not much of a
golfer so I don't really

316
00:14:11,800 --> 00:14:13,580
know all the details.

317
00:14:13,580 --> 00:14:17,080
But I do know that they have
a Bose AR enabled feature that

318
00:14:17,080 --> 00:14:19,330
actually allow you to
measure things like distance

319
00:14:19,330 --> 00:14:22,990
to the next hole, again, without
having to pull out your phone

320
00:14:22,990 --> 00:14:24,640
and typing in some information.

321
00:14:24,640 --> 00:14:26,545
It uses all the data
from the sensors

322
00:14:26,545 --> 00:14:27,670
and from the mobile device.

323
00:14:27,670 --> 00:14:30,220
It knows where you are, it
knows what course you're on.

324
00:14:30,220 --> 00:14:33,008
And then you can have this
seamless experience, again,

325
00:14:33,008 --> 00:14:34,300
without pulling out your phone.

326
00:14:34,300 --> 00:14:35,967
You're just already
wearing some glasses

327
00:14:35,967 --> 00:14:39,250
because you're playing golf,
and it's sunny, and you know.

328
00:14:39,250 --> 00:14:41,530
Yeah, I hope I makes sense.

329
00:14:41,530 --> 00:14:43,990
So New Balance I think
is a really cool one.

330
00:14:43,990 --> 00:14:45,330
This is a demo.

331
00:14:45,330 --> 00:14:49,025
So they kind of created
more of a workout app.

332
00:14:49,025 --> 00:14:51,150
It's kind of like a
motivational workout app, where

333
00:14:51,150 --> 00:14:52,770
it'll count your sets and reps.

334
00:14:52,770 --> 00:14:54,270
So think, like,
you're doing sit ups

335
00:14:54,270 --> 00:14:56,190
and you're actually doing
that custom gesture.

336
00:14:56,190 --> 00:14:58,290
And you're counting how
many sit ups you did.

337
00:14:58,290 --> 00:14:59,760
And it gives you
positive feedback,

338
00:14:59,760 --> 00:15:02,890
oh, you're doing great, two
more, or something like that.

339
00:15:02,890 --> 00:15:06,090
So again, if you
weren't doing heads up,

340
00:15:06,090 --> 00:15:08,880
hands free, maybe you'd
be checking your phone

341
00:15:08,880 --> 00:15:10,680
to see how many you've done.

342
00:15:10,680 --> 00:15:14,130
There's really no way to
kind of do it seamlessly

343
00:15:14,130 --> 00:15:17,430
unless you're kind of wearing
a little extra piece of sensors

344
00:15:17,430 --> 00:15:18,900
on you.

345
00:15:18,900 --> 00:15:20,490
Headspace is also a demo.

346
00:15:20,490 --> 00:15:24,150
And this is actually
getting a big revamp.

347
00:15:24,150 --> 00:15:27,480
But the idea behind this,
it's a meditation app.

348
00:15:27,480 --> 00:15:30,242
So it's a perfect fit for
things like spatial audio.

349
00:15:30,242 --> 00:15:32,700
They even have a little bit of
an exercise you kind of like

350
00:15:32,700 --> 00:15:33,840
stretch your neck.

351
00:15:33,840 --> 00:15:36,150
And then again, it's
using the sensors

352
00:15:36,150 --> 00:15:38,280
in the wearable to
actually be able to tell

353
00:15:38,280 --> 00:15:39,972
if you did your neck stretch.

354
00:15:39,972 --> 00:15:41,430
Then when you do
your neck stretch,

355
00:15:41,430 --> 00:15:42,888
it kind of has this
soothing voice.

356
00:15:42,888 --> 00:15:45,540
It's like, all right, so now,
we're going to close our eyes

357
00:15:45,540 --> 00:15:47,010
and, you know.

358
00:15:47,010 --> 00:15:48,990
And it starts to play
a little soundscape.

359
00:15:48,990 --> 00:15:51,450
And it helps you
kind of meditate.

360
00:15:51,450 --> 00:15:55,110
Another idea I heard brought
up is, you can actually

361
00:15:55,110 --> 00:15:56,410
check someone's posture.

362
00:15:56,410 --> 00:16:00,420
So if someone's falling asleep,
you can kind of slightly

363
00:16:00,420 --> 00:16:04,813
ping them to wake up,
so things like that.

364
00:16:04,813 --> 00:16:07,230
Like I said, developers have
been really creative with it.

365
00:16:07,230 --> 00:16:10,350
And then music of
course, I think

366
00:16:10,350 --> 00:16:12,390
music is one of
the best use cases.

367
00:16:12,390 --> 00:16:14,220
Because I think
spatial audio, which

368
00:16:14,220 --> 00:16:16,950
is what today's workshop is
mainly going to be about,

369
00:16:16,950 --> 00:16:22,620
is a very unexplored area of
music or sound in general.

370
00:16:22,620 --> 00:16:25,078
And Bose AR is a perfect
fit for spatial audio,

371
00:16:25,078 --> 00:16:27,120
especially because of the
sensors that I was just

372
00:16:27,120 --> 00:16:30,720
mentioning because you
know the head orientation,

373
00:16:30,720 --> 00:16:33,060
you can actually simulate
spatial audio just

374
00:16:33,060 --> 00:16:35,340
between the two stereo speakers.

375
00:16:35,340 --> 00:16:37,110
You can actually blend
the sound between

376
00:16:37,110 --> 00:16:39,090
based on where your
head is looking.

377
00:16:39,090 --> 00:16:41,220
So Radar is a great
example of this.

378
00:16:41,220 --> 00:16:44,820
So Radar is an app built by
Bose, which actually connects

379
00:16:44,820 --> 00:16:47,940
to something that's called
Creator Tool that's currently

380
00:16:47,940 --> 00:16:48,690
in development.

381
00:16:48,690 --> 00:16:50,400
It's in closed beta.

382
00:16:50,400 --> 00:16:52,230
But the idea here
is that Radar is

383
00:16:52,230 --> 00:16:56,790
going to be kind of almost like
a marketplace slash area where

384
00:16:56,790 --> 00:17:00,270
you can browse lots of different
spatial audio experiences.

385
00:17:00,270 --> 00:17:03,730
And they're going to be tied
to certain areas on the map.

386
00:17:03,730 --> 00:17:06,390
So maybe if you're
in a certain place,

387
00:17:06,390 --> 00:17:08,310
there's certain spatial
audio experiences

388
00:17:08,310 --> 00:17:10,530
that wouldn't be in
some other place.

389
00:17:10,530 --> 00:17:13,619
And it can do things like
it can ping you when you

390
00:17:13,619 --> 00:17:14,970
enter, let's say, some park.

391
00:17:14,970 --> 00:17:17,520
And maybe there's a
spatial audio experience

392
00:17:17,520 --> 00:17:18,390
tied to that park.

393
00:17:18,390 --> 00:17:20,790
And you'll be able to enter
it if you just kind of have

394
00:17:20,790 --> 00:17:23,130
the app running
in the background.

395
00:17:23,130 --> 00:17:28,079
Traverse is a cool example
of a mixture between RAPI

396
00:17:28,079 --> 00:17:30,090
and existing ARAPI.

397
00:17:30,090 --> 00:17:31,950
So I think they're using ARKit.

398
00:17:31,950 --> 00:17:34,080
And what it actually
allows you to do,

399
00:17:34,080 --> 00:17:37,830
it's kind of like you're
in the middle of a concert.

400
00:17:37,830 --> 00:17:40,497
And you're hearing the different
instruments playing around you.

401
00:17:40,497 --> 00:17:42,330
So what you can actually
do is, while you're

402
00:17:42,330 --> 00:17:44,623
holding your phone up, you
can actually kind of close

403
00:17:44,623 --> 00:17:46,290
your eyes you just
walk around the room.

404
00:17:46,290 --> 00:17:49,010
And you're actually exploring
all the different instruments

405
00:17:49,010 --> 00:17:49,510
around you.

406
00:17:49,510 --> 00:17:52,350
You can walk up to the singer,
you can walk up to the piano.

407
00:17:52,350 --> 00:17:57,030
And it's using ARKit to do
positional tracking and Bose AR

408
00:17:57,030 --> 00:17:59,460
for spatial audio and
your head orientation.

409
00:17:59,460 --> 00:18:02,670
So it's actually using
both the phone's positional

410
00:18:02,670 --> 00:18:04,740
and the head's
rotational tracking.

411
00:18:04,740 --> 00:18:06,330
And it knows between the two.

412
00:18:06,330 --> 00:18:08,340
And it kind of simulates
as if you're actually

413
00:18:08,340 --> 00:18:13,870
in the middle of a band or
a concert that's playing.

414
00:18:13,870 --> 00:18:18,360
iHeartRadio is a cool
demo app, I'd say.

415
00:18:18,360 --> 00:18:22,278
It's basically another
take on how you can tune

416
00:18:22,278 --> 00:18:23,570
in to different radio channels.

417
00:18:23,570 --> 00:18:26,470
So instead of pulling out
your phone and seeking,

418
00:18:26,470 --> 00:18:28,330
you're actually using
your head orientation.

419
00:18:28,330 --> 00:18:30,330
And you're kind of, like,
your head's the tuner.

420
00:18:30,330 --> 00:18:32,038
And then when you like
something you just

421
00:18:32,038 --> 00:18:33,840
kind of double tap
and you go into it.

422
00:18:33,840 --> 00:18:36,030
And then you can pull out
of it at any time and tune

423
00:18:36,030 --> 00:18:36,940
into something else.

424
00:18:36,940 --> 00:18:38,940
And if you get a little
preview and you like it,

425
00:18:38,940 --> 00:18:41,580
you tap into it and
you're listening to it

426
00:18:41,580 --> 00:18:46,200
without having to look at
oh, I'm 22.3 FM, or whatever.

427
00:18:46,200 --> 00:18:47,880
You're just kind
of listening to it.

428
00:18:50,580 --> 00:18:55,860
Games is predominantly in
the realm of our Unity SDK.

429
00:18:55,860 --> 00:18:58,290
So we have some cool games
that have been built.

430
00:18:58,290 --> 00:19:00,750
The three that I
have up here are

431
00:19:00,750 --> 00:19:02,730
what I would call
representative experiences.

432
00:19:02,730 --> 00:19:05,147
So we actually have a lot more
games that have been built,

433
00:19:05,147 --> 00:19:06,490
especially this year.

434
00:19:06,490 --> 00:19:08,670
And I'll show you actually
some videos of the games

435
00:19:08,670 --> 00:19:09,960
to kind of get inspired.

436
00:19:09,960 --> 00:19:11,700
So all these games
are actually out.

437
00:19:11,700 --> 00:19:15,540
So you can download
them on the App Store

438
00:19:15,540 --> 00:19:18,420
if you have a Bose
AR enabled wearable.

439
00:19:18,420 --> 00:19:22,230
And like I said, they're
representative experiences.

440
00:19:22,230 --> 00:19:25,380
Meaning that I believe
these developers kind of

441
00:19:25,380 --> 00:19:27,900
created some design
patterns out of these.

442
00:19:27,900 --> 00:19:30,120
They were one of the first
to make games for it.

443
00:19:30,120 --> 00:19:33,370
And I think these three are
kind of in their own category.

444
00:19:33,370 --> 00:19:36,180
So OverHerd, it's a
really funny game.

445
00:19:36,180 --> 00:19:38,100
You basically play
as an Englishman

446
00:19:38,100 --> 00:19:41,680
that's taunted by Frenchmen
at castles at night.

447
00:19:41,680 --> 00:19:44,730
It's very kind of, like,
Monty Python-esque.

448
00:19:44,730 --> 00:19:47,460
Funny accents, the voice
acting is hilarious.

449
00:19:47,460 --> 00:19:50,460
And what you do is you use
your head as, like, a catapult.

450
00:19:50,460 --> 00:19:53,070
And your head
orientation like this.

451
00:19:53,070 --> 00:19:54,630
And you double tap
and you basically

452
00:19:54,630 --> 00:19:57,630
launch cows into these castles.

453
00:19:57,630 --> 00:19:59,640
And you kind of hear the moo.

454
00:19:59,640 --> 00:20:00,690
And it's all spatial.

455
00:20:00,690 --> 00:20:02,950
So you're kind of listening
for where they're at.

456
00:20:02,950 --> 00:20:04,367
And when you're
turning your head,

457
00:20:04,367 --> 00:20:05,730
you hear the castles over there.

458
00:20:05,730 --> 00:20:07,770
And then the Frenchmen
are, like, taunting you.

459
00:20:07,770 --> 00:20:11,070
Like, oh, I bet you can't
hit the broad side of a barn,

460
00:20:11,070 --> 00:20:11,670
or whatever.

461
00:20:11,670 --> 00:20:14,700
I'm not going to try to do the
accent, but you should hear it.

462
00:20:14,700 --> 00:20:17,700
It's pretty hilarious.

463
00:20:17,700 --> 00:20:20,490
And it's a great
example of, it's

464
00:20:20,490 --> 00:20:25,800
kind of using the spatial audio
and using your head orientation

465
00:20:25,800 --> 00:20:28,140
as the controller, basically.

466
00:20:28,140 --> 00:20:31,470
So Komrad is a cool
design pattern.

467
00:20:31,470 --> 00:20:35,190
So it's basically
like a spy novel.

468
00:20:35,190 --> 00:20:39,030
And it's a choose your
own adventure spy novel.

469
00:20:39,030 --> 00:20:41,920
So you can actually make
decisions in the story.

470
00:20:41,920 --> 00:20:46,440
So the story goes on and there's
yes and no decision trees

471
00:20:46,440 --> 00:20:47,300
that you go through.

472
00:20:47,300 --> 00:20:49,050
And at some point I
think you have to duck

473
00:20:49,050 --> 00:20:51,000
and dodge a bullet.

474
00:20:51,000 --> 00:20:53,970
And it's got this
whole AI theme to it.

475
00:20:53,970 --> 00:20:57,030
And the AI's talking to you
and you're making decisions.

476
00:20:57,030 --> 00:20:59,380
And you kind of change
the outcome of the story.

477
00:20:59,380 --> 00:21:03,480
So that's a pretty popular
design pattern, and one

478
00:21:03,480 --> 00:21:04,680
that I'm a huge fan of.

479
00:21:04,680 --> 00:21:06,460
I love choose your
own adventure games.

480
00:21:06,460 --> 00:21:09,330
And I think the medium
is perfect for it.

481
00:21:09,330 --> 00:21:11,580
Instead of just doing
yes or no on the screen,

482
00:21:11,580 --> 00:21:15,400
you can actually do yes and
no by nodding and shaking

483
00:21:15,400 --> 00:21:15,900
your head.

484
00:21:15,900 --> 00:21:17,490
So it's very immersive.

485
00:21:17,490 --> 00:21:19,500
When you get asked a
question you're like, yes.

486
00:21:19,500 --> 00:21:21,900
And then it kind of goes on.

487
00:21:21,900 --> 00:21:24,840
Dead Drop Desperado
is a multiplayer game.

488
00:21:24,840 --> 00:21:26,355
It's a local multiplayer game.

489
00:21:26,355 --> 00:21:28,230
So what I actually really
like about this one

490
00:21:28,230 --> 00:21:32,540
is it's got a little bit of a
party game kind of aesthetic

491
00:21:32,540 --> 00:21:33,040
to it.

492
00:21:33,040 --> 00:21:36,240
So you play with a friend.

493
00:21:36,240 --> 00:21:40,320
And one of you holds the
mobile phone and the other one

494
00:21:40,320 --> 00:21:43,710
gets handed off the wearable,
so let's say the headphones.

495
00:21:43,710 --> 00:21:46,620
And what happens is he's
standing in front of you.

496
00:21:46,620 --> 00:21:49,050
And you shoot bullets
at your friend.

497
00:21:49,050 --> 00:21:51,360
And your friend is trying
to dodge the bullets

498
00:21:51,360 --> 00:21:52,860
by listening to
where they're coming

499
00:21:52,860 --> 00:21:54,450
from using the spatial audio.

500
00:21:54,450 --> 00:21:56,830
And you're kind of leaning
left and right like that.

501
00:21:56,830 --> 00:21:58,890
And then it gets switched off.

502
00:21:58,890 --> 00:22:00,510
And then you're the
one who's dodging,

503
00:22:00,510 --> 00:22:01,885
and he's the one
that's shooting.

504
00:22:01,885 --> 00:22:04,050
And then in the end, there's
kind of a score tally

505
00:22:04,050 --> 00:22:05,550
and it's got a leaderboard.

506
00:22:05,550 --> 00:22:08,280
And it kind of has a little bit
of a competitive aspect to it.

507
00:22:08,280 --> 00:22:10,440
What I personally like
is that you could,

508
00:22:10,440 --> 00:22:13,560
let's say, you have
your headphones,

509
00:22:13,560 --> 00:22:16,350
and you want to show someone
something cool on them.

510
00:22:16,350 --> 00:22:18,390
You could just kind of
hand off the headphones.

511
00:22:18,390 --> 00:22:20,565
And now it's this
multi-player interaction.

512
00:22:20,565 --> 00:22:22,440
So you have the headphones,
I have the phone.

513
00:22:22,440 --> 00:22:23,460
And you switch it up.

514
00:22:23,460 --> 00:22:25,560
And it's also a
little bit competitive

515
00:22:25,560 --> 00:22:27,000
with the leaderboard and such.

516
00:22:27,000 --> 00:22:31,938
So like I said,
representative experiences.

517
00:22:31,938 --> 00:22:34,230
You're definitely not limited
to these design patterns.

518
00:22:34,230 --> 00:22:37,070
We're actually excited to see
what our developers come up

519
00:22:37,070 --> 00:22:37,570
with.

520
00:22:37,570 --> 00:22:41,820
And there's always cool stuff
that people come up with.

521
00:22:41,820 --> 00:22:44,620
And I just wanted to
show you a little bit.

522
00:22:44,620 --> 00:22:46,930
So we have this video
that was produced.

523
00:22:46,930 --> 00:22:49,650
So we've posted a bunch
of game jams this year.

524
00:22:49,650 --> 00:22:53,730
And this is one of the first
game jams that we hosted.

525
00:22:53,730 --> 00:22:56,070
And these games that
I just showed you

526
00:22:56,070 --> 00:22:57,690
were actually built at it.

527
00:22:57,690 --> 00:22:59,200
So I'll just go
ahead and show you.

528
00:22:59,200 --> 00:23:01,770
So this is from our
Playcrafting partnership.

529
00:23:01,770 --> 00:23:07,230
Playcrafting is a small,
game developer collective.

530
00:23:07,230 --> 00:23:10,710
But plus they also host
events like Play NYC.

531
00:23:10,710 --> 00:23:15,690
And they bring developers,
they teach Unity classes,

532
00:23:15,690 --> 00:23:18,930
and they just have a general
kind of game developer

533
00:23:18,930 --> 00:23:20,740
community across the country.

534
00:23:20,740 --> 00:23:24,300
So we've partnered with them to
have some of these Bose AR game

535
00:23:24,300 --> 00:23:25,830
jams.

536
00:23:25,830 --> 00:23:27,496
And I'll show you the video.

537
00:23:27,496 --> 00:23:29,480
[MUSIC PLAYING]

538
00:23:32,112 --> 00:23:34,320
ERIC HAMEL: We're here this
weekend at Bose's offices

539
00:23:34,320 --> 00:23:35,310
in Boston.

540
00:23:35,310 --> 00:23:37,700
And we're doing a game jam
with their new AR technology.

541
00:23:37,700 --> 00:23:39,450
MICHAEL LUDDEN: We've
given the developers

542
00:23:39,450 --> 00:23:43,080
a brand new version of the
Bose AR SDK and Unity plugin.

543
00:23:43,080 --> 00:23:46,320
It allows Unity developers to
use and add Bose AR integration

544
00:23:46,320 --> 00:23:47,760
to Unity based apps.

545
00:23:47,760 --> 00:23:51,660
REJON TAYLOR-FOSTER: They've
built a very intuitive system

546
00:23:51,660 --> 00:23:56,520
for developers like me to be
able to just pop it into Unity

547
00:23:56,520 --> 00:23:57,300
and just go.

548
00:23:57,300 --> 00:23:58,758
MICHAEL CARRIER:
We give you access

549
00:23:58,758 --> 00:24:01,080
to all of the sensors that
are available in the device,

550
00:24:01,080 --> 00:24:03,900
the accelerometer,
the gyroscope, two

551
00:24:03,900 --> 00:24:05,580
different rotation sensors.

552
00:24:05,580 --> 00:24:09,360
They provide orientation of the
user's head and world space.

553
00:24:09,360 --> 00:24:12,060
We can actually provide
spatialized audio,

554
00:24:12,060 --> 00:24:14,790
which just gives you an entirely
new level of context when

555
00:24:14,790 --> 00:24:16,495
you're making any
sort of experience.

556
00:24:16,495 --> 00:24:18,870
ERIC CHAN: We're able to get
all sorts of different types

557
00:24:18,870 --> 00:24:21,570
of information from the
frames glasses, which

558
00:24:21,570 --> 00:24:25,110
we can use to help develop
the new types of interactions.

559
00:24:25,110 --> 00:24:28,110
ERIC HAMEL: We were challenged
to create an augmented reality

560
00:24:28,110 --> 00:24:30,480
experience that put audio first.

561
00:24:30,480 --> 00:24:31,980
ANNA SHABAYEV: It's
very interesting

562
00:24:31,980 --> 00:24:34,740
to look at games from, like,
a whole different angle.

563
00:24:34,740 --> 00:24:35,940
JONATHAN SHRACK: Usually
people think AR and think,

564
00:24:35,940 --> 00:24:36,773
oh, it's all visual.

565
00:24:36,773 --> 00:24:38,442
And this one, it's
Bose, so it's audio.

566
00:24:38,442 --> 00:24:39,900
CRAIG HERNDON: The
challenge really

567
00:24:39,900 --> 00:24:41,692
made us put our heads
together and be like,

568
00:24:41,692 --> 00:24:42,753
what can you really do?

569
00:24:42,753 --> 00:24:44,670
ANNA SHABAYEV: There's
a whole world of sound.

570
00:24:44,670 --> 00:24:46,620
And we shouldn't just
be paying attention

571
00:24:46,620 --> 00:24:49,832
to just the visual component.

572
00:24:49,832 --> 00:24:52,290
MICHAEL LUDDEN: So we've had
a lot of really creative ideas

573
00:24:52,290 --> 00:24:54,165
that the developers have
come up with so far.

574
00:24:54,165 --> 00:24:56,550
And I think some of the
more interesting aspects

575
00:24:56,550 --> 00:24:59,250
are the different game mechanics
with the user interface

576
00:24:59,250 --> 00:25:00,570
experiments that they're doing.

577
00:25:00,570 --> 00:25:01,945
MIKE LEVINE: The
game we created,

578
00:25:01,945 --> 00:25:03,550
we're calling sonic samurai.

579
00:25:03,550 --> 00:25:06,000
You're the samurai
and you can't see.

580
00:25:06,000 --> 00:25:08,130
But there are all these
monsters around you.

581
00:25:08,130 --> 00:25:12,000
And you basically have to use
the Bose headset to determine

582
00:25:12,000 --> 00:25:13,560
where the monsters are.

583
00:25:13,560 --> 00:25:15,600
And then you actually
use your mobile device

584
00:25:15,600 --> 00:25:19,620
as your sword to
strike at the monsters.

585
00:25:19,620 --> 00:25:21,870
REJON TAYLOR-FOSTER: It's a
game where you essentially

586
00:25:21,870 --> 00:25:26,850
try to dodge bullets that are
sent from one user towards you.

587
00:25:26,850 --> 00:25:29,760
Imagine the matrix, but
you can't see the bullets

588
00:25:29,760 --> 00:25:30,930
that are coming at you.

589
00:25:30,930 --> 00:25:33,150
You can only hear them.

590
00:25:33,150 --> 00:25:35,820
MARC HARPIN: Our game
is called OverHerd.

591
00:25:35,820 --> 00:25:38,520
ERIC HAMEL: You play a
medieval catapult operator,

592
00:25:38,520 --> 00:25:41,847
catapulting poultry and
cows as French castles.

593
00:25:41,847 --> 00:25:43,680
MARC HARPIN: You're
doing this all at night,

594
00:25:43,680 --> 00:25:45,223
under cover of darkness.

595
00:25:45,223 --> 00:25:46,890
ERIC HAMEL: So you
have to use your ears

596
00:25:46,890 --> 00:25:48,745
to hear where the castle is.

597
00:25:48,745 --> 00:25:50,370
MARC HARPIN: When
you point your frames

598
00:25:50,370 --> 00:25:52,980
in the correct direction, you
can hear the French defenders

599
00:25:52,980 --> 00:25:53,790
taunting you.

600
00:25:53,790 --> 00:25:56,023
ERIC HAMEL: Daring you
throw things at them.

601
00:25:56,023 --> 00:25:57,690
FRENCHMAN 1: Your
efforts are all wastes

602
00:25:57,690 --> 00:26:00,810
of perfectly good livestocks.

603
00:26:00,810 --> 00:26:03,480
MARC HARPIN: By turning your
head and elevating it up,

604
00:26:03,480 --> 00:26:08,880
you actually modulate the angle
the catapult with fire at.

605
00:26:08,880 --> 00:26:11,370
ERIC CHAN: You are being
bombarded by vegetables

606
00:26:11,370 --> 00:26:13,213
in a 360 degree radius.

607
00:26:13,213 --> 00:26:15,630
You can tell what direction
the vegetables are coming from

608
00:26:15,630 --> 00:26:16,710
based on spatial audio.

609
00:26:16,710 --> 00:26:20,280
And you need to find and
face the correct vegetable

610
00:26:20,280 --> 00:26:21,807
and eat it.

611
00:26:21,807 --> 00:26:24,390
JONATHAN SHRACK: We're working
on kind of a spy thriller game.

612
00:26:24,390 --> 00:26:26,348
CRAIG HERNDON: When you
put on the Bose frames,

613
00:26:26,348 --> 00:26:29,280
you start to get radio
chatter from a secret agent.

614
00:26:29,280 --> 00:26:32,670
And you start doing instructions
to locate radar pings,

615
00:26:32,670 --> 00:26:33,810
diffuse bombs.

616
00:26:33,810 --> 00:26:36,600
Like James Bond and Mission
Impossible in real life.

617
00:26:36,600 --> 00:26:37,350
WOMAN 1: Duck now.

618
00:26:40,510 --> 00:26:42,310
ERIC CHAN: Augmented
reality is really

619
00:26:42,310 --> 00:26:44,477
one of the most important
future mediums for design.

620
00:26:44,477 --> 00:26:46,602
MICHAEL CARRIER: And we're
getting the tools set up

621
00:26:46,602 --> 00:26:49,150
in a way that allow people
to start experimenting.

622
00:26:49,150 --> 00:26:51,460
And using something like
Unity allows that iteration

623
00:26:51,460 --> 00:26:53,030
to happen very, very quickly.

624
00:26:53,030 --> 00:26:53,530
REJON TAYLOR-FOSTER:
It's an honor

625
00:26:53,530 --> 00:26:55,990
to be chosen to be here
to work on this technology

626
00:26:55,990 --> 00:26:56,890
for the first time.

627
00:26:56,890 --> 00:26:59,110
ANNA SHABAYEV: And also give
developers a bigger idea of,

628
00:26:59,110 --> 00:27:00,790
like, what's possible
with this stuff so

629
00:27:00,790 --> 00:27:06,220
that they can use our games as a
stepping stone for what's next.

630
00:27:06,220 --> 00:27:08,800
DAN BUTCHKO: Here we
are at PAX East 2019.

631
00:27:08,800 --> 00:27:11,680
All five of these games are
debuting for the first time

632
00:27:11,680 --> 00:27:12,370
anywhere.

633
00:27:12,370 --> 00:27:14,912
ERIC HAMEL: People are having
a lot of fun here this weekend.

634
00:27:14,912 --> 00:27:17,260
Lots of people dodging
vegetables and throwing cows.

635
00:27:17,260 --> 00:27:18,760
MAN 1: I always
enjoy, like, finding

636
00:27:18,760 --> 00:27:20,110
new games that are innovative.

637
00:27:20,110 --> 00:27:21,693
MAN 2: I've never
played anything just

638
00:27:21,693 --> 00:27:22,962
based entirely on sound.

639
00:27:22,962 --> 00:27:24,670
WOMAN 2: I don't think
I've seen anything

640
00:27:24,670 --> 00:27:28,850
else here that relies completely
on audio and motion, no visual

641
00:27:28,850 --> 00:27:29,350
at all.

642
00:27:29,350 --> 00:27:31,360
But it felt really
immersive and cool.

643
00:27:31,360 --> 00:27:33,193
IAN CUBIN: People are
really getting a sense

644
00:27:33,193 --> 00:27:35,200
that the audio is
read and spatial.

645
00:27:35,200 --> 00:27:37,253
WOMAN 3: You felt like
you're really there.

646
00:27:37,253 --> 00:27:39,170
MAN 3: It's just a whole
different experience.

647
00:27:39,170 --> 00:27:40,253
WOMAN 4: It's more social.

648
00:27:40,253 --> 00:27:42,580
It really brings us back
to where games really are,

649
00:27:42,580 --> 00:27:44,050
where it's with other people.

650
00:27:44,050 --> 00:27:45,820
MAN 3: It's a fun
ride, these glasses.

651
00:27:45,820 --> 00:27:47,800
DAN BUTCHKO: We're changing
the landscape of AR

652
00:27:47,800 --> 00:27:49,180
and games in America.

653
00:27:49,180 --> 00:27:51,593
And this is just a
taste of what's to come.

654
00:27:51,593 --> 00:27:53,260
CRAIG HERNDON: It's
very exciting for us

655
00:27:53,260 --> 00:27:55,240
to have that chance to
impact other people's

656
00:27:55,240 --> 00:27:56,447
lives with a new technology.

657
00:27:56,447 --> 00:27:58,030
CHUCK FREEDMAN: The
things that people

658
00:27:58,030 --> 00:28:00,340
were able to do over a
weekend really inspired me

659
00:28:00,340 --> 00:28:03,460
to think we're going to see
some amazing stuff this year.

660
00:28:05,895 --> 00:28:08,520
FILIP BABA: And we have actually
seen some pretty amazing stuff

661
00:28:08,520 --> 00:28:09,180
this year.

662
00:28:09,180 --> 00:28:12,630
I feel like the more of
these experiences get built,

663
00:28:12,630 --> 00:28:16,380
and the more developers
get creative with it,

664
00:28:16,380 --> 00:28:18,570
it's an early
platform so there's

665
00:28:18,570 --> 00:28:21,867
plenty of room to kind of
set the standard at what

666
00:28:21,867 --> 00:28:22,575
could be created.

667
00:28:25,530 --> 00:28:27,480
What else do I have here?

668
00:28:27,480 --> 00:28:31,680
So I have a few actual
gameplay footage

669
00:28:31,680 --> 00:28:34,110
that I'd like to show
you on some experiences

670
00:28:34,110 --> 00:28:35,760
that I personally like.

671
00:28:35,760 --> 00:28:37,700
Developers cut up these
videos to kind of show

672
00:28:37,700 --> 00:28:38,700
what the games are like.

673
00:28:38,700 --> 00:28:40,170
So just going to get into these.

674
00:28:40,170 --> 00:28:42,885
And again, just some
more inspiration.

675
00:28:42,885 --> 00:28:44,760
NARRATOR 1: The Worst
Grim Reaper's Soulmates

676
00:28:44,760 --> 00:28:45,600
it's an AR music game.

677
00:28:45,600 --> 00:28:45,860
FILIP BABA: That's this t-shirt.

678
00:28:45,860 --> 00:28:48,360
NARRATOR 1: In which a singing
grim reaper plays a song that

679
00:28:48,360 --> 00:28:50,170
responds to you and your world.

680
00:28:50,170 --> 00:28:51,930
The grim reaper
Sebastian is a character

681
00:28:51,930 --> 00:28:54,230
from another one of our games.

682
00:28:54,230 --> 00:28:56,750
He's tired of his dead
end job collecting souls

683
00:28:56,750 --> 00:29:00,570
and wants to pursue his
dream of being a songwriter.

684
00:29:00,570 --> 00:29:02,790
Seeking inspiration,
Sebastian asks

685
00:29:02,790 --> 00:29:05,269
you to let him write a
song about your life.

686
00:29:05,269 --> 00:29:07,764
[MUSIC PLAYING]

687
00:29:20,738 --> 00:29:25,250
SEBASTIAN: (SINGING) You looking
up, maybe lost in thought,

688
00:29:25,250 --> 00:29:29,330
kind of like me, you
know I daydream a lot.

689
00:29:29,330 --> 00:29:33,810
There are things on the
ceiling and in outer space.

690
00:29:33,810 --> 00:29:37,490
There's magic in
almost every place.

691
00:29:40,470 --> 00:29:43,580
Hey, would you like to
share you thoughts with me?

692
00:29:51,640 --> 00:29:56,170
Wanting to learn about the
inside of the human skull.

693
00:29:56,170 --> 00:30:00,530
I ask what's going
on in your soul.

694
00:30:00,530 --> 00:30:08,764
OK, mm, are you maybe
thinking about food?

695
00:30:12,716 --> 00:30:16,790
I still have a lot to
learn about human kind.

696
00:30:16,790 --> 00:30:18,920
AUDIENCE: [LAUGHTER]

697
00:30:18,920 --> 00:30:22,500
SEBASTIAN: Would
be on their minds.

698
00:30:22,500 --> 00:30:25,130
OK, so if it's not
spaghetti or chocolate cake.

699
00:30:25,130 --> 00:30:27,540
So maybe the fact that the
sun will someday explode

700
00:30:27,540 --> 00:30:30,480
and everything we know will
go up in an ocean of flames?

701
00:30:34,890 --> 00:30:39,790
The human mind is less
dark than I would guessed.

702
00:30:39,790 --> 00:30:45,324
I'll try to see inside
of you once more.

703
00:30:45,324 --> 00:30:48,810
Hm, oh, is it someone you like?

704
00:30:48,810 --> 00:30:50,802
As in, like like?

705
00:30:54,510 --> 00:30:56,260
NARRATOR 1: Imagine
players using this app

706
00:30:56,260 --> 00:30:59,290
while commuting and
exploring or just relaxing.

707
00:30:59,290 --> 00:31:01,372
Through interacting with
Sebastian and his song,

708
00:31:01,372 --> 00:31:03,580
we want to show players that
even the smallest things

709
00:31:03,580 --> 00:31:05,160
in life can carry meaning.

710
00:31:05,160 --> 00:31:07,330
Sometimes we just need
someone to talk to.

711
00:31:10,450 --> 00:31:12,020
FILIP BABA: Cool, right?

712
00:31:12,020 --> 00:31:13,600
It actually works.

713
00:31:13,600 --> 00:31:15,560
It's actually really fun.

714
00:31:15,560 --> 00:31:20,140
So one of the things
that I personally

715
00:31:20,140 --> 00:31:22,600
have learned over overdoing
some of these jams

716
00:31:22,600 --> 00:31:25,270
and seeing what
developers build is

717
00:31:25,270 --> 00:31:30,100
that when you're not focusing
so much on the visuals,

718
00:31:30,100 --> 00:31:33,910
you have a lot of room
for story and substance,

719
00:31:33,910 --> 00:31:35,530
if I could say it so myself.

720
00:31:35,530 --> 00:31:41,390
It's like this developer,
was we had all teams of four.

721
00:31:41,390 --> 00:31:45,530
So three of those people
were just content creators.

722
00:31:45,530 --> 00:31:47,320
So one we brought was Mitty.

723
00:31:47,320 --> 00:31:50,440
He was he was actually
producing music during the jam.

724
00:31:50,440 --> 00:31:53,567
One was just doing like the
singing and the voice acting.

725
00:31:53,567 --> 00:31:55,150
I forget what the
third guy was doing.

726
00:31:55,150 --> 00:31:56,442
I think he was doing, like, UI.

727
00:31:56,442 --> 00:32:00,207
Even though I do recommend
to have nice, polished UI.

728
00:32:00,207 --> 00:32:02,290
But it doesn't have to be
crazy, that's the thing.

729
00:32:02,290 --> 00:32:04,750
Like most games are very 3D.

730
00:32:04,750 --> 00:32:07,210
And one of the things
that's a problem,

731
00:32:07,210 --> 00:32:10,930
I'm a game developer myself,
nowadays there's so many tools

732
00:32:10,930 --> 00:32:12,580
and so many things
you can do, it's

733
00:32:12,580 --> 00:32:14,860
kind of hard to figure
out what you want to do.

734
00:32:14,860 --> 00:32:16,420
Because you're like,
oh my god, just

735
00:32:16,420 --> 00:32:19,520
overwhelmed with
all these things

736
00:32:19,520 --> 00:32:22,240
that our modern devices can do.

737
00:32:22,240 --> 00:32:25,735
So there's a lot of room
for this kind of content

738
00:32:25,735 --> 00:32:26,360
to be produced.

739
00:32:26,360 --> 00:32:30,460
So this is kind of like a little
AI kind of companion game,

740
00:32:30,460 --> 00:32:31,150
you could say.

741
00:32:31,150 --> 00:32:32,337
And yeah, it responds.

742
00:32:32,337 --> 00:32:34,670
And there's other things he
didn't mention in the video.

743
00:32:34,670 --> 00:32:36,700
Like, it actually changes
based on the weather.

744
00:32:36,700 --> 00:32:38,117
So it actually
checks the weather.

745
00:32:38,117 --> 00:32:40,030
If it's a rainy day,
you start the game,

746
00:32:40,030 --> 00:32:41,770
you'll have a rainy day mood.

747
00:32:41,770 --> 00:32:44,170
If it's a sunny day, you'll
have a sunny day mood.

748
00:32:44,170 --> 00:32:46,480
So it's kind of a
replayable thing.

749
00:32:46,480 --> 00:32:48,910
And I don't expect people
to be running this app,

750
00:32:48,910 --> 00:32:49,780
like, nonstop.

751
00:32:49,780 --> 00:32:51,700
But I could probably
see people running

752
00:32:51,700 --> 00:32:54,710
this for that one hour of
their commute during the day,

753
00:32:54,710 --> 00:32:56,710
or maybe like for their
lunch break or something

754
00:32:56,710 --> 00:32:59,770
like that, which is actually
a lot, in terms of mobile app

755
00:32:59,770 --> 00:33:01,120
usage.

756
00:33:01,120 --> 00:33:02,890
So it's fun.

757
00:33:02,890 --> 00:33:04,600
And it's music,
so you're probably

758
00:33:04,600 --> 00:33:05,800
already listening to music.

759
00:33:05,800 --> 00:33:08,410
Why not have a soundtrack
to your life, for example?

760
00:33:08,410 --> 00:33:11,720
That's kind of the
idea behind the game.

761
00:33:11,720 --> 00:33:16,460
This one is also a
really cool example.

762
00:33:16,460 --> 00:33:18,670
So I'll just let him explain it.

763
00:33:18,670 --> 00:33:20,740
NARRATOR 2: That is about
bopping and grooving

764
00:33:20,740 --> 00:33:22,630
your head to the music.

765
00:33:22,630 --> 00:33:25,150
Similar to other rhythm
games, you score points

766
00:33:25,150 --> 00:33:27,490
by staying on the beat.

767
00:33:27,490 --> 00:33:32,290
At the moment, we have about
a dozen custom written songs.

768
00:33:32,290 --> 00:33:34,630
In the future, we want the
possibility for players

769
00:33:34,630 --> 00:33:37,570
to download hundreds of songs
or play with their own music

770
00:33:37,570 --> 00:33:38,170
library.

771
00:33:38,170 --> 00:33:40,560
[MUSIC PLAYING]

772
00:33:43,910 --> 00:33:46,370
We are going to play Party
in the Washing Machine.

773
00:33:50,880 --> 00:33:54,550
Our foxy friend here is
grooving along as well.

774
00:33:54,550 --> 00:33:59,170
You could follow it and he
helps you stay on the beat.

775
00:33:59,170 --> 00:34:01,630
The line below is showing
your head movements.

776
00:34:01,630 --> 00:34:06,040
It also changes colors to
indicate how long you're doing.

777
00:34:06,040 --> 00:34:07,810
So we really intend
this game to be

778
00:34:07,810 --> 00:34:10,580
a phone in pocket experience.

779
00:34:10,580 --> 00:34:15,889
We added both audio
and tactile feedback.

780
00:34:15,889 --> 00:34:17,620
For example, the
high pass filter

781
00:34:17,620 --> 00:34:21,159
turns on when you're doing bad.

782
00:34:21,159 --> 00:34:26,550
And your phone vibrates with the
beat when you're doing great.

783
00:34:26,550 --> 00:34:29,010
So the idea of Hip
Hop Hero came from us

784
00:34:29,010 --> 00:34:32,219
wanting to make a game that
naturally played with Bose AR

785
00:34:32,219 --> 00:34:35,429
defenses, something you
can play while commuting

786
00:34:35,429 --> 00:34:36,600
on the train in public.

787
00:34:40,230 --> 00:34:44,250
FILIP BABA: Yeah, it's
like a play on words

788
00:34:44,250 --> 00:34:45,405
of Guitar Hero, kind of.

789
00:34:45,405 --> 00:34:47,280
You know, you're kind
of staying on the beat.

790
00:34:47,280 --> 00:34:50,650
You get rated based on how well
you did, how well on the beat

791
00:34:50,650 --> 00:34:51,150
you stayed.

792
00:34:51,150 --> 00:34:53,610
And you don't have to have
a specific head gesture.

793
00:34:53,610 --> 00:34:57,090
It's just kind of how you
would normally bob your head.

794
00:34:57,090 --> 00:34:58,800
And they have a
pretty good algorithm

795
00:34:58,800 --> 00:35:01,247
for detecting that change.

796
00:35:01,247 --> 00:35:03,330
They're using both the
accelerometer and the gyro,

797
00:35:03,330 --> 00:35:05,970
but I'm not I'm not
100% sure on that.

798
00:35:05,970 --> 00:35:10,090
But yeah, I thought it was great
how they visualized it as well.

799
00:35:10,090 --> 00:35:13,860
So that's an actual graph
based on your head movement.

800
00:35:13,860 --> 00:35:18,480
And then you get rated
and, you know, it's yeah.

801
00:35:18,480 --> 00:35:20,490
I mean, you've probably
seen games like this.

802
00:35:20,490 --> 00:35:22,210
And this is the last one.

803
00:35:22,210 --> 00:35:25,800
This one I like
because you're kind

804
00:35:25,800 --> 00:35:28,530
of producing music in a way.

805
00:35:28,530 --> 00:35:32,430
Now, it's basically song
loops that they've created.

806
00:35:32,430 --> 00:35:36,210
But the amount of song
loops that are in this app,

807
00:35:36,210 --> 00:35:37,630
for example,

808
00:35:37,630 --> 00:35:39,840
I mean, someone
here can probably

809
00:35:39,840 --> 00:35:43,170
do the mathematical permutations
of how many combinations

810
00:35:43,170 --> 00:35:45,280
of unique songs you
can get out of it.

811
00:35:45,280 --> 00:35:50,370
But it's a lot when you include,
like, 10 loops, for example,

812
00:35:50,370 --> 00:35:57,820
for bass lines, as you're kind
of adding complexity to a song.

813
00:35:57,820 --> 00:36:00,630
And if you have maybe, like, 10
of each samples and in the end

814
00:36:00,630 --> 00:36:02,850
you got, like, maybe
40 samples in total,

815
00:36:02,850 --> 00:36:06,007
you could be creating unique
music on every play through.

816
00:36:06,007 --> 00:36:08,340
NARRATOR 3: Choose your own
adventure musical experience

817
00:36:08,340 --> 00:36:10,800
of layering song loops,
set in a world where

818
00:36:10,800 --> 00:36:13,080
flowers produce music.

819
00:36:13,080 --> 00:36:15,450
Players listen,
explore, and nod along

820
00:36:15,450 --> 00:36:18,420
to the music, collecting
song loops like pollen,

821
00:36:18,420 --> 00:36:21,700
in order to blossom
a musical garden.

822
00:36:21,700 --> 00:36:24,517
The game is played by looking
around to find new sounds,

823
00:36:24,517 --> 00:36:26,350
and nodding your head
along to the beat when

824
00:36:26,350 --> 00:36:28,180
you find one you like.

825
00:36:28,180 --> 00:36:30,640
This process can
go on indefinitely,

826
00:36:30,640 --> 00:36:33,850
allowing players to explore
countless new ways of layering

827
00:36:33,850 --> 00:36:36,640
together song tracks.

828
00:36:36,640 --> 00:36:40,030
FILIP BABA: It's basically, she
totally nailed the explanation,

829
00:36:40,030 --> 00:36:41,680
like, in the beginning.

830
00:36:41,680 --> 00:36:44,620
But basically, yeah,
you look around.

831
00:36:44,620 --> 00:36:47,140
You hear a preview of
a loop, you like it.

832
00:36:47,140 --> 00:36:47,950
You nod it.

833
00:36:47,950 --> 00:36:51,460
And then you go on, and
you're just layering loops.

834
00:36:51,460 --> 00:36:53,390
And it works really well.

835
00:36:53,390 --> 00:36:56,320
I mean, the developer really
figured out a way to make it.

836
00:36:56,320 --> 00:37:00,160
If you've ever
tried to make music,

837
00:37:00,160 --> 00:37:02,680
sometimes you could
just mess up and it just

838
00:37:02,680 --> 00:37:05,290
sounds terrible because you're
mixing way too many dissonant

839
00:37:05,290 --> 00:37:06,490
sounds.

840
00:37:06,490 --> 00:37:10,660
But they managed to figure
out an algorithm to layer it

841
00:37:10,660 --> 00:37:12,100
and it always sounds good.

842
00:37:12,100 --> 00:37:13,750
And I've tried to break it.

843
00:37:13,750 --> 00:37:15,760
Whenever I play any
of these experiences,

844
00:37:15,760 --> 00:37:17,860
I'm pressing everywhere
and nodding to everything,

845
00:37:17,860 --> 00:37:20,565
trying to make it sound bad.

846
00:37:20,565 --> 00:37:21,190
And I couldn't.

847
00:37:21,190 --> 00:37:22,300
It always sounded good.

848
00:37:22,300 --> 00:37:24,400
So super cool.

849
00:37:24,400 --> 00:37:26,020
So that's our developer portal.

850
00:37:26,020 --> 00:37:30,040
It Developer.Bose.com/BoseAR.

851
00:37:30,040 --> 00:37:31,930
That's where you'll
find the SDK.

852
00:37:31,930 --> 00:37:34,370
I'm sure most of you
have already gone on here

853
00:37:34,370 --> 00:37:36,940
and downloaded it.

854
00:37:36,940 --> 00:37:38,860
But I'll show you where
all that is in a sec.

855
00:37:38,860 --> 00:37:44,105
And the last kind of, like,
but not least important thing

856
00:37:44,105 --> 00:37:44,980
that I wanted to say.

857
00:37:44,980 --> 00:37:47,920
So we have a new program that
we just launched recently,

858
00:37:47,920 --> 00:37:49,880
and that's Bose
AR Certification.

859
00:37:49,880 --> 00:37:51,430
So what Bose AR
Certification is,

860
00:37:51,430 --> 00:37:54,670
is say you build a Bose
AR app and you submit it

861
00:37:54,670 --> 00:37:55,660
for certification.

862
00:37:55,660 --> 00:37:57,730
Our internal team
will actually help

863
00:37:57,730 --> 00:38:00,790
you get across the finish line
and publish the app to the App

864
00:38:00,790 --> 00:38:03,685
Store or the Android
Store, making sure you have

865
00:38:03,685 --> 00:38:04,810
all the right requirements.

866
00:38:04,810 --> 00:38:06,295
And then if it
does get certified,

867
00:38:06,295 --> 00:38:08,980
and it's within our brand
guidelines, which again, we'll

868
00:38:08,980 --> 00:38:12,670
kind of help you get
through that finish line,

869
00:38:12,670 --> 00:38:15,040
you can get a possible
feature on the Bose Music

870
00:38:15,040 --> 00:38:17,740
app or the Bose Connect app.

871
00:38:17,740 --> 00:38:20,570
And you might even get
featured on the Bose website.

872
00:38:20,570 --> 00:38:24,250
So it's a really great
showcase and a really great way

873
00:38:24,250 --> 00:38:28,480
to get noticed, especially
as an early game developer.

874
00:38:28,480 --> 00:38:31,540
It's an early platform,
so obviously we're

875
00:38:31,540 --> 00:38:34,180
looking for great content
to feature on our portals.

876
00:38:34,180 --> 00:38:36,670
And if the content's
great, and it's, again,

877
00:38:36,670 --> 00:38:37,740
passes the certification.

878
00:38:37,740 --> 00:38:39,490
Which all these games
that I've shown you,

879
00:38:39,490 --> 00:38:42,130
they're all in the process
of getting certified

880
00:38:42,130 --> 00:38:44,140
and they'll all
be available when

881
00:38:44,140 --> 00:38:47,500
you have your frames, for
example, when you hook them up

882
00:38:47,500 --> 00:38:48,790
in the Bose connect app.

883
00:38:48,790 --> 00:38:52,672
There's actually a section
there, Bose AR enabled apps.

884
00:38:52,672 --> 00:38:54,130
And then you click
that and there's

885
00:38:54,130 --> 00:38:55,460
a directory there of apps.

886
00:38:55,460 --> 00:38:55,960
Yes.

887
00:38:55,960 --> 00:38:57,310
AUDIENCE: So this
works with Android now?

888
00:38:57,310 --> 00:38:59,890
FILIP BABA: So it works on
Android as well, yes, it does.

889
00:38:59,890 --> 00:39:00,700
AUDIENCE: OK.

890
00:39:00,700 --> 00:39:03,310
FILIP BABA: We had a
little bit of a, like,

891
00:39:03,310 --> 00:39:05,980
earlier start with iOS SDK.

892
00:39:05,980 --> 00:39:07,750
So a lot of stuff
was mainly iOS.

893
00:39:07,750 --> 00:39:09,708
AUDIENCE: In July it
wasn't working on Android.

894
00:39:09,708 --> 00:39:12,180
FILIP BABA: Yeah, now
we're rectifying that.

895
00:39:12,180 --> 00:39:14,680
There's going to be a lot of
Android experiences coming out.

896
00:39:14,680 --> 00:39:17,865
Sadly, it's still, some
developers just build for iOS.

897
00:39:17,865 --> 00:39:19,240
And we kind of
have to prod them.

898
00:39:19,240 --> 00:39:21,407
Be like, hey, could you
also build an Android build?

899
00:39:21,407 --> 00:39:23,930
And sometimes they need to
be incentivized to do that.

900
00:39:23,930 --> 00:39:25,720
Other times they just do it.

901
00:39:25,720 --> 00:39:28,690
If it's Unity, then most
of these experiences

902
00:39:28,690 --> 00:39:30,340
are going to be on both.

903
00:39:30,340 --> 00:39:33,970
But sadly, that's just kind of
how native app development is,

904
00:39:33,970 --> 00:39:37,160
they sometimes just want to
work in one and not the other.

905
00:39:37,160 --> 00:39:43,290
But we are fully Android
supported now as well.

906
00:39:43,290 --> 00:39:46,090
And then we also have
a Get Inspired page.

907
00:39:46,090 --> 00:39:49,420
This is a place where we have
some case studies written.

908
00:39:49,420 --> 00:39:51,610
Golfshot's there, if you
want to read about it.

909
00:39:51,610 --> 00:39:53,200
Dead Drop Desperado's
also up there.

910
00:39:53,200 --> 00:39:54,310
I think OverHerd.

911
00:39:54,310 --> 00:39:57,160
And it's just kind of a little
interview with the developers.

912
00:39:57,160 --> 00:39:59,440
They kind of talk about
their process of developing.

913
00:39:59,440 --> 00:40:03,010
And it's a good place to get
inspired and be like this guy,

914
00:40:03,010 --> 00:40:06,490
really happy, like, ah.

915
00:40:06,490 --> 00:40:08,820
Yeah, that's
basically the intro.

916
00:40:08,820 --> 00:40:10,970
I hope that didn't
take too long.

917
00:40:10,970 --> 00:40:13,030
But yeah, just wanted
to kind of give you

918
00:40:13,030 --> 00:40:16,870
a little bit of an
understanding of what this is.

919
00:40:16,870 --> 00:40:21,240
So does anyone have
any questions or no?

920
00:40:21,240 --> 00:40:22,830
Good.

921
00:40:22,830 --> 00:40:25,200
All right, so now
that we've gone

922
00:40:25,200 --> 00:40:27,700
through that, what
I'm going to do here,

923
00:40:27,700 --> 00:40:29,280
I'm just going to
close my Unity.

924
00:40:29,280 --> 00:40:34,230
And let's go ahead and
actually fire up Unity.

925
00:40:34,230 --> 00:40:37,770
And we're going to get our
a little beginner workshop

926
00:40:37,770 --> 00:40:39,150
started.

927
00:40:39,150 --> 00:40:44,280
So you should all have a
copy of the Unity package,

928
00:40:44,280 --> 00:40:48,750
of the Bose AR SDK for
Unity, which you can find it

929
00:40:48,750 --> 00:40:49,860
on our downloads page.

930
00:40:49,860 --> 00:40:51,750
Let me know if you have
trouble finding that.

931
00:40:51,750 --> 00:40:55,035
We're going to be
using this 4.0.1 beta.

932
00:40:55,035 --> 00:40:57,630
And when you download that,
it's just a Unity package

933
00:40:57,630 --> 00:41:00,010
that gets downloaded.

934
00:41:00,010 --> 00:41:04,540
So I'm just going to let
everyone kind of get to that.

935
00:41:04,540 --> 00:41:07,750
And the version of Unity
that I'm going to be using

936
00:41:07,750 --> 00:41:09,550
is just the latest one.

937
00:41:09,550 --> 00:41:13,960
I have 2019.2.5F1.

938
00:41:13,960 --> 00:41:19,630
And I have Android and iOS
build support as modules in it.

939
00:41:19,630 --> 00:41:21,550
And I recommend
that if you're going

940
00:41:21,550 --> 00:41:26,350
to be building to mobile that
you have your desired platform

941
00:41:26,350 --> 00:41:27,520
modules installed.

942
00:41:30,600 --> 00:41:33,762
I'm just going to let
everyone go ahead and do that.

943
00:41:33,762 --> 00:41:35,238
AUDIENCE: Hey,
should we tell them

944
00:41:35,238 --> 00:41:38,790
that-- is it still that
iPhone is only VDM?

945
00:41:38,790 --> 00:41:40,900
FILIP BABA: It's
always a thing, yeah,

946
00:41:40,900 --> 00:41:44,160
it's just Apple and iPhone.

947
00:41:44,160 --> 00:41:47,815
But again, if you don't
get a chance to build,

948
00:41:47,815 --> 00:41:49,440
you'll still be able
to preview the app

949
00:41:49,440 --> 00:41:52,020
and play with it directly
from your laptop.

950
00:41:52,020 --> 00:41:54,510
For most of this
workshop, we're actually

951
00:41:54,510 --> 00:41:56,940
going to be sticking to the
creative side of things,

952
00:41:56,940 --> 00:41:59,280
and concept, and trying
to build an experience.

953
00:41:59,280 --> 00:42:01,110
And then, like I
said, towards the end,

954
00:42:01,110 --> 00:42:04,795
we'll try to make sure
that everyone has built.

955
00:42:04,795 --> 00:42:06,420
And if you don't have
the right device,

956
00:42:06,420 --> 00:42:08,650
I'm sure we have
some extra devices.

957
00:42:08,650 --> 00:42:13,620
And if it comes to it, we could
potentially also build or maybe

958
00:42:13,620 --> 00:42:15,760
share devices if needed.

959
00:42:15,760 --> 00:42:18,420
But once you have it set up
once, then you're good to go.

960
00:42:27,730 --> 00:42:31,090
I have my iPhone here.

961
00:42:31,090 --> 00:42:32,305
I usually have to have both.

962
00:42:54,230 --> 00:42:57,190
All right, everyone
got their SDK?

963
00:42:57,190 --> 00:42:58,820
And ready to go.

964
00:42:58,820 --> 00:43:00,430
So what we're going
to do is we're

965
00:43:00,430 --> 00:43:03,010
going to actually make
a new project in Unity.

966
00:43:03,010 --> 00:43:06,730
And I'll just make sure everyone
has this before we do that.

967
00:43:20,240 --> 00:43:21,800
I'm just going to do the latest.

968
00:43:21,800 --> 00:43:26,880
And I'm just going to call
this project MIT Bose AR Unity

969
00:43:26,880 --> 00:43:27,380
Workshop.

970
00:43:30,030 --> 00:43:32,775
And I'm just going to pick
3D project and create.

971
00:43:36,130 --> 00:43:36,630
Bless you.

972
00:43:36,630 --> 00:43:37,063
Hm?

973
00:43:37,063 --> 00:43:38,355
AUDIENCE: Isn't it stable core?

974
00:43:38,355 --> 00:43:40,110
FILIP BABA: Yes it is.

975
00:43:40,110 --> 00:43:42,372
I think I just missed a
little bit in the beginning.

976
00:43:54,690 --> 00:43:57,640
All right, so I'm just going
to switch to the default layout

977
00:43:57,640 --> 00:43:58,140
here.

978
00:44:09,010 --> 00:44:14,550
Anyone not have their new
Unity project open yet?

979
00:44:14,550 --> 00:44:16,050
All right, just take your time.

980
00:44:16,050 --> 00:44:18,920
AUDIENCE: I'm
downloading [INAUDIBLE]..

981
00:44:18,920 --> 00:44:21,510
FILIP BABA: Oh, well good
thing the internet's fast.

982
00:44:21,510 --> 00:44:24,317
AUDIENCE: I'm using an early
version Unity right now.

983
00:44:24,317 --> 00:44:25,150
FILIP BABA: How old?

984
00:44:25,150 --> 00:44:25,910
What's the version?

985
00:44:25,910 --> 00:44:26,480
AUDIENCE: 15.

986
00:44:26,480 --> 00:44:26,990
FILIP BABA: That's fine.

987
00:44:26,990 --> 00:44:27,440
AUDIENCE: OK.

988
00:44:27,440 --> 00:44:27,920
FILIP BABA: That's fine.

989
00:44:27,920 --> 00:44:29,503
AUDIENCE: I'm
downloading the new one.

990
00:44:29,503 --> 00:44:32,660
FILIP BABA: Anything
that's past the LTS,

991
00:44:32,660 --> 00:44:35,288
the 2017.1.4 should be fine.

992
00:44:35,288 --> 00:44:37,580
Anything with, like, an f at
the end of it, it's final,

993
00:44:37,580 --> 00:44:39,380
not beta should work.

994
00:44:39,380 --> 00:44:39,933
AUDIENCE: OK.

995
00:44:39,933 --> 00:44:41,350
FILIP BABA: If for
whatever reason

996
00:44:41,350 --> 00:44:44,860
it doesn't, I know sometimes
there's been some edge cases.

997
00:44:44,860 --> 00:44:46,660
But it should be fine.

998
00:44:55,600 --> 00:44:57,006
[INTERPOSING VOICES]

999
00:45:31,400 --> 00:45:34,390
So when you do have
this, I just want

1000
00:45:34,390 --> 00:45:37,180
you to take that Unity
package that was downloaded

1001
00:45:37,180 --> 00:45:41,170
and just click it or
double click it to open it.

1002
00:45:41,170 --> 00:45:43,690
And you'll get an import dialog.

1003
00:45:43,690 --> 00:45:46,600
And I just want you to
import the entire thing

1004
00:45:46,600 --> 00:45:49,340
into your project.

1005
00:45:49,340 --> 00:45:50,747
Everyone imported?

1006
00:45:50,747 --> 00:45:52,830
AUDIENCE: Yeah, what do
you click to import again?

1007
00:45:52,830 --> 00:45:54,540
FILIP BABA: You should just
be able to double click

1008
00:45:54,540 --> 00:45:55,650
the Unity package.

1009
00:45:55,650 --> 00:45:57,390
And it should just
pull up Unity.

1010
00:45:57,390 --> 00:45:59,710
If for whatever reason
that doesn't work,

1011
00:45:59,710 --> 00:46:01,680
you can always right
click in your project

1012
00:46:01,680 --> 00:46:04,350
here and then Import
Package, Custom Package.

1013
00:46:04,350 --> 00:46:05,700
That also works as a backup.

1014
00:46:22,949 --> 00:46:25,090
AUDIENCE: Yours is
a CSC file, right?

1015
00:46:25,090 --> 00:46:26,728
I have an MCS file.

1016
00:46:26,728 --> 00:46:27,640
So--

1017
00:46:27,640 --> 00:46:28,920
FILIP BABA: For what?

1018
00:46:28,920 --> 00:46:30,170
AUDIENCE: Just for the assets.

1019
00:46:30,170 --> 00:46:31,942
FILIP BABA: Oh, yeah.

1020
00:46:31,942 --> 00:46:32,900
Don't worry about that.

1021
00:46:40,910 --> 00:46:44,972
Everyone imported, ready to go?

1022
00:46:44,972 --> 00:46:45,930
Give it another minute.

1023
00:46:57,580 --> 00:46:59,910
So yeah, when you import
the Unity package,

1024
00:46:59,910 --> 00:47:02,970
you get the entirety of the SDK.

1025
00:47:02,970 --> 00:47:06,000
There's samples in
here, sample scenes.

1026
00:47:06,000 --> 00:47:08,820
There's a lot of cool stuff
in here that I'll get into.

1027
00:47:08,820 --> 00:47:11,670
And the setup itself
is actually really

1028
00:47:11,670 --> 00:47:13,260
straightforward and simple.

1029
00:47:13,260 --> 00:47:15,990
We've tried to make
this as easy as possible

1030
00:47:15,990 --> 00:47:19,440
to either put into a new project
or integrate with an existing

1031
00:47:19,440 --> 00:47:20,770
project.

1032
00:47:20,770 --> 00:47:22,650
So if you're
familiar with Unity,

1033
00:47:22,650 --> 00:47:24,960
or if you've worked on
a Unity project before,

1034
00:47:24,960 --> 00:47:31,170
you'll find that a
lot of the, I guess,

1035
00:47:31,170 --> 00:47:34,620
the user flow and the
way that the SDK works

1036
00:47:34,620 --> 00:47:37,860
is typical, kind of
to a Unity workflow.

1037
00:47:40,440 --> 00:47:43,440
So once you're all
imported, you'll

1038
00:47:43,440 --> 00:47:45,550
see these three folders show up.

1039
00:47:45,550 --> 00:47:48,870
So the first one that I want you
to look at is the Bose folder.

1040
00:47:48,870 --> 00:47:52,140
So you go inside the Bose
folder, there's wearable.

1041
00:47:52,140 --> 00:47:54,930
And then inside wearable,
there's modules.

1042
00:47:54,930 --> 00:47:55,980
You go to modules.

1043
00:47:55,980 --> 00:47:58,390
And the first module that
we want is connection.

1044
00:47:58,390 --> 00:48:02,070
So we're going to go to
connection and then prefabs.

1045
00:48:02,070 --> 00:48:08,250
So that's Bose, wearable,
modules, connection, prefabs.

1046
00:48:08,250 --> 00:48:11,580
And I want you to pull in this
first prefab that's available

1047
00:48:11,580 --> 00:48:12,910
here.

1048
00:48:12,910 --> 00:48:16,080
So just drag that
into your scene.

1049
00:48:16,080 --> 00:48:18,620
You should see this
white rectangle pop up.

1050
00:48:18,620 --> 00:48:21,410
Now, the first thing
that I like to do

1051
00:48:21,410 --> 00:48:23,990
when I start a Unity project,
especially if I'm developing

1052
00:48:23,990 --> 00:48:26,630
on mobile, is I
like to pull my game

1053
00:48:26,630 --> 00:48:30,650
view, which is usually up here.

1054
00:48:30,650 --> 00:48:32,090
You might have a
different layout.

1055
00:48:32,090 --> 00:48:33,890
And I actually like
to take the game view,

1056
00:48:33,890 --> 00:48:35,140
and I like to make it visible.

1057
00:48:35,140 --> 00:48:37,880
So I actually drag that
game view over here

1058
00:48:37,880 --> 00:48:40,520
to the right side of
the project panel.

1059
00:48:40,520 --> 00:48:43,430
So I always kind of have a
little preview window here

1060
00:48:43,430 --> 00:48:47,010
of what my preview
looks like, basically.

1061
00:48:47,010 --> 00:48:50,030
So if you go ahead and
do that, then you'll

1062
00:48:50,030 --> 00:48:54,050
see that the panel that
we just pulled in actually

1063
00:48:54,050 --> 00:48:55,910
shows up here.

1064
00:48:55,910 --> 00:48:58,310
And I'll explain what the
wearable connect panel does.

1065
00:48:58,310 --> 00:49:01,580
It's basically the
entire menu that

1066
00:49:01,580 --> 00:49:05,180
shows up that you can browse
all available devices.

1067
00:49:05,180 --> 00:49:08,190
You click a device,
and you connect to it.

1068
00:49:08,190 --> 00:49:11,840
So this handles all of
the connection for you.

1069
00:49:11,840 --> 00:49:13,460
There's some cool
features on here,

1070
00:49:13,460 --> 00:49:16,890
like auto reconnect and such.

1071
00:49:16,890 --> 00:49:20,640
So for example, if
during your app,

1072
00:49:20,640 --> 00:49:22,760
for example, maybe Bluetooth
connection turns off,

1073
00:49:22,760 --> 00:49:25,160
or for whatever reason
the battery runs out,

1074
00:49:25,160 --> 00:49:26,930
this panel will pop up again.

1075
00:49:26,930 --> 00:49:28,790
It'll say, you've
been disconnected,

1076
00:49:28,790 --> 00:49:32,510
searching for device
to kind of like

1077
00:49:32,510 --> 00:49:37,110
keep the user experience clean.

1078
00:49:37,110 --> 00:49:40,740
So you have the wearable
connect UI panel.

1079
00:49:40,740 --> 00:49:42,900
And the next thing
that we actually

1080
00:49:42,900 --> 00:49:45,570
need to make the wearable
connect UI panel work

1081
00:49:45,570 --> 00:49:47,260
is we need an event system.

1082
00:49:47,260 --> 00:49:49,110
So what I want you
to do is I actually

1083
00:49:49,110 --> 00:49:50,730
want you to just
create an empty game

1084
00:49:50,730 --> 00:49:56,055
object somewhere in the scene,
and call it event system.

1085
00:50:00,600 --> 00:50:02,760
And on that empty
game object, I'm

1086
00:50:02,760 --> 00:50:05,610
going to Add Component
here in the Inspector.

1087
00:50:05,610 --> 00:50:09,040
And I'm just going to
start typing, event system.

1088
00:50:09,040 --> 00:50:09,860
There it is.

1089
00:50:09,860 --> 00:50:11,780
It's a built in Unity thing.

1090
00:50:11,780 --> 00:50:13,870
And once you have
your event system,

1091
00:50:13,870 --> 00:50:17,380
there's a button there called
add default input modules.

1092
00:50:17,380 --> 00:50:18,880
So just click that.

1093
00:50:18,880 --> 00:50:21,280
Now, I'll explain
what this does.

1094
00:50:21,280 --> 00:50:23,650
This actually
allows you to click

1095
00:50:23,650 --> 00:50:26,170
the UI of the connect panel.

1096
00:50:26,170 --> 00:50:27,910
Now, the reason why
we do this separate

1097
00:50:27,910 --> 00:50:31,070
is, maybe you have an already
existing Unity project.

1098
00:50:31,070 --> 00:50:33,070
And maybe you already
have your own event system

1099
00:50:33,070 --> 00:50:35,480
that you've set up, so we
don't want to mess with that.

1100
00:50:35,480 --> 00:50:38,410
But since we're
starting a new project,

1101
00:50:38,410 --> 00:50:40,150
we're going to create
this event system

1102
00:50:40,150 --> 00:50:42,113
and add the default
input modules.

1103
00:50:42,113 --> 00:50:44,530
Like I said, that just allows
you to actually click the UI

1104
00:50:44,530 --> 00:50:46,990
and select the panel.

1105
00:50:46,990 --> 00:50:48,670
So that's pretty much it.

1106
00:50:48,670 --> 00:50:52,900
The last piece that we
need to actually set up,

1107
00:50:52,900 --> 00:50:56,080
like our entire Bose AR,
is we actually go in.

1108
00:50:56,080 --> 00:50:59,750
And we're going to create
another empty object.

1109
00:50:59,750 --> 00:51:03,635
And we're going to call
this one wearable control.

1110
00:51:06,960 --> 00:51:11,520
Now, this will actually stream
the sensor data back and forth

1111
00:51:11,520 --> 00:51:12,450
from our app.

1112
00:51:12,450 --> 00:51:14,370
So wearable control.

1113
00:51:14,370 --> 00:51:16,320
And I'm going to add component.

1114
00:51:16,320 --> 00:51:18,295
Now, if you clear
the search here,

1115
00:51:18,295 --> 00:51:20,670
I'm just going to show you
where the Bose components are.

1116
00:51:20,670 --> 00:51:22,830
So when you clear
the search, there

1117
00:51:22,830 --> 00:51:24,960
is a Bose subcategory here.

1118
00:51:24,960 --> 00:51:27,180
And you can click
Bose, wearable.

1119
00:51:27,180 --> 00:51:30,130
And we have some sample
scripts here that you can use.

1120
00:51:30,130 --> 00:51:32,790
So the one that we want
is wearable control.

1121
00:51:32,790 --> 00:51:35,700
We're just going to click that.

1122
00:51:35,700 --> 00:51:42,090
Now, one other useful thing that
we added semi-recently is you

1123
00:51:42,090 --> 00:51:47,430
can actually go up into here.

1124
00:51:47,430 --> 00:51:52,510
So if you go to asset,
for assets, create.

1125
00:51:52,510 --> 00:51:55,090
And then there's a
Bose wearable category

1126
00:51:55,090 --> 00:51:58,250
and there's an app
intent profile.

1127
00:51:58,250 --> 00:52:02,360
So I'm actually going to
take that app intent profile.

1128
00:52:02,360 --> 00:52:04,460
I'm going to put that
in my top directory

1129
00:52:04,460 --> 00:52:08,810
in assets, because I was
in the prefabs folder here.

1130
00:52:08,810 --> 00:52:11,108
You don't have to, but
it's just cleaner that way.

1131
00:52:11,108 --> 00:52:12,650
And what you'll see
here on the right

1132
00:52:12,650 --> 00:52:14,780
is you'll actually
see the sensors that

1133
00:52:14,780 --> 00:52:16,380
are available to us.

1134
00:52:16,380 --> 00:52:20,300
So for this first app
that we're building,

1135
00:52:20,300 --> 00:52:21,860
we just need the gyroscope.

1136
00:52:21,860 --> 00:52:24,140
So I'm going to check
the gyroscope on here.

1137
00:52:24,140 --> 00:52:26,900
And rotation, 6th off.

1138
00:52:26,900 --> 00:52:29,600
And then the update interval,
I'm going to make it,

1139
00:52:29,600 --> 00:52:31,500
let's say, 40 milliseconds.

1140
00:52:31,500 --> 00:52:34,640
That's all we kind of
need in terms of sensors.

1141
00:52:34,640 --> 00:52:39,350
And what this basically does
is it just kind of syncs up

1142
00:52:39,350 --> 00:52:41,990
what the app
requirements are and what

1143
00:52:41,990 --> 00:52:44,160
the app is going to be using.

1144
00:52:44,160 --> 00:52:50,260
So back to our wearable control
that we created earlier.

1145
00:52:50,260 --> 00:52:55,480
You'll see there's an active app
intent profile empty slot right

1146
00:52:55,480 --> 00:52:55,980
here.

1147
00:52:55,980 --> 00:52:57,780
You can actually just
click that and just

1148
00:52:57,780 --> 00:53:01,860
pull in that app intent
profile that we just created.

1149
00:53:01,860 --> 00:53:04,850
So again, that's App Intent
Profile is in assets.

1150
00:53:04,850 --> 00:53:08,630
Create Bose wearable
App Intent Profile.

1151
00:53:08,630 --> 00:53:10,400
In the App Intent
Profile, you want

1152
00:53:10,400 --> 00:53:13,460
to select Gyroscope,
RotationSixDof,

1153
00:53:13,460 --> 00:53:15,620
and 40 milliseconds.

1154
00:53:15,620 --> 00:53:19,570
And then in Wearable
Control, just put

1155
00:53:19,570 --> 00:53:21,820
that App Intent Profile there.

1156
00:53:21,820 --> 00:53:24,550
The last step to get
this to actually work

1157
00:53:24,550 --> 00:53:28,075
is, where it says
Editor Default Provider,

1158
00:53:28,075 --> 00:53:30,100
it says Debug Provider.

1159
00:53:30,100 --> 00:53:33,590
We're actually going to
switch that to USB Provider.

1160
00:53:33,590 --> 00:53:35,340
And what that will
actually allow us to do

1161
00:53:35,340 --> 00:53:39,240
is it will actually allow us to
send the data over USB bridge

1162
00:53:39,240 --> 00:53:41,790
directly to Unity, which
is great for debugging

1163
00:53:41,790 --> 00:53:42,790
while you're developing.

1164
00:53:42,790 --> 00:53:45,390
So that's actually what we're
going to be doing first.

1165
00:53:45,390 --> 00:53:50,290
So your Wearable Control
has a USB provider.

1166
00:53:50,290 --> 00:53:52,300
And that's pretty much it.

1167
00:53:52,300 --> 00:53:56,520
So your app will actually
now connect, both using USB

1168
00:53:56,520 --> 00:53:59,490
and, if you built this
to Android or iOS,

1169
00:53:59,490 --> 00:54:01,740
you'll actually be able
to pair it with Bluetooth.

1170
00:54:01,740 --> 00:54:05,140
The only problem is we're not
getting any of the sensor data.

1171
00:54:05,140 --> 00:54:07,270
So we're not actually
doing anything with it yet.

1172
00:54:07,270 --> 00:54:09,990
So the first thing
that I want to do

1173
00:54:09,990 --> 00:54:13,440
is, let's say I just want
to visualize the head

1174
00:54:13,440 --> 00:54:15,760
orientation on the screen.

1175
00:54:15,760 --> 00:54:18,190
So how do we do that?

1176
00:54:18,190 --> 00:54:20,200
So what we're
going to do here is

1177
00:54:20,200 --> 00:54:24,250
I actually want you to
go back to the Modules.

1178
00:54:24,250 --> 00:54:28,720
And in here there's another
folder called Model Loader

1179
00:54:28,720 --> 00:54:29,920
and Prefabs.

1180
00:54:29,920 --> 00:54:34,300
So if you go to Bose, Wearable,
Modules, Model Loader Prefabs,

1181
00:54:34,300 --> 00:54:36,130
in here you'll
actually see we have

1182
00:54:36,130 --> 00:54:40,660
a 3D model of all of our
Bose AR enabled wearables,

1183
00:54:40,660 --> 00:54:41,980
which is actually really cool.

1184
00:54:46,830 --> 00:54:49,650
And then there's also
a default for if it

1185
00:54:49,650 --> 00:54:51,870
doesn't know or maybe
for a future product

1186
00:54:51,870 --> 00:54:52,900
or something like that.

1187
00:54:52,900 --> 00:54:56,980
So the Wearable Model
Loader actually pulls up

1188
00:54:56,980 --> 00:54:58,862
the appropriate
model automatically,

1189
00:54:58,862 --> 00:55:00,320
so it knows which
one you're doing.

1190
00:55:00,320 --> 00:55:02,398
But right now let's
just do it manually.

1191
00:55:02,398 --> 00:55:04,810
So pull up the
one that you have.

1192
00:55:04,810 --> 00:55:08,060
So I have Rondo's here.

1193
00:55:08,060 --> 00:55:10,480
So I'm just going to
take the Rondo's prefab,

1194
00:55:10,480 --> 00:55:12,820
and I'm just going to
drag it into my scene.

1195
00:55:12,820 --> 00:55:15,920
And if I double click it,
you'll see it's very small.

1196
00:55:15,920 --> 00:55:18,740
So I would recommend
to scale it up,

1197
00:55:18,740 --> 00:55:21,385
let's say, to something
like 40 by 40 by 40.

1198
00:55:24,930 --> 00:55:29,080
So we just have our Rondo's
like that in the scene.

1199
00:55:29,080 --> 00:55:31,720
And the last thing
that I want to do

1200
00:55:31,720 --> 00:55:35,500
is on this prefab I actually
want to Add Component.

1201
00:55:38,710 --> 00:55:42,550
And in here we're going
to go to Bose, Wearable,

1202
00:55:42,550 --> 00:55:45,160
and then there's a script
called Rotation Matcher.

1203
00:55:45,160 --> 00:55:47,950
So we're going to
select that, and we're

1204
00:55:47,950 --> 00:55:52,900
going to make the update
interval 40 milliseconds.

1205
00:55:52,900 --> 00:55:53,740
OK?

1206
00:55:53,740 --> 00:55:57,710
So what Rotation Matcher does
is what the name implies.

1207
00:55:57,710 --> 00:56:00,220
It will match the
rotation of the wearable,

1208
00:56:00,220 --> 00:56:03,520
so it will actually
take the gyroscope data.

1209
00:56:03,520 --> 00:56:05,780
And that's actually
pretty much it.

1210
00:56:05,780 --> 00:56:07,938
So this should already work.

1211
00:56:07,938 --> 00:56:09,730
So what we're going to
do is we're actually

1212
00:56:09,730 --> 00:56:10,700
going to test it out.

1213
00:56:10,700 --> 00:56:14,650
So what I want you to do is I
want you to take your frames.

1214
00:56:14,650 --> 00:56:17,680
Hook them up with
USB to your computer.

1215
00:56:17,680 --> 00:56:20,650
If you're on Windows, you'll
hear the connected sound.

1216
00:56:20,650 --> 00:56:23,690
And I'm actually just going
to Maximize on Play here

1217
00:56:23,690 --> 00:56:25,005
so you can see what I'm doing.

1218
00:56:25,005 --> 00:56:26,005
I'm going to press Play.

1219
00:56:29,200 --> 00:56:30,520
The picker is there.

1220
00:56:30,520 --> 00:56:33,130
I have my frames I
selected in the UI.

1221
00:56:33,130 --> 00:56:34,840
It's going to connect to it.

1222
00:56:44,630 --> 00:56:53,845
And there are my frames tracking
their rotation as intended.

1223
00:56:53,845 --> 00:56:55,720
AUDIENCE: And this is
all happening over USB,

1224
00:56:55,720 --> 00:56:58,150
so if the cable disconnects--

1225
00:56:58,150 --> 00:56:59,020
FILIP BABA: Yep.

1226
00:56:59,020 --> 00:57:01,600
It'll stop, yeah.

1227
00:57:01,600 --> 00:57:05,575
So the idea is that
this is for development.

1228
00:57:05,575 --> 00:57:07,450
You're obviously going
to be using the cable.

1229
00:57:07,450 --> 00:57:10,240
But if you took this app
and actually built it

1230
00:57:10,240 --> 00:57:12,388
to your phone, it would
work over Bluetooth.

1231
00:57:12,388 --> 00:57:12,930
AUDIENCE: OK.

1232
00:57:15,570 --> 00:57:19,140
FILIP BABA: So I want everyone
to just get to this point,

1233
00:57:19,140 --> 00:57:22,840
and then we'll move
on to the next part.

1234
00:57:22,840 --> 00:57:24,930
And what's really cool
about this is we're

1235
00:57:24,930 --> 00:57:28,260
already pretty much
just a few steps away

1236
00:57:28,260 --> 00:57:30,240
from doing spatial audio.

1237
00:57:30,240 --> 00:57:34,490
Now that we have the
head orientation,

1238
00:57:34,490 --> 00:57:37,715
we can actually move our point
of reference for the listener.

1239
00:57:55,643 --> 00:57:57,060
AUDIENCE: So when
you plug in USB,

1240
00:57:57,060 --> 00:57:59,850
does it automatically
just detect it?

1241
00:57:59,850 --> 00:58:01,890
FILIP BABA: It should
be plug and play, yeah.

1242
00:58:01,890 --> 00:58:03,610
Does it work for you?

1243
00:58:03,610 --> 00:58:05,490
AUDIENCE: It's not connecting.

1244
00:58:05,490 --> 00:58:11,955
FILIP BABA: So make sure you
have the Wearable Control

1245
00:58:11,955 --> 00:58:12,455
script.

1246
00:58:15,280 --> 00:58:17,170
So you skipped this step.

1247
00:58:17,170 --> 00:58:21,550
So you have to have the
Wearable Control script.

1248
00:58:21,550 --> 00:58:23,320
So what you want
to do is you want

1249
00:58:23,320 --> 00:58:26,200
to create an Empty Game Object.

1250
00:58:26,200 --> 00:58:28,512
AUDIENCE: Oh yes, I do have it.

1251
00:58:28,512 --> 00:58:29,970
FILIP BABA: Yeah,
wearable control.

1252
00:58:29,970 --> 00:58:30,470
There it is.

1253
00:58:37,540 --> 00:58:38,620
Click it.

1254
00:58:38,620 --> 00:58:40,330
Oh, so event system--

1255
00:58:40,330 --> 00:58:42,040
AUDIENCE: Yeah.

1256
00:58:42,040 --> 00:58:42,760
FILIP BABA: Yeah.

1257
00:58:42,760 --> 00:58:43,825
So On Press Play.

1258
00:58:46,450 --> 00:58:48,130
Yeah, stop the app.

1259
00:58:48,130 --> 00:58:50,800
And then Add Default
Input Modules.

1260
00:58:50,800 --> 00:58:51,460
There you go.

1261
00:58:51,460 --> 00:58:54,170
Now you can press Play.

1262
00:58:54,170 --> 00:58:56,960
And you should be able to
click the UI at this time.

1263
00:59:03,070 --> 00:59:04,680
So yeah, there it is.

1264
00:59:04,680 --> 00:59:07,007
So let's then try to update.

1265
00:59:07,007 --> 00:59:08,715
AUDIENCE: I mean, it
might be faster just

1266
00:59:08,715 --> 00:59:10,313
to swap it with another--

1267
00:59:10,313 --> 00:59:11,730
FILIP BABA: I think
it's something

1268
00:59:11,730 --> 00:59:15,450
that we've also been
told to do, is people

1269
00:59:15,450 --> 00:59:18,150
should know how to
update the firmware.

1270
00:59:18,150 --> 00:59:24,030
So if for whatever reason
it's just not working,

1271
00:59:24,030 --> 00:59:27,720
chances are sometimes that you
just need the latest update.

1272
00:59:27,720 --> 00:59:30,030
So where you find
that is if you just

1273
00:59:30,030 --> 00:59:34,880
look up Bose Updater,
if you just Google it,

1274
00:59:34,880 --> 00:59:38,478
it's btu.bose.com.

1275
00:59:38,478 --> 00:59:39,770
Just try to follow those steps.

1276
00:59:39,770 --> 00:59:42,170
It's usually pretty fast.

1277
00:59:42,170 --> 00:59:44,180
You just download
the little tool,

1278
00:59:44,180 --> 00:59:45,830
and it's all through online.

1279
00:59:45,830 --> 00:59:49,050
So you just have it hooked
up, and it'll pick it up.

1280
00:59:49,050 --> 00:59:53,180
So if I try it on mine
here, it looks like this.

1281
00:59:53,180 --> 00:59:54,845
I'm going to connect my frames.

1282
00:59:58,580 --> 01:00:01,180
And see, it sees it.

1283
01:00:01,180 --> 01:00:03,940
There's an update
ready for my product.

1284
01:00:03,940 --> 01:00:07,360
And you just click Update Now,
and it'll do it in a minute.

1285
01:00:07,360 --> 01:00:10,370
If yours is working, you
don't have to do that.

1286
01:00:10,370 --> 01:00:13,660
But if for whatever
reason it doesn't, that's

1287
01:00:13,660 --> 01:00:14,680
usually the problem.

1288
01:00:14,680 --> 01:00:16,330
It has an old version
of the firmware.

1289
01:00:19,912 --> 01:00:21,620
If you need to know
how to turn them off,

1290
01:00:21,620 --> 01:00:23,548
you actually just
flip them upside down

1291
01:00:23,548 --> 01:00:25,340
when you put them on
the table, and they'll

1292
01:00:25,340 --> 01:00:26,548
turn off after a few seconds.

1293
01:00:29,960 --> 01:00:30,460
Bless you.

1294
01:00:45,890 --> 01:00:50,090
If you get the failed
connection, usually

1295
01:00:50,090 --> 01:00:51,890
reconnecting the device works.

1296
01:00:51,890 --> 01:00:53,840
It's just a USB debugger thing.

1297
01:01:11,830 --> 01:01:16,240
So I'm actually playing the
sound through my Bose frames.

1298
01:01:16,240 --> 01:01:18,970
So when you connect
over USB, you

1299
01:01:18,970 --> 01:01:21,400
can actually drive the
audio also through you USB.

1300
01:01:21,400 --> 01:01:25,660
Now on Mac, you'll see it pop
up in your sound settings.

1301
01:01:25,660 --> 01:01:27,880
And on Windows, it's
in the bottom right

1302
01:01:27,880 --> 01:01:30,800
in the sound devices.

1303
01:01:30,800 --> 01:01:34,960
You can set the Bose frames
as your default audio device.

1304
01:01:34,960 --> 01:01:37,360
So it's a great way
to preview it with.

1305
01:01:37,360 --> 01:01:42,010
Now, what I did here is I
placed the sound on this sphere.

1306
01:01:42,010 --> 01:01:45,670
Now, this sphere is just in
the middle of my field of view

1307
01:01:45,670 --> 01:01:46,210
here.

1308
01:01:46,210 --> 01:01:48,970
But in the next
exercise, I'm going

1309
01:01:48,970 --> 01:01:51,310
to actually show you
how to spatialize

1310
01:01:51,310 --> 01:01:54,150
that sound so you can hear it.

1311
01:01:54,150 --> 01:01:56,550
So I'm just going
to wait to make sure

1312
01:01:56,550 --> 01:01:58,247
that everyone's got this far.

1313
01:01:58,247 --> 01:01:58,830
AUDIENCE: Yes.

1314
01:01:58,830 --> 01:02:02,542
FILIP BABA: All right, so
what we're going to do here--

1315
01:02:02,542 --> 01:02:04,125
there are a couple
of ways to do this.

1316
01:02:12,560 --> 01:02:18,780
So typically your camera is your
frame of reference for audio.

1317
01:02:18,780 --> 01:02:23,190
So as your camera turns, if you
have 3D sounds in the scene,

1318
01:02:23,190 --> 01:02:25,610
it's going to take
the frame of reference

1319
01:02:25,610 --> 01:02:29,840
from your camera to
spatialize sound.

1320
01:02:29,840 --> 01:02:32,720
So what we want to
do here is I'm just

1321
01:02:32,720 --> 01:02:35,930
going to actually
take the camera that's

1322
01:02:35,930 --> 01:02:37,377
staring at the glasses.

1323
01:02:37,377 --> 01:02:38,960
Now you don't have
to do it like this.

1324
01:02:38,960 --> 01:02:40,050
There's a few different
ways to do it,

1325
01:02:40,050 --> 01:02:42,270
but we'll just do it
for simplicity's sake.

1326
01:02:42,270 --> 01:02:44,150
We'll take the main
camera, and we'll

1327
01:02:44,150 --> 01:02:45,450
pull them into our frames.

1328
01:02:45,450 --> 01:02:47,990
Now, the way I have
my scene set up

1329
01:02:47,990 --> 01:02:53,450
is my frames are just at 0,
0, 0, and they're scale 40.

1330
01:02:53,450 --> 01:02:57,810
And the camera is kind of like
right behind them like that.

1331
01:02:57,810 --> 01:03:01,580
So I'm just going to take
the main camera and parent it

1332
01:03:01,580 --> 01:03:06,740
to the frames so it's
inside the frames.

1333
01:03:06,740 --> 01:03:09,500
And if I press Play, I'll just
show you what that looks like.

1334
01:03:15,550 --> 01:03:19,650
So now if you're turning, this
is your frame of reference.

1335
01:03:19,650 --> 01:03:24,230
So this simulates your
orientation in space,

1336
01:03:24,230 --> 01:03:25,280
basically.

1337
01:03:25,280 --> 01:03:25,820
Right?

1338
01:03:25,820 --> 01:03:27,830
So here's how this
is going to work.

1339
01:03:27,830 --> 01:03:31,380
So in Unity, doing spatial
audio is actually really,

1340
01:03:31,380 --> 01:03:32,610
really straightforward.

1341
01:03:32,610 --> 01:03:34,865
So what I want you to do
is-- and I already did this,

1342
01:03:34,865 --> 01:03:37,557
so I'm just going to delete it
so I can show you how I did it.

1343
01:03:37,557 --> 01:03:38,640
It's very straightforward.

1344
01:03:38,640 --> 01:03:41,047
So it won't let me.

1345
01:03:41,047 --> 01:03:41,880
What is it, command?

1346
01:03:41,880 --> 01:03:43,140
There we go.

1347
01:03:43,140 --> 01:03:45,710
So what we're going
to do is I'm just

1348
01:03:45,710 --> 01:03:49,400
going to use a sphere to
represent a sound object just

1349
01:03:49,400 --> 01:03:51,530
for visual sake.

1350
01:03:51,530 --> 01:03:54,300
So I'm actually going to
create a New Game Object.

1351
01:03:54,300 --> 01:03:57,070
So 3D Object, Sphere.

1352
01:03:57,070 --> 01:03:59,318
And I'm going to
place it at 0, 0, 0.

1353
01:04:02,010 --> 01:04:03,870
I'm going to Add
Component to this sphere,

1354
01:04:03,870 --> 01:04:06,950
and I'm going to
add an Audio Source.

1355
01:04:06,950 --> 01:04:07,640
OK?

1356
01:04:07,640 --> 01:04:09,650
So that's a built
in Unity thing.

1357
01:04:09,650 --> 01:04:12,800
Now I take this
sphere, and let's say

1358
01:04:12,800 --> 01:04:15,470
this one I'm going to put
it in front of the glasses,

1359
01:04:15,470 --> 01:04:17,550
like here.

1360
01:04:17,550 --> 01:04:18,960
OK?

1361
01:04:18,960 --> 01:04:21,450
Maybe a little bit further.

1362
01:04:21,450 --> 01:04:26,320
And the audio source an audio
clip, if you click here,

1363
01:04:26,320 --> 01:04:28,600
there are a few
different sound samples

1364
01:04:28,600 --> 01:04:30,880
that we have in our SDK.

1365
01:04:30,880 --> 01:04:34,350
You could pick Chord
LP or something.

1366
01:04:34,350 --> 01:04:36,100
It's up to you which
one you want to pick.

1367
01:04:36,100 --> 01:04:38,740
This is just for the demo.

1368
01:04:38,740 --> 01:04:40,870
So we're going to
pick a sound effect.

1369
01:04:40,870 --> 01:04:42,790
We put it in front.

1370
01:04:42,790 --> 01:04:46,600
And the only thing you've got
to change is make it loop.

1371
01:04:46,600 --> 01:04:48,770
So there's a little
loop check mark here.

1372
01:04:48,770 --> 01:04:52,210
So when it finishes, it'll
start from the beginning again.

1373
01:04:52,210 --> 01:04:55,922
And then there's a dropdown
here called 3D Sound Settings.

1374
01:04:55,922 --> 01:04:57,130
I don't know if you see that.

1375
01:04:57,130 --> 01:04:58,458
We'll get to that in a second.

1376
01:04:58,458 --> 01:05:00,500
But the only one we want
to change is right here.

1377
01:05:00,500 --> 01:05:02,350
You see Spatial Blend?

1378
01:05:02,350 --> 01:05:03,100
OK.

1379
01:05:03,100 --> 01:05:06,430
So I'm actually going to drag
Spatial Blend from 2D to 3D.

1380
01:05:06,430 --> 01:05:10,390
And that's all you need to do to
turn an audio source into a 3D

1381
01:05:10,390 --> 01:05:11,350
audio source.

1382
01:05:11,350 --> 01:05:13,930
Now you'll notice that
there are cool things here,

1383
01:05:13,930 --> 01:05:16,082
like there's actually
the range of the sound

1384
01:05:16,082 --> 01:05:17,290
that you can tweak and stuff.

1385
01:05:17,290 --> 01:05:20,180
So we don't have to do
any of that just yet.

1386
01:05:20,180 --> 01:05:21,610
We can just leave it as is.

1387
01:05:21,610 --> 01:05:24,940
Just make sure it's 3D and
that you have a looping sound

1388
01:05:24,940 --> 01:05:25,480
effect.

1389
01:05:25,480 --> 01:05:27,310
And that's all I want
you to do right now.

1390
01:05:27,310 --> 01:05:35,610
So now if you press Play
and you let it connect--

1391
01:05:35,610 --> 01:05:36,990
mine has failed connecting.

1392
01:05:36,990 --> 01:05:38,490
If that ever happens
to you-- again,

1393
01:05:38,490 --> 01:05:41,340
it's just a known bug
that we have with USB--

1394
01:05:41,340 --> 01:05:43,230
just reconnect.

1395
01:05:43,230 --> 01:05:46,350
Make sure you're always
saving your scene

1396
01:05:46,350 --> 01:05:48,090
so no crashing happens.

1397
01:05:48,090 --> 01:05:50,580
Unity tends to do
that sometimes--

1398
01:05:50,580 --> 01:05:53,880
rarely, but usually it doesn't.

1399
01:05:53,880 --> 01:05:55,890
So yeah, if you get the
failed connecting thing,

1400
01:05:55,890 --> 01:05:59,840
just reconnect and
then try again.

1401
01:05:59,840 --> 01:06:02,890
So it did it again, so
I'm going to unpress play.

1402
01:06:02,890 --> 01:06:03,940
I'm going to reconnect.

1403
01:06:06,990 --> 01:06:09,330
It's something to do
with that it remembers

1404
01:06:09,330 --> 01:06:13,140
the previous device, and there's
a little bug with USB in that.

1405
01:06:15,710 --> 01:06:17,120
And connected.

1406
01:06:23,330 --> 01:06:31,620
So when I turn my head,
I can hear that sphere

1407
01:06:31,620 --> 01:06:34,710
in front of me.

1408
01:06:34,710 --> 01:06:38,580
And when I turn this
way, I hear it here.

1409
01:06:38,580 --> 01:06:41,380
Now I hear it on the left.

1410
01:06:41,380 --> 01:06:45,840
So in order to get that, make
sure you're driving your audio

1411
01:06:45,840 --> 01:06:47,730
through the Bose frames.

1412
01:06:47,730 --> 01:06:50,760
On Mac, you go into the
sound settings here.

1413
01:06:50,760 --> 01:06:52,890
And on Windows, I
can also show you--

1414
01:06:52,890 --> 01:06:56,520
in the bottom right where
the volume mixer is.

1415
01:06:56,520 --> 01:06:59,940
If it's saying
connecting to Pixel 2,

1416
01:06:59,940 --> 01:07:03,510
go into the Bose Connect
app and to the settings,

1417
01:07:03,510 --> 01:07:06,750
and you can actually
remove any previous device

1418
01:07:06,750 --> 01:07:10,180
that was there so it doesn't
always do that auto thing.

1419
01:07:10,180 --> 01:07:13,673
So there is a little
bit of a Doppler effect.

1420
01:07:13,673 --> 01:07:15,840
I don't know if you can
tell when you're doing that.

1421
01:07:15,840 --> 01:07:16,410
Right?

1422
01:07:16,410 --> 01:07:19,750
So these are all things you
can actually change here

1423
01:07:19,750 --> 01:07:21,400
in the 3D sound settings.

1424
01:07:21,400 --> 01:07:24,720
So I think if you just
turn off the Doppler,

1425
01:07:24,720 --> 01:07:27,860
it won't do that, I think.

1426
01:07:27,860 --> 01:07:30,410
So yeah, if you just go
into 3D sound settings

1427
01:07:30,410 --> 01:07:32,390
and you turn off
the Doppler, you

1428
01:07:32,390 --> 01:07:37,490
won't get that warp effect
when your head turns.

1429
01:07:37,490 --> 01:07:41,210
That is an interesting effect
that can be played with.

1430
01:07:41,210 --> 01:07:45,718
But again, this is just the
built-in Unity spatial audio.

1431
01:07:45,718 --> 01:07:47,510
We actually have a
couple of different ways

1432
01:07:47,510 --> 01:07:50,150
you can do spatial audio.

1433
01:07:50,150 --> 01:07:55,820
So we've gotten to the
point where you've set up

1434
01:07:55,820 --> 01:07:58,340
your device, you've gotten
a little bit of an intro,

1435
01:07:58,340 --> 01:08:00,140
you've seen what the
platform is about.

1436
01:08:00,140 --> 01:08:05,550
And this is basically a first
example of spatializing audio.

1437
01:08:05,550 --> 01:08:06,050
Right?

1438
01:08:06,050 --> 01:08:09,920
So now as an exercise what I'd
like you to do for the next 30

1439
01:08:09,920 --> 01:08:13,640
minutes or so-- or
let's say 20 minutes--

1440
01:08:13,640 --> 01:08:15,860
go online, find
some sound samples,

1441
01:08:15,860 --> 01:08:20,939
set up your own little
spatial soundscape around you.

1442
01:08:20,939 --> 01:08:22,982
And let's see how that goes.

1443
01:08:22,982 --> 01:08:24,149
AUDIENCE: So just loop them?

1444
01:08:24,149 --> 01:08:25,660
FILIP BABA: Yeah,
make something cool.

1445
01:08:25,660 --> 01:08:27,160
You can get some
beach sounds, maybe

1446
01:08:27,160 --> 01:08:30,060
water crashing on the
side, birds chirping.

1447
01:08:30,060 --> 01:08:31,410
Or it could be music samples.

1448
01:08:31,410 --> 01:08:33,540
Maybe you get a drum loop.

1449
01:08:33,540 --> 01:08:36,840
I could show you a few.

1450
01:08:36,840 --> 01:08:40,090
freesound.org is cool.

1451
01:08:40,090 --> 01:08:42,220
I believe it's freesound.org.

1452
01:08:42,220 --> 01:08:43,128
Yeah.

1453
01:08:43,128 --> 01:08:44,920
You need to make an
account, but it's free,

1454
01:08:44,920 --> 01:08:48,490
and it's all free sounds.

1455
01:08:48,490 --> 01:08:52,450
There are also a decent
amount of websites

1456
01:08:52,450 --> 01:08:56,420
that offer loops if you're going
for a more musical approach.

1457
01:08:56,420 --> 01:08:57,670
So yeah, go ahead and do that.

1458
01:08:57,670 --> 01:08:59,420
And let me know if you
have any questions.

1459
01:08:59,420 --> 01:09:02,610
I'll be going around
and helping you out.