[B&C] Borde, Raymond, and Etienne Chaumeton. A Panorama of American Film Noir, 1941-1953. Translated by Paul Hammond. City Lights Books, 2002. ISBN: 9780872864122. (Original French version published in 1955.) [Preview with Google Books]
[Brook] Brook, Vincent. Driven to Darkness: Jewish Émigré Directors and the Rise of Film Noir. Rutgers University Press, 2009. ISBN: 9780813546308. [Preview with Google Books]
[S&W] Silver, Alain, and Elizabeth Ward, eds. Film Noir: An Encyclopedic Reference to the American Style. 3rd ed. Overlook Press, 1993. ISBN: 9780879514792. (Note: This edition has been superseded by a new version published in 2010: Silver, Alian, Elizabeth Ward, James Ursini, et al. The Film Noir Encyclopedia. Overlook Press, 2010. ISBN: 9781590201442. Either version is fine.
Sessions marked with L are course lectures; those marked with S are film screenings.
|1 - S||Double Indemnity||(PDF)|
|1 - L||What is Film Noir? / Our Five Directors / Analyzing Double Indemnity|| |
[S&W] "Double Indemnity"
[S&U] Schrader, Paul. "Notes on Film Noir (1972)."
|2 - L||Narrative and Visual Complexities in Early Noir / Comparing Our First Two Films|| |
[Hirsch] Chapter 1, "The City at Night," and Chapter 3, "The Cinematic Background: From Expressionism to Neo-Realism."
[Brook] Chapter 4, "The Father of Film Noir: Fritz Lang," and Chapter 5, "Lang in Hollywood."
|2 - S||The Woman in the Window||(PDF)|
|3 - L||Émigré Artists and Expressionist Visual Styles|| |
[S&U] Place, Janey, and Lowell Peterson. "Some Visual Motifs of Film Noir (1974)."
[Hirsch] Chapter 4, "The Crazy Mirror: Noir Stylistics."
|3 - S||Detour|
|4 - L||"B" Movies as Noir's Lifeblood; Artists in Exile; Noir Existentialism|| |
[S&U] Porfirio, Robert. "No Way Out: Existential Motifs in the Film Noir (1976)."
[S&U] Erickson, Glenn. "Fate Seeks the Loser: Edgar G. Ulmer's Detour (1945)."
[Brook] Chapter 1 "Introduction," and Chapter 3 "Jews and Expressionism: Performing High and Low."
|4 - S||The Spiral Staircase|
|5 - S|| |
Watch: The Set-Up or The Asphalt Jungle on your own
|6 - S||Where the Sidewalk Ends||(PDF)|
Assigned Noir Films
Classic Noir Films
- The Asphalt Jungle. John Huston, 1950 (112 minutes.)
- Detour. Edgar G. Ulmer, 1945 (67 minutes.)
- Double Indemnity. Billy Wilder, 1944 (107 minutes.)
- The Killers. Robert Siodmak, 1964 (103 minutes.)
- The Lady from Shanghai. Welles, 1947 (87 minutes.)
- Scarlet Street. Fritz Lang, 1945 (103 minutes.)
- The Set-up. Robert Wise, 1949 (73 minutes.)
- The Spiral Staircase. Robert Siodmak, 1945 (83 minutes.)
- Where the Sidewalk Ends. Otto Preminger, 1950 (95 minutes.)
- The Woman in the Window. Fritz Lang, 1944 (107 minutes.)
Neo-Noir Films (Choices for Oral Presentations)
- Body Heat. Lawrence Kasdan, 1981 (113 minutes.)
- Blood Simple. Joel Coen and Ethan Coen, 1984 (99 minutes.)
- Chinatown. Roman Polanski, 1974 (130 minutes.)
- Collateral. Michael Mann, 2004 (120 minutes.)
- A History of Violence. David Cronenberg, 2005 (96 minutes.)
- Minority Report. Steven Spielberg, 2002 (145 minutes.)
- Reservoir Dogs. Quentin Tarantino, 1992 (99 minutes.)
- Zodiac. David Fincher, 2007 (157 minutes.)