1 00:00:00,090 --> 00:00:02,490 The following content is provided under a Creative 2 00:00:02,490 --> 00:00:04,059 Commons license. 3 00:00:04,059 --> 00:00:06,330 Your support will help MIT OpenCourseWare 4 00:00:06,330 --> 00:00:10,690 continue to offer high-quality educational resources for free. 5 00:00:10,690 --> 00:00:13,320 To make a donation or view additional materials 6 00:00:13,320 --> 00:00:17,270 from hundreds of MIT courses, visit MIT OpenCourseWare 7 00:00:17,270 --> 00:00:18,390 at ocw.mit.edu. 8 00:00:21,440 --> 00:00:24,270 PROFESSOR: Previously, we've shown several ways 9 00:00:24,270 --> 00:00:27,810 of getting low contrast fringes in a Michelson 10 00:00:27,810 --> 00:00:30,010 two-beam interferometer. 11 00:00:30,010 --> 00:00:32,250 For example, when the mirrors are shaking, 12 00:00:32,250 --> 00:00:36,630 you get poor contrast-- when the intensities in the two arms 13 00:00:36,630 --> 00:00:40,500 are unequal, when we have orthogonal polarization 14 00:00:40,500 --> 00:00:44,580 between the beams and the two arms of the interferometer. 15 00:00:44,580 --> 00:00:46,770 In this demonstration, we're going 16 00:00:46,770 --> 00:00:50,430 to show another way, and probably the most common way, 17 00:00:50,430 --> 00:00:54,480 of getting low contrast fringes in a two-beam interferometer. 18 00:00:54,480 --> 00:00:56,880 And here the setup. 19 00:00:56,880 --> 00:00:59,565 Again, we have a helium-neon laser here. 20 00:00:59,565 --> 00:01:04,200 Here's the beam from the laser being reflected by this mirror 21 00:01:04,200 --> 00:01:07,860 into an optical isolator made up of a quarter-wave plate 22 00:01:07,860 --> 00:01:14,880 and a polarizer to prevent light going back into the laser. 23 00:01:14,880 --> 00:01:17,850 The beam leaving the isolator is here, 24 00:01:17,850 --> 00:01:22,680 getting reflected by this mirror into the interferometer. 25 00:01:22,680 --> 00:01:25,260 Here's one arm of the interferometer, 26 00:01:25,260 --> 00:01:28,650 and here is the other arm of the isolator. 27 00:01:28,650 --> 00:01:33,090 And the two beams leaving the isolator will be reflected 28 00:01:33,090 --> 00:01:37,230 by this mirror into this lens, and then from the lens 29 00:01:37,230 --> 00:01:38,890 onto the screen. 30 00:01:38,890 --> 00:01:42,930 So, now, let's look at the screen. 31 00:01:42,930 --> 00:01:50,370 And we see that we have fringes, and the contrast in the fringes 32 00:01:50,370 --> 00:01:52,420 look pretty good. 33 00:01:52,420 --> 00:01:56,730 And you can see, I can adjust the alignment of one 34 00:01:56,730 --> 00:01:58,050 of the arms-- 35 00:01:58,050 --> 00:01:59,780 that's what I'm doing right now-- 36 00:01:59,780 --> 00:02:04,500 to separate the spots and bring them back together again. 37 00:02:04,500 --> 00:02:06,450 And then when I take my hand away, 38 00:02:06,450 --> 00:02:09,750 you can see I have pretty good contrast in the fringes. 39 00:02:09,750 --> 00:02:12,510 You also notice that, in this arrangement, 40 00:02:12,510 --> 00:02:16,290 the two arms of the interferometer are equal. 41 00:02:16,290 --> 00:02:21,070 And we've indicated this by the 0 over here. 42 00:02:21,070 --> 00:02:26,580 So the 0 indicates that this arm is equal to this arm. 43 00:02:26,580 --> 00:02:32,945 Now, as I move one arm, let's say by a few centimeters-- 44 00:02:32,945 --> 00:02:34,320 and, also, you want to note this, 45 00:02:34,320 --> 00:02:36,040 that the scale here is in centimeters. 46 00:02:36,040 --> 00:02:40,300 This is 10, 30 50, and so on. 47 00:02:40,300 --> 00:02:42,930 So let's say around 5 centimeters. 48 00:02:42,930 --> 00:02:45,570 Let's look at the fringe contrast. 49 00:02:45,570 --> 00:02:50,260 And we again look at the fringes, 50 00:02:50,260 --> 00:02:55,950 and you can see that, indeed, the contrast 51 00:02:55,950 --> 00:02:59,710 is a little less than what it was 52 00:02:59,710 --> 00:03:01,780 when we had equal path length. 53 00:03:01,780 --> 00:03:05,320 Let me go a little bit more, let's say around 10 centimeters 54 00:03:05,320 --> 00:03:06,460 or so. 55 00:03:06,460 --> 00:03:08,200 Again, let me check the alignment 56 00:03:08,200 --> 00:03:13,670 by adjusting one of the mirrors. 57 00:03:13,670 --> 00:03:18,400 And you can see that, now, the contrast is indeed 58 00:03:18,400 --> 00:03:20,080 getting very poor. 59 00:03:20,080 --> 00:03:25,660 Let's go even further, let's say around 30 centimeters path 60 00:03:25,660 --> 00:03:27,200 length difference. 61 00:03:27,200 --> 00:03:33,000 Again, here are the two spots. 62 00:03:33,000 --> 00:03:37,960 And the fringe contrast is pretty bad. 63 00:03:37,960 --> 00:03:42,570 Let's go, let's say, around 45 centimeters or so. 64 00:03:42,570 --> 00:03:46,530 Again, check on the alignment of the interferometer, 65 00:03:46,530 --> 00:03:50,460 and, indeed, we don't even see any fringes at all 66 00:03:50,460 --> 00:03:53,100 or essentially 0 contrast. 67 00:03:53,100 --> 00:03:56,370 But let's go on. 68 00:03:56,370 --> 00:04:02,220 Let's go on, let's say, to position around 72 centimeters. 69 00:04:02,220 --> 00:04:05,814 And now, let me check the alignment. 70 00:04:05,814 --> 00:04:10,890 And we can see that now we're beginning to see some fringes. 71 00:04:10,890 --> 00:04:13,020 So the contrast is not quite 0. 72 00:04:13,020 --> 00:04:19,206 Let me go further, say, around 80 or so centimeters. 73 00:04:19,206 --> 00:04:23,270 Again, check on the alignment. 74 00:04:23,270 --> 00:04:25,890 A little bit better. 75 00:04:25,890 --> 00:04:32,690 And we go to 95 or so centimeters. 76 00:04:32,690 --> 00:04:38,395 And, wow, we see some very good contrast. 77 00:04:38,395 --> 00:04:39,920 The contrast has come back. 78 00:04:39,920 --> 00:04:43,760 In fact, it's just as good as when we were at equal arms. 79 00:04:43,760 --> 00:04:51,520 Now, let's go further than 95 centimeters, around maybe 105. 80 00:04:51,520 --> 00:04:56,360 And let's look, again, at the fringe contrast. 81 00:04:56,360 --> 00:04:59,320 You can see that they're getting poorer again. 82 00:04:59,320 --> 00:05:06,600 Let's go even further, here, around 115 centimeter path 83 00:05:06,600 --> 00:05:09,350 length difference. 84 00:05:09,350 --> 00:05:14,540 And let me readjust, and see that the fringes have almost 85 00:05:14,540 --> 00:05:16,470 disappeared. 86 00:05:16,470 --> 00:05:19,760 So let's go back and make sure that we didn't do anything 87 00:05:19,760 --> 00:05:20,890 wrong before. 88 00:05:20,890 --> 00:05:24,376 Let me go back to where we had good fringe contrast, around 95 89 00:05:24,376 --> 00:05:25,820 centimeters. 90 00:05:25,820 --> 00:05:33,470 And you can see that we have excellent contrast. 91 00:05:33,470 --> 00:05:40,430 And we go to, say, 70 or so centimeters. 92 00:05:40,430 --> 00:05:42,460 Fringe contrast is pretty bad. 93 00:05:45,340 --> 00:05:50,290 Go to about 45 or so centimeters. 94 00:05:53,038 --> 00:05:54,548 Wow, that's really awful. 95 00:05:54,548 --> 00:05:55,340 Can't see anything. 96 00:05:55,340 --> 00:05:58,950 Now, just let me take this opportunity 97 00:05:58,950 --> 00:06:02,250 to show you that, indeed, I do have two beams. 98 00:06:02,250 --> 00:06:06,880 And I can block, in fact, one beam, or block the other beam. 99 00:06:06,880 --> 00:06:09,150 Indeed, I do have two beams that are superimposed, 100 00:06:09,150 --> 00:06:16,025 but yet absolutely no fringes can be seen. 101 00:06:16,025 --> 00:06:21,300 And then, let me go all the way to equal arms, 102 00:06:21,300 --> 00:06:23,320 to the 0 position. 103 00:06:23,320 --> 00:06:24,600 We adjust the two beams. 104 00:06:30,570 --> 00:06:34,260 Now, we can see we have good fringes again, good fringe 105 00:06:34,260 --> 00:06:35,070 contrast. 106 00:06:35,070 --> 00:06:38,700 But let me go and make this arm here even 107 00:06:38,700 --> 00:06:40,620 shorter than the other arm. 108 00:06:40,620 --> 00:06:44,370 Let me make it shorter by about 2 or 3 centimeters. 109 00:06:47,196 --> 00:06:50,970 You can see that the fringe contrast is not so wonderful 110 00:06:50,970 --> 00:06:52,890 as it was at the 0 position. 111 00:06:52,890 --> 00:06:55,350 Let me go to a path length difference 112 00:06:55,350 --> 00:07:02,820 of minus 10 centimeters and readjust the other mirror. 113 00:07:02,820 --> 00:07:09,220 And we see that fringe contrast is very poor. 114 00:07:13,920 --> 00:07:15,835 So let me go back to the zero position. 115 00:07:19,010 --> 00:07:22,390 and look at the fringes. 116 00:07:22,390 --> 00:07:23,950 Very good. 117 00:07:23,950 --> 00:07:37,220 And about 45 centimeters, and we don't have any fringes. 118 00:07:37,220 --> 00:07:43,830 Now, what could the reason be for the fringes disappearing? 119 00:07:43,830 --> 00:07:46,638 This setup is a good setup. 120 00:07:46,638 --> 00:07:48,180 I think the alignment is pretty good. 121 00:07:48,180 --> 00:07:51,360 We're paying careful attention to the alignment. 122 00:07:51,360 --> 00:07:53,910 And so, what can it be? 123 00:07:53,910 --> 00:07:56,820 Certainly not-- it's not in the interferometer. 124 00:07:56,820 --> 00:07:59,770 It must be in the light source. 125 00:07:59,770 --> 00:08:04,500 Now, the light source in this case is a helium-neon laser, 126 00:08:04,500 --> 00:08:07,830 and the separation between the mirrors 127 00:08:07,830 --> 00:08:12,990 or the length of the cavity is about 95 centimeters. 128 00:08:12,990 --> 00:08:16,290 The laser certainly puts out a lot of light. 129 00:08:16,290 --> 00:08:18,900 The only thing we don't know about the laser 130 00:08:18,900 --> 00:08:21,150 is the spectrum of the light. 131 00:08:21,150 --> 00:08:22,950 For example, is it single frequency, 132 00:08:22,950 --> 00:08:26,280 or is it multiple frequency, or what? 133 00:08:26,280 --> 00:08:28,060 Now, what I'm going to do, I'm going 134 00:08:28,060 --> 00:08:32,490 to set up an arrangement that will tell us 135 00:08:32,490 --> 00:08:34,500 what the spectrum of the laser light is. 136 00:08:34,500 --> 00:08:36,850 And when we come back, we'll have it already, 137 00:08:36,850 --> 00:08:41,460 and we can show you what the spectrum of the laser light is. 138 00:08:41,460 --> 00:08:44,460 Now we've set up the arrangement for observing the spectrum 139 00:08:44,460 --> 00:08:47,310 of the laser light. 140 00:08:47,310 --> 00:08:50,730 The setup is essentially what we had before. 141 00:08:50,730 --> 00:08:53,340 Here is the interferometer-- 142 00:08:53,340 --> 00:08:55,080 the two arms of the interferometer-- 143 00:08:55,080 --> 00:08:59,310 and the fringes, again, we can see on the screen. 144 00:08:59,310 --> 00:09:03,030 What we've done to observe the spectrum of the laser light, 145 00:09:03,030 --> 00:09:07,440 we've added this beam splitter over here to reflect some 146 00:09:07,440 --> 00:09:11,100 of the laser light before it enters the interferometer 147 00:09:11,100 --> 00:09:14,730 and reflects it into this scanning Fabry-Pérot 148 00:09:14,730 --> 00:09:16,590 interferometer. 149 00:09:16,590 --> 00:09:21,150 The output of the interferometer is displayed 150 00:09:21,150 --> 00:09:25,140 on an oscilloscope over here. 151 00:09:25,140 --> 00:09:28,920 What we have displayed on the face of the oscilloscope is one 152 00:09:28,920 --> 00:09:33,340 complete free spectral range of the scanning Fabry-Pérot, 153 00:09:33,340 --> 00:09:36,750 which is about 1 and 1/2 gigahertz, 154 00:09:36,750 --> 00:09:39,960 corresponding to the 10 centimeter length 155 00:09:39,960 --> 00:09:42,730 of the scanning Fabry-Pérot. 156 00:09:42,730 --> 00:09:47,340 Now, if the laser were indeed oscillating at one frequency, 157 00:09:47,340 --> 00:09:52,140 we would only see just one peak. 158 00:09:52,140 --> 00:09:55,540 But we see about eight or nine peaks, 159 00:09:55,540 --> 00:09:57,630 which means that the laser must be oscillating 160 00:09:57,630 --> 00:10:01,070 at several frequencies. 161 00:10:01,070 --> 00:10:05,240 Again, from the 1 and 1/2 gigahertz free spectral range, 162 00:10:05,240 --> 00:10:09,740 we see that the separation between the frequencies 163 00:10:09,740 --> 00:10:12,920 of the laser is about 160 megahertz. 164 00:10:12,920 --> 00:10:14,780 And this is what we expect, because this 165 00:10:14,780 --> 00:10:20,300 corresponds to the 95 centimeter length of the laser cavity. 166 00:10:24,030 --> 00:10:28,920 So as you see that the laser is not a single frequency laser, 167 00:10:28,920 --> 00:10:30,870 it has many frequencies. 168 00:10:30,870 --> 00:10:36,090 So maybe the fact that the contrast in the fringes 169 00:10:36,090 --> 00:10:41,010 varies so dramatically with path length difference 170 00:10:41,010 --> 00:10:44,480 may have something to do with the spectrum of the laser 171 00:10:44,480 --> 00:10:44,980 light. 172 00:10:47,510 --> 00:10:50,500 And I would like you to think about that. 173 00:10:50,500 --> 00:10:53,250 But in another demonstration, we're 174 00:10:53,250 --> 00:10:56,070 going to bring in a single frequency laser. 175 00:10:56,070 --> 00:10:59,250 And, indeed, we're going to study this problem 176 00:10:59,250 --> 00:11:01,370 very carefully.