1 00:00:00,090 --> 00:00:02,490 The following content is provided under a Creative 2 00:00:02,490 --> 00:00:04,059 Commons license. 3 00:00:04,059 --> 00:00:06,360 Your support will help MIT OpenCourseWare 4 00:00:06,360 --> 00:00:10,720 continue to offer high quality educational resources for free. 5 00:00:10,720 --> 00:00:13,350 To make a donation or view additional materials 6 00:00:13,350 --> 00:00:17,290 from hundreds of MIT courses, visit MIT OpenCourseWare 7 00:00:17,290 --> 00:00:18,180 at ocw.mit.edu. 8 00:00:20,555 --> 00:00:22,180 SHAOUL EZEKIEL: Now we're ready to look 9 00:00:22,180 --> 00:00:24,910 at multiple beam interference using 10 00:00:24,910 --> 00:00:27,340 a cavity with curved mirrors. 11 00:00:27,340 --> 00:00:29,800 The setup is here. 12 00:00:29,800 --> 00:00:32,590 We have the smaller laser. 13 00:00:32,590 --> 00:00:37,290 Because this laser can give us single frequency operation. 14 00:00:37,290 --> 00:00:42,860 The beam from the laser goes through this Bragg cell 15 00:00:42,860 --> 00:00:45,250 acting as an isolator. 16 00:00:45,250 --> 00:00:49,930 And the light, after the Bragg cell, is over here. 17 00:00:49,930 --> 00:00:53,800 It gets reflected by this mirror into a polarizer, 18 00:00:53,800 --> 00:00:56,560 which I'll explain the reason for a little later. 19 00:00:56,560 --> 00:00:59,770 Here's the output of the polarizer 20 00:00:59,770 --> 00:01:05,450 getting reflected by this mirror here into the cavity. 21 00:01:05,450 --> 00:01:08,590 So let's look at the cavity right now. 22 00:01:08,590 --> 00:01:13,090 It's made out of two hefty mirror mounts. 23 00:01:13,090 --> 00:01:15,940 Because we need good stability. 24 00:01:15,940 --> 00:01:22,690 The mirrors have the same radius of curvature of 25 centimeters. 25 00:01:22,690 --> 00:01:26,440 One of the mirrors is mounted on a piezoelectric crystal 26 00:01:26,440 --> 00:01:28,360 over here. 27 00:01:28,360 --> 00:01:30,970 And the adjustment to the mirror mounts 28 00:01:30,970 --> 00:01:36,790 are over here using these knobs here. 29 00:01:36,790 --> 00:01:40,570 Now, if we come around from the other side, 30 00:01:40,570 --> 00:01:45,970 we can see that we have a differential screw over here 31 00:01:45,970 --> 00:01:49,270 that would enable us to adjust the spacing between the two 32 00:01:49,270 --> 00:01:50,380 mirrors. 33 00:01:50,380 --> 00:01:56,020 Right now, the spacing is about 23 centimeters, 34 00:01:56,020 --> 00:02:01,465 while the radius of curvature of each mirror is 25 centimeters. 35 00:02:04,760 --> 00:02:09,759 This laser is a special one. 36 00:02:09,759 --> 00:02:11,245 We've used it before. 37 00:02:11,245 --> 00:02:15,470 It operates at two frequencies, sometimes more. 38 00:02:15,470 --> 00:02:19,660 But right now, let's look at the two frequencies. 39 00:02:19,660 --> 00:02:24,250 The two frequencies oscillate with different polarizations, 40 00:02:24,250 --> 00:02:29,950 orthogonal polarizations, so that by using the polarizer 41 00:02:29,950 --> 00:02:36,100 over here we can select, then, either one of the two 42 00:02:36,100 --> 00:02:39,160 frequencies so that the output, then, 43 00:02:39,160 --> 00:02:43,690 that we can inject into the cavity can be single frequency. 44 00:02:43,690 --> 00:02:45,370 If we want more than one frequency, 45 00:02:45,370 --> 00:02:50,180 then we just simply rotate the polarizer by 45 degrees. 46 00:02:50,180 --> 00:02:54,640 And then we can pick off both frequencies. 47 00:02:54,640 --> 00:03:00,070 Now, the cavity, then, the output of the cavity 48 00:03:00,070 --> 00:03:01,150 is over here. 49 00:03:01,150 --> 00:03:04,400 And we're going to expand it by the lens, 50 00:03:04,400 --> 00:03:08,140 by this lens here, and then onto the screen. 51 00:03:08,140 --> 00:03:11,260 Now since the laser is pretty weak, 52 00:03:11,260 --> 00:03:13,030 we're going to have to dim the room 53 00:03:13,030 --> 00:03:18,130 lights to look at the output transmitted through the cavity. 54 00:03:18,130 --> 00:03:21,970 So now we'll dim the lights and see 55 00:03:21,970 --> 00:03:23,350 what we can see on the screen. 56 00:03:27,740 --> 00:03:29,650 And here we are on the screen. 57 00:03:29,650 --> 00:03:36,190 And what we can see is all sorts of interesting patterns. 58 00:03:36,190 --> 00:03:39,610 They're going a little fast right now. 59 00:03:39,610 --> 00:03:42,620 But I can slow them down just a little bit. 60 00:03:42,620 --> 00:03:44,200 Here we are. 61 00:03:44,200 --> 00:03:49,360 These are the transverse modes or radial 62 00:03:49,360 --> 00:03:53,800 modes of the resonator. 63 00:03:53,800 --> 00:03:59,140 What I'm doing now is changing the horizontal alignment 64 00:03:59,140 --> 00:04:00,160 of the mirrors. 65 00:04:00,160 --> 00:04:05,680 And you can see the shapes of the modes vary from a few spots 66 00:04:05,680 --> 00:04:07,510 to many spots. 67 00:04:12,120 --> 00:04:15,480 Here we are, some very pretty patterns. 68 00:04:15,480 --> 00:04:19,274 And let me see if I can scan by hand. 69 00:04:25,450 --> 00:04:26,020 Here we are. 70 00:04:26,020 --> 00:04:28,662 I'm scanning by hand, holding the patterns 71 00:04:28,662 --> 00:04:29,495 for a little longer. 72 00:04:35,030 --> 00:04:38,510 There's a pretty one, lots of spots. 73 00:04:45,450 --> 00:04:48,240 These are 0, 1, or 1, 0, depending 74 00:04:48,240 --> 00:04:50,507 on how you read these modes. 75 00:04:50,507 --> 00:04:52,590 Let me bring it again, the one with the two spots. 76 00:05:00,400 --> 00:05:03,920 Another one-- there's one. 77 00:05:14,580 --> 00:05:18,400 Now, what I'm going to do is turn the scan back on again. 78 00:05:18,400 --> 00:05:21,990 And then I'm going to change the alignment so we 79 00:05:21,990 --> 00:05:25,080 can look at other patterns. 80 00:05:25,080 --> 00:05:29,310 Here we are, another set. 81 00:05:29,310 --> 00:05:32,460 Going to a vertical, this alignment, 82 00:05:32,460 --> 00:05:39,290 now you see that the spots are rearranged slightly. 83 00:05:39,290 --> 00:05:41,190 Let me separate them a little bit more. 84 00:05:49,050 --> 00:05:55,790 Again, let me switch off the scan and scan by hand slowly. 85 00:05:55,790 --> 00:05:59,740 Again, now, I see the two spots have reoriented themselves 86 00:05:59,740 --> 00:06:02,340 with respect to the vertical direction, 87 00:06:02,340 --> 00:06:06,086 while before they were in horizontal direction. 88 00:06:06,086 --> 00:06:10,860 Now we get some other interesting patterns. 89 00:06:28,897 --> 00:06:29,980 Here's an interesting one. 90 00:06:40,770 --> 00:06:45,270 I'm going to turn the scan back on again. 91 00:06:45,270 --> 00:06:47,990 And I'm going to now align so that we 92 00:06:47,990 --> 00:06:52,310 can get the symmetrical patterns, the patterns that 93 00:06:52,310 --> 00:06:59,020 look the same in both the horizontal and vertical 94 00:06:59,020 --> 00:07:00,190 directions. 95 00:07:00,190 --> 00:07:01,640 Here we are. 96 00:07:01,640 --> 00:07:07,930 I think I'm close to that. 97 00:07:07,930 --> 00:07:12,400 Let me turn the scan off and bring them in by hand. 98 00:07:12,400 --> 00:07:15,370 You can see now the pattern is symmetric. 99 00:07:20,770 --> 00:07:21,425 There's one. 100 00:07:25,012 --> 00:07:27,598 There's another. 101 00:07:27,598 --> 00:07:28,310 There's another. 102 00:07:35,640 --> 00:07:40,580 There's another lower one. 103 00:07:40,580 --> 00:07:45,360 And here is the lowest order mode, the so-called [? TN ?] 0, 104 00:07:45,360 --> 00:07:48,090 0 mode with a single spot. 105 00:07:59,190 --> 00:08:02,790 And here are the higher order ones. 106 00:08:02,790 --> 00:08:05,540 I'm going to put the scan back on again 107 00:08:05,540 --> 00:08:08,590 and just adjust the alignment and see what 108 00:08:08,590 --> 00:08:10,600 we can get for different spots. 109 00:08:20,980 --> 00:08:27,590 Let me separate the modes some more. 110 00:08:27,590 --> 00:08:32,360 And we can really get extremely high order modes this way. 111 00:08:32,360 --> 00:08:35,080 Here we are. 112 00:08:35,080 --> 00:08:39,385 I'll turn the scan off, bring them in by hand. 113 00:09:21,830 --> 00:09:26,720 Well, I think we've seen probably enough of these modes. 114 00:09:26,720 --> 00:09:29,670 In the next part of the demonstration, 115 00:09:29,670 --> 00:09:34,040 we're going to put a photodetector 116 00:09:34,040 --> 00:09:37,580 and look at the output of the photodetector. 117 00:09:37,580 --> 00:09:43,910 And will see that the resonant conditions for each high order 118 00:09:43,910 --> 00:09:46,728 mode is different. 119 00:09:51,210 --> 00:09:55,410 Just before, we saw the modes on the screen, 120 00:09:55,410 --> 00:09:58,140 the modes of the resonator with curved mirrors 121 00:09:58,140 --> 00:10:04,390 on the screen as a function of the tuning of the resonator. 122 00:10:04,390 --> 00:10:08,940 Now, we're going to look at the output transmitted 123 00:10:08,940 --> 00:10:12,030 through the cavity on a photodetector that 124 00:10:12,030 --> 00:10:15,900 is associated with the different transverse modes 125 00:10:15,900 --> 00:10:17,310 of the resonator. 126 00:10:17,310 --> 00:10:20,520 And the setup is here. 127 00:10:20,520 --> 00:10:23,490 The output of the resonator, then, 128 00:10:23,490 --> 00:10:27,600 is reflected by this mirror onto a photodetector. 129 00:10:27,600 --> 00:10:29,430 And the output of the photodetector 130 00:10:29,430 --> 00:10:34,090 is displayed on the oscilloscope. 131 00:10:34,090 --> 00:10:39,510 So we're going to see both the transmission associated 132 00:10:39,510 --> 00:10:42,150 with the transverse modes. 133 00:10:42,150 --> 00:10:48,930 And also, I'm going to adjust the length of the resonator 134 00:10:48,930 --> 00:10:51,960 by means of this translation stage driven 135 00:10:51,960 --> 00:10:54,550 by this differential screw. 136 00:10:54,550 --> 00:10:57,255 So now, let's look at the-- let's look at the scope 137 00:10:57,255 --> 00:11:00,210 and see what we can see. 138 00:11:00,210 --> 00:11:02,220 On the scope, we can see there are 139 00:11:02,220 --> 00:11:05,490 lots of modes, lots of resonances associated 140 00:11:05,490 --> 00:11:09,060 with the transverse modes of the resonator. 141 00:11:09,060 --> 00:11:12,840 Also, we see that the modes are shifting around. 142 00:11:12,840 --> 00:11:16,350 And a simple excuse for the shifting 143 00:11:16,350 --> 00:11:19,950 around is due to the air currents in the resonator. 144 00:11:19,950 --> 00:11:25,560 So I'm going to reduce this by placing a tube over the light 145 00:11:25,560 --> 00:11:27,000 in the resonator. 146 00:11:27,000 --> 00:11:30,140 So here is a simple tube. 147 00:11:30,140 --> 00:11:34,260 And if I'm lucky, I can do it on camera. 148 00:11:34,260 --> 00:11:39,210 If I'm not, we'll have to go back and fix it. 149 00:11:50,280 --> 00:11:53,140 Here is a tube, one end of the tube, and here is-- 150 00:11:53,140 --> 00:11:57,110 OK, now that I've got the tube in place, let's go back 151 00:11:57,110 --> 00:11:59,090 and look at the oscilloscope. 152 00:11:59,090 --> 00:12:03,380 And you can see that the modes are not moving around 153 00:12:03,380 --> 00:12:04,790 as much as before. 154 00:12:04,790 --> 00:12:08,090 Let me just remind you that the free spectral range 155 00:12:08,090 --> 00:12:09,290 is from here to here. 156 00:12:09,290 --> 00:12:12,455 The free spectral range of the resonator is this much. 157 00:12:15,200 --> 00:12:21,260 The length of the cavity right now is about 23 centimeters. 158 00:12:21,260 --> 00:12:26,150 And remember that the radius of curvature of the mirror 159 00:12:26,150 --> 00:12:27,830 is 25 centimeters. 160 00:12:27,830 --> 00:12:35,810 So now what I'm going to do is approach 25 centimeters. 161 00:12:35,810 --> 00:12:39,590 I want to change the spacing now so that I can approach 162 00:12:39,590 --> 00:12:42,770 25 centimeters, which is the radius of curvature 163 00:12:42,770 --> 00:12:43,760 of each mirror. 164 00:12:43,760 --> 00:12:46,045 And that's the confocal condition. 165 00:12:46,045 --> 00:12:47,420 Now, as you can see on the scope, 166 00:12:47,420 --> 00:12:51,630 the modes are now blending into each other. 167 00:12:51,630 --> 00:12:55,430 In fact, you can't even distinguish them. 168 00:12:55,430 --> 00:13:01,550 And as I keep going, as I keep getting closer and closer 169 00:13:01,550 --> 00:13:03,560 to the-- 170 00:13:03,560 --> 00:13:10,420 let me make a DC adjustment here on the scope. 171 00:13:10,420 --> 00:13:12,440 As I get closer and closer to confocal, 172 00:13:12,440 --> 00:13:14,140 they're really blending into each other. 173 00:13:14,140 --> 00:13:15,760 And they're getting very big. 174 00:13:15,760 --> 00:13:18,490 And I have to reduce the sensitivity. 175 00:13:21,780 --> 00:13:30,170 And as I approach the confocal, the gain is saturating. 176 00:13:30,170 --> 00:13:32,610 So let me just do one more adjustment. 177 00:13:32,610 --> 00:13:35,190 Here we are. 178 00:13:35,190 --> 00:13:41,310 We see that we get only one resonance. 179 00:13:41,310 --> 00:13:43,980 And don't forget that the free spectral range 180 00:13:43,980 --> 00:13:45,730 is from here to here. 181 00:13:45,730 --> 00:13:47,550 So we get this additional resonance 182 00:13:47,550 --> 00:13:49,770 in the middle of the free spectral range, which 183 00:13:49,770 --> 00:13:52,930 I leave to you to figure out. 184 00:13:52,930 --> 00:13:56,220 Now-- so when we are confocal, then, 185 00:13:56,220 --> 00:14:00,750 we have all the most coalescing. 186 00:14:00,750 --> 00:14:03,630 And we also have the appearance of an additional mode 187 00:14:03,630 --> 00:14:05,670 in the middle of the free spectral range. 188 00:14:05,670 --> 00:14:10,350 And then if I go now and make the cavity longer, 189 00:14:10,350 --> 00:14:16,030 again, you see that as I go away from the confocal condition 190 00:14:16,030 --> 00:14:19,860 the other way, the-- 191 00:14:19,860 --> 00:14:21,590 let me bring up the sensitivity. 192 00:14:21,590 --> 00:14:23,670 You can see now that the modes start 193 00:14:23,670 --> 00:14:32,690 to pile up on the other side of the resonance as shown. 194 00:14:32,690 --> 00:14:34,970 So what we've seen in this little demonstration 195 00:14:34,970 --> 00:14:41,570 is that the various radial modes appear at different lengths 196 00:14:41,570 --> 00:14:44,520 of the resonator. 197 00:14:44,520 --> 00:14:48,020 And we saw that when we made the length of the resonator 198 00:14:48,020 --> 00:14:50,030 equal to the radius of curvature, 199 00:14:50,030 --> 00:14:53,690 which is the confocal condition, we 200 00:14:53,690 --> 00:15:00,890 saw that the modes coalesced into two peaks. 201 00:15:00,890 --> 00:15:04,610 And the spacing between the peaks 202 00:15:04,610 --> 00:15:07,790 is half the free spectral range. 203 00:15:07,790 --> 00:15:10,880 And let's look at the scope. 204 00:15:10,880 --> 00:15:11,390 Here we are. 205 00:15:11,390 --> 00:15:13,710 This is the free spectral range of the cavity. 206 00:15:13,710 --> 00:15:19,070 And when we are at confocal, we have the appearance 207 00:15:19,070 --> 00:15:22,340 of this peak here, which means that all the modes have 208 00:15:22,340 --> 00:15:26,480 coalesced into just two peaks. 209 00:15:26,480 --> 00:15:29,660 And we'll leave that for you as an exercise 210 00:15:29,660 --> 00:15:33,020 to explain why this has happened. 211 00:15:33,020 --> 00:15:36,320 In the next demonstration, we're going 212 00:15:36,320 --> 00:15:41,510 to show how a cavity like this with curved mirrors 213 00:15:41,510 --> 00:15:46,870 can be used to analyze the spectrum of laser light.