Assignments

Your essay should be double-spaced, saved in Word format with a .docx extension, and submitted on Session 14.

Same format as Essay 1, due two days after the final session.

Writing Resources

Writing Discursive Essays (PDF)

Tips and advice on the four stages of writing an essay.

A Note on References (PDF)

A guide on how to cite references.

In an essay of 1500 words consider one of the following questions:

“Can we rely on Fairy Tales as a guide to the past?”

Guidance Note: There are a number of possibilities here. One might consider whether the Fairy Tale is an emanation directly from the heart of peasant and traditional peoples or a more recent literary form? What are its sources? What about it’s seeming embrace of the timelessness and the fantastic? What are the specific claims for antiquity that have been made for the form by scholars like the brothers Grimm and Vladimir Propp? Can materials carried by oral tradition and subject, perhaps, to continuous change, ever really be considered old?

You will obviously want to consult the course books, but a successful discussion should also show signs of “reading around.” The Hayden is an obvious place to start with book sources (for example, it has Jack Zipes’s The Irresistible Fairy Tale, The Cultural and Social History of a Genre, which has something to say on this subject); and there is considerable material online. One possible source, already in your possession, might be Robert Darnton’s essay “Peasant Tales: The Meaning of Mother Goose.” Another possible resource (and one you should always consult when considering a particular book, author, or argument) is the scholarly review. For example, Ellis’s book had a considerable impact at the time, and was widely reviewed. It is always interesting to see what professional scholars and experts in the field thought, although you should try to take an independent view—and always remember to cite your sources in the normal fashion—and you will find a number of reviews of One Fairy Story too Many in Jstor Scholarly Journal Archive; and now also in the main MIT Library catalogue. Material on Propp, too, can also be found in Jstor—and elsewhere—and a number of intelligently-worded searches might yield useful insights. Remember: While Internet research can be fruitful, it takes time…so “a little, often…” should be the watchword.

OR

“The Fairy Tale—a women’s tradition hijacked by men?”

Guidance Note: A good answer would range widely over the evidence from Straparola and Basile onwards to, say, the middle years of the twentieth century, avoiding discussion of texts like Angela Carter’s, which are dealt with later in the course. The question receives explicit treatment in Tatar’s introduction to Classic Fairy Tales, and certain of the critical essays in the same volume, but evidence of exploratory further reading will be rewarded. For example, both Tatar and Marina Warner seem keen on this point; do they enlarge upon it, perhaps, in any of their other writings available either in book form or online? Scholarly reviews may be a useful guide here to who is thinking what. One possible approach might be to see whom Tatar cites in her Introductory remarks. Might some of these sources be worth pursuing? A good deal of information on this topic will be found online, but care will need to discriminate between serious scholarly sites and more ephemeral offerings. Much of the material is controversial, and you must try as far as possible to be objective. You must also take care not to let yourself be overwhelmed; there is a lot of potential evidence, and you will need to be selective. The caveats entered above about time and the need to acknowledge sources consulted apply equally here.

In an essay of 1500 words consider one of the following topics:

  • Leading contemporary Fairy Tale scholar, Jack Zipes, takes a dim view of Disney’s treatment of Fairy Tale themes. He speaks of them as being: “‘Disneyfied’, that is, they have been subjected to the saccharine, sexist, and illusionary stereotypes of the Disney culture-industry.” (When Dreams Came True Classical Fairy Tales and Their Tradition. 2nd ed. Routledge, 2007, p. 15). With reference to Snow White, consider in an essay of 1,500 words the substance of Zipes’s criticisms, and develop a counter-argument sketching out a possible defense for Disney. 
    Guidance note: You will find evidence for Zipes’ attack in the class reader: Maria Tatar, The Classic Fairy Tales, pp. 332–52, “Breaking the Disney Spell.” Additional material can be found in Zipes’s books The Enchanted Screen (New York: 2011) and The Irresistible Fairy Tale (Princeton 2012). It might also help to “read around” to check, for example, how typical Zipes’s response is to Disney as a cultural figure and about Zipes’s own standing in the field.
  • “The many-faceted symbol of ‘The Beast’ is central to an understanding of Liz Lochhead’s poetry.” Discuss in an essay of 1500 words, making detailed reference to at least six of her poems. 
    Guidance note: You might consider her relation to her sources: Are her Fairy Tale poems for example simply “translations” of the Originals, or do they add something new and original of their own—in which case what? And what light, if any, do they shed upon these ancient themes? One possibility might be to consider her standpoint as a woman in a tradition in which the gender issue has been rather complicated. Or perhaps one might look at the poems as a Freudian might—what would somebody like Bruno Bettelheim have made of them? There are a whole range of different possibilities here, and you need not feel bound by the above suggestions. You may choose your examples from any section of Dreaming Frankenstein and Collected Poems.
  • Angela Carter expects the reader to be aware of earlier versions of her stories, and plays with this expectation." How true is this of the tales in The Bloody Chamber and other Stories? With detailed reference to at least three of Angela Carter’s stories, discuss, in an essay of 1500 words, their relationship with the earlier Fairy Tale tradition. 
    Guidance note: As well as the central strand of the topic, you might consider her rich and ornate style and what the texture of her prose contributes to tone, atmosphere and reception. Her writing has sometimes been considered disturbingly violent, even pOrnographic, and her readers are clearly not intended to be children. But what is it she might want to shock us out of (Or, perhaps, into)? You will find a good deal of criticism online on Jstor and elsewhere, which will help shed light on the question, but you should try to form an independent judgment, before turning to other sources (and remember, too, to acknowledge these sources in your finished piece).
  • “A knowledge of Hans Christian Andersen’s work is essential to an understanding of the later literary fairy tale.” Is this true? With detailed reference to at least one of Andersen’s tales and two later tales…Maria Tatar’s The Classic Fairy Tales, Alison Lurie’s oxford Book of Modern Fairy Tales, and Angela Carter’s Bloody Chamber provide numerous examples, but you may chose more widely if you wish. The field is wide: Jack Zipes’s Grimm Legacies pp. 92–3 gives numerous further examples if you want to read around. However, if you do select a tale from outside the above list, please remember to include a copy of it in PDF form along with your essay.

Sample Student Work

“Transformation from the Passive to the Powerful” (PDF) (Courtesy of an MIT student. Used with permission.)

Course Info

As Taught In
Fall 2015
Learning Resource Types
Lecture Notes
Written Assignments with Examples