The texts for this course are listed below in the order that they are used. Excerpts of these texts, combined with handouts of assorted poems, served as the reading assignments for the course, as shown in the table below.
Required Texts
Crotty, Patrick, ed. Modern Irish Poetry: An Anthology. Belfast: Blackstaff Press, 1995. ISBN: 0-85640-561-2.
Bolger, Dermot, ed. The Vintage Book of Contemporary Irish Fiction. New York: Vintage - Knopf, 1995. ISBN: 0-679-76546-8.
Friel, Brian. Dancing at Lughnasa. London: Faber and Faber, 1992. ISBN: 0-571-14479-9.
McGuiness, Frank, ed. The Dazzling Dark: New Irish Plays. New York: Faber and Faber, 1996. ISBN: 0-571-17740-9.
Somer, John, and John Daly, eds. The Anchor Book of New Irish Writing: The New Gaelach Ficsean. New York: Doubleday Publishing, 2000. ISBN: 0-385-49889-6.
McBreen, Joan, ed. The White Page/An Bhileog Bhan: Twentieth-Century Irish Women Poets. County Clare, Ireland: Salmon Publishing, 2000. ISBN: 1-897648-40-5.
| LEC # | TOPICS | READINGS |
|---|---|---|
| 1 | Welcomes, logistical explanations, and a few warm-up exercises. | |
| 2 | James Joyce, “The Dead.” Not to pre-empt the lead-off persons here, but two questions that nag at me about this story are, “To whom precisely does the yitle refer?” and “Can this marriage be saved?” | Handout: Joyce, James. “The Dead.” |
| 3 | James Joyce, “The Dead.” (cont.) | Handout: Joyce, James. “The Dead.” |
| 4 | William Butler Yeats | Handout: Yeats, William Butler. Sample of poems. |
| 5 | William Butler Yeats (cont.) | Handout: Yeats, William Butler. Sample of poems. |
| 6 | Samuel Beckett | Bolger: Beckett. “Dante and the Lobster” and “For to End Yet Again.” |
| 7 | Recently an enterprising group undertook the filming of all of Beckett’s stage works. The Literature Section film office owns the set, and we’ll take a look at a few of Smiling Sammy’s shorter works today. | |
| 8 | Edna O’Brien |
Handout: O’Brien. “Sister Imelda.”
Bolger. p. 282. |
| 9 | William Trevor | Bolger. p. 187. |
| 10 | Mary Lavin | Bolger. p. 95. |
| 11 | John McGahern |
Handout: McGahern. “All Sorts of Impossible Things.”
Bolger. p. 67. |
| 12 |
Mary Dorcey
Mary Morrissey |
Bolger. p. 265.
Bolger. p. 524. |
| 13 |
Roddy Doyle
Sara Berkeley |
Bolger. p. 295.
Bolger. p. 387. |
| 14 | Brian Friel | Friel. |
| 15 | Brian Friel (cont.) | Friel. |
| 16 | Seamus Heaney | Crotty. p. 197. |
| 17 | Seamus Heaney (cont.) | Crotty. p. 197. |
| 18 | John Montague | Crotty. p. 178. |
| 19 | John Montague (cont.) | |
| 20 |
Eavan Boland
Nuala ni Dhomhnaill Paula Meehan |
Handout: Boland. “A Kind of Scar.”
Crotty. p. 272. Crotty. p. 365. Crotty. p. 398. |
| 21 | Marina Carr | McGuiness: Carr. “Portia Coughlin.” |
| 22 | Discussion of poetry from The White Page. The lead-off people will have the power / responsibility to select the poem we attend to on that day, and given time others may bring forward their choices. | McBreen. |
| 23 | The White Page Discussions (cont.) | McBreen. |
| 24 | The White Page Discussions (cont.) | McBreen. |
| 25 | The White Page Discussions (cont.) | McBreen. |
| 26 | Final Lecture |
