LEC # | TOPICS | KEY DATES |
---|---|---|
Unit 1: Introduction: Ethnomusicological Approaches to African Music | ||
1 | Preliminaries; Overview of Course | |
2 |
The Field of Ethnomusicology, the Concept of “Soundscapes” and its Application to the Study of World Music
Building a Cross-Cultural Musical Vocabulary |
|
3 | Organology and Instruments: The Sachs-Hornbostel System of Instrument Classification | |
4 | African Music: A Review of Ethnomusicological Literature | Paper 1 due |
Unit 2: Senegal | ||
5 |
Senegalese History, Culture, and Music
Focus on Wolof Griots, Masters of the Sabar Drum |
|
6 | Popular Music in Senegal: mbalax and Hip-Hop | |
7 | Sabar Drumming: An Introduction to Basic Hand Techniques, Rhythms, and bàkks | |
8 | Sabar Drum Workshop with Artist-in-Residence, Lamine Touré | |
9 | Interlude: Southern Africa | |
Unit 3: Mali | ||
10 | Music of the Mande: The jali and his Instruments | Musical transcription exercise due |
11 | Guest Lecture - Demonstration by Balla Kouyate, a Balafon Player from New York City | |
12 | Malian Superstars: Salif Keita, Oumou Sangare and Ali Farke Touré | |
13 | Midterm Exam | |
Evening Performance by Lamine Touré and Group Saloum | ||
Unit 4: Ghana | ||
14 | Music Cultures of the Ewe and Dagbamba | |
15 | Case Study: Agbekor (Ewe) | Paper 2 due |
16 | Urban Music Roots: Highlife and Palm-wine Music | Submit final project proposal |
17 | Interlude: Central Africa | |
Unit 5: Nigeria | ||
18 | Music and Identity: jùjú and fúji Bands | |
19 | Music and Politics: Fela Anikulapo-Kuti’s Afro-Beat | |
20 | Music and Ritual: Hausa Music and the bori Ceremony | Submit final project progress report |
21 | Interlude: East Africa | |
Unit 6: Conclusions | ||
22-24 | Final Presentations | |
25 | Conclusions | Final paper due |
Calendar
Course Info
Instructor
Departments
As Taught In
Fall
2005
Level
Topics
Learning Resource Types
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Written Assignments with Examples