Course Description
Through a progressive series of composition projects, students investigate the sonic organization of musical works and performances, focusing on fundamental questions of unity and variety. Aesthetic issues are considered in the pragmatic context of the instructions that composers provide to achieve a desired musical …
  Through a progressive series of composition projects, students investigate the sonic organization of musical works and performances, focusing on fundamental questions of unity and variety. Aesthetic issues are considered in the pragmatic context of the instructions that composers provide to achieve a desired musical result, whether these instructions are notated in prose, as graphic images, or in symbolic notation. No formal training is required. Weekly listening, reading, and composition assignments draw on a broad range of musical styles and intellectual traditions, from various cultures and historical periods.
  
Course Info
Instructor
Departments
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Learning Resource Types
    group_work
    Projects with Examples
  
    assignment
    Written Assignments
  
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    Activity Assignments with Examples
  
    
    Instructor Insights
  
 
        
          David Shively, percussionist in the artist-in-residence ensemble Either/Or, performs Alvin Lucier’s Silver Streetcar for the Orchestra (a piece for amplified solo triangle) in the MIT Chapel. (Photo courtesy of L. Barry Hetherington. Used with permission.)
        
       
		 
		 
		 
		 
		 
		 
		