This page lists the recordings, plus a few videos, of works assigned for each class session. When this course was taught during the Fall 2006 term, some recordings were different; the recordings below aim for a balance between being of the highest quality and being in print for purchase today.
| LEC # | TOPICS | LISTENING | SCORES | |
|---|---|---|---|---|
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Part 1: European Music Before WWII (Composers and ideas which gained in importance before 1939 or at least 1945. Some works studied will be from as late as 1956 but in “older” styles.) |
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| 1 |
Introduction Antecedents and the State of Music, 1899. The “Long Nineteenth Century.” 1900-1960: the big questions. |
Listening done in class - this week only: Dvořák, A. Symphony No. 9 in E-minor, Op. 95 (“From the New World”) (1893), mvmt. 1. New York Philharmonic, Bernstein. Sony Classical, 1992. Strauss, R. Don Quixote, Op. 35 (1897). Themes and variations 1-2. Boston Symphony, Ma, Ozawa. Sony, 1990. Wagner, R. Tristan Und Isolde (1859). “Prelude.” Bayreuther Festspiele Orchester. Deutsche Grammophon, 1997. Joplin, Scott. “Maple Leaf Rag.” (1899). Joshua Rifkin, piano. Ragtime: Music of Scott Joplin. Angel, 2005. |
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| 2 | Stravinsky Throws Down the Gauntlet |
Stravinsky, Igor. Petrushka (1911); Le Sacre du Printemps (The Rite of Spring) (1913). New York Philharmonic, Bernstein. Sony Classical, 1993. |
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| 3 | Bartok |
Bartók, Béla. Mikrokosmos, Book 2, no. 50 (Minuetto), (1926, 1932-1939). György Sándor. Bela Bartok: Mikrokosmos. Sony Classical, 1993. ———. String Quartet No. 4 (1928). Mvmt. 1. Juilliard Quartet. Bartok: The Six String Quartets. Sony Classical, 1997. ———. Music for Strings, Percussion, and Celesta (1936). Mvmt. 3. Chicago Symphony Orchestra, Solti. Bartok: The Orchestral Masterpieces. Decca, 2002. Ravel, Maurice. Ma mère l’oye (1911-12): “Laideronnette, Impératrice des Pagodes,” and “Les entretiens de la Belle et de la Bête.” Orchestre symphonique de Montréal, Dutoit. Ravel: Bolero [et al]. Decca, 1999. |
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| 4 | German Music between the Wars (And a Little Before and After…) |
Hindemith, Paul. Symphony in B-flat for Band (1956). Cincinnati Wind Symphony, Eugene Corporon. Klavier, 1995. Weill, Kurt, and Bertolt Brecht. Kölner Rundfunkorchester, Latham-König. Aufstieg und Fall der Stadt Mahagonny (The Rise and Fall of the City of Mahagonny) (1929 based on material from 1927). Capriccio CD, 1988. Opening scenes (1-6) and “God Comes to Mahagonny” (scene 19). DVD: ———. Aufstieg und Fall der Stadt Mahagonny (The Rise and Fall of the City of Mahagonny). From the Salzburg Festival, 1998. Radio Symphony Orchestra Vienna/Davies and Konzertvereinigung Wiener Staatsopernchor/Maczewski. Kultur Video, 2001. |
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| 5 | The Second Viennese School: Tonality and Atonality |
Late modern Schoenberg: Schoenberg, A. Verklärte Nacht (1899). New York Philharmonic, Boulez. Die glückliche Hand [et al.] Sony, 1993. Atonality without process: ———. Six little piano pieces, Op. 19, nos. 2 and 6 (1911). Mitsuko Uchida, piano. Schoenberg: Piano Concerto. Phillips, 2001. ———. “Nacht.” (no. 8) from Pierrot Lunaire, Op. 21 (1912). Lucy Shelton, soprano. Schoenberg: Pierrot Lunaire. Bridge, 1992. Webern, Anton. Fünf Sätze (Five Movements) for String Quartet, Op. 5, movements 1 & 4. (1909). Juilliard Quartet. Webern: Complete Works. Sony, 1991. Berg, Alban. Wozzeck, Act I, first scene, and Act III, scene 3. (1917-1922). Hamburg State Philharmonic Orchestra; Ingo Metzmacher, conductor. EMI/Angel, 2002. DVD: ———. Wozzeck. Frankfurt Opera. Kultur Video, 2003. |
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| 6 | The Second Viennese School: Twelve-Tone Tonality |
Schoenberg, Arnold. String Quartet No. 4, Op. 37 (1936), 1st mvmt. Arnold Schoenberg 2: String Quartets 1-4. Disques Montaigne, 1994. Webern, Anton. Symphonie, Op. 21 (1929) (for nine instruments). Members of London Symphony Orchestra, Boulez. Webern: Complete Works. Sony, 1991. |
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| 7 |
Neoclassicism and Stravinsky (ca. 1920-1952) First Unit Ttest |
Prokofiev, Sergei. Symphony no. 1 (“Classical”), Op. 25 (1917). Mvmt. 1. New York Philharmonic, Bernstein. Prokofiev: Symphonies Nos. 1 & 5. Sony Classical, 1993. Stravinsky, Igor. Symphony of Psalms (1930). Mvmt 1. Berliner Philharmoniker, Boulez. Stravinsky: Symphony of Psalms; Symphony in Three Movements. Deutsche Grammophon, 1999. Stravinsky, Igor. The Rake’s Progress (1951). Act II scene 1. Royal Philharmonic, Stravinsky. Sony Classical SM2K 46299, 1991. DVD: ———. The Rake’s Progress. Glyndebourne Opera. Arthaus Musik, 2005. |
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| Part 2: American Music Before WWII | ||||
| 8 | Introduction; Antecedents |
Sousa, John Philip. Washington Post March (1889). Sousa Marches played by the Sousa Band. Crystal Records, 2000. Beach, Amy. Grand Mass in E-flat major, Op. 5 (1890). “Gloria.” Barbara Schramm, Daniel Beckwith, Paul Rogers. Newport Classical, 1989. Chadwick, George. Symphonic Sketches (1895-1904). Mvmts. 2 (“Noël”) and 4 (“A vagrom ballad”). National Radio Symphony Orchestra of Ukraine, Kuchar. Naxos, 2005. |
Beach: Mass in E-Flat | |
| 9 | Charles Ives |
Ives, Charles. “General William Booth Enters Heaven.” (Song 1914, rev. 1933). Steven Blier, piano, and William Sharp, baritone. Charles Ives: Songs, vol. 3. Albany Records, 1995. ———. Three Places in New England (1929, from movements dating as far back as 1915). Mvmts. I and II. Cleveland Orchestra, von Dohnányi. Ives: Three Places in New England; Ruggles: Sun-treader. London/Decca, 1995. ———. Second Piano Sonata (“Concord, Mass. 1840-60”) (1916-19; rev. from 1920-40). Mvmt. 3 “The Alcotts” and mvmt. 4 “Thoreau.” Pierre-Laurent Aimard, piano. Ives: Concord Sonata; Songs. Warner Classical, 2004. |
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| 10 | Ruth Crawford Seeger and Other American Modernists |
Seeger, Ruth Crawford. String Quartet (1931); Ricercare 2: “Chinaman, laundryman” (1932); Piano Study in Mixed Accents (1930). Schoenberg Ensemble, Lucy Shelton. Ruth Crawford Seeger: Portrait. Deutsche Grammophon, 1997. Ruggles, Carl. Sun-Treader (1926-1931). Cleveland Orchestra, von Dohnányi. Ives: Three Places in New England; Ruggles: Sun-treader. London/Decca, 1995. |
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| 11 | The “Art-Scientists”: Cowell, Antheil, Varese |
Cowell, Henry. Piano works (mostly 1917-1925): “The Tides of Manaunaun,” “The Aeolian Harp,” “The Banshee,” and “Fabric.” Chris Brown, Sorrel Hays, piano. New Music - Piano Compositions By Henry Cowell. New Albion, 1999. Antheil, George. Ballet Mécanique (1925). Varèse, Edgard. Ionisation (1931). ASKO Ensemble. Varese: The Complete Works. London/Decca, 1998. |
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| 12 | Still, Gershwin (And Bernstein) |
Still, William Grant. Afro-American Symphony (1930). Mvmts. 1 and 3. Chicago Sinfonietta, Freeman. African Heritage Symphonic Series, Vol. 1. Cedille Records, 2000. Gershwin, George. Rhapsody in Blue (1924): Bernstein, Leonard. West Side Story. MGM DVD, 1961. |
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| 13 | Aaron Copland (Guest Lecture) |
Copland, Aaron. Piano Variations (1930). Gil Kalish, piano. Copland: Sextet; Piano variations; Piano quartet. Elektra/Nonesuch, 1987. ———. Appalachian Spring (1944). |
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| 14 |
Virgil Thomson Second Unit Test |
Thomson, Virgil, and Gertrude Stein. “Pigeons on the Grass, Alas.” Orchestra of Our Time. Four Saints in Three Acts (1928; orch, 1933; fp. 1934), excerpts: Act I, Scene 1; Act 2, Elektra/Nonesuch, 1982. | ||
| Part 3: Music During and After WWII | ||||
| 15 | The Continued Tonal Tradition I: Britten and Barber |
Britten, Benjamin. Peter Grimes (1945). Act III. Chorus and Orchestra of the Royal Opera House, Covent Garden; Colin Davis. Philips Classics, 1999. DVD: ———. Peter Grimes, Chorus and Orchestra of the Royal Opera House, Covent Garden; Colin Davis. Kultur Video, 2003. Barber, Samuel. Knoxville: Summer of 1915 (1947). Dawn Upshaw, Orchestra of St. Luke’s. Elektra/Nonesuch, 1990. |
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| 16 | The Continued Tonal Tradition II: Shostakovich |
Shostakovich, Dmitri. Symphony No. 7 in C major (“Leningrad”), Op. 60 (1941). Mvmt 1. Chicago Symphony, Bernstein. Shostakovich: Symphonies 1 & 7. Deutsche Grammophon, 1989. ———. String Quartet No. 8 in C minor, Op. 110 (1960). Kronos Quartet. Black Angels. Elektra/Nonesuch, 1990. |
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| 17 | Oliver Messiaen |
Messiaen, Oliver. Quartet for the End of Time (1942), mvmts. 1, 3, 6, and 8. Yordanoff, Tetard, Desurmont, and Barenboim. Deutsche Grammophon, 1999. ———. Quatre études de rhythme (1949). Mvmt. 2: Mode de valeurs et d’intensités. Gloria Cheng, piano. Messiaen: Petites Esquisses d’Oiseaux [etc.]. Koch International, 1994. ———. Oiseaux exotiques (1959). Peter Donohoe, piano; Netherlands Wind Ensemble. Messiaen: Et Exspecto Resurrectionem Mortuorum [etc.]. Chandos, 1994. |
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| 18 | Total Serialism 1: Babbitt and Stockhausen |
Babbitt, Milton. Three Compositions for Piano (1947). Robert Taub, piano. Babbit: Piano Works. Harmonia Mundi, 1986 ———. Composition for Four Instruments (1948). 33 1/3 rpm LP. Composers Recording CRI 138, 195. Stockhausen, Kreuzspiel (1951, rev. 1959). Stockhausen-Verlag CD, 1991. |
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| 19 | Serialism 2: Nono and Stravinsky |
Nono, Luigi. Il canto sospeso (1956). Mvmts. 2, 6, 7, and 9. Berlin Philharmonic Orchestra, Abbado. Sony Classical, 1993. Stravinsky, Igor. Agon (1957). London Symphony Orchestra, Thomas. Stravinsky In America. RCA Red Seal, 1997. ———. Elegy for J.F.K. (1964). Cathy Berberian, mezzo-soprano. Igor Stravinsky: The Recorded Legacy. Sony Classical, 1991. |
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| 20 | Boulez, Carter and the Legacy of Serial Aesthetic |
Boulez, Pierre. Le Marteau sans maître (pour voix d’alto et 6 instruments) (1958). Mvmts. 1-3. Hillary Summers, mezzo-soprano; Ensemble intercontemporain. Boulez Conducts Boulez. Deutsche Grammophon, 2005. Carter, Elliot. String Quartet No. 2 (1959). Juilliard String Quartet. The Four String Quartets. Sony Classical, 1991. ———. Contemporary Chamber Ensemble, Kalish, Jacobs. Double Concerto for Harpsichord and Piano (1961). Elektra/Nonesuch, 1992. |
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| 21 | Electronic Music |
Stockhausen, Karlheinz. Gesang der Jünglinge (1956). Stockhausen-Verlag CD 3. Varèse, Edgard. Poeme électronique (1958). OHM: the early gurus of electronic music, 1948-1980. Ellipsis Arts, 2000. Babbitt, Milton. Philomel (1964). Bethany Beardslee, soprano. New World Records, 1995. |
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| 22 | Cage and Aleatory |
Mozart, W. A. (1756-1791), Musikalisches Würfelspiel (Musical Dice game). Cage, John. In a landscape (for piano) (1948). Works for piano & prepared piano, Vol. . Wergo, 1993. ———. Sonatas and Interludes for Prepared Piano (1948). Sonatas 1-4, Interlude 1. Maro Ajemian, piano. CRI, 1995. ———. TV Köln (for piano) (1958). Works for piano & prepared piano, Vol. 2. Wergo, 1993. ———. Music of Changes book 1 (piano) (1951). Martine Joste, piano.The Works for Piano, Vol. 6. Mode, 2005. ———. Imaginary Landscape No. 4 for 12 radios (1951). Will You Give Me to Tell You? Norway Music, 2003. ———. 4'33" (1956). Amalinda Percussion Group. Hungaroton, 1993. |
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| 23 |
Aleatory 2: Open Form, New York School and Fluxus Bring Instruments Today! |
Stockhausen, K. “Klavierstück XI.” Herbert Henck, piano. Klavierstück I-XI. (1956). Wergo, 1993. Wolff, Christian. Burdocks (1971). Other Minds Ensemble. Tzadik, 2001. Feldman, Morton. Straits of Magellan (1961). Music Before Revolution. Ensemble Musica Negativa. 33 1/3 rpm LP. Odeon, 1972. [Although this recording is out of print, multiple versions are available on iTunes®.] ———. De Kooning (1963). Feldman: For Frank O’Hara; Bass Clarinet & Percussion; De Kooning (1963). New Millenium Ensemble. Koch International, 2000. [For further listening: Fluxus composers: La Monte Young (Compositions 1960); Nam June Paik, Allison Knowles, Dick Higgins, Yoko Ono] |
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| 24 | Nancarrow and Partch: Two American Originals |
Nancarrow, Conlon. Studies for Player Piano. Nos. 4, 14, 21 (Canon X), 25 (1950s and early 60s). Wergo, 2000. Partch, Harry_. The Wayward: IV. Barstow_ (1941 rev. 1954/1968). Gate 5 Ensemble of the World. The Harry Partch Collection, Vol. 2. New World Records, 2004. ———. Delusion of the Fury (1969). VHS videocassette. American Composers Forum/Innova Recordings 404, 1997. |
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| Third Unit Test | ||||
