21M.342 | Fall 2008 | Undergraduate

Composing for Jazz Orchestra

Course Description

This class explores composition and arrangement for the large jazz ensemble from 1920s foundations to current postmodern practice. Consideration given to a variety of styles and to the interaction of improvisation and composition. Study of works by Basie, Ellington, Evans, Gillespie, Golson, Mingus, Morris, Nelson, …
This class explores composition and arrangement for the large jazz ensemble from 1920s foundations to current postmodern practice. Consideration given to a variety of styles and to the interaction of improvisation and composition. Study of works by Basie, Ellington, Evans, Gillespie, Golson, Mingus, Morris, Nelson, Williams, and others. Open rehearsals, workshops, and performances of student compositions by the MIT Festival Jazz Ensemble and the Aardvark Jazz Orchestra.
Learning Resource Types
Lecture Videos
Projects with Examples
Music
Activity Assignments
Photo of part of a large jazz ensemble on stage - saxophones and trombones - with conductor and composer out front.
Mark Harvey conducts the Aardvark Jazz Orchestra through a reading of student Mike Lee’s final composition project “Empty Bottles.”  A video of this workshop/performance and a complete score are among the materials provided on the assignments page. (Image courtesy of Mark Harvey.)