21H.343J | Spring 2016 | Undergraduate

Making Books: The Renaissance and Today

Instructor Insights

Using Archival Experiences to Ground Readings and Hands-on Learning

21H.343J / CC.120J Making Books: The Renaissance and Today involved three curricular components: 1) engagement with key readings; 2) exploration of rare print objects from the MIT collections; and 3) the hands-on experience of building a printing press and making cotton rag paper. In this section, Professor Jeffrey Ravel describes how offering students tangible experiences with archival materials helped ground the readings and provided a foundation for students’ building of the press and paper-making. He also offers other educators planning courses with similar components advice for getting started.

Students in 21H.343J / CC.120J Making Books: The Renaissance and Today read important scholarship in the history of the book from Gutenberg to the French Revolution, which they discussed with the instructors and each other during our seminar sessions. The purpose of these readings was to help students to think beyond technological determinism, or the idea that the “invention” of moveable type printing in the 1450s caused an immediate communications revolution.

"Opportunities to interact with archival materials allowed students to closely study the printed objects they had read about in class. It gave them a tangible understanding of objects that book and print historians sometimes talk about in abstract ways."
— Jeffrey Ravel

We also had three class sessions during which the MIT Rare Books Program Manager, Stephen Skuce, shared with students manuscripts and early European print materials, Early Modern printed religious materials, and Early Modern natural philosophy printed materials. Another class session involved a visit to the Hart Nautical Collection at the MIT Museum, which provided students with an opportunity to explore visual material from the period between 1500 and 1800.

These opportunities to interact with archival materials allowed students to closely study the printed objects they had read about in class. It gave them a tangible understanding of objects that book and print historians sometimes talk about in abstract ways. Because none of the students had extensive familiarity with the Early Modern materials, these tangible experiences also gave them a physical connection with the past places and periods we were discussing in class. Finally, the opportunity to discuss the relevant scholarship and to handle physical objects made with printing presses was invaluable background for the the process of actually designing and building their own handset printing press and making cotton rag paper.

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Spring 2016
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