21L.460 | Spring 2015 | Undergraduate

Medieval Literature: Love, Sex, and Marriage

Course Description

It is easy to think of love as a "universal language" - but do ideas about love translate easily across history, culture, and identity? In this course, we will encounter some surprising, even disturbing ideas about love and sex from medieval writers and characters: For instance, that married people can never be in …
It is easy to think of love as a “universal language” - but do ideas about love translate easily across history, culture, and identity? In this course, we will encounter some surprising, even disturbing ideas about love and sex from medieval writers and characters: For instance, that married people can never be in love, that the most satisfying romantic love incorporates pain and violence, and that intense erotic pleasure can be found in celibate service to God. Through Arthurian romances, Chaucer’s Canterbury Tales, love letters, mystical visions, and more, we will explore medieval attitudes toward marriage, sexuality, and gender roles. What can these perspectives teach us about the uniqueness of the Middle Ages—and how do medieval ideas about love continue to influence the beliefs and fantasies of our own culture?
Learning Resource Types
Written Assignments
Presentation Assignments
Activity Assignments
The painting is from a manuscript from the Decretals of Gregory IX  (ca. 1300), and shows a priest performing a marriage ceremony with the bride and groom kneeling to his right and left, respectively, and with witnesses standing behind each.
Painting of a medieval marriage scene on a manuscript leaf from Decretals of Gregory IX, ca. 1300. (Painting is in public domain from The Metropolitan Museum of Art Collection Online from a gift of Harry G. Friedman, 1955.)