Please note: You may be asked specifically about bolded works on exams.
Week 6
- Artemisia Gentileschi (1593–c. 1652), Judith and Holofernes, c. 1620
- Pieter Saenredam (1597–1665), Interior of the Church of Saint Bavo at Haarlem, 1638
- Purging of the Temple (detail), woodcut, 1563, and relief sculptures, Church of St. Steven, Nijmegen, damaged by iconoclasts, 1566
- Michelangelo Buonarroti (1475–1564), Last Judgment, Altar Wall of the Sistine Chapel, Vatican City, Rome, 1534–41
- Marcello Venusti (1512/15–1579), Last Judgment, after Michelangelo, 1549
- Pellegrino Tibaldi (1527–1596), Adoration of the Shepherds, 1549
- Caravaggio (Michelangelo Merisi) (1571–1610), Contarelli Chapel, S. Luigi dei Francesi, Rome, c. 1597–1601: St. Matthew and the Angel, 2nd version, Calling of St. Matthew, St. Matthew and the Angel, 1st version
- Gianlorenzo Bernini (1598–1680), Cornaro Chapel, Santa Maria della Vittoria, Rome, 1645–52: Ecstasy of St. Teresa
- Andrea del Pozzo (1642–1709), Allegory of the Missionary Work of the Jesuits, San Ignazio, Rome, 1694 (also called Glorification of St. Ignatius of Loyola), 1691–1694
- Giovanni Battista Gaulli (1591–1666), Triumph of the Name of Jesus, Il Gesù, Rome, 1676–1679
- David Teniers II (1610–1690), Archduke Leopold Wilhelm in his Picture Gallery in Brussels, c. 1647
- Bernini, Apollo and Daphne, 1622–24
- Gentileschi, Judith and Her Maidservant with the Head of Holofernes, c. 1625
- Gentileschi, Sleeping Venus, 1625–30
Week 7
- Gianlorenzo Bernini (1598–1680), Pluto and Proserpina (Persephone), 1621–22
- Claes Jansz Visscher (1587–1652), Leo Hollandicus, 1648
- Map of 17th-century Dutch trade routes
- Visscher “Huis ter Kleef,” from Pleasant Places, etching, 1611
- Jacob van Ruisdael (c.1628–1682), View of Haarlem from the Dunes at Overveen, c. 1670
- Dutch view of New Amsterdam (now New York City), 1664; Dutch trading post in Bandar Abbas, Persia (now Iran), 1704; Dutch elevation drawing of Nagasaki coastline, Japan, 1661
- Frans Hals (c. 1581–1666), Isaac Massa and Beatrix van der Laen, c. 1622
- Hals, Pieter van den Broecke, c. 1633
- Rembrandt van Rijn (1606–1669), The Company of Captain Frans Banninck Cocq (The Night Watch), 1642
- Hals, Malle Babbe, c. 1630–33
- Judith Leyster (c. 1609–1660), Children with a Cat and an Eel, c. 1635
- Leyster, Self-Portrait, c. 1630
- Leyster, Merry Company, 1630
- Jan Steen (c. 1625–1679), In Luxury, Look Out, 1663
- Pieter de Hooch (1629–1684), Mother Lacing Her Bodice Beside a Cradle, c. 1661–1663
- Willem Claesz Heda (1593/4–1680), Breakfast Still Life, 1635
- Willem Kalf (1619–1693), Still Life with a Chinese Porcelain Jar, 1669
- Kalf, Still Life with Ewer and Basin, Fruit, Nautilus Cup and Other Objects, c. 1660
- Kalf, Still Life with a Silver Jug and a Porcelain Bowl, 1660
- Kalf, Still Life with a Chinese Bowl, a Nautilus Cup and other Objects, 1662
- Jurriaen van Streeck (1632–1687), Moor with Porcelain and Fruit, c. 1660s
Week 8
- Adrien van der Spelt (1630–1673) and Frans van Mieris (1635–1681), Still Life with a Flower Garland and a Curtain, 1658
- Rembrandt, Self-Portrait at the Age of Thirty-Four, 1640
- Titian (c. 1490–1576), A Man with a Quilted Sleeve, c. 1510
- Raphael (1483–1520), Baldassare Castiglione, c. 1514
- Rembrandt, Self-Portrait, c. 1660–65
- Johannes (Jan) Vermeer (1632–1675), The Milkmaid, c. 1658–60
- Vermeer, Allegory of the Art of Painting, 1670–75
- Frontispiece, Dutch translation of Cesare Ripa, Iconologia, 1644 and plate showing the Muses from French translation of Cesare Ripa, Iconologia, 1643
- Map of Europe in 1648
- Jusepe de Ribera (c. 1588–1652), St. Jerome and the Angel of Judgment, 1626
- Francisco de Zurbarán (1598–1664), Crucifixion, 1627
- Zurbarán, Saint Serapion, 1628
- Francisco Ribalta (1565–1628), Vision of St. Bernard, c. 1625–27
- Diego Velázquez (1599–1660), Philip IV in Brown and Silver, 1634–1635
- Velázquez, Philip IV (Fraga Philip), 1644
- Velázquez, Las Meninas (The Maids of Honor), 1656
- Hyacinthe Rigaud (1659–1743), Louis XIV, 1701
- Antoine Coysevox (1640–1720), Louis XIV on Horseback, 1683–85
- Hall of Mirrors, Palace of Versailles
- Charles Le Brun (1619–90), Franche-Comté Conquered for the Second Time in 1674, 1679–86
- Le Brun, Crossing of the Rhine, 1679–86
- Pierfrancesco Alberti (1594–1638), Painter’s Academy in Rome, c. 1600
- Le Brun, Family of Darius before Alexander, 1660–61
- Le Brun, Surprise mixed with Admiration, c. 1660
Week 9
- François Lemoyne (1688–1737), Hercules and Omphale, 1724
- Bartholomeus Spranger (1546–1611), Hercules and Omphale, c. 1585
- Jean-Antoine Watteau (1684–1721), Pilgrimage to Cythera, 1717
- François Boucher (1703–1770), Mars and Venus Surprised by Vulcan; Judgment of Paris; Venus and Vulcan, 1754
- Gabriel de Saint-Aubin (1724–1780), View of the Salon of 1753, etching, AND G. de Saint-Aubin, View of the Salon of 1765, drawing with watercolor
- (cover of) La Font de Saint Yenne, Reflections on Some Causes of the Current State of Painting in France, 1747 (review of Salon of 1746); Painting Mocked by Envy, Stupidity and Drunkenness, etching after Boucher, 1747; Caricature of La Font de Saint Yenne
- Jean-Marc Nattier (1685–1766), Duc de Chaulnes as Hercules, 1746 AND Madame de Caumartin as Hebe, 1753
- Boucher, The Gallant Shepherd, c. 1737–8 and Boucher, Les confidences pastorales, c. 1745
- Boucher, Rising of the Sun, 1753 and Setting of the Sun, 1753
- Nicolas Poussin (1594–1665), Death of Germanicus, 1627
- Harriet Hosmer, Zenobia in Chains, 1859
- Claude Michel, called Clodion, The Intoxication of Wine, c. 1780–90.
- Louis-Léopold Boilly, Jean-Antoine Houdon’s Studio, c. 1803.
- Etienne Maurice Falconet, Pygmalion and Galatea, 1763.
- Jules Dalou, Tomb of Victor Noir, 1891
- Eugène Delacroix, Death of Sardanapalus, 1827.
- Eugène Delacroix, The Death of Sardanapalus (reduced replica), 1844.
- Eugène Delacroix, The Massacre at Chios, 1824.
- Eugène Delacroix, Massacre of Chios (watercolor study), 1824.
Week 10
- Johann Zoffany (1733–1810), Academicians of the Royal Academy, 1771–1772
- Élisabeth-Louise Vigée-Lebrun (1755–1842), Queen Marie-Antoinette and her Children, 1787
- Vigée-Lebrun, Self-Portrait with Julie, 1786
- Pietro Martini, Salon of 1787, 1787
- Angelica Kauffman (1741–1807), Portrait of Johann Joachim Winckelmann, 1764
- Gavin Hamilton (1723–1798), Death of Lucretia (Oath of Brutus), 1763–67
- Domenico Cunego (1727–1779), Oath of Brutus, engraving, 1768
- Kauffman, Cornelia, Mother of the Gracchi, c. 1785
- Jacques-Louis David (1748–1825), Oath of the Horatii, 1784
- David, Preparatory drawings for Oath of the Horatii, c. 1784
- John Hamilton Mortimer (1740–1779), Chit Qua, the Chinese Modeller, 1770–71
- Tan Che Qua (c. 1728–1796), David Garrick (?), 1770
- François Boucher, Chinese Dance, 1742
- Boucher, Chinese Fair, 1742
- Beauvais Tapestry Factory, The Chinese Fair, after Boucher (in production from 1740s)
- Ilantai (active 1749–1786), Yuanyingguan zhengmian (Observatory of Distant Oceans), Yuanming Yuan (Garden of Perfect Clarity), 1781–83
- Qing court painters, Battle of Qurman, 1760 (version of this painting sent to France in late 1760s)
- David, Marie Antoinette on Her Way to the Scaffold, 1793
- Hubert Robert (1733–1808), V__iew of the Grande Galerie of the Louvre, 1796, and Revolutionary timepiece
- David, Death of Marat, 1793
- Caravaggio (1573–1610), Deposition, c. 1602–1604
- Michelangelo (1475–1564), Pietà, c. 1498–1500
- David, Napoleon Crossing the Alps at Saint Bernard Pass, 1800–1
- Frontispiece to vol. 1, Description de l’Egypte, 1809–1828
- Antoine-Jean Gros (1771–1835), Napoleon Visiting the Pesthouse at Jaffa, 1804
- Théodore Géricault (1791–1824), Raft of the Medusa, 1819
- Henry Fuseli (1741–1825), Count Ugolino and his Sons, 1809 (print after Fuseli’s painting of 1806)