|1||Introduction to the Course|
|2||Technical Workshop: Demonstration of DV Cameras |
In-class Exercise #1: "Camera Play"
Introduction to Assignment #1: "Abstractions"
Technical Workshop: Introduction to Editing Lab and Final Cut Pro
Introduction to Assignments #2 and #3: Edit "Abstractions"
Early History of Video Art Pt 2: Aesthetics of the Video Signal
|5||Introduction to Assignment #4: Personal Documentary (Autobiography) |
Technical Workshop: Camera Supports
|6||Introduction to Assignment #4: Personal Documentary (Autobiography) (cont.)||Rush, Michael. Introduction in New Media in Late 20th Century Art. Thames and Hudson, 2001. ISBN: 0500203296.|
|7||Technical Workshop: Audio Recording |
Introduction to Assignment #4: Personal Documentary (Autobiography) (cont.)
Technical Concepts, Resolution, Formats, Degradation, etc.
Rush, Michael. Introduction in New Media in Late 20th Century Art. Thames and Hudson, 2001. ISBN: 0500203296.
|8||Assignment #4: "Personal Doc"|
|9||Introduction to Assignment #5: Personae and the Fictive Self (Autobiography)|
|10||Technical Workshop: Lighting |
Introduction to Assignment #6: Group Exercise (In and Out of Class): Camera Placement and Continuity – "Hartley"
|George Kuchar. “Tips on Directing.” Wide Angle , vol 13, no. 3–4 (July–October 1992): 13.|
|11||Individual Presentations: Lighting |
Begin Individual Edits of Assignment #6
|12||Class Exercise: Screening of Completed "Hartley" Edits|
|15||Assignment #5: "The Fictive Self"|
|16||Individual Presentations: Cinematography|
|17||Technical Workshop: Voice-over Narration |
Individual Presentations: Sound
|18||Individual Edits of Hartley Scene|
|19||Introduction to Assignment #7: Stories (Alternative Narratives)|
|22||Individual Meetings (cont.)|
|23||Technical Workshop: Final Cut Pro Color Manipulation|
|24||Presentation of Final Project Treatment, Storyboards and Influences|
|25||Technical Workshop: Creating DVD's using DVD Studio Pro 2.0 |
|26||Assignment #7: Stories (Alternative Narratives)|