Monteverdi to Mozart: 1600-1800

Listening and Scores

[Taruskin] = Taruskin, Richard. Music in the Seventeenth and Eighteenth Centuries. Oxford University Press, 2011. ISBN: 9780199842155. [Preview with Google Books]

WEEK #	TOPICS	LISTENING ASSIGNMENTS AND SCORES
I	Monteverdi: Madrigals and vocal music	Assigned Music and Videos Monteverdi, Claudio. “O rosetta.” Scherzi Musicali. From: Scherzi Musicali a tre voci. Sergio Vartolo. Naxos, 1998. ———. “Incenerite spoglie.” Madrigals, Book VI, no. 1. From: Il sesto libro dei madrigali à cinque voci. Nuova Era Records, 1993. ———. “Cruda Amarilli.” Madrigals, Book V. From: Quinto Libro Dei Madrigali. La Venexiana. Glossa, 2007. ———. “Lettera amorosa.” Madrigals, Book VII. From: Settimo Libro Dei Madrigali, La Venexiana, Glossa, 2004. ———. “Combattimento,” and “Lamento della ninfa.” Madrigals, Book VIII. From: Ottavo Libro Dei Madrigali. La Venexiana. Glossa, 2005. ———. “Gloria patri.” Vespers of the Blessed Virgin. Seraphic Fire Media, Seraphic Fire Media, 1995. ———. Orfeo, Act II excerpts. Video: 30:50-32:20 and 34:14-35:35. Zeno Lugoboni. “Orfeo–Monteverdi.” June 21, 2012. YouTube. Accessed February 19, 2014. http://www.youtube.com/watch?v=3Ma4OelX45I ———. “Tu se’ morta,” and “Ahi caso acerbo.” L’Orfeo. Video: Musicamisteri. “L’Orfeo de Monteverdi–Acto II - “Tu se’morta” (Pista 9b Barroco 1).” January 23, 2009. YouTube. Accessed February 19, 2014. http://www.youtube.com/watch?v=8ll_u870PG8 ———. “Addio, Roma,” “Hoggi sarà Poppea,” and “Pur ti miro.” L’incoronazione di Poppea, Act III. From: L’ incoronazione di Poppea. Richard Hickox. Harmonia Mundi, 2010. ———. “Addio Roma.” L’incoronazione di Poppea. Video: stolof. “Ann Hallenberg–L’incoronazione di Poppea–Ottavia–Addio Roma.” June 21, 2012. Accessed February 19, 2014. YouTube. http://www.youtube.com/watch?v=JGnA3v-IBGg ———. “Addio Roma.” L’incoronazione di Poppea. Video: Sarma230. “Monteverdi–L’Incoronazione di Poppea–Addio Roma, addio patria, amici addio–Act 3.” December 5, 2010. YouTube. Accessed February 19, 2014. http://www.youtube.com/watch?v=HTgbnJ20u2U ———. “Hoggi sarà Poppea.” L’incoronazione di Poppea. Video: bejun. “L’incoronazione di poppea–Hoggi sarà Poppea.” August 9, 2007. Accessed February 19, 2014. http://www.youtube.com/watch?v=xYf7eP4bmYA ———. “Pur ti miro.” L’incoronazione di Poppea. Video: Jammy7000. “Monteverdi–L’ Incoronazione di Poppea 3.” May 23, 2008. YouTube. Accessed February 19, 2014. http://www.youtube.com/watch?v=4pjXfChGWds ———. “Pur ti miro.” L’incoronazione di Poppea. fVideo: DynamicOperaClassic. “L’incoronazione di Poppea “Pur ti miro, Pur ti godo” (Jaroussky, De Niese).” February 21, 2012. YouTube. Accessed February 19, 2014. http://www.youtube.com/watch?v=_isL0E-4TsQ Assigned Scores [Taruskin] Examples: 1–1, 1–2, 1–3, 1–4, 1–5, 1–6, 1–7, 1–8, 1–9, 1–10, 1–11, 1–12, and 1–15. Monteverdi, Claudio. Madrigali Libros VI, VII, VIII. Ut Orpheus Edizioni (Urtext). ———. “Cruda Amarilli.”  Norton Anthology of Western Music. 6th ed. W. W. Norton & Company, 2009. ISBN: 9780393931273. Not Assigned But Helpful Palestrina, “Kyrie.” Missa Papae Marcelli. From: Palestrina: Missa Papae Marcelli / Allegri: Miserere. Oxford Camerata, Oxford Schola Cantorum. Naxos, 1995. ———. “Credo.” Missa Papae Marcelli. From: The Tallis Scholars. Peter Phillips. Gimell UK, 2007. Monteverdi, Claudio. Vespers of the Blessed Virgin. From: Monteverdi: Vespers of 1610. Boston Baroque, Martin Pearlman. Telarc, 1997. Disc 1, Tracks 1, 9, and 10. Disc 2, Tracks 4–15. ———. L’Orfeo. From: L’Orfeo, Gardiner. Archiv Produktion, 1990. Disc 1, Tracks 1, 2, and 7. ———. “Ecco la sconsolata donna.” L’Incoronazione Di Poppea. From: L’Incoronazione Di Poppea. Concentus musicus Wien, Nikolaus Harnoncourt. Teldec, 1993. ———. “Come dolce.” L’incoronazione di Poppea. Video: shuunya. “Alice Coote–l’incoronazione di poppea–act 1, scene 10.” August 8, 2008. YouTube. Accessed on February 19. 2014. http://www.youtube.com/watch?v=nJqT0DkstxM Additional Score Monteverdi, Claudio. Six Scherzi Musicali. Glossa, 2009.
II	Organ music, oratorio, cantata	Assigned Music Frescobaldi, Girolamo. Toccata 9, Book 2. From: Girolamo Frescobaldi: II Primo Libro delle Canzoni. Cesare Atticciati. Bongiovanni 1994. ———. “Kyrie.” Messa della Madonna. From: Fiori Musicali. Vol. 2. Lorenzo Ghielmi. RCA, 1997. Sweelinck, Jan Pieterszoon. Fantasia chromatica. From: Sweelinck: Keyboard Music. Christopher Herrick. Hyperion UK, 2003. Schütz, Heinrich. “O quam tu pulchra es.” Symphoniae Sacrae, Op. 6. From: Schutz: Symphoniae Sacrae. Concerto Palatino. Accent, 1991. ———. “Eile mich, Gott, zu erreten.” Kleine geistliche Konzerte. From: Kleine Geistliche Konzerte. Vol. 1. New York Baroque. Pgm, 1997. ———. “Saul, Saul, was verfolgst du mich.” Symphoniae Sacrae, bk 3. From: Heinrich Schütz: Musikalische Exequien. John Eliot Gardiner. Archiv Produktion, 2005. Strozzi, Barbara. “Lagrime mie.” From: Era La Notte. Anna Caterina Antonacci, Federico Maria Sardelli. Naive, 2006. Assigned Scores [Taruskin] Examples: 2–3, 2–5, 2–6, 2–11, 2–12, 2–13, 2–14, and 2–15. Schütz, Heinrich. “Eile mich, Gott, zu erreten.” Kleine geistliche Konzerte, Complete. Dover Publications, 1996. ISBN: 9780486291772. Strozzi, Barbara. “Lagrime mie.” Norton Anthology of Western Music. 6th ed. W. W. Norton & Company, 2009. ISBN: 9780393931273. Frescobaldi, Girolamo. “Kyrie della Madonna,” “Christe,” and “Kyrie.” Fiori Musicali. Peters ed. Anne Fuzeau Classique, 1995, pp. 65, 68, and 70. ISBN: 9790230612784. Not Assigned But Helpful Monteverdi, Claudio. “Zefiro torna.” Scherzi musicali. From: Sweet Torment. I Fagiolini, Hollingworth. Chandos, 2009. Track 5. Frescobaldi, Girolamo. “Cento partite sopra passacagli.” From: Frescobaldi, Harpsichord Works, Toccate, Partite, Canzona, Capriccii. Richard Egarr. Globe, 1991/2006. Track 7. _ Additional Score Scheidt, Samuel. “Cantio Sacra: Christ lag in Todesbanden.” (PDF) Tabulatura nova. _
III	Music for court and chamber	Assigned Music Lully, Jean-Baptiste. “Ouverture,” and “Enfin il est en ma puissance.” Armide. From: The Tragedy of Armide. Opera Lafayette, Ryan Brown. Naxos, 2008. Disc 1, Tracks 1, 7. Rameau, Jean-Phillipe. “Brillez, brillez, astres nouveaux.” Castor and Pollux. From: Rameau–Castor and Pollux. Les Arts Florissants, William Christie. Harmonia Mundi, 1993. Disc 3, Track 15. Tye, Christopher. “Crye.” In Nomine a 5. From: Elizabethan Songs and Consort Music. The Rose Consort of Viols. Naxos, 2000. Track 13. Purcell, Henry. “Overture in D minor.” From: Henry Purcell– Theatre Music. Academy of Ancient Music, Christopher Hogwood. Deeca, 2004. Disc 5, Track 10. ———. Secrecy: “One charming night.” The Fairy Queen. From: T_he Fairy Queen_. Harry Christophers. Coro, 2002. ———. Sleep: “Hush, no more.” The Fairy Queen. From: The Fairy Queen. Les Arts Florissants, William Christie. Harmonia Mundi Fr., 1992. ———. “When I am Laid in Earth,” and “With Drooping Wings.” Dido and Aeneas.  Purcell: Dido and Aeneas. Norman, Jessye. English Chamber Orchestra, Raymond Leppard. Decca, 1986. ———. “When I am Laid in Earth,” and “With Drooping Wings.” Dido and Aeneas.  Dido and Aeneas. Graham, Susan. Le Concert D’Astrée, Emmanuelle Haïm. Virgin Veritas, 2004. ———. Dido and Aeneas. Act I, Nos. 1 & 2 “Shake the cloud off your brow.”, and “Ah! Belinda, I am press’t with torment.” From: Dido and Aeneas. Royal Opera House, Wayne McGregor, Christopher Hogwood. BBC / Opus Arte, 2009. Assigned Scores Lully, Jean-Baptiste. “Armide.” Norton Anthology of Western Music. 6th ed. W. W. Norton & Company, 2009. ISBN: 9780393931273. Rameau, Jean-Phillipe. Act 3, sc. 4. Castor et Pollux. Avant-Scene Opéra, 2002. ISBN: 9782843851803. [Taruskin] Examples: 3–7A, 3–12A, 3–13, and 3–15. Purcell, Henry, and William Shakespeare. The Fairy Queen: an Opera in five acts. Broude Brothers, 1966. Purcell, Henry. Excerpts. Dido and Aeneas. Dido and Aeneas: An Opera. Purcell Society Score. W. W. Norton & Company, 1986, pp. 83–7, 94–7, 176–9. ISBN: 9780393955286. Not Assigned But Helpful Tomkins, Thomas. “A Sad Pavan for these Distracted Times.” From: Choral and Organ Music. Lawrence Cummings. Naxos, 1999. Purcell, Henry. Dido and Aeneas. “The Groves Dance”, and “Come away, fellow sailors.” From: Purcell: Dido and Aeneas; Galliard: Pan and Syrinx. Musica ad Rhenum, Jed Wentz. Brilliant Classics, 2011. Disc 1, Tracks 21, and 22. Lully, Jean-Baptiste. Armide. From: Lully: Les Divertissements de Versailles. Les Arts Florissants, William Christie. Erato, 2002. Track 14. Tye, Christopher. “Trust.” From: In Nomine: 16th C. English Music for Viols Including the Complete Consort Music of Thomas Tallis. Fretwork. Amon Ra, 1995. Track 3. Rameau, Jean-Phillipe. Air gracieux pour Hébé et ses suivantes: “Qu Hébé di fleurs.” Castor and Pollux. From: Rameau–Castor and Pollux. Les Arts Florissants, William Christie. Harmonia Mundi Fr., 1993. Disc 2, Track 10.
IV	Class and classicism	Assigned Music Scarlatti, Alessandro. “Mi rivedi,”  La Griselda. Act II, scene I. From: Norton Recorded Anthology. Vol. 1. 4th ed. Opera D’Oro, 2001. ———. “Stabat mater dolorosa,” “Cujus animam gementem,” and “O quam trisitis.” Stabat mater. From: Pergolesi: Stabat Mater; Scarlatti: Stabat Mater. Bertagnolli, Mingardo, Alessandrini. Naïve Classique, 2013. Tracks 13-15. ———. “Sinfonia avanti l’opera.” La Griselda. From: A. Scarlatti–Griselda. Renee Jacobs, Akademie fur Alte Musik Berlin. Harmonia Mundi Fr., 2004. Assigned Scores Scarlatti, Alessandro. “Sinfonia avanti l’opera.” La Griselda. Harvard University Press, 1975. ISBN: 9780674640290. Not Assigned But Helpful Scarlatti, Alessandro. Complete: Stabat mater. From: Pergolesi: Stabat Mater; Scarlatti: Stabat Mater. Bertagnolli, Mingardo, Alessandrini. Naïve Classique, 2013. ———. Cantata: “Andate, oh miei sospiri.” From: Alessandro Scarlatti: Cantate da Camera. Cristina Miatello, Gloria Banditelli. Membran, 1999. ———. “Introduzione,” recit & aria: “Del ben seno,” and “L’autor d’ogni mio bene.” O di Betlemme altera. From: Scarlatti and Hasse: Salve Regina, Cantatas and Motets. The King’s Consort, Robert King. Hyperion UK, 1996.
V	Exam 1	No assignments.
VI	Concerto and tonality	Assigned Music Corelli, Arcangelo. Sonata in G minor, Op. 3, No. 11. From: Corelli: Sonatas for Strings, Opp. 3–4. Vol. 4. The Purcell Quartet. Chandos, 1992. Disc 1, Tracks 36–39. ———. Sonata in G minor, Op. 4, No. 2. From: Corelli: Sonata for Strings. The Purcell Quartet. Chandos Chaconne, 1992. Disc 4, Tracks 5–8. Purcell, Henry. Sonata No. 3 in D Minor. From: Purcell: Sonata of 3 Parts, 1683. Beznosiuk, Podger, Coin, Hogwood. L’Oiseau-Lyre, 1995/1999. Handel, G. F. Concerto Grosso in B flat major, Op.6/7, HWV 325. From: Handel: Concerti grossi, Op. 6. Collegium Musicum 90, Simon Standage. Chandos, 1998. Tracks 6–10. Bach, J. S. Toccata & Fugue for organ in F major, BWV 540. From: Johann Sebastian Bach: Toccatas and Fugues. Christopher Herrick. Hyperion UK, 1992/2010. Tracks 6, and 7. Vivaldi, Antonio. “Spring.” The Four Seasons, Concerto in E major. From: Vivaldi: Il cimento dell’armonia e dell’inventione, The Four Seasons. Raglan Baroque Players, Huggett & Kraemer. EMI Classics Imports, 2000. Disc 1, Tracks 1–3. Purcell, Henry. Fantazia 7 in C minor. From: Purcell: Fantazias & In Nomines. Fretwork. Virgin Veritas, 1995. Track 4. Corelli, Arcangelo. “I. Grave-Adagio-Grave-Allegro-Adagio,” “II. Allegro.” Church Sonata No. 1 in D major. From: Corelli: Violin Sonatas Op. 5, Nos. 1-12. Accademia Bizantina, Stefano Montanari & Ottavio Dantone. Arts Productions Ltd., 2005. Tracks 1–2. Assigned Scores [Taruskin] Examples 5–3: “Presto. (0'59).” pp. 182–3 II. Not Assigned But Helpful Corelli, Arcangelo.“Largo. Pastorale ad libitum.” Concerto Grosso in G minor, Op. 6/8. From: Christmas Concertos. The English Concert, Trevor Pinnock. Archiv Produktion, 1991. Track 27. A. Marcello.“III. Presto.” Oboe Concerto in D minor. From: Vivaldi: Concerto ‘Per Flautino’/2 Cantatas/Trio Sonata ‘La Folia;’ Marcello: Oboe Concerto. Clare Shanks, Academy of Ancient Music, Christopher Hogwood. Polygram Records, 1989. Track 3. Vivaldi, Antonio. Bassoon Concerto in C, RV 477. From: Vivaldi Bassoon Concertos. John Miller, St. Mary’s Chamber Players, Neville Marriner. Pro Arte, 1993. Corelli, Arcangelo. Church Sonata No. 1 in D major. From: Corelli: Violin Sonatas Op. 5, Nos. 1-12. Accademia Bizantina, Stefano Montanari & Ottavio Dantone. Harmonia Mundi, 2003. Tracks 1–5. Vivaldi, Antonio.“Allegro.” Concerto for 4 Violins, Op. 3, No. 10 in B minor, RV580. From: Vivaldi: L’Estro Armonico; 12 Concertos Op. 3. Europa Galante, Fabio Biondi. Erato, 1998. Disc 2, Track 17.
VII	1685 Part I	Assigned Music Bach, J. S. “Prelude in C Major,” and “Fugue in C Major.” The Well-tempered Clavier, Bk I. From: The Well-Tempered Clavier, Book I. Robert Levin. Hänssler Classic, 2000. Buxtehude, Dietrich. “Durch Adams Fall ist ganz verderbt.” Chorale prelude for organ in the Dorian mode, BuxWV 183. From: Dietrich Buxtehude: Orgelwerke. Vol. 5. Harald Vogel. M D and G Records, 1993/2001. Track 2. Bach, J. S. Durch Adams Fall ist ganz verderbt, BWV 637. From: Bach: Orgelbüchlein. Norbert Petry. K617, 1990. Track 39. ———. Brandenburg Concerto #5 in D, BWV 1050. From: Bach: Brandenburg Concertos Nos. 1–6. Orchestra of the Age of Enlightenment, Elizabeth Wallfisch. Erato, 1999. Disc 2, Tracks 4–6. Not Assigned But Helpful Bach, J. S. Christ lag in Todesbanden, BWV 4. From: J. S. Bach: Magnificat–Easter Oratorio. Taverner Consort and Players, Andrew Parrott. Archiv Produktion, 2007. Disc 2, Tracks 1–3, and 6–8. ———. Christ lag in Todesbanden, BWV 625. From: Bach: Complete Organ Works. Ton Koopman. Teldec/Warner, 2011. ———. Christ lag in Todesbanden, BWV 718. From: The Young Bach–A Virtuoso. (Vol. 89). Kay Johannsen. Hänssler Classics, 1999. Disc 1, Track 8. ———. French Suite #5 in G major, BWV 816. From: J. S. Bach: Chromatic Fantasia & Fugue; 3 Preludes & Fugues; English Suite No. 3; French Suite No. 5. Trevor Pinnock. Archiv Producktion, 1993. Tracks 15–21. ———. Prelude #1 in C major, BWV 846. From: Bach: Das Wohltemperierte Clavier, Books 1 & 2. Daniel Chorzempa. Philips, 1982/1998. Disc 3, Track 1.
VIII	1685 Part II	Assigned Music Handel, G. F. “Vivi, tiranno, io t’ho scampato.” Rodelinda. From: Handel: Rodelinda. Raglan Baroque Players, Nicholas Kraemer. Virgin Veritas, 2002. Disc 3, Track 14. ———. Excerpts from “Exodus”: The plagues. Israel in Egypt, Part 2. From: Handel: Israel in Egypt. Taverner Choir and Players. Andrew Parrott. EMI, 1990/2002. Disc 1, Tracks 17, and 19–22. Bach, J. S. Mvts. I-VI. Nun komm der heiden Heiland, BWV 61. From: Bach, J. S.: Advent Cantatas BWV 61, 36 & 62. Monteverdi Choir, John Eliot Gardiner. Deutsche Grammophon, 2000. Tracks 1–6. ———. Mvts. I, II, V, VIII. Ein’ feste Burg, BWV 80. From: Bach Cantatas. Vol. 10: Potsdam/Wittenberg. Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner. Soli Deo Gloria, 2005. Disc 2, Tracks 10-11, 14, and 17. ———. “Fuga a 3 soggetti.” The Art of the Fugue, BWV 1080. From: Bach, Art of the Fugue. Leipzig Bach Collegium. Capriccio, 1992. Disc 2, Track 10. ———. “Fuga a 3 soggetti.” The Art of the Fugue, BWV 1080. From: The Art of Fugue, BWV 1080. Robert Hill. Hänssler Classics, 1999. Disc 2, Track 9. ———. “Contrapunctus XIV.” The Art of the Fugue, BWV 1080. From: Art of the Fugue. Bernard Labadie, Les Violins du Roy. Sono Luminus, 2001. Track 20. Messiah Borrowings Handel, G. F. “For unto us a child is born,” and “His yoke is easy.” Messiah, HWV 56. From: Handel–Messiah. Les Arts Florissants, William Christie. Harmonia Mundi Fr., 1994/2006/2013. Disc 1, Tracks 10, and 15. ———. “No, di voi non vo’ fidarmi” (source of “For unto us a child is born”) and “Quel fior che all’alba ride” (source of"His yoke is easy"). Italian Duets and Trios II, HWV 189. From: Handel–Arcadian Duets. Le Concert d`Astrée, Emmanuelle Haïm. Erato, 2002/2006. Tracks 3, and 9. Assigned Scores [Taruskin] Examples: 7–9A–F, and 7–10A, 7–10C, and 7–10D. Not Assigned But Helpful Bach, J. S. 3c. Bach, BWV 720, Ein feste Burg, chorale fantasia for organ, 1709. From: The Young Bach–A Virtuoso. (Vol. 89). Kay Johannsen. Hänssler Classics, 1999. Disc 1, Track 6. ———. Ein’ feste Burg, BWV 80 (complete). From: Bach Cantatas. Vol. 10: Potsdam/Wittenberg. Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner. Soli Deo Gloria, 2005. Disc 2, Tracks 10–17.
IX	The comic style	Assigned Music and Videos Scarlatti, Domenico. “Vivo.” Keyboard Sonata in E, K 264. From: D. Scarlatti Sonatas. Vol. I. Andreas Staier. Deutsche Harmonia Mundi, 1991. Bach, C. P. E. Prussian Sonata no. 1 in F. From: C. P. E. Bach: The Solo Keyboard Music, Prussian Solatas. Vol. 1. Miklós Spányi. Bis, 1998. Tracks 4–6. Pergolesi, Giovanni Battista. Excerpt: “Ah, poveretta lei.” La Serva Padrona. Video: anamorphosis1968. “Pergolesi–La serva padrona–Ah! poveretta lei!” November 13, 2008. YouTube. Accessed February 26, 2014. http://www.youtube.com/watch?v=EQwnhrO-WAA&feature=relmfu
X	Exam 2	No assignments.
XI	Enlightenment and reform	Assigned Music Gluck, Christoph Willibald von. Act II, scene 1. Orphée et Eurydice, French version, 1774. From: Gluck–Orphée et Eurydice. Marc Minkowski. Archiv Produktion, 2004. Disc 1, Tracks 19–29. Mozart, W. A. “Konstanze, dich widerzusehen!” and “O wie ängstlich, o wie feurig” (Belmonte). Abduction from the Seraglo, K. 384. From: Mozart–Die Entführung aus dem Serail. English Baroque Soloists, John Eliot Gardiner. Archiv Produktion, 1993. Disc 1, Track 7. ———. “Der Hölle Rache kocht in meinem Herzen” (Queen of the Night) and “In diesen heil’gen Hallen” (Sarastro). The Magic Flute. From: Mozart–Die Zauberflöte. English Baroque Soloists, John Eliot Gardiner. Dg Imports, 1996. Disc 2, Tracks 8, and 10. Not Assigned But Helpful Gluck, Christoph Willibald von. Orphée et Eurydice, French version, 1774. From: Gluck–Orphée et Eurydice. Marc Minkowski. Archiv Produktion, 2004. Act II, scenes 2-3 (excerpts). Disc 1, Tracks 31–33. Act II, scene 1 (excerpts). Disc 2, Tracks 5–6. Piccinni, Niccolo. “Una povera ragazza,” “Furie di donna irata,” and “Sì signora, di lassù,” La buona figliuola. From: Niccolo Piccinni: La Cecchina Ossia La Buona Figliuola. Nuova Era, 2006. Disc 1, Track 10–11 and Disc 2, Track 8. Mozart, W. A. “Solche hergelaufne Laffen” (Osmin). From: Mozart–Die Entführung aus dem Serail. English Baroque Soloists, John Eliot Gardiner. Archiv Produktion, 1993. Disc 1, Track 5. ———. “Volgi intorno lo sguardo.” From: Idomeneo. Freiburger Barockorchester, René Jacobs. Harmonia Mundi, 2009. Disc 3, Track 1. ———. Overture,“Zu Hilfe,” “Ich sollte fort,” “Wo bin ich,” “Der Vogelfänger bin ich ja,” and “He da!” The Magic Flute. From: Mozart–Die Zauberflöte. English Baroque Soloists, John Eliot Gardiner. Dg Imports, 1996. Disc 1, Tracks 1–5. ———. Overture, “Notte e giorno faticar,” “Già la mensa è preparata,” “L’ultima prova,” “Don Giovanni, a cenar teco,” and “Ah! dove è il perfido.” Don Giovanni. From: Mozart–Don Giovanni. English Baroque Soloists, John Eliot Gardiner. Archiv Produktion, 1995. Disc 1, Tracks 1–2 and Disc 3, Tracks 13–16. Haydn, Joseph. “Dona nobis pacem.” Missa in Tempore Belli “Paukenmesse,” in C. From: Haydn: Heiligmesse & Mass in Time of War. Monteverdi Choir and English Baroque Soloists, John Eliot Gardiner. Philips, 2003. Track 22.
XII	Haydn: Instrumental music	Assigned Music Haydn, Franz Joseph. Symphony in F sharp minor, No. 45 “Farewell.” From: Haydn: Sturm & Drang Symphonies. The English Concert, Trevor Pinnock. Archiv Produktion, 2002. Disc 6, Tracks 1–5. ———. String Quartet, Op 33/2, in E-flat major. From: Joseph Haydn: Sechs Streichquartette, Op. 33. Appónyi Quartet. Ars Musici/Naxos, 1993/2010. Disc 1, Tracks 5–8. ———. Symphony 94 in G major, “Surprise.” From: Haydn: Name Symphonies. C. P. E Bach Chamber Orchestra, Hartmut Haenchen. Edel Classics, 2006. Disc 4, Tracks 7–10. ———. Symphony 104 in D major “London.” From: Haydn–Symphonies Nos. 101-104. Royal Concertgebouw Orchestra, Nikolaus Harnoncourt. Elektra / Wea, 1998. Disc 2, Tracks 5–8. Not Assigned But Helpful Haydn, Joseph. The Creation. From: Haydn: The Creation. City of Birmingham Chorus and Symphony Orchestra, Simon Rattle. Angel Records, 1991. Disc 1, Tracks 1–2, and 14 and Disc 2, Tracks 1–3, and 6–7. ———. “Sanctus.” Missa in Tempore Belli “Paukenmesse,” in C. From: Haydn: Heiligmesse & Mass in Time of War. Monteverdi Choir and English Baroque Soloists, John Eliot Gardiner. Philips, 2003. Tracks 19–21.
XIII	Mozart: Instrumental music	Assigned Music Mozart, W. A. Violin Concerto No. 5 in A major, K. 219. From: Mozart–Violin Concertos. Anne-Sophie Mutter, London Philharmonic Orchestra. Deutsche Grammophon, 2005. Disc 1, Tracks 7–9. ———. Symphony No. 39 in E-flat major, K. 543. From: Mozart–Symphonies Nos. 38 and 39. Royal Concertgebouw Orchestra, Nikolaus Harnoncourt. Warner Classics International (Elatus), 2013. Track 5. ———. Piano Concerto No. 17 in G major, K. 453. From: Mozart–Piano Concertos Nos. 9 “Jeunehomme” and 17. Andreas Staier, Concerto Köln. Teldec, 1996. Tracks 4–6. ———. String Quartet No. 19 In C. K. 465 “Dissonance.” From: Mozart: The String Quartets. Quartetto Italiano. Decca, 2010. Disc 6, Tracks 5–8. Not Assigned But Helpful Mozart, W. A. Symphony No. 39 in E-flat major, K. 543. From: Mozart–Symphonies Nos. 38 and 39. Royal Concertgebouw Orchestra, Nikolaus Harnoncourt. Warner Classics International, 2013. Tracks 4–7. ———. Fantasia in D minor, K. 397. From: Mozart: Complete Works for Solo Piano. Ingrid Haebler. Philips, 1997. Disc 2, Track 10. ———. Fantasia in C minor, K. 475. From: Mozart: The Piano Sonatas. Maria Joao Pires. DG, 2010. Disc 5, Track 4.
XIV	In–class presentations	No assignments
XV	In–class presentations	No assignments.