21M.011 | Fall 2024 | Undergraduate

Introduction to Western Music

Week 15: Lecture 15: Where Do We Go from Here?

Where We Have Been

6 stylistic eras:   Spanning approximately:
 Medieval   400–1400
Renaissance 1400–1600
Baroque 1600–1750
Classical 1750–1820
Romantic 1820–1900
20th century / Modern   1900–

1500+ years of music represented by:

  • 70+ pieces or movements in our assigned listening
  • 16 pieces in First Impressions
  • 3 Concerts

Week 3: Sacred Music in the 15th and Early 16th Centuries

  • Guillaume Dufay, “Kyrie” from the L’homme armé (Kyrie/Mass)
  • Josquin Desprès, “Agnus Dei” from the Pange lingua Mass (Agnus Dei/Mass)
  • Johannes Ockeghem, “Kyrie” from the Missa prolationum (Kyrie/Mass)

Elise Groves, soprano, Wee Kiat Chia, countertenor, Corey Hart, tenor, Jacob Cooper, bass (Handel and Haydn Society Chorus)

Week 5: Voice and Opera

Henry Purcell, Dido and Aeneas, “Thy Hand Belinda” (recitative) and “When I Am Laid in Earth” (aria), Elise Groves, soprano

Week 6: Harpsichord

Johann Sebastian Bach, Prelude and Fugue in A major, Well-Tempered Clavier, Book II, Michael Goetjen, harpsichord

Week 8: String Quartet

  • Wolfgang Amadeus Mozart, Eine kleine Nachtmusik (serenade)
  • Ludwig van Beethoven, String Quartet in Bb major, op. 18, no. 6: Scherzo (string quartet) 

Julie Leven & Jesse Irons, violins, Renee Hemsing, viola, Guy Fishman, cello (Handel and Haydn Society)

Week 10: Piano Miniature

Robert Schumann, Arabesque in C major, op. 18, Rachel Y Zhu, piano

We Sang

  • “Pange lingua” in Weeks 1 and 3
  • “Haec dies” in Week 2
  • “L’homme armé” in Week 3

We Danced

  • “Pavan” in Week 4
  • We clapped the rhythmic complexities of the Stravinsky Rite of Spring 

Course Info

As Taught In
Fall 2024
Learning Resource Types
Written Assignments
Media Assignments
Editable Files
Presentation Assignments