Project 1

What does it cost to establish knowledge in a certain place at a certain time for a certain people?

Classes 2–4

A project that leads us into interpretation of the cultural dimensions of science. 

A photograph of a female gorilla, holding her baby in her arms.

(Image by The Climate Coalition (UK) on Flickr. CC: BY-NC-SA.)

In the late 1980s, the feminist historian of science, Donna Haraway, asked a question of this form in a playful community cable TV program interpreting the covers of National Geographic that feature primates (Paper Tiger 1987). Taking the video as an entry point to her interpretation of primate studies, this project asks you to consider the issues about interpretation below and, informed by that, to produce a mock-up of a museum display and text interpreting Haraway’s video or texts in their 1980s context. (ICA 2015 might stimulate your thinking about museum displays, even though the displays are not about science, while Haraway 1989 places museum displays about life science in a particular historical context.)

Issues about interpretation include: How does one link some aspect of science to some aspects of the social and cultural context? How does one acknowledge what the science or scientists literally say at the same time as claiming significance for one’s interpretation of contextual influences that may or may not be explicit? How does the outside social context get inside the science—is this the right image of what is going on? Does interpretation follow the same or different rules of evidence and reasoning from scientific claims? Where do questions come from? Where do interpretative themes come from? How does one link some interpretation of science to some aspects of the social and cultural context, especially as it concerns race and gender?

What does it cost to advance a scientific account or an interpretation in a certain place at certain time for a certain people? Whose labors and craftwork gets appropriated? Whose voices and texts get silenced? Whose expertise is made into facts, machines, policy, medicines, topics of cultural and political discourse, science education, and so on? What people are discussed and treated according to the group they are members of?What exclusions do you detect in the space of representation; what or who becomes an object of representation rather than a subject of interpretation?

In what ways can we learn to teach/engage others to interpet the cultural dimensions of science?

(Note: Haraway’s 1989 account of primate studies, as well as Octavia Butler’s 1987–89 Xenogenesis, which enters Project 3, might be seen as inspiration or precursors for the active field of animal studies, which is currently active in expanding the category of sentience, even citizenship, beyond the historically traumatic category of the “human.”)

Birke, Lynda. “Intimate Familiarities? Feminism and Human-Animal Studies.” Society & Animals 10, no. 4 (2002): 429–436. 

 Delaney, Samuel R. “Reading at Work, and Other Activities Frowned on By Authority: A Reading on Donna Haraway’s ‘Manifesto for Cyborgs: Science, Technology, and Socialist Feminism in the 1980’s.’” Longer Views: Extended Essay. Wesleyan, 1996. ISBN: 9780819562937.

Duchamp, L. Timmel. “The Forbidden Words of Margaret A.” 

Haraway, Donna J. Primate Visions: Gender, Race, and Nature in the World of Modern Science. Routledge, 1990. ISBN: 9780415902946.

— — —. “Teddy Bear Patriarchy: Taxidermy in the Garden of Eden, New York City, 1908-1936.” Social Text 11 (Winter 1984–1985): 20–64. 

Haraway, Donna, and Thyrza Goodeve. How Like a Leaf: An Interview with Donna Haraway. Routledge, 1999. ISBN: 9780415924030.

Institute of Contemporary Art. “Leap Before You Look: Black Mountain College 1933–1957.” YouTube. 2015.

Marchesini, Roberto. “Alterity and the Non-human (PDF).” Translated by Boria Sax. HUMaNIMALIA 1, no 2. (2010): 91–96. 

Paper Tiger TV. “Donna Haraway Reads The National Geographic on Primates.” 1987. 

Taylor, Peter J., and Jeremy Szteiter. Taking Yourself Seriously: Processes of Research and Engagement. The Pumping Station, 2012. ISBN: 9780984921607.

Class 2

Generating questions for inquiry (KAQ framework [Knowledge-Action-Questions; Taylor and Szteiter 2012, 105-106]) & looking for answers in the texts.

Focal Reading

Haraway, Donna. “Teddy Bear Patriarchy: Taxidermy in the Garden of Eden, New York City, 1908-1936.” Social Text 11 (Winter 1984–1985): 20–64. 

Prompt for Journal Entry (between class 2 and 3)

Reactions at this early stage to be asked to identify and pursue one’s own inquiries

Class 3

Five-phase dialogue process (aka Dialogue Hour) to share and clarify what we are inquiring into regarding the project. 

Focal Reading

Duchamp, L. Timmel. “The Forbidden Words of Margaret A.” 

Prompt for Journal Entry (between class 3 and 4)

At the time Delaney wrote, he, like you are now, was grappling with learning how to read Haraway.

Class 4

Presentations and submission of written product = mock-up of a museum display and text interpreting Haraway’s video or texts in their 1980’s context.

Focal Reading

 Delaney, Samuel R. “Reading at Work, and Other Activities Frowned on By Authority: A Reading on Donna Haraway’s ‘Manifesto for Cyborgs: Science, Technology, and Socialist Feminism in the 1980’s.’” Longer Views: Extended Essay. Wesleyan, 1996. ISBN: 9780819562937.

Prompt for Journal Entry (between class 4 and 5)

  • Digest comments on presentation.
  • Between class 4 and 5: Comment on the written product of another student.
  • Class 6: Resubmit your product, revised in response to comments from an instructor and a peer.